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Was FIELD MOB Blackballed By LUDACRIS? Here's Why Their Growth Was Stunted Hotney 1 Streams • 3 years ago

One of the most difficult realities that’s hard to accept as a good artist is not being properly compensated for their creation. Whether monetarily, or in the form of praise that leads to accolades. Today’s feature knows that all too well. As far as being good artist, Shawn J and Smoke of Field Mob were more than that. The Grammy nominated group were on fire in the early 2000s with their creative, witty, fun, but real way of displaying their music, known for touching on real topics like slavery and inequality. They had songs about love like every other male artist, but theirs gave a different and interesting perspective, like how does the woman feel about you out all night and not paying attention to her after the relationship get stale and comfortable. Or how does your lady feel having to hear the people whisper around her about all the negative things connected to your name. They were aware of how country people were looked at and made fun of for sounding a certain way, or eating this or that off animals considered unclean, or the way they dressed and danced. They took that and made themselves the mascot for it, proud of the field they came from and showed it. Two talented individuals from a small town that made classic records in their era, just couldn’t survive the hurdles they had to get over, and by 2006 they were gone as we knew them when they first began to create their buzz in 99-00. It’s not often you see a rap group from the south, go to a New York based record label and put out a single and it become a top 20 billboard hit, an album that goes gold and become their biggest album to date, and be nominated for one of the biggest awards you can get as an entertainer. A Grammy. What is often is we see too many rappers or rap groups complain about being unfairly compensated for their work from a label, that leads two you never hearing for those artist again. It’s a travesty we didn’t get more field mob in the early 2000s, and even today, where their lyrical prowess and melodic sound could still be relevant today had Ludacris not apparently Blackball them. Was FIELD MOB Blackballed By LUDACRIS? Here's Why Their Growth Was Stunted

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Måneskin: Same Interview, One Year Later | Vanity Fair Hotney 1 Streams • 4 years ago

Vanity Fair time capsuled an interview with Måneskin in 2021 after the band had made it big with a Eurovision win and hit song "Beggin'". One year later, Damiano David, Victoria De Angelis, Thomas Raggi and Ethan Torchio return to answer the same interview questions. With a Grammy for Best New Artist now on the horizon, things are changing by the second for Måneskin.

00:00 "I was a mullet daddy"
00:12 What is your name?
00:52 What is today's date?
00:59 How old are you?
01:13 How many followers on Instagram?
01:19 Most played song on Spotify? How many streams?
01:49 Most viewed music video
02:10 Favorite social media platform
02:40 Do you feel pressure to post on social media?
02:59 Do your fans have a name?
03:33 Most famous person in your DMs
03:46 Most famous social media follower
04:16 Biggest career moment thus far
04:39 Do you feel successful?
06:07 Describe your music in one word
03:56 How many instruments do you play?
08:18 How would you describe your stage presence?
08:33 How often are you recognized in public?
09:42 Favorite song you've written
10:17 How many songs did you write this year?
10:36 How many songs are you currently working on?
10:49 How do you want to challenge yourself next year?
11:20 What is the biggest show you've played?
12:06 Most expensive thing you've bought yourself
13:30 Most important thing to you right now
14:45 Biggest thing that happened to you this year
15:35 Describe your style in one word
16:38 Biggest lesson learned this year
17:35 Biggest regret

Director: Jackie Phillips (2022), Adam Lance Garcia (2021)
Director of Photography: Matt Krueger (2022), Cole Evelev (2021)
Editor: Evan Allan
Celebrity Talent: Måneskin: Thomas Raggi, Damiano David, Victoria De Angelis, Ethan Torchio
Producer: Ashley Hall (2022)
Line Producer: Jen Santos
Associate Producer: Clarissa Davis (2022), Madison Coffey (2021)
Production Manager: Andressa Pelachi and Peter Brunette (2022), James Pipitone (2021)
Production Coordinator: Carol Wachockier (2022), Daniella Resto (2021)
Talent Booker: Director, Video Talent, Lauren Mendoza
Camera Operator: Omar Elgohary (2022), Devan Davis Wood (2021)
Gaffer: Niklas Moller (2021)
Audio: Kari Barber (2022), Sean Paulsen (2021)
Production Assistant: Ariel Labasan (2022), Laura Batchelor (2021)
Post Production Supervisor: Nicholas Ascanio
Post Production Coordinator: Jovan James
Supervising Editor: Kameron Key
Assistant Editor: Justin Symonds

