Laatste video's
The complete history of Powerman 5000.
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#powerman5000
Powerman 5000’s story begins with Michael Cummings (Spider One), younger brother of Rob Zombie, growing up in a normal Massachusetts home obsessed with TV, comics, and music. He drifted from Elton John and The Beatles into punk and hardcore, getting inspired by bands like The Clash and Black Flag. Dropping out of art school in Boston, he became MC Spider, making sample‑heavy tapes that blended rap and industrial sounds, earning local recognition and a “Best Rap Act” award. Wanting a full band, he teamed with drummer Al Pahanish, bassist Dorian Heartsong, guitarist Adam Williams, and percussionist Jordan Cohen to form Powerman 5000 in 1991, carving out a weird, energetic niche in the Boston scene.
Their early releases on indie label Curve of the Earth, including the EP True Force and the album The Blood-Splat Rating System, built a cult following with a chaotic “action rock” sound and high‑energy shows. This buzz led to A&R interest, Ozzfest slots, and even a cameo on Beverly Hills, 90210, though that TV exposure didn’t translate into big sales. A DreamWorks deal followed, and the band’s debut was remixed and reissued as Mega!! Kung Fu Radio, sharpening their industrial, sci‑fi‑tinged direction and landing them tours with acts like Marilyn Manson, Korn, and Kiss.
Everything peaked with 1999’s Tonight the Stars Revolt!, a retro‑futuristic, hooky sci‑fi metal record that went platinum. Anchored by “When Worlds Collide” and “Nobody’s Real,” the album put them into heavy MTV and radio rotation and onto huge tours, their matching space outfits and visual world becoming part of the appeal. Despite the family connection, Spider tried to keep Rob Zombie out of the marketing narrative, insisting PM5K’s success came from years of grinding, not nepotism.
The turning point came with the follow‑up, Anyone for Doomsday?. With lead single “Bombshell” already gaining traction and a tour booked, Spider abruptly shelved the finished album, feeling it was too much of a retread of Tonight the Stars Revolt! and choosing artistic change over playing it safe. The decision, made shortly before 9/11, devastated internal morale: longtime members Dorian Heartsong and Al Pahanish quit, the band’s momentum evaporated, and their relationship with DreamWorks deteriorated.
Spider rebuilt the lineup and returned in 2003 with Transform, ditching the space‑suit aesthetic and much of the electronic sheen for a rawer, punk‑influenced sound rooted in his early heroes like The Clash and Sex Pistols. Lyrically, he doubled down on themes of class, culture, and resistance to manufactured pop culture, but label upheaval and DreamWorks’ sale meant the album received little support before the band was dropped. In the years that followed, PM5K survived on smaller labels and DIY approaches, cycling through members and sounds: punkier on Destroy What You Enjoy, then re‑embracing sci‑fi and electronics on records like Somewhere on the Other Side of Nowhere, Builders of the Future, New Wave, The Noble Rot, and Abandon Ship.
Your script frames their history as a clash between art and commerce: a band that chose not to repeat its biggest success, imploded at its commercial peak because of that choice, but kept evolving on its own terms. It ends by asking whether shelving Anyone for Doomsday? was a brave artistic stand or a self‑inflicted wound that cost them their shot at lasting mainstream stardom, while acknowledging their three‑decade longevity and Spider’s stubborn, rebellious drive.
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The story of Alien Ant Farm and their album Anthology and how the band's success was overshadowed by their cover of Michael Jackson's Smooth Criminal.
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#Alienantfarm #michaeljackson #smoothcriminal
Alien Ant Farm exploded into the mainstream in the summer of 2001 thanks to a song they never meant to rely on: their cover of Michael Jackson’s Smooth Criminal. The track became inescapable on radio and MTV, but it came with unintended consequences. The band spent years wrestling with being known primarily for a joke cover that was never meant to be a single, even briefly refusing to play it live. Behind that song sat Anthology, a diverse, ambitious record whose history reveals how four misfit musicians from Riverside clawed their way into the nu‑metal era without ever really fitting in.
