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Songs in the Key of Life, Stevie Wonder's 1976 double LP that would top the Billboard 200, sit on the chart for 46 weeks and garner him four Grammy Awards, was the starting point for the CBS/Grammy tribute concert at L.A.'s Nokia Theater on Tuesday (Feb. 10) night.

Six of the landmark album's 20 tracks -- yes, we're counting the bonus 45 of the original issue -- made it into Tuesday's show, which ultimately reveals the breadth of Wonder's songwriting skills and the depth of his message of love.

Wonder, who closed the evening with an eight-song set, spoke at length about love, holding a Ghanaian piece of jewelry that held back his dreadlocks. "Find a symbol to wear love on your head, on your heart," Wonder told the sold-out house of 7,000. "Love is king and queen. Love is the key you have given me, and I am so thankful for it."

ARTIST MENTIONED
2015 Grammy Performances Ranked From Worst to Best
The evening began on a raucous note with Beyoncé and 10 male singer-dancers taking liberties with "Fingertips," Wonder's first No. 1 single back in 1963, which segued into a duet with Ed Sheeran on "Jammin." Then Gary Clark Jr. joined in, providing a power surge on "Higher Ground."

Highlights included Janelle Monae, India. Arie and Jill Scott bringing a slow boil to "As"; John Legend and Jennifer Hudson exquisitely handling their ballads; and Lady Gaga and the house band led by Greg Phillinganes tearing up "I Wish."

Usher & Stevie Wonder Perform 'If It's Magic' at Grammys

While all of the singers delivered wishes of love and thanks, Andrea Bocelli was the only one to note the difficulty of singing Wonder's songs. And he had one that, at least superficially, seems easy -- "I Just Called to Say I Love You."

"I have loved this song and when I decide to sing it, Jesus!" Bocelli said. "Many notes, many difficult things. I did my best to say I love you."

CBS will air the concert special Monday, Feb. 16 at 9 p.m. ET.

Set list:

Beyoncé "Fingertips Pt. II"

Beyoncé and Ed Sheeran - "Jammin'"

Beyoncé, Ed Sheeran and Gary Clark Jr. - "Higher Ground"

Tony Bennett - "For Once in My Life"

John Legend - "I Believe (When I Fall in Love It Will Be Forever")

Annie Lennox - "My Cheri Amour"

Lady Gaga - "I Wish"

Andrea Bocelli - "I Just Called to Say I Love You"

Ariana Grande and Babyface - "Signed, Sealed, Delivered I'm Yours"

The Band Perry - "You Haven't Done Nothin'"

Ed Sheeran - "I Was Made to Love Her"

Janelle Monae, India.Arie, Jill Scott - "As"

Pharrell Williams and Ryan Tedder - "Don't You Worry 'Bout a Thing"

Jennifer Hudson - "All is Fair in Love"

Ne-Yo with Aisha Wonder - "Isn't She Lovely"

Stevie Wonder - "Contusion"

"Sir Duke"

"You Are the Sunshine of My Life"

"Ribbon in the Sky"

"Overjoyed"

"Superstition"

Stevie Wonder and all singers - "Happy Birthday" "Another Star"

Master Blaster Jammin' - Beyoncé & Ed Sheeran (Tribute Stevie Wonder) - Traducida

Beyoncé, Ed Sheeran & Gary Clark Jr
Stevie Wonder Master Blaster (Jammin)
"Songs in the Key of Life – An All-Star Salute."

A tribute to Stevie Wonder by Beyoncé, Ed Sheeran and Gary Clark Jr.

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TYGA FULL CONCERT WITH YG @ ROLLING LOUD LA 2023

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James Brown performing "It's A Man's Man's Man's World" Live at The L'Olympia, Paris - November 25, 1967!

No one had the feelin' quite like James Brown did. From his early start singing in a prison gospel group, to his transformation into "Soul Brother No. 1" in the late 1960s, to ultimately claiming the title of "The Godfather Of Soul," James had the feelin'. And it was so real and so powerful that it jumped the color barrier and grabbed hold of black and white audiences alike.

