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Tonio Armani Performs "Money (That's What I Want)" Live | Still Lounge Hotney 9 Ansichten • 5 Monate vor

Ernie Barnes’ Sugar Shack, one of the most iconic paintings in pop culture, has lived many lives. From the end credits of ‘Good Times’, and Marvin Gaye’s “I Want You” cover art, to inspiring the poster for the 2025 Academy Award–nominated film ‘Sinners.’

Rooted in the cultural legacy of this 1976 masterpiece and the renewed love for 1960s in-house band studio sessions, we introduce the Still Lounge: an intimate space where artists deliver soulful performances under the musical direction of Anderson .Paak and the direction of Fatima Robinson, recorded live at the historic Henson Studios in Los Angeles.

We bring you Columbus, Georgia’s own Tonio Armani, with a voice that’s lived-in, not manufactured. He steps into the Still Lounge to deliver his rendition of Barrett Strong’s “Money (That’s What I Want).”

Credits:
Anderson .Paak and Tonio Armani
"Money (That's What I Want)"
Director - Fatima Robinson
Musical Director - Anderson .Paak
Producer - John Winter
Executive Producers - Jimmy Iovine, Fatima Robinson, Anderson .Paak and John Winter
Director of Photography - Giles Dunning
Production Designer - Hugh Zeigler
Editor & Online - Bill Yukich
Sound Engineer & Mixer - Jhair “Jha” Lazo
Colorist - Beau Leon
Wardrobe Stylist - Binkie Reevey
Supervising Producer - Christine Miller
Production Coordinator - Michelle DeSamper
1st Assistant Director - Dawn Bridgewater
2nd Assistant Director - David Moore
Casting Director - Anissa Williams
Guest Vocalists - Deanna Brown, Johanna Rose, Lady Stout and Tonio Armani
Bass Guitar - Kelsey Gonzalez
Keys - Ron “T.nava” Avant
Guitar - Jose Rios
Trumpet/Horn - Maurice Brown
Tenor Sax - Chelsea Baratz
Trombone - Saunders Sermons
Backup Vocalists - Alana Linsey, Alayna Rodgers
Choreographer - Adrian Wiltshire
Assistant Choreographer - Tia Rivera
Dancers - Jeremy “JT” Taylor, Darryl Keith, Raphael Thomas, Michael Trey, Lisa Sainvil, Amadi Akilah Oubichon, Brianna Pavon, Jhana Waddell, Jason Facey, Tango Leadaz, David "The Crown" Stalter Jr., Erique Mitchell, Yoe Apolinario, Sheopatra, Monique Watson and Toyin Sogunro
Freestyle Dancers, Sara Ito, Cedric "Thane" Sanders, Xuly Williams
Camera Operators - John Veleta, Sam Omelia and Andrew Poland
1st Assistant Cameras - Lorenzo Porras andJordan Martin
2nd Assistant Camera - Andrew Porras
Digital Imaging Technician - Scott Beckley
Behind The Scenes - Jesse Lee
Gaffer - Skott "Gucci Gaffer" Khuu
Key Grip - Hayden Grissom
Best Boys - John Lee, Brandon Diaz
Dolly Grip - Dylan Whiddon
Set Lighting Technicians - Amber Jones, Kevin Garrad and David Goold
Swing - Dennis Pires
Additional Sound Mixer - Mike Beliveau
Instrument Tech - Erick “Eboogie” Rosales
Anderson .Paak Drum Tech - Kyle Dustin Rodgers
Leadperson - Max Duck
Set Dresser - Jonah Porter
Steeldecks - Luis Ventura and Angel Valencia
Key Makeup - Bobbie Riley
Makeup Artist - ShaDara Holmes
Anderson .Paak Makeup - Jenn Hanching
Key Hair - Helena Jaye
Hair Stylist - Victoria Robinson
Anderson .Paak Barber - Dane C Diego
Assistant Stylists - Sheena Burch, Neishea Lemle, Griff Jarrett and Rashad Corey
Anderson .Paak Assistant - Kasey Tovar
Studio Teacher - Jill Kimmell
Craft Services - Rose Kennedy
Office Production Assistant - Shelby Campbell
Truck Production Assistant - Raymond Harper
Talent Driver Production Assistant - Paul Sigwerth
Production Assistants - Erick Sanchez, Robert Washington
Production Company - Whatever Pictures
Filmed At - Chaplin Recording Studios

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COMPLEX is a community of creators and curators, armed with the Internet, committed to surfacing and sharing the voices and conversations that define our new America. Our videos exemplify convergence culture, exploring topics that include music, sneakers, style, sports, and pop culture through original shows and Complex News segments. Featuring your favorite celebrities, authoritative commentary, and a unique voice, our videos make culture pop.