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The story of DC Talk, best known for the album Jesus Freak
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#dctalk #christianrock
DC Talk’s story begins in the late 1980s on the campus of Liberty University, where Toby McKeehan, Michael Tait, and Kevin Max met and fused their shared Christian faith with a love for pop, rap, and rock. Originally a small campus act, the trio’s blend of hip‑hop beats, soulful vocals, and spiritual lyrics defied expectations. With their debut album in 1989, they injected new energy into the Christian music scene, reaching young listeners who were craving authenticity and excitement. Follow‑up records like Nu Thang and Free at Last fused social commentary with accessible pop hooks, earning chart success, Dove Awards, and a growing reputation for breaking musical and cultural boundaries.
By 1995, the band completely reinvented itself with Jesus Freak, a grunge‑tinged, alternative rock masterpiece that became a cultural phenomenon. The record’s raw themes of doubt, conviction, and belonging struck a chord far beyond the church world. Jesus Freak sold millions, earned mainstream play on MTV, and proved that Christian music could compete with the biggest names in rock. Yet behind the anthems and crossover success, the band’s internal tensions started to widen. Creative clashes—especially between the driven, pop‑minded McKeehan and the more experimental Kevin Max—began to erode their unity.
The follow‑up, Supernatural (1998), debuted even higher on the charts and cemented their superstardom, but the sense of shared purpose was gone. Despite its polish and commercial strength, the record felt like three solo artists working under one name. After touring, they quietly announced an “intermission” in 2000, releasing a greatest‑hits album with a couple of new songs. That break effectively ended DC Talk as a recording group, even though they never officially called it a breakup.
Each member forged a separate path. Toby Mac became a powerhouse solo artist, blending pop, rock, and hip‑hop into bestselling Christian hits that reached audiences well beyond the faith market. Kevin Max pursued a more eclectic, art‑rock direction, often challenging evangelical norms and later publicly identifying as an “exvangelical.” Michael Tait eventually fronted the Newsboys, one of the other giants of Christian rock, leading them into a successful new era.
Then came the scandal. In 2025, multiple reports accused Tait of long‑term substance abuse and sexual misconduct dating back decades. Investigations by major outlets prompted him to publicly confess that most of the claims were true, admitting to living “a double life” of addiction and moral failure. The fallout was immediate: Newsboys lost their label, tours were canceled, and radio stations dropped their music. For many fans, it forced a painful reevaluation not only of Tait but of DC Talk’s once‑untouchable legacy.
Today, DC Talk stands as both a triumph and a tragedy within Christian music history. They were revolutionary artists who dared to merge faith and mainstream culture—and they paid the price for the pressure that came with it. Their legacy remains as complex as their story: a tale of belief, brilliance, and human frailty that reshaped an entire gen
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***[[[two to three sentence video description]]]***
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#cinderella #tomkeifer #glam
In the mid-80s, Cinderella rose out of the Philly suburbs into full-on MTV glam dominance with their 1986 debut Night Songs, a triple-platinum smash driven by hits like “Shake Me” and “Nobody’s Fool,” heavy touring, and a fairy-tale boost from Jon Bon Jovi that landed them on the Slippery When Wet tour. Instead of safely repeating that success, frontman Tom Keifer grew restless; raised on bluesy, classic rock influences like the Stones, Zeppelin, Aerosmith, and Johnny Winter, he wanted something rawer and more organic than the polished “flavor of the day” sound that had made them stars.
For the follow-up, Long Cold Winter, Keifer wrote constantly on the road and poured new emotions from nonstop touring and seeing the world into the songs, aiming for less processing and more human feel with pianos, acoustics, dobros, and even brass woven into the arrangements. The band recorded at Bearsville Studios with producer Andy Johns, known for work with Led Zeppelin and the Rolling Stones, and brought in veteran drummer Cozy Powell (plus Denny Carmassi on one track) to cut most of the drums, as Fred Coury was considered too inexperienced for the studio demands at the time. The album opens with “Bad Seamstress Blues/Fallin’ Apart at the Seams,” beginning with harmonica and slide guitar that sound straight out of the Delta before crashing into a swaggering blues-rock groove, instantly signaling a break from the pure glam of Night Songs while still retaining enough crunch and hooks to connect with their fanbase.