Buy this title: https://www.shoutfactory.com/p....roduct/i-got-the-fee

A diversified multi-platform media company devoted to producing, uncovering, preserving and revitalizing the very best of pop culture, Shout! Factory’s entertainment offerings serve up first-run feature films, original, contemporary, and classic TV series, animation, live music and comedy specials. Shout! Factory owns and operates Shout! Studios, Scream Factory, Shout! Factory Kids, Mystery Science Theater 3000, Timeless Media Group and Shout! Factory TV.

SETLIST
1. Fairies Wear Boots
2. Snowblind
3. Evil Woman
4. Behind The Wall Of Sleep
5. Rat Salad
6. Iron Man
7. Changes
8. N.I.B.
9. Paranoid
10. Children Of The Grave

Besetzung
Adam Wakeman (keys)
Jack Tustin (bass)
Dylan Howe (drums)

Ist die Geschichte rund um die Band erstunken und erlogen? Steckt in ihr womöglich ein Körnchen Wahrheit? Oder ist sie einfach von vorne bis hinten verdammt gut ausgedacht? Klar ist jedenfalls, dass die Story, um die es sich hier dreht, 2013 in Berlin startete. Adam Wakeman, ehedem Tour-Keyboarder von Black Sabbath und immer noch in der Live-Band von Ozzy Osbourne, hing an einem Off-Tag mit ein paar Crew-Mitgliedern in einer Berliner Hotelbar ab. Und spielte, just for fun, auf dem Klavier ein paar Black-Sabbath-Songs.
Improvisiert und frei tat er das, und er schubste die Songs der legendären und stilprägenden Heavy-Metal-Band konsequent in Richtung Jazz. Die spontane nächtliche Session war bei der Crew, dem Personal des Hotels und den anderen Gästen ein Ankommer. Und die Geschichte, die Adam Wakeman daraus strickte, ist mittlerweile Legende. Wenn nicht sogar legendär.
Adam Wakeman behauptete fortan, dass Black Sabbath die Songs ihrer ersten beiden Studioalben „Black Sabbath“ und „Paranoid“, beide erschienen 1970, geklaut haben. Und zwar von dem bereits zwei Jahre zuvor gegründeten Trio Jazz Sabbath. Was natürlich starker Tobak ist: Black Sabbath sind in der Version von Wakeman nicht nur Diebe, sondern plagiieren auch.
Rare Versionen der (vermeintlichen) Originale erschienen 2020 und 2022 als „Jazz Sabbath“ und „Jazz Sabbath Vol.2“ am jeweiligen Record Store Day. Und die verdammt gut ausgedachte und doch sehr wahrhaftige Band dazu ist auch immer noch quicklebendig. Glaubt man den Liner Notes der Alben, dann besteht das Trio aus Milton Keanes am Klavier (Adam Wakeman), Jacque T'fono am Standbass (Jerry Meehan) und Juan Také am Schlagzeug (Ash Soan).
Wer oder was war also zuerst da? Das Huhn oder das Ei? Black Sabbath oder Jazz Sabbath? Unstrittig ist: Die Geschichte von Black „Jazz“ Sabbath hat allerlei Irrungen, Wendepunkte und eine wohldosierte Portion Humor. Heavy Klassiker auf Jazz trimmen, das können Jazz Sabbath. Und wer bisher immer „Der Hund von Baskerville“ , die Cindy & Bert-Version von „Paranoid“, für das skurrilste Black-Sabbath-Cover hielt, muss möglicherweise umdenken. Wenn Jazz Sabbath „Paranoid“ durch den Fleischwolf drehen, ist da von Kirmes über Bierzelt bis hin zu Easy Listening und Free Jazz so ziemlich alles dabei.

http://www.JazzSabbath.net

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🎬Mehr zum Rockpalast:

► Rockpalast Facebook: https://www.facebook.com/rockpalast/

► Rockpalast YouTube: https://www.youtube.com/WDR_Rockpalast

► Rockpalast Alexa Skill: https://alexa-skills.amazon.de..../apis/custom/skills/

-----

🎉Unsere Jubiläums-Reportagen zum 40. Rockpalast Geburtstag 🎉

Unsere Dokumentation: https://youtu.be/D0l_4N_CsSU

Unsere Multimedia-Reportagen:

► Die ganze Geschichte: http://reportage.wdr.de/die-ga....nze-rockpalast-gesch

► Die 70er und 80er: http://reportage.wdr.de/die-ro....ckpalast-geschichte-

► Die 90er: http://reportage.wdr.de/die-ro....ckpalast-geschichte-

► Der Rockpalast heute: http://reportage.wdr.de/die-ro....ckpalast-geschichte-

Watch KENDRICK LAMAR's acceptance speech for Best Rap Album for ‘MR. MORALE & THE BIG STEPPERS’ at the 2023 GRAMMYs.

