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Goodness of God (feat. Cecily) - TRIBL & Maverick City Music Hotney 8 Visualizzazioni • 3 anni fa

Goodness of God (feat. Cecily)

This video was captured in Atlanta at the first Tribl Worship Night on June 19th.

Follow us on socials to find out more:
Instagram: https://www.instagram.com/triblmusic/
Facebook - https://www.facebook.com/triblmusic/
Twitter - https://twitter.com/triblmusic
Official Website- https://www.tribl.com/
Cecily- https://www.instagram.com/its_cecily/

Lyrics
I love You, Lord
For Your mercy never fails me
All my days, I've been held in Your hands
From the moment that I wake up
Until I lay my head
Oh, I will sing of the goodness of God

And all my life You have been faithful
And all my life You have been so, so good
With every breath that I am able
Oh, I will sing of the goodness of God

I love Your voice
You have led me through the fire
In the darkest night
You are close like no other
I've known You as a Father
I've known You as a Friend
And I have lived in the goodness of God (yeah)

And all my life You have been faithful (oh)
And all my life You have been so, so good
With every breath that I am able
Oh, I will sing of the goodness of God (yeah)

Your goodness is running after
It's running after me
Your goodness is running after
It's running after me
With my life laid down
I'm surrendered now
I give You everything

'Cause Your goodness is running after
It's running after me (oh-oh)
'Cause Your goodness is running after
It's running after me
Your goodness is running after
It's running after me
With my life laid down
I'm surrendered now
I give You everything
'Cause Your goodness is running after
It keeps running after me

And all my life You have been faithful
And all my life You have been so, so good
With every breath that I am able
Oh, I'm gonna sing of the goodness of God
(I'm gonna sing, I'm gonna sing)

'Cause all my life You have been faithful
And all my life You have been so, so good
With every breath that I am able
Oh, I'm gonna sing of the goodness of God
Oh, I'm gonna sing of the goodness of God

Follow us on socials:
Instagram: https://www.instagram.com/triblmusic/
Facebook - https://www.facebook.com/triblmusic/
Twitter - https://twitter.com/triblmusic
Official Website- https://www.tribl.com/
Cecily- https://www.instagram.com/its_cecily/

#worshipnight #goodnessofgod #worship #unite #tribe

Gin Blossoms: The Tragic Story of the Band & The Death Of Doug Hopkins, Band Behind "Hey Je Hotney 8 Visualizzazioni • 3 anni fa

Gin Blossoms: The tragic story of the band and the death of guitarist Doug Hopkins

Here's the Toad The Wet Sprocket Video I Reference
https://www.youtube.com/watch?v=RZOlcBSC04k&t=14s

Here's the Marcy Playground Video I did
https://www.youtube.com/watch?v=yW5RvTcYZfE&t=6s

0:00 - Early Years
2:43 - New Miserable Experience
7:22 - Doug Hopkins Death
9:02- Long lasting success
10:07 - Congratulations, I'm Sorry
13:45 - Breakup.Reunion

SIGN UP for 10 of the Craziest Stories in Rock N' Roll [Secret Playlist]: https://bit.ly/3vVPAEF

Have a video request or a topic you'd like to see us cover? Fill out our google form!
https://bit.ly/3stnXlN

-----CONNECT ON SOCIAL-----
Instagram: https://www.instagram.com/rocknrolltruestories
Facebook: https://www.facebook.com/RNRTrueStories
Twitter: https://twitter.com/rocktruestories
Blog: www.rockandrolltruestories.com

#ginblossom #doughopkins #heyjealousy

I cite my sources and they may differ than other people's accounts, so I don't guarantee the actual accuracy of my videos.

Gin Blossoms were a staple of the 90’s music
scene. The band’s history is intertwined

with luck, patience and great tragedy. Today
let’s explore whatever happened to the Gin

Blossoms

Hailing from tempe, Arizona, the LA Times would state
the following about Gin Blossoms on a 1993

profile about the band.

“Let’s face it, Tempe, Arizona., is notexactly
a thriving rock ‘n’ roll mecca.

It seems more like one of those places that
a budding rock band leaves, then later reminisces

about for its boring but lovable qualities.”

