Anthology Of Indian Classical Music (UNESCO, 1955)
Anthology Of Indian Classical Music (Anthologie De La Musique Classique De L'Inde) Alain Daniélou (UNESCO, 1955)
History booklet appears on right in first 15 minutes, track info pages appear at left with each.
Side A
00:00 Raghunath Prasanna, Durga Prasanna & Katvaru Lal– Le Mode Bhairavi Pour SahnaÏ (The Mode Bhairavi played on the Sahnai)
03:21 Mohin Ud Din Dagar & Amin Ud Din Dagar (aka the Dagar Brothers)– Khyal (by sâdhârana) in the mode Bhimpalashri
09:46 Ravi Shankar– Mode Ahiri-Lalita Pour Sitar (The Mode Ahiri Lalita played on the Sitar by Pandit Ravi Shakar)
15:25 Mishra Shyam Lal (flute) & D.K. Chatterji (tabla)– Mode Mâlkosh Pour Flute (The Mode Malkosh played on the flute with Tabla)
21:16 Narayan Das Mishra (sarangi) & Mishra Shyam Lal (tabla) – Mode Todi Pour Sarangi (The Mode Todi played on the Sarangi)
24:54 Swami D.R. Parvatikar– Gat Pour Vinâ (Gat in the mode Kamavardhani)
Side B
28:11 Chatur Lal– Tabla Solo
31:41 Ravi Shankar (sitar), Ali Akbar Khan (sarod) & Chaturial (tabla) – Sitar , Sarode Et Tablâ Mode Mauj-Khammaj, rhythm Tritâla
45:30 Mohin Ud Din Dagar & Amin Ud Din Dagar (aka the Dagar Brothers) – Alâpa in the mode Multâni
49:17 Ali Akbar Khan (sarod)– Le Mode Sindhi-Bhairavi (The Mode Sindhi-bhairavi)
Side C
54:29 Raghunath Prasanna & Motilal (Khurdak drums) – Thumri Pour Flute (Thumri in the mode Tilang, on the flute)
57:49 Swami D.R. Parvatikar– Svara Mandala, mode Brindâvani-tilang (The mode Brindâvani-tilang on the Svara-mandala)
1:00:56 Nandan Prasad (vocals) & Shyam Lal (tabla)– Bhajana de Mirâ Bai (The Hindi Bhajan of Mira Bai, in the mode Mâlkosh)
1:06:51 Swami D.R. Parvatikar– Mode Suha-kamode Pour Vina (The Mode Suha-kamod played on the Vinâ)
Side D
1:19:37 Bala Sarasvati Orchestra– Jatisvaram
1:23:34 P.R. Balasubramanyam– Alapana, Mode Todi du Sud (Alapana in the Southern Todi mode)
1:26:00 K.S. Pichiappa of Tanjore (1st Nâgasvaram), K.M. Dakshinamurti (2nd Nâgasvaram), T. Subrahmanya Pillai (violin) & Muthu Kumaram (percussion-thaval, jhalan(small cymbals), uttu (a nâgasvaram giving the tonic)– Alapana dans le mode Kambodhi, Pour Nagasvaram (Alapana in the mode Kambodhi)
1:29:15 Mrs. Kamala Krishnamurti– Kriti (in Telugu with an Alâpa in the mode Yadukula-Kambodhi)
1:34:15 K. Ganeshan (vocals in rhythm Tisra-Eku)– Tirmana, Mode Bhairavi (presentation of a dance-rhythm in the Southern Bhairavi mode)
1:35:10 Damal Krishna Pattamal (vocals), Tiruvallur Subrahmanyam (violin), Palghat Kunjumani (two mrindangams) & Shiva Pattamal (tanpurâ)– Mode Varali
1:44:53 Budalur Krishnamurti Shastri (Veena [Gottuvâdyam]) , Varahur Muthusvami Aiyar (violin) & Tinniyam Venkatarama Aiyar (Mrindangam)– Ganesha Kimaram pour gottuvadyam
Side E
1:49:35 Mudi Kondan C. Venkatarama Iyer (vocals), Vellore Gopalachari (vocals), M. Chandrashekharan (violin) & Karaikudi MuthaIyer (mrindangam) – Pallavi, Mode Bhairavi Du Sud (Pallavi in the Southern Bhairavi mode, Rhythm Triputa)
1:55:40 Tanjore Viswanathan (flute) & T. Ranganathan (mrindangam)– Javâli, Mode Khamas Pour Flute (played on the flute, in the mode Khamas)
1:59:42 Unknown artist with accompaniment on mrindangam – Pallavi, Alâpana Et Vocalises, Mode Bhairavi Du Sud (Pallavi in the Southern Bhairavi mode)
2:08:01 D.K. Pattamal (vocals), Kalyan Krishna Bhagavatar (Veena [Vînâ]), & Karaikudi Muttu Aiyar (Mridangam)– Javâli, Mode Paraj (Javali in the mode Paraj)
2:11:35 Kalyan Krishna Bhagavatar (Veena [Vînâ]), Devakotai Narayana Lyengar (Veena [Vînâ]) & Karaikudi Muthu Aiyar (mridangam)– Sadhincene Pour Deux Vinâs (Sdhincene with an introdocutroy Alâpa in the mode Arabbi, interpreted on two Vînâs)
Side F
2:16:37 Radha Shri Ram Orchestra– Varnam, mode Dhanyasi (Varnam in the mode Dhanyasi and the rhythm Adi Tâla)
2:20:33 Mrs. S. Vidya– Varnam, mode Kambodhi, vinâ Solo (A Varnam in the mode Kambodhi, played on the vinâ)
2:23:40 Bala Sarasvati Orchestra (T. Visvanathan – flute, T. Ranganathan – mridangam
Bala Sarasvati – vocals , Jayammal – vocals, K. Ganeshan –vocals, cymbal) – Varnam, Mode Khamas (dance Music, a Telugu Varnam, composed by Pooniah Piallai of Tanjore, in the mode Khamas)
2:30:56 T. Visvanathan (flute) & T. Ranganathan (mridangam)– Sandehamunu, Mode Râmapriyâ, pour Flute (of Tyâgaraja, in the mode Râmapriyâ, played on the flute)
2:35:39 Damal Krishna Pattamal (vocals), Tiruvallur Subrahmanyam (violin), Palghat Kunjumani (mridangam) & Shiva Pattamal (mridangam)– Ninyâko (a Râga-mâlikâ of the 16th century)
2:40:02 Muttu kumaram– Solo de Mridangamar (in the rhythm Adi-tâla, with the accompaniment of small cymbals (tâlam) anda Nâgasvaram drone)
2:43:45 Radha Shri Ram Orchestra– Jhâna Vinayakané
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