About the Recording Academy / GRAMMYs:
Recording Academy is the world's leading society of musical professionals and is dedicated to celebrating, honoring, and sustaining music's past, present and future.

Connect with the Recording Academy / GRAMMYs:
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#GRAMMYs #grammys2023 #kendricklamar

In this episode of #TheJasonLeeShow, #BlacChyna discusses her journey to sobriety, her past relationships with Tyga and Rob Kardashian, and her decision to keep her current relationship private. She also talks about her foray into acting, her passion for learning, and her desire to become a multi-billionaire. Blac Chyna addresses rumors about her being revengeful and emphasizes the importance of focusing on oneself and not letting others' actions affect one's own peace and happiness.

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Launched by Sean "Diddy" Combs, REVOLT.TV is #1 destination in hip hop. Focused on expertly curating the best of the best in music and engaging youth in social conversation, the multi-genre, multi-platform network offers breaking music news, videos, artist interviews, exclusive performances, and original programming. Artists REVOLT.TV covers include: Joe Budden, Drake, Chance the Rapper, Jay-Z, French Montana, Lil Wayne, Puff Daddy, Diddy, Future, Rick Ross, Remy Ma, Nicki Minaj, Beyonce, Rihanna, Lil Yachty, Kendrick Lamar, Kanye West, Solange, and many more.

Patti LaBelle, Gladys Knight, Johnny Gill, Kelly Rowland, Vanessa Williams, Karyn White, Shirley Jones of The Jones Girls, Force MDs, Al B Sure, Howard Hewett, Keni Burke, Mtume & Tawatha Agee & Valerie Simpson Join DJ Cassidy To Perform Classics! This is DJ Cassidy's Pass The Mic Mother's Day Edition!

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#DonCornelius #SoulTrain #SoulTrainBET #SoulAt6 #AmericanSoulBET

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James Brown performs "Please Please Please" to a live audience on the TAMI Show.

"Please, Please, Please" was written by James Brown and Johnny Terry and released as a single on Federal Records in 1956, it charted #6 R&B. It was the group's debut recording and first chart hit, and became their signature song.

The TAMI Show is a 1964 concert that included performances by numerous popular rock and roll and R&B musicians from the United States and England. TAMI stood for both "Teenage Awards Music International" and "Teen Age Music International". The concert was held at the Santa Monica Civic Auditorium on October 28 and 29, 1964. Free tickets were distributed to local high school students. The best footage from each of the two concert dates was edited into the film, which was released on December 29, 1964. The TAMI Show is particularly well known for James Brown's performance featuring his legendary dance moves and explosive energy.

Video transcript:

Please, please, please, please. (Please, please don't go). Please, please, please. (Please, please don't go). Honey, please don't (Go). Yeah, oh yeah, love, I love you so. (Please, please don't go). Baby, you did me wrong. (So you got me woman). Well, well you done me wrong. (So you got me woman). So you done, done me wrong. (Go). Well, oh yeah, took my love, now you're gone. (Please, please don't go). Please, please, please, please, please. (Please, please don't go). Please, please, please, please, please. (Please, please don't go). Honey, please don't (Go). Well, oh yeah, love, I love you so (Please, please don't go). I just wanna hear you say I, I, I, I, I. (Please, please don't go) I, I, I, I
(Please, please don't go). Honey, please don't. (Go). Oh, oh yeah, love, I love you so. (Please, please don't go). Baby, take my hand. (Please, please don't go)

I wanna be your lover man. (Please, please don't go). Oh yeah, slipped out of my head. Honey, please don't (Go). Well, oh yeah, love, I love you so. (Please, please don't go). Please don't go. (Please, please don't go).Please. Please. Please. Please. Please. Please don't go. (Please, please don't go). Honey you don't know what you do to me. Don't go. Don't go. Honey, please don't go. Ha, I love you so, please, please. (Please, please don't go).

