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How To Plan A DJ Set - (10 Ways To Do It) Hotney 8 Просмотры • 4 лет тому назад

In this video, Lawrence gives you 10 ways you can plan and prepare your DJ sets.

Whether you're a complete beginner or need some inspiration, use these tips to make you a more confident DJ the next time you step into a DJ booth.

00:00 - 00:46 Intro
00:47 - 01:28 Listening To Music
01:29 - 02:36 Downloading / Streaming
02:37 - 04:48 Setting Cue Points
04:49 - 06:26 Mixing In Key
06:27 - 06:56 BPM
06:57 - 07:55 Playlists
07:56 - 09:21 Same Song Remixes
09:22 - 10:45 Think About Your Music
10:46 - 11:56 Mashing Up Genres
11:57 - 13:30 Performance Features

Mixed In Key Tutorial - https://www.youtube.com/watch?v=U_tS7iMwU54

#dj #beginnerdj #howtodj
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⭐ MIXES ⭐

(3 MILLION VIEWS) House + EDM Mashup:
https://www.youtube.com/watch?v=KNRCk235Auc

(1.1 MILLION VIEWS) Dance Anthems Mix:
https://www.youtube.com/watch?v=UhzqK0amkrw

(1 MILLION VIEWS) Bashment & Dancehall Mix:
https://youtu.be/TPsHHIAMbxI

(650k Views) Playing Live To 5000 People:
https://www.youtube.com/watch?v=-B6_H6-kNEU

(650K Views) Mixing 5 Genre’s In 10 Minutes:
https://www.youtube.com/watch?v=YJlKE_S7Ljc

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⭐TUTORIALS ⭐

🗣 5 MIXING TECHNIQUES:
https://bit.ly/2NUoSfb

🗣 HOW TO LIVE STREAM A DJ SET:
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🗣 SCRATCHING FOR BEGINNERS:
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The Allman Brothers Band - Whipping Post - 9/23/1970 - Fillmore East (Official) Hotney 2 Просмотры • 4 лет тому назад

The Allman Brothers Band - Whipping Post
Recorded Live: 9/23/1970 - Fillmore East - New York, NY
More The Allman Brothers Band at Music Vault: http://www.musicvault.com
Subscribe to Music Vault on YouTube: http://goo.gl/DUzpUF

Personnel:
Gregg Allman - organ, vocals
Duane Allman - guitar, vocals
Dickey Betts - guitar, vocals
Berry Oakley - bass, vocals
Butch Trucks - drums
Jai Johanny Johanson - drums
Tom Doucette - harp

Summary:
On this date, Bill Graham assembled a stellar roster of bands to participate in the filming of a television special called Welcome To The Fillmore East for broadcast on educational channels. Short sets were filmed by the Byrds, the Elvin Bishop Group, Sha-Na-Na, Van Morrison, and the Allman Brothers Band, as well as behind-the-scenes footage of Bill Graham and the Fillmore East staff at work.

The Allman Brothers performance is nothing short of spectacular and features the original lineup that included Duane Allman and Berry Oakley. Recorded six months prior to the legendary Live At Fillmore East double album set, this performance captures the Allman Brothers when they were a relatively new band, full of youthful passion and performing what would become classic original material when it was fresh and new.

Following Bill Graham's introduction, they kick things off with a tight performance of "Don't Keep Me Wonderin'," which features the band's friend, Tom Doucette, blowing harp over the group's trademark sound. Gregg's vocal is barely audible, but it's obvious the group is full of fire. "Dreams," which follows, slows things down a bit and the group establishes a relaxed groove that showcases their trademark sound, blending elements that would eventually come to define "Southern Rock."

They hit their stride on the next number, Dickey Betts' "In Memory Of Elizabeth Reed." Here, the dual guitar attack of Allman and Betts is astounding. The two guitarists intertwine and synchronize in a manner nothing short of telepathic, creating a melting pot seasoned with elements of jazz, rock, country, and blues into a style utterly their own. The set ends with a ferocious take of "Whipping Post" that features outstanding melodic bass playing from Berry Oakley, with both Duane Allman and Dickey Betts soaring over the propulsive rhythm section. Shorter than the expansive versions that would develop in coming months, this is all the more fascinating for it, as they compress an incredible amount of energy into the time allotted.

Time constrictions and vocal microphone malfunctions aside, this is still a fascinating performance. This original lineup of the band was certainly one of the most innovative and captivating bands to ever play the Fillmore.