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Label: Gaurav Mali
Digital Media Partner: Supernal Digital Media
Recording Studio: Shree Raati Studio (Nathdwara)

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Len Whatever Happened to the Band Behind Steal My Sunshine Hotney 9 Ansichten • 3 Monate vor

Len: Whatever happened to the one hit wonder group behind 'Steal My Sunshine'

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#len #stealmysunshine i cite my sources and they may differ than other people's accounts, so I don't guarantee the actual accuracy of my videos.

If you remember the summer of 1999, then you might remember the pop hit Steal My Sunshine. By the group Len. Hailed the song of the summer back then, it was pretty much inescapable, but whatever happened to the group Len? That’s what were going to explore in today’s video.

Len would be The brainchild of brother and sister Sharon and Marc Costanzo the pair grew up together in Montreal before the family moved to Toronto in the late 80’s.Influenced by punk rock and hip hop, Marc started a punk rock group in 1991. His sister Sharon would join the band a year later, but Marc’s own admission his band’s musical talent was limited and usually resulted in the group’s members smashing their instruments on stage since it seemed to attract more people.

Soon enough Marc grew tired of playing in a failing band. It was during this time he bought equipment to create his own home studio and started recording other bands. He would soon meet some other musiciansincluding DJ Moves and D-Rock who would become future members of Len. It was these chance meetings that led Marc to start creating his own beats. Soon enough Len would be born and the group would release 2 rock and pop oriented albums in 1995 and 1997 on their own indie label Funtrip along with a lone EP. According to Billboard, each independent LP sold around 10-15,000 copies.

In 1995 and 1997 Len would release their first two albums, on their own indie label Funtrip along with a lone EP. According to billboard each independent LP sold about 10-15,000 copies.Marc Costanzo who would also go by the name burger pimp would draw on influences including the beastie boys, ll cool j and the fat boys. He would remark on the music scene in the late 90’s saying to the LA Times “The reason why we listen to a lot of old-school is that new-school hip-hop--besides underground [stuff]--is so lost,

Len’s lineup would consist of the brother sister pairing along with a revolving cast of studio and touring musicians. The band would sign a deal with Sony subsidiary Work. Their time in that punk rock band i previously discussed would come in handy as the band subscribed to the punk rock ethos of DIY. Even after signing with a label they had it written in their agreement that they direct their own videos in addition to taking care of the art for their albums.The band would also launch a feature on their website in 1999 called Len TV that would allow fans to see old home movies of the group.

Titled “You can’t Stop the Bum Rush”, the album’s name would influenced by the 1987 public enemy albu, of a similar name.. The group’s major label debut would be recorded in Marc’s home studio and contain their hit single Steal My Sunshine. The song was actually a sleeper hit and it would first gain traction months before their album came out when it was included in the teen film Go. The soundtrack contained tracks from No Doubt, Natalie Imbruglia and Fatboy Slim. Out of all the songs on the soundtrack, radio seemed to gravitate towards Steal My Sunshine. LA radio station KROQ would add the song to it’s playlist dubbing it and i quote “the song of the summer.” Soon enough other radio stations started playing the track. The song would peak at number 3 in the US on the pop charts and number 9 in canada and become a top ten hit in several other countries. The success of the single helped the group’s album sell 2 million copies. Len would also achieve a rare feat being selected by both vh1 and mtv as the young new act to follow.
The label who was astonished at the song’s success moved up the release of their album and a video was shot for the single. But the success of the song took both Marc and Sharon Costanzo by surprise
Marc would explain the origin of the song telling the Guardian newspaper
"We were at this huge three-day rave and I ended up partying, partying, partying. We went back to my house and Brendan Canning from Broken Social Scene was DJing and played More, More, More by Andrea True Connection. I ended up sampling it that morning and looped it, it sounded great. Somewhere in the next couple of days I recorded it, I know Deryck Whibley from Sum 41 was there in the room when I put down the lyrics. It's just a song about what happened that night of the party."
Meanwhile Sharon would tell the washington

A$AP Rocky Shares Harlem Stories That Made Him, Rihanna, Fatherhood & Impact | The Jason Lee Sho Hotney 9 Ansichten • 3 Monate vor

A$AP Rocky does not sit down for an interview like a typical rapper. He pulls up with history, Harlem pride, big ideas, and enough stories to remind you why Flacko has always moved different.