Want more James Brown, go to Shout Factory:
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Watch WAR perform Live from The Grove in Anaheim, CA and drop us a line in the comments to let us know your favorite tunes 💭⤵️

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Stay In Touch with WAR…
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✌🏾 Twitter https://twitter.com/WARtheBand
🎶 Instagram https://www.instagram.com/wartheband/

*******************

“We spoke out against racism, hunger, gangs, crimes, and turf wars, as we embraced all people with hope and the spirit of brotherhood. It’s just as apropos today.” - WAR

WAR, the original street band, was founded by veteran record producer Jerry Goldstein and rock legend Eric Burdon in 1969. Together with the original band members Lonnie Jordan, Howard Scott, Lee Oskar, B.B. Dickerson, Harold Brown, the late Thomas “Papa Dee” Allen, and Charles Miller, they blended many musical styles and influences. The musical laboratory that is WAR yielded 17 gold, platinum and multi-platinum awards, including the triple platinum ‘The World Is A Ghetto’ and double platinum ‘Why Can’t We Be Friends?’ and ‘Greatest Hits’, and hit songs "Why Can't We Be Friends?", "Low Rider", "Spill the Wine", and "The Cisco Kid".

WAR began playing live shows to sold-out audiences in the 1970s and continues their commitment to being road WARriors, touring over 150 dates a year to this day.

"NAO YOSHIOKA Tokyo Funk Sessions 2022"
BLUE NOTE TOKYO Live Streaming

進化し続けるソウルディーヴァが紡ぐ
TOKYO SPECIAL FUNK GROOVE

パンデミックを乗り越えて、さらに進化したNao Yoshiokaが繰り広げるファンクセッションが実現。2021年は、かねてから温めていたバンドサウンドによる作品を３ヵ月連続で発表。続いてリリースしたEP「Philly Soul Sessions」では米国最大級のソウルメディア「Soul Tracks」にて年間最優秀女性ヴォーカリストにノミネートされるなど飛躍を続けている。約1年ぶりのブルーノート東京登場となった本公演にはホーンセクションを加え、新年を盛り上げるアッパーソングやダンサブルなナンバーをスペシャルアレンジで届けた。ツアーを通してよりパワフルになった気鋭、宮川純らが務めるバンドにも大注目。東京の精鋭バンドと世界のNao Yoshiokaがワールドクラスの音楽で彩るソウル・ファンク・R&Bをご堪能あれ。

Nao Yoshioka(vo)
ナオ・ヨシオカ（ヴォーカル）

Jun Miyakawa(p, music director)
宮川純（ピアノ、ミュージック・ディレクター）

Zak Croxall(b)
ザック・クロクサル（ベース）

Fuyu(ds)
FUYU（ドラムス）

Satoshi Yoshida(g)
吉田サトシ（ギター）

Yusuke Sase(tp)
佐瀬悠輔（トランペット）

Tomoaki Baba(ts)
馬場智章（テナーサックス）

Shigetaka Ikemoto(tb)
池本茂貴（トロンボーン）

ーーーーーーーーーーーーーーーーーーーーーーーーーーーーーー
NAO YOSHIOKA Youtube channel
https://www.youtube.com/c/NAOY....OSHIOKASWEETSOUL?sub

Nao Yoshioka / Latest Releases
https://td.naoyoshioka.com/NewReleases

All Rights Reserved by

@NAO_YOSHIOKA
@sweetsoulrecords

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BEST OF 70S CLASSIC

This Soft Rock Ballads Nonstop Collection is a selection of the hits of the Bread, James Taylor, David Gates and Jim Croce to name a few.

This will surely make you reminiasce the past and relive the memories.

This Playlist will surely bring back the good and happy old memories of your life. Keep safe everyone!

All Music Playlist

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PhillySound on Soul Train presents: "Stairway to Heaven" by The O'Jays
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Chorus:
Here we go climbing the stairway to heaven
Here we go walking the road of ecstasy
Taking a load of the whole world off our shoulders
The door is wide open for you
The door is open for me
Uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh

Here we go stealing a moment of pleasure
You and I, we're gonna find the pirate's treasure
Here we go. Aw, aw, aw, baby
Oh baby, here we go

Climbing the stairway to heaven
Climbing the stairway to heaven
And we're going step by step together
Step by step. Oh, oh, oh, oh, oh
Oh, yeah, yeah, yeah. Oh, yeah, yeah, yeah

#TheOJays #StairwayToHeaven #PhiladelphiaInternationalRecords #PIR #SoulTrain #BET #SoulTrainAwards

Marvin Gaye performing Lets Get it On on Soul Train!

