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ITZY - RINGO / THE FIRST TAKE Hotney 7 Görünümler • 3 yıl önce

THE FIRST TAKE is a YouTube Channel dedicated to filming musicians and singers performing in a single take.

Episode 375 welcomes back the global girls group ITZY, who swept the rookie awards with their overwhelming charisma and performance after their debut in Korea in 2019. They will perform the title track "RINGO" from their 1st Japan album released in October.
This song, conveying the message "we can change fate", showcases ITZY's distinctive strength. Enjoy the one-shot performance featuring a special band arrangement, exclusively for THE FIRST TAKE.

Drums: Yusuke Fujiwara
Bass: Hiroo Yamaguchi
Guitar: Takashi Nagasawa
Percussion: Hideaki “Lambsy” Sakai

STREAMING & DOWNLOAD: https://itzyjapan.lnk.to/ringo

■ITZY JAPAN OFFICIAL
Web Site: https://www.itzyjapan.com/
YouTube: https://www.youtube.com/@itzyjapan_official
X: https://twitter.com/JYPEITZY_JP
Instagram: https://www.instagram.com/itzyofficial_jp/
TikTok: https://www.tiktok.com/@itzyofficial_jp

■「THE FIRST TAKE」OFFICIAL
Web Site: https://www.thefirsttake.jp/
Instagram: https://www.instagram.com/the_firsttake/
X: https://twitter.com/The_FirstTake
TikTok: https://www.tiktok.com/@the_first_take
THE FIRST TIMES: https://www.thefirsttimes.jp/

■THE FIRST TAKE Rules
A microphone and a white studio.

And 1 rule.
You’ve got 1 TAKE.

■THE FIRST TAKE Concept
Your Music.
Your Everything.
All in this one take.

THE FIRST TAKE
Less Filter, More Music.

CREDITS
―
Director/Creative Director: Keisuke Shimizu
Art Director: Yo Kimura
Copywriter: Hiroshi Yamazaki
Director of Photography: Kazuki Na****ama
Technical Coordinator: Masaaki Ogasawara
Chief Camera Assistants: Shota Hatano
Camera Assistants: Takumi Torii, Ryusei Kitahara
Lighting Director: Naoya Imaoka
Lighting Assistants: Kota Hagihara, Takuya Nojima, Yuichi Matsubara, Makoto Ishizuka, Hashimoto Jiro
Art Designer : Naoto Kashiwagi (studio noll)
Art Assistants: Shuhei Yano (studio noll)
Movie Producer: Shohei Sadohara (TYO drive)
Production Manager: Mai Nonomura (TYO drive)
Production Assistant: Kai Takaha, Nagisa Taki, Kohei Ueda, Yoshiko Okubo
Offline Editor: Kentaro Kinoshita
Colorist: Takaku Hiruma
Online Editor: Kazuya Isobe
Stylist: JO / SUBEEN, JEONG / DAGEON
Hair & Make: CHUNG /SEOKHWAN ,JUNG/ HYERAN, OH / HYEONJU, KIM / YEAJIN

#THEFIRSTTAKE #ITZY #RINGO

Hunxho - 1, 2 , 3 [Official Video] Hotney 4 Görünümler • 3 yıl önce

The official video for Hunxho's "1, 2 , 3" from his project 'XHOSEN' - Out Now!
Stream 'XHOSEN':
https://hunxho.ffm.to/xhosen

Subscribe: https://hunxho.ffm.to/subscribe

Follow Hunxho:
https://www.instagram.com/hunxho
https://www.facebook.com/YoungHunxho
https://twitter.com/hunxhoseason
https://soundcloud.com/1hunxho

LYRICS
Yeah
Big, big, big, big
DB
Yeah, I got
Yeah, said big
Got IV, yeah
Yeah, yeah
Yeah

Know the way I go (Go), tell 'em, "Up the sco'" (Sco')
'Member I was broke (Yeah, yeah), yeah
Like it, I was G.O.A.T, yeah
Beat it, rubber goat, yeah, kill it in her throat, yeah
Beat it, call it rod (Rod), yeah, shit, should I cop it record? (Record)
1, 2, 3, bad bitches sit beside me (Beside me)
SRT, black Jeep, come and find me (Find me)
Come shop with me, you get geeked likе an IV (IV)
I keep it big tucked, there it stuck, just likе slimly (Slimy)

Yeah, ho, give no fuck, go and spin, toggle truck (Toggle truck)
He get flipped, tommy tuck, we get money, fuck with us
This the B, power up, or get in, got it stuched
Ayo, A Ball, ridin' 'round (Ridin' 'round)
Yeah, we got ones like Kylie Jenner, I put VV's in my pendant
Know you see me all on TV, mark your baby boy and dip
Go and spin it, you gon' tuck me, know I'm crazy for my jewelry
Too much smoke inside this bi', I think my vision getting blurry
We been back-to-back in catch, but I be damned to be pursing
She said she high as hell, bitch, I can tell you still gon' pop this perc', huh?
I had chosen, bitches choosing blues, yeah, like a Smurf
Think I'm snoozing in this trap, bitch, I can prove that I'ma alert them, yeah
Home seen 'em, I go slide
I spit venom, I'ma slime
Check my denim, wicked jeans
Never bought them Amiri Jeans (Yeah)
"Hee, hee", Billie Jean
Kee, kee, Drac' need
Peep, peep, on the grave, put that boy in (Boy in)
Put that boy in grave, TBA, shit great
Mama, I been doing great, you had me thinking you a snake (Yeah)
I'ma Rockstar, nigga talking brazy, he ain't nothin' but a popstar
Itty bitty baby, go and get it, bought a Pop-Tart