Across the record, Cinderella balanced this new bluesy direction with arena-friendly rockers and a career-defining power ballad. Tracks like “Gypsy Road” and “The Last Mile” kept the fist-pumping, road-warrior energy alive, but now steeped in a grittier, rootsier sound. The centerpiece, “Don’t Know What You Got (Till It’s Gone),” a piano-led power ballad Keifer originally conceived around the Night Songs era, finally clicked for the band and became their biggest single, complete with a freezing-cold Mono Lake video shoot that literally lived up to the Long Cold Winter name and later earned pop-culture afterlife via South Park and Rock Band 3. The album also featured the acoustic-driven “Coming Home” and heavier cuts like “Fire and Ice,” showcasing a group expanding well beyond a simple glam template.
Released in summer 1988, Long Cold Winter was both a commercial and artistic vindication, hitting the U.S. top 10 and selling over three million copies while spinning off multiple hit singles across the Hot 100 and Mainstream Rock charts. The band’s tour escalated from opening for Judas Priest and AC/DC to headlining a massive 254-show run, complete with theatrical moments like Keifer descending to a white grand piano to play “Don’t Know What You Got,” and a high-profile appearance at the Moscow Music Peace Festival alongside Bon Jovi, Mötley Crüe, and Ozzy Osbourne. Initially, critics were mixed—Rolling Stone famously dinged the album for “influencitis”—but later reassessments have embraced it as Cinderella’s masterpiece and a key example of a so-called “hair band” earning real respect by leaning into blues-based rock.
Though they never quite reached the omnipresent arena dominance of peers like Bon Jovi or Mötley Crüe, in part because they avoided tabloid-ready personas and Hollywood-style spectacle, the success of Long Cold Winter solidified Cinderella’s reputation as serious musicians with depth. The MTV “Escape the Long Cold Winter” contest, which flew winner Denise Cook and her sister to Hawaii to vacation with the band, underscored how tightly they were woven into late-80s rock culture. Most importantly, the album set the blueprint for 1990’s Heartbreak Station, where they pushed even further into acoustic textures, horns, and gospel flavors. In an era that rewarded sticking to formula, Cinderella chose to risk their momentum in favor of artistic honesty, and Long Cold Winter stands as the moment where that gamble transformed them from glam darlings into a genuinely respected rock and roll band.
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the story of richard christy's hilarious contest on the howard stern show with super fan Bobo
0:00 - introduction/background
6:25 - contest
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#metallica #richardchristy #sternshow
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Walkers... The very first song of the new year is finally out!
“Broken Strings” is live, from my upcoming World of Walker, Season One: Rise of the Drones album (coming March 27). It features the amazing voices of Katherine O'Ryan and Isabella Melkman, and I’m so happy to finally share this one with you.
As for the music video... we are officially back in the World of Walker. This is where the next chapter begins, and I really hope you like the story as it unfolds. We had so much fun creating this, and I can't wait for everything else we have in store for you!
New album coming March 27 2026 : https://open.spotify.com/prere....lease/2cWHhrfsimKmuJ
Official album playlist here: https://www.youtube.com/playli....st?list=PLYT4vq6pQVS
////////////////
Connect with Alan Walker:
👉 @Alanwalkermusic
👉Join the community: https://www.worldofwalker.com
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👕 Official Merchandise: https://www.alanwalker.com/en/shop
#alanwalker #Newmusic2026 #walkersjoin
Listen to "Zombie" with The Smashing Pumpkins: http://yungblud.lnk.to/zombieTSPID
YUNGBLUD's Grammy-nominated album 'Idols' is out now: http://yungblud.lnk.to/idolsID
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Follow The Smashing Pumpkins
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Director Charlie Sarsfield
Creative Director Jesse Jo Stark and YUNGBLUD.
Exec producer Annie Ayres
Production Company Untold Studios
Commissioner Joe Mortimer
Producer Ade Macalinao
Producer Caroline Gluck
1st AD Alun Lee
Production Supervisor Saeed Chabayta
DP Adrian Nieto
1st AC Billy Briggs
2nd AC Codi Roberts
VTR Bob Mills
Techno Op Corey Kiefer
Techno Opp Brandon Thorne
Gaffer Blake Smith
BBE Tyler Tango
SLT 1 William Pavlu
SLT 2 Travis Phong
SLT 3 Jorge Kunze
Grip Gaffer Jedi Gomez
BBG Luc Mariscotti
Grip Cassio Mariscotti
Production Designer Danielle Kauffman
Production Design Natalie Fält
Lead Man Jose Lopez
Set Dresser Evelyn Jimenez
Set Decorator Sadie Spezzano
PA Trinh Huynh
Truck PA Josh Wagner
AD PA Jade Zúñiga
Talent PA Joey Glick
Talent PA Emily Norcia
Runner PA Emma Silverstein
Edit JP Blunt
Colour Vlad
Colour studio RM Studios
VFX Creep and Untold Studios
Lyrics:
If I was to talk about the words
They would hurt
They would hurt
So if you were to ask about the pain
I would lie
I would lie
To fix my mind
I need time
But it's running out, it's running out
Oh, I know that I can't live without you
But this world will keep turning if you do
Would you even want me, looking like a zombie?