Sitting down with Jason Lee in the heart of Harlem, Rocky opens up about the city that made him, the people who believed in him early, and why he sees himself as more than an artist. From music and fashion to performance art, film, family, and community, this is a conversation about legacy from someone who has spent his entire career building one.

But this interview is bigger than celebrity stories.

Rocky speaks on Harlem as a feeling, a responsibility, and a source of inspiration that follows him everywhere. He reflects on giving back to the neighborhood, being honored by local leaders, and even jokes about one day becoming “Mayor Mayers.” There are conversations about politics, representation, Black communities, and what it means to use influence for something bigger than yourself.

He also gets personal.

Rocky opens up about losing his brother, the impact of A$AP Yams, surviving difficult chapters, and learning how to turn pain into purpose. He talks honestly about growth, the pressure of being misunderstood, and why people should be allowed to evolve beyond who they were in their past.

Of course, Jason and Rocky also get into Rihanna, their relationship, raising their children, and what being a present father means to him. Behind the fashion, the headlines, and the superstar image is a man who is deeply proud of his family and intentional about the life he is creating for them.

There are funny moments, wild Harlem stories, fashion debates, internet chaos, and plenty of classic Jason Lee energy.

Rocky also talks about his artistry, why his live shows are meant to feel like full worlds instead of just concerts, the creative vision behind Don’t Be Dumb, and why he refuses to make music just to fit whatever trend is popular at the moment. For him, the goal has always been bigger than a hit record: it is about making art that lasts.

Stylish, reflective, hilarious, and completely unfiltered, this is A$AP Rocky in full form: the artist, the father, the fashion icon, the Harlem kid, and the visionary still finding new ways to move culture forward.

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KAROL G, Drake - Ahí (Visualizer) Hotney 9 Ansichten • 3 Monate vor

Escucha / Stream ‘NO ME ARREPIENTO DE SENTIR TANTO’ on your favorite platform: https://KarolG.lnk.to/NMADST
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LYRICS:
Oooovy on the drums

Bebé yo te quiero
Pero por ahora
No estoy disponible
Tengo roto el cora

Porque me lo hirieron
Y aún no mejora
Son cosas que pasan
Cuando uno se enamora

Lo que menos quiero es presionarte
Tranquila aquí me tienes
Que yo espero mi momento bebé

No quiero que piense que no quiero
Sólo que aún no me conviene
Pero el amor que me tienes porfa

Téngamelo ahí
Tenlo ahí
tenlo ahí

Téngamelo ahí
Tenlo ahí
Tenlo ahí

Que tú eres buena opción
Tú me gustas bastante
Y por lo mismo no quiero perjudicarte
Por lo general cuando rompen un corazón
El dueño de ese corazón otro corazón parte

Eh y mi intención no es dañarte
Yo te agradezco si puedes esperarme
Sano primero
Luego supero

Después de eso cómo fue pa que nos demos los pico’
Pa que tomemos juntico’
Pa que la pasemos rico

No piense que yo me justifico
Esto no es pa siempre es solo un ratico co co
Espérame un momentico co co
¿Bebé cómo te lo explico?
Yo te llamo pa’ que pasemos rico

Téngamelo ahí
Tenlo ahí
tenlo ahí

Téngamelo ahí
Tenlo ahí
Tenlo ahí

Bebé yo te quiero
Pero por ahora
No estoy disponible
Tengo roto el cora

Porque me lo hirieron
Y aún no mejora
Son cosas que pasan
Cuando uno se enamora

Papi

I want a latina
I want a latina
I want a latina
I want a la...

I want a face just like Carolina
And I want a waist just like Carolina
Both just snuck in a place with a Nina
High I mean
High I mean
High I mean uh
I’m not a drug dealer
My money is way cleaner
I want a la...

Papi

Well like, one specific human trait
Like a woman can have
What what would you like in a woman

Kind
And uh
Latina

#karolg #nmadst #Ahí #drake music video by KAROL G, Drake performing Ahí (Visualizer).© 2026 Bichota Records LLC, under exclusive license to Interscope Records