Know the way I go (Yeah, yeah), tell 'em, "Up the sco'" (Yeah, yeah)
'Member I was broke (Yeah, yeah), yeah
Like it, I was G.O.A.T, yeah
Beat it, rubber goat, yeah, kill it in her throat, yeah
Beat it, call it rod (Rod), yeah, shit, should I cop it record?
1, 2, 3, bad bitches sit beside me (Beside me)
SRT, black Jeep, come and find me (Find me)
Come shop with me, you get geeked like an IV (IV)
I keep it big tucked, there it stuck, just like slimly (Slimy)

#Hunxho #123 #XHOSEN #OfficialVideo

Japanese Breakfast: NPR Music Tiny Desk Concert Hotney 5 Görünümler • 3 yıl önce

Oct. 25, 2017 | Marissa Lorusso -- As Japanese Breakfast, Michelle Zauner writes sparkling, opulent dream pop about grief and love (and, occasionally, robots). After releasing its debut album, Psychopomp last year, the band returned with this year's stunning Soft Sounds From Another Planet. Where Psychopomp, written in the immediate aftermath of the death of Zauner's mother, zeroed in on the experience of Zauner's grief, Soft Sounds widens her aperture, featuring paeans to her coping mechanisms, ruminations on crooked relationship dynamics and said sci-fi robot fantasy.

At its Tiny Desk concert, the band swapped out Soft Sound's gauzy, astral synths for acoustic guitar and piano, and was joined by members of Washington, D.C. string quartet Rogue Collective. Zauner had wanted to do something special for the performance, and was tipped off by Landlady's Adam Schatz that the Rogue Collective make pretty great Tiny Desk partners. The Collective practiced with Japanese Breakfast the day before the Tiny Desk, and was a featured guest later that night at the band's D.C. show.

The adaptation highlighted Zauner's strength as a songwriter, providing an even more direct line into the raw emotion at the heart of her songs. The string swells during "Boyish" lent gravity to the song's bittersweet desperation. During "Till Death," her ode to marriage, Zauner sang — as she often does — in a way that strains her voice to the crackling, taut edge of heartbreak. It's arresting on any stage, but particularly powerful in the stark midday light of NPR Music's office.

For its final song at the Tiny Desk, Japanese Breakfast performed "This House." Gone was the Rogue Collective, and indeed much of the band — just Zauner and pianist Craig Hendrix remained. The song describes moments in love that are more fearful labor than bliss, the hazy space where commitment, confusion and longing intersect. Like much of Japanese Breakfast's music, the performance shows Zauner looking unblinkingly at fear and pain, daring us to do the same.

Set List

"Boyish"
"Till Death"
"This House"
MUSICIANS

Michelle Zauner; Deven Craige, Craig Hendrix; Peter Bradley; Alexa Cantalupo; Kaitlin Moreno; Natalie Spehar

CREDITS

Creative Director: Bob Boilen; Producers: Bob Boilen, Morgan Noelle Smith; Audio Engineer: Josh Rogosin; Videographers: Morgan Noelle Smith, Niki Walker, Bronson Arcuri, Colin Marshall; Photo: Christina Ascani/NPR

For more Tiny Desk concerts, subscribe to our podcast: http://www.npr.org/podcasts/51....0292/tiny-desk-conce

Mustang Sally Guitar Lesson (Wilson Pickett) Hotney 7 Görünümler • 3 yıl önce

👉Discover the 5 MUST-KNOW chords and scales to play in ANY style anywhere on the neck FREE PDF GUIDE → https://www.jonmaclennan.com/fretboardguide

How to Play Mustang Sally on Guitar

THIS is a song that I struggled with learning for a while. It wasn’t the chords that I struggled with or the song form, those are both very common patterns. Where I got stuck was with the actual guitar part to play from the recording.

It sounded like one guitar but I couldn’t quite get my part to sound like the recording. So for years, I played this song on gigs with just a common rhythm accompaniment that wasn’t like the guitar part on the recording. It wasn’t until later I finally went back and figured it out from the recording. It’s actually TWO guitars.

In this “Mustang Sally” guitar lesson, I want to share with you the chords, rhythms, and scales to start jamming it with ease today! I’ll break down the guitar parts from the recording and share how you can combine them to play a great pattern for this song on one guitar.

Also, it’s a valuable song to know because it comes up at many jam sessions and parties. A lot of people play it!

So with that said make sure you’re tuned up and let’s dive in!

What is the meaning behind Mustang Sally?
“Mustang Sally” was originally written and first recorded by Mack Rice. Rice recorded it in 1965 and it was released under the artist name “Sir Mack Rice”.

The legend is that Rice had originally written the song as a joke for a fellow gospel singer he knew from Della Reese’s band who wanted a new Ford Mustang car.

Apparently, the original title of the song was “Mustang Mama”, but was later changed to “Mustang Sally” at the suggestion of Aretha Franklin.

I think that actually deserves songwriting credit if it’s true. That’s a nice contribution and makes the song pull more because it’s more specific. Unfortunately, from my research, it looks like she didn’t get credit.

The song later became more popular after Wilson Pickett covered it the following year. It was first released as a single, and then later included on his album The Wicked Pickett released in 1966.

Plus in 1966, John Lee Hooker also recorded an entirely different song with a very similar title “Mustang Sally & GTO”

Mustang Sally Chords
“Mustang Sally” only uses 3 chords. The song is in the key of C major and uses the I, IV, and V chords, C, F, and G.

👉Read the full blog here: https://www.jonmaclennan.com/b....log/mustang-sally-gu

👉Never get lost on the fretboard again with my FREE Fretboard Guide PDF → https://www.jonmaclennan.com/fretboardguide

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