Would you even want me, want me, want me?
We could catch a space-ship to the moon
But we'd crash
It wouldn't last
'Cause the world is just a figment of the fools
A blank stare
They don't care
So say your prayers
You're almost there
But it's running out, it's running out
Oh, I know that I can't live without you
But this world will keep turning if you do
Would you even want me, looking like a zombie?
Would you even want me, want me, want me?
Would you even want me, looking like a zombie?
Would you even want me, want me, want me?
Oh, I don't know what I'll turn out to be
But you'll love every moment believe me
Would you even want me, looking like a zombie?
Would you even want me, want me, want me?
#YUNGBLUD #TheSmashingPumpkins #Idols #Zombie
Music video by YUNGBLUD, The Smashing Pumpkins performing Zombie. © 2026 Locomotion Recordings Limited, under exclusive license to UMG Recordings, Inc.
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Under the Sun - Danny Suko - Rene Rodrigezz
#dancehouse #carmusic #edm #dannysuko #renerodrigezz #underthesun
#mibredda #likklevybz #vybzkartel #tjtorry
"MI BREDDA" official music video performed by Likkle Vybz and Vybz Kartel
Shot&Edited by #NOWorNEVER
Produced by Uptown Gaza Records ℗© 2025
Composed by TJTorry
M&M by TJTorry
Purchase/Stream: https://zojak.link/lv_mibredda
Bfb Da Packman streaming now on all platforms:
Apple:https://music.apple.com/us/artist/bfb...
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Follow Bfb Da Packman:
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The official YouTube channel of Bfb Da Packman. Subscribe for more official content from Bfb Da Packman.
#bfbdapackman #thelunchcrewcompany #packman
Listen to the Single "2AM in SF" Out Now!
Stream: https://music.empi.re/2aminsf
Connect with DaBoii:
YouTube: https://www.youtube.com/channe....l/UC6H9y5SLr1CDBRrpD
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Credits:
Directed By: SNEAKS
VFX: SNEAKS | VHS: Headshot Media
Drone OP: Jackson Bert
Video Producer, Title Card & Stills: Shotbyrogelio
Produced By: iitsGB
Recorded & Mixed By: Steviebo
Mixed & Mastered By: BLAPDRE
Official Video by DaBoii - "2AM in SF" © 2026 YWN / EMPIRE
#DaBoii #2AMInSF
A new lawsuit accuses Drake, who partners with the online casino Stake, of glamorizing online gambling while misleading fans and using house money to place his bets.
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French Montana x Max B - Whippin That Wave Official Music Video
Coke Boys 3.5: Narcos out Jan 9
Pre-Order https://frenchmontana.lnk.to/CokeWaveNarcos
Executive Producer- Cartier Brown & Andrew Goor
Director - Kid Art
Producer - Rodney Byerson
PM - Kalyn Byerson
1st AD - Shawn McLaughlin
1st AC - David Lunsford
2nd AC - Christopher Rodriguez
Steadicam - Matthew Marino
G&E -Flex
Production Assistants
Jihad Robinson & Will Campbell
The official music video for Jordan Davis's "Bar None".
Listen to the song here: https://jordandavis.lnk.to/BarNone
Listen to Jordan Davis’s latest music: https://strm.to/JordanDavisMusic
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************************************
Website: https://www.jordandavisofficial.com/
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Twitter: https://twitter.com/JordanCWDavis
************************************
#JordanDavis #BarNone #CountryMusic
Music video by Jordan Davis performing Bar None.© 2025 UMG Recordings, Inc.
Chris Stapleton's album 'Higher' is out now. Listen here: http://strm.to/Higher
Listen to Chris Stapleton’s complete collection: http://strm.to/chrisstapletonmusic
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#ChrisStapleton #Higher #WhiteHorse #CountryMusic
Music video by Chris Stapleton performing White Horse.© 2025 UMG Recordings, Inc.