Gin Blossoms were born and raised on R.E.M.,
Tom Petty, Cheap Trick, and the Replacements,

which offered a stark contrast to the other
popular bands of the early 90’s who were

fed a healthy diet of punk rock, metal and groups
like The Pixies. Gin Blossoms married

joyful sounding melodies with young adult
anxieties. Hailing from Tempe Arizona, Gin

Blossoms first formed in 1987 thanks to a
Tower Records store in the city, where frontman

Robin Wilson and bassist Bill Leen both worked.
Initially first lineup consisted of Gin Blossoms had guitarists Jesse Valenzuela as the lead vocalist before Robin WIlson took over. Back in the lae 80's it was pretty common for club owners to hire bands who mostly played covers. TO satisfy club owners The Gin Blossoms would adop the alter

ego Del Montes whose plan it was to play cover
tunes at clubs around the city and earn some

money while they would also be writing their own
original material. Soon enough the sets The

Gin Blossoms were playing around the city of tempe didn’t stra too far
from the Del Montes. THe del montes would most famously play
television show theme songs
including the Jeffersons Movin on up. By 1988 Gin Blossoms developed a name around
town and became one of the hottest acts in

the City. In both 1988 and 1989 The Phoenix
New Times newspaper named the band

The Best of Phoenix. Soon enough other press
outlets outside of Tempe picked up on them

with the College Music Journal referring to
them as and i quote “The Best Unsigned Band

In America in 1989. The same year the group
played a showcase at the south by southwest

festival and soon enough,
they put out their self funded debut record

Dusted the same year. The band also started playing
outside of Tempe heading to Austin and playing

at the south by southwest showcase, while
also playing in clubs in Los Angeles including

Raji’s, Club Lingerie and the Coconut Teazer.
They would eventually attract the attention

of A&M records in 1990,

While the band should’ve been celebrating their success, guitarist
Doug Hopkins was not. Having suffered from

severe depression from a young age he was
against signing with a major label feeling

pressure to deliver and also feeling like
someone else’s property. His drinking would

only escalate once the band signed a smajor
recording contract.. According to Rolling

Stone magazine hopkins would frequently showed up intoxicatedat
gigs, while band practices resulted in verbal

screaming machines. The band first convened
in Los Angeles in 1991 to record their major

label debut but
it was a complete disaster. The group spent

close to $100,000 and had nothing to show
for it and were almost dropped by their label.

Frontman Robin Wilson would tell Rolling Stone
,“We were a fragile mess. We were all just

treading water trying to make the record.
We knew this was our last chance. It was an

intense experience on every level" he'd remember.
During a a separate interview with billboard

magazine he also credited the band’s label
with helping turn things around letting them release an EP titled up and crumbling and touring a
bit revealing “they gave us a chance to

succeed or fail to learn about the studio
and toughen up”. As the band attempted to take

a second stab at their first LP for A&M recordthey
chose a different producer and location. The band would move from LAto memphis and that’s not to say

DUST BOLT - Burning Pieces (2023) // Official Music Video // AFM Records Hotney 8 Visualizzazioni • 3 anni fa

Taken from the album "Sound & Fury ", out February 23, 2024
Pre-order the new album here: https://shop.afm-records.de/dust-bolt/

Spotify: https://spoti.fi/3NVqCBo
Fanlink album: https://dust-bolt.bfan.link/sound-fury
Fanlink single: https://dust-bolt.bfan.link/burning-pieces
Tickets: https://www.eventim.de/artist/dust-bolt/
Subscribe to AFM's Apple playlist "Melodic Mayhem": https://apple.co/3k2gLYw

Sound & Fury Tour 2024
22.02.2024 München - Strom
23.02.2024 Köln - Helios37
24.02.2024 Frankfurt - Nachtleben
25.02.2024 Erfurt - From Hell
27.02.2024 Berlin - Cassiopeia
28.02.2024 Hamburg - Bahnhof Pauli
29.02.2024 Hannover - Lux
01.03.2024 Bochum - Rockpalast
02.03.2024 Cham - L.A.