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PhillySound on Soul Train presents: "Me and Mrs. Jones" by Billy Paul (November 4, 1972)
Listen to more from Philadelphia International Records: https://PIR.lnk.to/listenYD
Hear more by Billy Paul: https://BillyPaul.lnk.to/listenYD ​

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Facebook: https://PIR.lnk.to/followYD/facebook
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Follow Billy Paul:​
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Lyrics:
Me and Mrs. Jones
We got a thing, goin' on
We both know that it's wrong
But it's much too strong
To let it go now

We meet every day at the same cafe
Six-thirty and no one knows she'll be there
Holding hands, making all kinds of plans
While the juke box plays our favorite songs

Me and Mrs., Mrs. Jones (Mrs. Jones, Mrs. Jones, Mrs. Jones)
We got a thing, goin' on
We both know that it's wrong
But it's much too strong
To let it go now

We gotta be extra careful
That do we don't build our hopes up too high
Because she's got her own obligations
And so, and so, do I

Me and Mrs., Mrs. Jones (Mrs. Jones, Mrs. Jones, Mrs. Jones)
We got a thing, goin' on
We both know that it's wrong
But it's much too strong
To let it go now

Well, it's time for us to be leaving
It hurts so much, it hurts so much inside
Now she'll go her way and I'll go mine
Tomorrow we'll meet
The same place, the same time

Me and Mrs. Jones
We got a thing goin' on
We gotta be extra careful
We can't afford to build our hopes up too high
I wanna meet and talk with you
At the same place, the same cafe, the same time
And we gonna hold hands like we used to
We gonna talk it over, talk it over
We know, they know, and you know what I know that it was wrong
But our thing is strong, we gotta let 'em know now
That we gotta thing going on, a thing going on

#BillyPaul #MeAndMrsJones #PhiladelphiaInternationalRecords #PIR #SoulTrain #BET #SoulTrainAwards

These three SLAP solos are ridiculously funky! So of course, I had to play my own version of them 😎 Remember to TAP like and subscribe if you enjoyed this!

My new EP (Spotify): https://spoti.fi/2Qq8WTp
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Videos I reacted to:
Victor Wooten: https://www.youtube.com/watch?v=Gg4hrXgTvsI
Ida Nielsen: https://www.youtube.com/watch?v=Ihd9yNiQORA
Davie504: https://www.youtube.com/watch?v=09hWCkA2mNg

Special thanks to Zachary Brunetti, AhLun, Sugabeat, Colin Heberling, Timothy Gabrielson, Sid Stenersen, Turpid, David Geschke, Dario Cimmino, James Ansell, Rob Nack, Michael Forrester, 949 Designs and all my other Patrons and members!

0:00 World Problems
0:26 Victor Wooten
1:21 Can't Hold No Groove
2:40 Ida Nielsen
3:40 I Play
4:50 Davie504
5:37 SLAPP But Also TAPP
7:25 Massive Throwback

live at '30. Leverkusener Jazztage' 2009/11/12
broadcast by WDR Rockpalast 2010/02/21
written by Thomas Bank / Candy Dulfer / Pete Philly
Musicians:
Candy Dulfer (saxophone / vocals)
Jan Van Duikeren (trumpet)
Arjen Mooijer (keyboards)
Chance Howard (keyboards / vocals)
Ulco Bed (guitar)
Manuel Hugas (bass)
Kirk A. Johnson (drums)
Leona Philippo (vocals)
The whole concert now on YouTube and Vimeo:
[https://www.youtube.com/watch?v=izoeh38Ex-4]
[https://vimeo.com/207941359]

In this video, you'll see the most popular songs throughout each month in the 60s. The tunes selected for this video are the ones that reached #1 or at least ranked higher in more countries than other hits in the same month, but it's not very accurate since many of them were number one for different periods, and I didn't want to repeat any song.

🎧 Playlist: https://open.spotify.com/playl....ist/4l7JI40EfYuE43jD

After reading hundreds of comments trying to guess the country, I must say: It's not about the US or the UK. It's a mix of many countries and none in particular.

#60s #Popular #Songs #1960s #Music #Classics #Hits