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Arts and entertainment, business and media, politics, and world affairs—Vanity Fair’s features and exclusive videos capture the people, places, and ideas that define modern culture.

Rodney 'Darkchild' Jerkins: Teddy Riley, Michael Jackson, Whitney Houston, Mary J Blige Hotney 1 Streams • 4 years ago

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The Darkchild instinctively knows how to showcase the best attributes of each artist that he works with. CEO of his Darkchild Productions, Inc., Jerkins has been responsible, through his numerous hit productions, for over 170 million in record sales worldwide.

Born the youngest son of a minister father and choir director mother in Pleasantville, New Jersey in 1977, Jerkins began taking classical piano lessons as a child and combined that with the gospel music that he heard in church. Rodney's God‐given gifts quickly blossomed, as the young phenomenon diligently worked on his music and began recording demos for local talent. When New Jack Swing's Teddy Riley came across one of those early demos and opened the first door, Rodney's career took off like a rocket. Subsequently, his first professional writing and producing job came in 1994, for an artist named Casserine and at the tender age of 15, he and his brother, Fred Jerkins III, wrote and produced his gospel rap album, "On The Move." Since that time and continuously into present day, the Jerkins discography reads like a Who's Who of Hit Music.

In 1997, Jerkins continued his ascent to legend status by working with Mary J. Blige; he co‐wrote, arranged and produced five songs for her four‐time platinum CD, "Share My World," including the hit single "I Can Love You." That year, Billboard magazine touted him as one of the hottest R&B producers in the country, and again bestowed that moniker on him in 1999. He re‐teamed with Blige in 2006, with his production of her huge hit, "Enough Cryin," from her record‐setting CD, "The Breakthrough."

Rodney's 2006 production of Beyoncé’s Number One smash "Deja Vu," dominated the airwaves and garnered him another Grammy nod in the process. A testament to its greatness and his genius, the perennial, memorable tune was highlighted during Beyoncé’s 2008 Grammy Awards telecast performance.

Happily married to Lifestyle Music artist, Joy Enriquez, Rodney is also the father of four children, Rodney David Jerkins III, Heavenly Joy, Hannah Joy and Royal David Jerkins in Los Angeles. Jerkins also produced her latest Contemporary Christian album and debut of his Christian label, Lifestyle Music, titled “The Call” in partnership with Capitol Christian. He says "this is what the world needs right now, and we are happy to be the ones that God is using to deliver it."

A devout Christian with strong moral values, Rodney has not forgotten his roots in the church, nor does he compromise in order to conform to today's music landscape; instead, he consistently uses his myriad talents to shape groundbreaking music on his own terms.

Recently, Rodney has completed work on Rihanna, Ariana Grande, Jessi J, Justin Bieber, Ciara, Keyshia Cole, Alicia Keys, and Sam Smith.

#RodneyJerkins #michaeljackson #HalftimeChatRnBPodcast
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noisey Bompton　犯罪都市コンプトン・ヒップホップ・シーンの現在 ① Hotney 1 Streams • 4 years ago