90s Dance House Soul Mix - Dj Shinski [Michael Jackson, Madonna, Black Box, Crystal Waters, Robin s] Hotney 1 Просмотры • 4 лет тому назад

#TeamShinski #djshinski #djshinskimix
EuroDance Mix | 90s House mix | 90s Pop mix | Disco mix | Dance club Video Mix by Dj Shinski
Soul is Not Dead Mix Vol 1
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➡️ Download Audio: http://bit.ly/Sinddownload
➡️ Mixcloud: http://bit.ly/sindmc
➡️ Soundcloud: https://bit.ly/soul1sc
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Thank you for watching the video. You can support the channel by sending tips
Paypal: https://www.paypal.me/djshinski
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Follow Dj Shinski for more Updates on New Mixes:
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***Tracklist***
0:00 1. Crystal Waters - Gypsy Woman [She's Homeless]
1:57 2. Robin S – Show Me Love
4:21 3. Robin S – Love For Love
6:49 4. Nightcrawlers - Push The Feeling On
8:38 5. Jomanda - Got A Love For You (Hurley's House Remix)
11:06 6. Janet Jackson - Escapade (House Remix)
12:24 7. Dannii Minogue - Baby Love (Silky 70's Radio Edit)
14:10 8. Cathy Dennis -Touch Me All Night Long
15:20 9. Dannii Minogue - Love And Kisses
17:02 10. Cece Peniston - We Got A Love Thang (Silky House Mix)
19:46 11. Crystal Waters - 100%
21:34 12. Michael Jackson - Do you remember the time (Silky House Mix)
23:30 13. Clubland - Hold on Tighter to Love (Steve Silk Hurley To Die For Mix)
25:21 14. Crystal Waters – Make Me Happy
27:30 15. Cece Peniston – Finally
29:46 16. Madonna – Vogue
31:21 17. Incognito Ft Jocelyn Brown – Always There
33:05 18. Luther Vandross And Janet Jackson - The Best Things In Life Are Free
34:53 19. London Beat - I've Been Thinking About You
36:36 20. Rick Astley - Never Gonna Give
38:10 21. Rick Astley – Together Forever
39:44 23. Madonna - CAUSING A COMMOTION
41:34 24. Inner City – Good Life
43:16 25. Inner City – Big Fun
26. Black Box - Ride On Time
44:50 27. KWS – Please Don’t Go
46:06 28. Heavy D & The Boyz Feat. Aaron Hall - Now That We Found Love
48:09 29. Bobby Brown - Two Can Play That Game
49:48 30. 2 Unlimited – Get Ready For This
52:00 31. Technotronic – Get Up
53:16 32. Technotronic – Pump The Jam
55:05 33. Technotronic – Move This (Shake That Body)
57:12 34. Cathy Dennis – That’s The Way Of The World
58:40 35. Cathy Dennis – Come And Get My Love
1:00:25 36. Nicole – Rock The House
1:02:26 37. Rick Astley – Take Me To Your Heart
1:04:30 38. Haddaway – What Is Love
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More Mixes available on
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BB King - Why I Sing The Blues - Live In Africa 1974 Hotney 3 Просмотры • 4 лет тому назад

http://gravityworld.tv/Video_Content/bbking.html

B.B. King Live In Africa '74 is a rare - extremely rare - intimate view of
B.B. King in concert. At age 49, having "crossed over" to wide popularity with his show
at the Fillmore West in 1968 and secured his fame with the 1970 hit "The Thrill Is Gone,"
B.B. stands onstage before Muhammad Ali and a crowd of 80,000 on the continent his
ancestors left in chains and gives one of the most thrilling performances of his life. "The
King of the Blues" (B.B.), "Soul Brother #1" (James Brown) and other African-American
artists on the bill reveled in the return to their cultural motherland for a gala affair that was
attended by fans and journalists from all over the world.

The backstory around this perfonnance is rich. Behind B.B. is a large orchestra,
made up of core members ofB.B.'s touring band - pianist Ron Levy, drummer Sonny
Freeman and saxophonist Bobby Forte - plus studio musicians recruited (mostly) from
New York, including renowned session guitarist Larry Carlton. Directed by Hampton
Reese, B.B.'s longtime friend and musical tutor (you'll see him in his plaid sport coat
conducting the band), this collection of musicians achieved their amazing performance
after a single rehearsal in Kinshasa. Hampton wrote the charts for all the songs in the set,
and every musician was playing from those charts.

Of the musicians who played that concert from B.B.'s 1974 touring band, only
Ron Levy is still living. Here are some of his recollections of the unforgettable trip to
Zaire (now the Democratic Republic of Congo) and their historic performance there:

To perform in Africa - the land of his ancestors, at this stadium event before
80,000 - plus crazed, hot, sweaty, dancing and bouncing heads and soulfully
pained hearts -- must have had a very special personal significance for B.B.,
as it did for us all. We all realized this was not just another gig. It was history,
good history. We were all very proud to be a part of it. As far as the set went,
we performed 8.B.'s most famous hits. I have to say, this was probably the
first lime this crowd ever heard - or heard of - B.B. King. but as usual he
left them wanting more, as well as an indelible memory of his sincere personal
passion and deep-felt blues.

He definitely connected with them like the beloved king he is. If you're a
B.B. King fan, you are in for a rare treat with B.B, King Live in Africa '74. If this is
your introduction to the King of the Blues, you'll understand why he is so loved the
world over.

-Charles Sawyer

Charles Sawyer is the author of the first biography of B.B. King.
The Arrival Of B.B. King (Doubleday 1980, Da Capo 1982),
He teaches ""History Of Blues In America" at Harvard Extension School,
and leads his own blues band, 2120 South Michigan Avenue.