DOWNLOAD/Playlist 👉👉https://open.spotify.com/playl....ist/2DfNaw9Z1nuddjI6
Please Like, Share & Subscribe!!!🙏🙏🙏
Check Out My NEW Song👉🏾👉🏾https://ffm.to/v7dm4wy
Follow me for more content 👉🏾👉🏾 IG | Twitter | Tiktok: @djboatglobal
My Mixes are on Apple Podcast 👉🏾👉🏾Apple: https://podcasts.apple.com/us/....podcast/afrobeats-cl
I created the best playlists for you to enjoy more curated content from me 👉🏾👉🏾https://open.spotify.com/user/....1211561681?si=HlDLx-
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Check out my artist page for more music 👉🏾👉🏾https://open.spotify.com/artis....t/0Btky5ia7ihAQE8UEX
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#AFROBEATS2025 #afrobeat #djboat
Free Piano Course Here (for Adult Beginners) 👉 https://bestpianoclass.com/ytzfreecourse
The LAST reaction 😂😂😂
Other videos in this series:
1. Pro Pianist in Disguise STUNS EVERYBODY (Best of All Time)
https://youtu.be/doaTFytpI6k?si=MiiDYHvGBfrVA4NA
2. Rizzing Up GIRLS on Piano!! 😈😏
https://youtu.be/IRa2YGKGwJw?si=aaq7SuIcNUSxlLY-
3. Worker Absolutely CLEANS UP on Piano!! (BEST reactions!)
https://youtu.be/yZEhD4dJyXI?si=M6QTCAN5eMo1J66P
LEARN PIANO HERE - LESSON 1:
https://www.youtube.com/watch?v=4SXQ_wlbWog&list=PLXufPPxby9p66nomvGcar6eebbwVJCC_C&index=35
Enjoy!!
- Zach
Playing piano for some folks, dressed up as a janitor, construction worker, hillbilly, security guard, etc :)
Inspired by videos from people like, Vantoan, Andy Morris, Julien Cohen, Emilio Piano and Marcus Veltri.
#streetpiano #pianomusic #publicpiano
![DABABY - OUT YA BUSINESS [Official Video]](https://i.ytimg.com/vi/XS6k5_2xIqE/maxresdefault.jpg)
Dababy - "Suge" (Yea Yea)
‘Baby On Baby’ Out Now: http://smarturl.it/Babyonbaby
Apple Music: http://smarturl.it/Babyonbaby/applemusic
Spotify: http://smarturl.it/Babyonbaby/spotify
iTunes: http://smarturl.it/Babyonbaby/itunes
Watch more: https://DaBaby.lnk.to/MusicVideos
Connect:
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Producer Jetsonmade
Billion Dollar Baby Production
Dir. x Reel Goats
Story by Dababy x Reel Goats
DP/Editor @ricodidit
Video Producer Gemini.one1
Video Producer Iamspicyrico
#Dababy #BabyOnBaby #Suge
![Daddy Yankee - Medley [2026 Dick Clark's New Year's Rockin' Eve]](https://i.ytimg.com/vi/BxTmE9qSgeM/maxresdefault.jpg)
![50 Cent - Medley [2026 Dick Clark's New Year's Rockin' Eve]](https://i.ytimg.com/vi/QTMCQY6ekoM/maxresdefault.jpg)
![Gunna - wgft (feat. Burna Boy) [Official Video]](https://i.ytimg.com/vi/3b4lo3lV4bg/maxresdefault.jpg)
The official video for Gunna's "wgft" featuring @BurnaBoy! Directed by Spike Jordan.
Stream "The Last Wun": https://gunna.lnk.to/thelastwun
Get tickets to the 'Wun World Tour': https://wunworldtour.com/
Shop Official Merch: https://gunnawunna.com/
Follow Gunna:
https://only1gunna.com/
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℗ 2025 Young Stoner Life Records / 300 Entertainment
#Gunna #wgft #BurnaBoy #OfficialVideo #TheLastWun
_
Lyrics:
It's so amazing what we've done,
riding the wave of life that's one.
Taking our time to feel the love.
We are a part of the love song.
We getting fucked tonight, We getting fucked tonight, We getting fucked tonight, We getting fucked tonight.