【コンプトン・ヒップホップ TOPICS】
http://jp.vice.com/topics/compton

**********
カリフォルニア州南部に位置する街コンプトン（Compton）。アメリカで最も危険な都市の1つとして知られ、2006年の調査では、セントルイス、デトロイト、フリントに次ぐ全米ワースト4位、さらに人口10万人未満の都市では、ワースト1位の犯罪都市と発表された。なかでもギャングの抗争による殺人事件で悪名高く、ロサンゼルスで結成されたブラッズ（Bloods）とクリップス（Crips）のアフリカ系アメリカ人による「2大ストリートギャング」を中心に、殺人、強盗、麻薬取引などの凶悪犯罪が日常的に発生している。1980年代には、悪名高きギャングスタ・ラップ・グループ、N.W.A.が登場。昨年公開されたグループの自伝映画『ストレイト・アウタ・コンプトン』は、ミュージシャンの自伝映画としては史上最大の興行収入を記録したのも記憶に新しい。一時に比べると犯罪は減少しているが、未だロサンゼルスのガイドブックでは、「絶対に行ってはいけない場所」として、注意喚起されている。

クリップスの「C」を認めないブラッズの面々は、なんでも頭文字を「B」に替え、「コンプトン(Compton）」を「ボンプトン（Bompton）」と呼ぶ。そんな現在の「ボンプトン」ヒップホップ・シーンを牽引しているのが、ケンドリック・ラマー（Kendrick Lamar）。2012年にメジャーデビューを果たし、アルバム『To Pimp A Butterfly』（2015）と『untitled unmastered』（2016）は全米1位を獲得。更に2016年第58回グラミー賞では、最多11部門にノミネートされ、最優秀ラップアルバムなどの5部門を受賞するほどのビッグスターへと成長した。しかもコンプトン出身でありながら、犯罪や刑務所の類いにはいっさい関わらず、真摯に音楽に取り組むその姿勢は、悪名高いこの街のキッズたちに新たな可能性を示している。

もちろんケンドリック・ラマーによって収まりはしない。コンプトン・シーンは未だに混沌としており、実際、ケンドリック・ラマーの友人たちも不慮の死を遂げている。一体「ボンプトン」とはどんな街なのか。どこに向かっているのか。ケンドリック・ラマーを中心に、現在の「ボンプトン」を探る。

第一回は、ケンドリック・ラマーとそのクルー、そして彼の幼馴染であり、元ギャングのリル・エル（Lil L）が登場。

原題：noisey Bompton Part 1 （2016）
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RBX on Why He Didn’t Sign to Death Row Records, Underestimating "The Chronic" & The D. Hotney 1 Streams • 4 years ago

Watch as #RBX stops by #UniqueAccessEnt to discuss why he didn't sign to Death Row Records. The Long Beach, California rapper also tells #SorenBaker about underestimating "The Chronic" & The D.O.C.'s insight. Watch & subscribe.

Watch RBX on Ice Cube’s “Death Certificate” on BEST ALBUMS -- https://youtu.be/IwYUAKvUi8E
Watch RBX & Everybody Was Scared of Suge Knight on MYTHS EXPOSED -- https://youtu.be/UMxT-K0r3xM

Support us via Cash App -- https://cash.app/$UniqueAccessEnt
Produced, Created & Hosted by Soren Baker
Edited by James Kreisberg
Executive Producer: @SorenBaker

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Order #SorenBaker's "The History Of Gangster Rap" now!!!

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From an independent bookstore near you: https://tinyurl.com/ycetl9sg

Here's what some icons have to say about the book!!!

Ice-T: "Respect to Soren Baker for documenting the history of gangster rap in these pages. Some hate it. Some love it. But you can’t deny its brutal, hardcore honesty."

The D.O.C.: "History has so often been written by the victors, that you very rarely ever get the real story behind anything. So it’s really important to hear from the people that were there, which is exactly what Soren Baker shares in this book. He writes about it and he’s honest about it."

Xzibit: "Hip-hop changed the world. Gangster rap changed the narrative, and then changed the world again. Soren Baker has been a very integral part of documenting hip-hop on the West Coast for as long as I can remember. I don’t think anybody is more qualified to write this book."

Leslie “Big Lez” Segar: "Soren Baker has changed the perspective of gangster rap by putting his pen to paper. He has given hip-hop power, proven its potential, and made non-believers contemplate all of its possibilities. The truth in his writing leaves no stone unturned, something he's done again with The History of Gangster Rap. Soren doesn’t just champion hip-hop. He also reveals its flaws and its truths."

★ Soren Baker
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★ Unique Access Ent.
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🔥BEST OF 2023 AFROBEATS NAIJA OVERDOSE 14 VIDEO MIX [Burna Boy, Asake, Ruger, Buga, Cough, Rush] Hotney 1 Streams • 4 years ago

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***Tracklist***
00:00 1. Ayra Starr - Rush
02:15 2. Bayanni - TaTaTa
04:22 3. Magixx - All Over
06:11 4. Joeboy - Likkle Riddim (Clean)
08:00 5. Iyanya - One Side [Dj Shinski Redrum]
10:07 6. Ruger - Red flags [Dj Shinski Redrum]
12:13 7. Wizkid x Ayra Starr - 2 Sugar [Dj Shinski Redrum]
14:38 8. Omah lay - Soso [Dj Shinski Redrum]
16:54 9. Victony ft. Tempoe - Soweto [Dj Shinski Redrum]
18:52 10. Oxlade - KU LO SA [DJ Shinski Extended]
20:50 11. Omah Lay - i'm a mess [Dj Shinski Extended]
22:38 12. Ruger - Asiwaju (Clean) [Dj Shinski Redrum]
25:39 13. Burna Boy - Vanilla [Dj Shinski Extended]
27:28 14. Burna Boy - Last Last - Booty Patrol Remix
30:42 15. Ruger - Girlfriend (Dirty)
32:49 16. DJ Shinski Ft Naiboi - Give it to Me
34:47 17. Mavins Crayon Ayra Starr Ladipoe Magixx Boy Spyce - Overdose (OPD Redrum)
36:34 18. Fireboy Ft Asake - Bandana (OPD Redrum)
38:53 19. Burna Boy - It's Plenty - Da Phonk Club Edit
41:48 20. Rema & Selena Gomez - Calm Down - Da Phonk Club Edit
44:57 21. Kizz Daniel & Empire - Cough (Odo) [Afroextended-Intro]
48:04 22. Kizz Daniel & Tekno - Buga - Da Phonk Club Edit
49:59 23. Wizkid - Bad to Me [Afroextended-Intro]
52:11 24. Korra Obidi - BIG KORRA
53:51 25. Mr Eazi, Falz & Major League DJz ft. DJ Tárico & Joey B - Patek Remix
55:30 26. Voltage of Hype, DJ Dabila - Amapiano Breakfast - La Mezcla [Afroextended-intro]
56:20 27. Mr Eazi, Shatta Wale, DJ Neptune, Medikal, Minz - See Something (Dirty)
58:32 28. Tiwa Savage, Asake - Loaded [Afroextended-Intro]
1:03:30 29. Seyi Vibez - Chance (Na Ham)
1:05:59 30. Asake - Organise [Afroextended-Intro]
1:07:38 31. Pheelz & Davido - Electricity [Afroextended-Intro]
1:09:16 32. Asake - Joha [Afroextended-Intro]
1:11:29 33. Kizz Daniel - RTID (Rich Till I Die)
1:13:53 34. Young Jonn - Xtra Cool [Afroextended-Intro]
1:15:45 35. Carterefe & Berri-Tiga - MACHALA [Dj Shinski Extended]
1:17:35 36. Mavins, Rema, Boy Spyce, Crayon, Bayanni, Magixx, LADIPOE, Ayra Starr, Johnny Drille - Xtra Cool [Afroextended-Intro]
1:21:11 37. Flavour, Chinedu Okoli - Game Changer (Dike)
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All Credit goes to all the artist played on this playlist( see playlist above), they have some great music and cool videos, please go to any streaming site to buy their music. click on the link below to visit their channel for more of these videos

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