We getting fucked tonight We getting fucked tonight.
Run it back, Turbo.
We getting fucked tonight.
Who getting fucked tonight? Who getting fucked tonight? You getting fucked tonight, she getting fucked tonight.
She getting fucked tonight, she getting fucked tonight. She getting fucked tonight, she getting fucked tonight.
Stop calling her phone, she get fucked tonight.
Blowing down that line, you the buster type.
Knowing that you lying, we don't go for the hype.
Catch her from behind, niggas know I'm a snipe.
Second when I drive, baby know what I like.
Spread that pussy wide, let me go for a dive.
Who getting fucked tonight?
You getting fucked tonight.
Later tonight? I'll pay whatever the price and knock her down on my strike.
I want to feel it inside. Getting with me is enticing. Your pussy is my vice.
I see you, we gonna fight. You getting fucked tonight.
Who getting fucked tonight?
Take her off the list, if it's just tonight.
Happiest of my life turn up the heat and make your body feel it, turn up the place so I know shine.
I dive inside, pull me closer, I go be your controller, call me remote.
Push one button, off with her clothes, when she want good loving she call 'pon mi phone.
If I don't do nothing, I will do the most. Mi say, call me lazy stay with me my baby.
If you give me one time I could break your back.
I can't give you all my time, no my baby. Celebrate because tonight you're my baby.
We gettin' fucked tonight. We gettin' fucked tonight.
Celebrate because tonight you're my baby.
We getting fucked tonight, We getting fucked tonight, We getting fucked tonight, We getting fucked tonight.
We getting fucked tonight, We getting fucked tonight, We getting fucked tonight, We getting fucked tonight.
Coke Wave 3.5: Narcos coming Jan 9!
Follow French Montana:
Instagram: https://www.instagram.com/frenchmontana/
Facebook:https://www.facebook.com/FrenchMontanaOfficial/
Twitter: https://twitter.com/FrencHMonTanA
Snapchat: https://www.snapchat.com/add/frenchmontana
TikTok: https://www.tiktok.com/@frenchmontana
Max B sits down with Ian Bick for a raw, open & honest conversation about his life, music, and surviving more than 15 years behind bars. He opens up about growing up in Harlem, his first prison sentence at Rikers Island and in New York State prison, and how he initially got into music and rose to fame. Max B then breaks down his second arrest, being sentenced to 75 years in prison, and what it took to survive New Jersey State Prison while continuing to put out music from behind the walls. He also shares how his sentence was eventually reduced, the mindset that kept him going, and what it’s been like finally getting out of prison and moving forward with his life.
#MaxB #PrisonStory #NewJerseyStatePrison #PrisonSurvival #HipHopStories #LifeAfterPrison #TrueCrimeStories #redemptionstory
Connect with Max B:
https://www.instagram.com/maxb140/?hl=en
Hosted, Executive Produced & Edited By Ian Bick:
https://www.instagram.com/ian_bick/?hl=en
https://ianbick.com/
Shop Locked In Merch:
http://www.ianbick.com/shop
Timestamps:
00:00 Max B Speaks Out After Prison Release
03:10 Growing Up in Harlem, New York
05:10 Family Life, Values & Early Influences
08:00 School, Youth Trouble & Street Life
11:50 First Time in Prison: Jail Experience & Finding Music
17:40 Discovering Music as a Way Out
21:30 First Release & Breaking Into the Music Industry
25:00 Back on the Streets & Second Arrest
29:00 Facing a 75-Year Prison Sentence
32:00 Making Music While Incarcerated
34:40 Life Inside New Jersey Maximum Security Prison
39:00 Violence, Survival & Prison Hustles
44:20 Social Media, Fame & Cultural Impact
47:40 Family, Children & Time Lost Behind Bars
50:00 Sentence Reduction & Getting Released
54:30 Prison Food, Cookbooks & Hustling Inside
01:00:00 Life After Prison: Freedom & Reentry
01:06:00 Building New Memories & What’s Next
01:08:40 Advice for the Next Generation & Final Thoughts
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#BamBam #뱀뱀 #NYCHAA #HOMETOWN #WONDERING
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![Ty Dolla $ign - DECEMBER 31ST (feat. A$AP Rocky & Tommy Revenge) [Official Music Video]](https://i.ytimg.com/vi/vAmjdOjVRfs/maxresdefault.jpg)
Ty Dolla $ign -
Stream 'TYCOON' - tydollasign.lnk.to/tycoon
Follow Ty Dolla $ign:
Instagram: https://dollasign.lnk.to/Instagram
Facebook: https://dollasign.lnk.to/Facebook
Twitter: https://dollasign.lnk.to/Twitter
Website: http://dollasignworld.com
Listen to Ty Dolla $ign:
YouTube: https://dollasign.lnk.to/YouTube
Spotify: https://dollasign.lnk.to/Spotify
Apple: https://dollasign.lnk.to/Apple
SoundCloud: https://dollasign.lnk.to/Soundcloud
Directed by AWGE
Director: Cult Vega @cultvega with AWGE
Executive Producer|Producer: Parker Sutton @parkersuttonn
Co-Executive Producer: Jordan Rodriguez @carefreejrod
1st AD: Adrian Zepeda @adrianszepeda
2nd AD: Evan Hourany @evanhourany
Production Coordinator: Brandee Allen @bda.photo
Director of Photography: Jackson Magnabosco @jacksonmagnabosco
1st AC: Jairo Cruz @70mm_
2nd AC: Zach McGee @mrgooberstein
Steadi Cam Op: Matias Wajner @steadimatias
Techno Crane Operator: Sai Aung Tun @silentstormsai
Super16 Op: Jack Dalton @jackmdalton
Super16 Op: Eli Leibow @l3ibow
Gaffer: Markus Fields @mfields728
Key Grip: Andre De Ocampo
Swing: James Zanoli @whammyyyyy
Best Boy Electric: Lukas Zanoli @lukaszanoli
Best Boy Grip: Sage Vincent
Casting Director: Hanna Sint @sintasticc Jay Jaber @jayjabrrr
Production Designer: Yara Kamali @ohh.arch
Art Leadman: Peter Balabanov @balabanov_arts
Art PA: Wali Powell @powell_pick6
Art PA: Amani Powell
Key PA: Max Mendieta @maxi.ish
Key PA: Jet Dupont @jettttttttttttttttttttttttt
Set PA: Muita Muthee @muita_muthee
Crafty PA: Henry Parker @henry_op_
Talent PA: Alexa Carenas @_alexacardenas
Talent PA: Andrea Rodriguez @andrea.lorell
Runner PA: Katie Gomez @kkatieegg
Location Manager: David Deroiser @daveed_dero
BTS Photo: Kate Hart @kat3hart Anthony Fernandez @antshotit
BTS: Alex Suljic
Studio Location: Mica Studios @wearemica
Picture Vehicles / Police Actors: CopShopLA @copshopla
Post Production House: NeuralHaus @NeuralHaus
Post Production Supervisor: Patrick Elkin Hazer @Scorch
Editor: Cult Vega @cultvega
Co-Editor: Pada @padaaaaaaaaaa
Colorist: Braxton Apana @braxtonapana
Rotoscope: Parker Jones @parqj
3D Compositing: Nikita Tarasov @PrinceOfDamned
VFX: Parker Jones @parqj Nikita Tarasov @PrinceOfDamned
VFX + Addt Cleanup: Richard Bojorquez & Emanuel Robson & Muze
Digital Artist: @othermiguel Miguel Ayala-Mora Title Artist @ethnwayne
Creative Agency AWGE
Production House Phantasy Studios @phantasy__studios & Carefree Studios @alwayslivecarefree
#TyDollaSign # #TYCOON
'LIL HERB' OUT NOW ⏳: https://gherbo.lnk.to/LilHerb
STREAM "WHATEVER U WANT": https://gherbo.lnk.to/WUW
STREAM "REASON": https://gherbo.lnk.to/Reason
STREAM 'WENT LEGIT' 🌏♻️: http://GHerbo.lnk.to/WentL
Subscribe to G Herbo's official channel for exclusive music videos & behind the scenes footage: http://bit.ly/Subscribe-to-GHerbo
More G Herbo:
https://fb.com/gherbomusic
http://twitter.com/gherbo
https://instagram.com/nolimitherbo
https://www.tiktok.com/@gherbo
https://soundcloud.com/gherbo
http://spoti.fi/1LwQTBk
http://gherbomusic.com
#LILHERB #GHERBO