Tickets:
Eventim: https://www.eventim.de/artist/dust-bolt/
DB Shop: https://dustbolt.com/products/....sound-fury-tour-2024

DUST BOLT - Burning Pieces (2023) // Official Music Video // AFM Records

Follow DUST BOLT!
Spotify: https://spoti.fi/3NVqCBo
Apple Music: https://apple.co/44tqKNX
Facebook: www.facebook.com/dustbolt
Instagram: www.instagram.com/dustbolt_official/
Twitter: https://twitter.com/dustboltband
Website: http://dustbolt.net/

Follow us also on these channels:
Instagram: https://www.instagram.com/afm.records
Facebook: https://www.facebook.com/afmrecords
Website: https://www.afm-records.de
Webshop: https://shop.afm-records.de
Spotify: https://spoti.fi/1GiQDjJ
Apple Music: https://music.apple.com/curato....r/afm-records/112609

Music & lyrics by: Lenny Breuss, Florian Dehn
Produced by: Lenny Breuss & Ferdinand Dankesreiter
Mixed & Mastered by: Moritz Enders
Video by: Morgan Film
Camera: Christian Palm (Palm-Media) & Niko Bremm
Directed/ edited by Morgan Film

Lyrics:
Hello darkness
Hello light
Future seems fading
Yet burns so bright

Thoughts keep me thinking through the night
Can’t close my eyes, it ain’t feels right
The more I see the more I cry
The more I live the more I die

Yeah
Burning pieces
Yeah
Puzzled life
Yeah
Burning pieces
Your help means anything to me
I’ll help myself through setting free
All I can offer you right now
Is to pick up my burning pieces
Burning pieces

Don´t come closer
And burn yourself
We´re all no angels
But I´m the devil itself

My thoughts are anything but cure
My smile´s an action to endure
I just can’t get peace of mind
It´s a piece that I can’t find

Yeah
Burning pieces
Yeah
Puzzled life
Yeah
Burning pieces
Your god ´s irrelevant to me
I save myself through setting free
All I can offer you right now
Is to pick up my
Burning pieces

Oh
I just can´t get peace of mind
It´s a piece that I can´t find

Yeah
Burning pieces
Yeah
Puzzled life
Yeah
Burning pieces
Your help means anything to me
I’ll help my self through setting free
All I can offer you right now
Is to pick up my burning pieces
Hear my burning pieces
Light up my burning pieces

Wisin & Yandel, Romeo Santos - Aullando (Official Video) Hotney 8 Visualizzazioni • 3 anni fa

Wisin y Yandel & Romeo Santos - Aullando (Video Oficial)

Música Disponible:
Apple Music: http://smarturl.it/LCDP/applemusic
Spotify: http://smarturl.it/LCDP/spotify
Amazon Music: http://smarturl.it/LCDP/az
iTunes: http://smarturl.it/LCDP/itunes
Google Play: http://smarturl.it/LCDP/googleplay

Síguenos en nuestras redes sociales:
Facebook: http://bit.ly/Follow_WisinyYandel_Facebook
Instagram: http://bit.ly/Follow_WisinyYandel_Instagram
Youtube: Suscribe Call to Action Link
Twitter: http://bit.ly/Follow_WisinyYandel_Twitter
Spotify: http://bit.ly/Follow_WisinyYandel_Spotify

LETRA:

¡Wisin y Yandel!
De regreso con el King
Encontré un cabello tuyo en mi cama
Me quedé pensando dónde estás ahora
Te esperaba hace un par de horas (Casi siempre todo sale a la luz, de horas)
Tengo el presentimiento de que no andas sola
No me has escrito ni siquiera un "Hola"
Tú sigues envolviéndome
Con la misma historia
Cuando te veo se me olvida todo
No quiero hablar, prefiero hacerme el loco
Quitándote la ropa poco a poco
Aullando como loba (Auuh-uh-uh)
Así quién no te perdona
Si mi cama te añora
Cualquiera se enamora (Auuh-uh-uh)
Si paso una noche contigo
Y le haces lo que haces conmigo
Explícame, si estás conmigo y estás con él (Él)
Así me busco otra y yo también
Y simplemente la pasamos bien
Decídete, porque yo sé
Que a ti te gusta cómo lo hago yo
A quién engaña', no diga' que no (Eh-eh)
Por algo siempre acabamo' los do'
Comiéndono', baby
Qué suerte que tengo mala memoria
Sólo me acuerdo de la gloria
De cuando hacemos el amor
Con la misma historia
Cuando te veo se me olvida todo
No quiero hablar, prefiero hacerme el loco
Quitándote la ropa poco a poco (Yeah)
Aullando como loba (Auuh-uh-uh)
Así quién no te perdona
Si mi cama te añora
Cualquiera se enamora (Auuh-uh-uh)
Si paso una noche contigo
Y le haces lo que haces conmigo
Beba, te esperaba
Y tú revolcándote en otra cama
Sabiendo que con él no sientes nada-nada
Yo soy el que te lleva a las nubes (Yeah), el que te sube (Yeah)
Bebé con besos te caliento y rápido tú fluyes (Pre-Prende)
Yo soy el hombre que te pega a la pared (Hah, hah)
El que te quita el estrés (Hah, hah)
Tú tiemblas cuando me ves (Yeh)
Es que ya yo sé lo que pasa, ¿por qué te disfrazas?
Cuéntale a ese bobo cómo te lo hice en la terraza
Y le revelo (Duro), le puse en los ojos un pañuelo
Tenía ropa interior de terciopelo (Duro)
Todavía en mis sabanas encuentro tus cabello'
Yo sé que tú no superas cuando te muerdo el cuello
Si él supiera que tú nos divide' en el calendario
Loba sin dueño no tiene horario
Tú te has convertido en un mal necesario
Y él se come tu cuento
Lo que tú le digas como un niño te lo cree (Ajá)
Y yo disfruto de tu piel, viviéndome el momento
Aullando como loba (Auuh-uh-uh, yeah)
Así quién no te perdona
Si mi cama te añora
Cualquiera se enamora (Auuh-uh-uh)
Si paso una noche contigo
Y le haces lo que haces conmigo
Aullando como loba
Seguramente en este momento te estás preguntando cómo lo hacen
Señores, es la Champions League
W, Yandel
The King, Romeo
Cualquiera se enamora
Chris Jeday, Gaby Music (Eh-eh)
Los Campeones del Pueblo, W con Yandel (Eh-eh)
Jajajaja

#Aullando #WisinyYandel #RomeoSantos

The Supremes - Back In My Arms Again (Hullabaloo May 11, 1965) Hotney 8 Visualizzazioni • 3 anni fa

The most successful American performers of the 1960s, the Supremes for a time rivaled even the Beatles in terms of red-hot commercial appeal, reeling off five number one singles in a row at one point. Critical revisionism has tended to undervalue the Supremes' accomplishments, categorizing their work as more lightweight than the best soul stars (or even the best Motown stars), and viewing them as a tool for Berry Gordy's crossover aspirations. There's no question that there was about as much pop as soul in the Supremes' hits, that even some of their biggest hits could sound formulaic, and that they were probably the black performers who were most successful at infiltrating the tastes and televisions of middle America. This shouldn't diminish either their extraordinary achievements or their fine music, the best of which renders the pop vs. soul question moot with its excellence.

The Supremes were not an overnight success story, although it might have seemed that way when they began topping the charts with sure-fire regularity. The trio that would become famous as the Supremes -- Diana Ross, Mary Wilson, and Florence Ballard -- met in the late '50s in Detroit's Brewster housing project. Originally known as the Primettes, they were a quartet (Barbara Martin was the fourth member) when they made their first single for the Lupine label in 1960. By the time they debuted for Motown in 1961, they had been renamed the Supremes; Barbara Martin reduced them to a trio when she left after their first single.

The Supremes' first Motown recordings were much more girl group-oriented than their later hits. Additionally, not all of them featured Diana Ross on lead vocals; Flo Ballard, considered to have as good or better a voice, also sang lead. Through a lengthy series of flops, Berry Gordy remained confident that the group would eventually prove to be one of Motown's biggest. By the time they finally did get their first Top 40 hit, "When the Lovelight Starts Shining Through His Eyes," in late 1963, Ross had taken over the lead singing for good.

Ross was not the most talented female singer at Motown; Martha Reeves and Gladys Knight in particular had superior talents. What she did have, however, was the most purely pop appeal. Gordy's patience and attention paid off in mid-1964, when "Where Did Our Love Go" went to number one. Written by Holland-Dozier-Holland, it established the prototype for their run of five consecutive number-one hits in 1964-1965 (also including "Baby Love," "Stop! In the Name of Love," "Come See About Me," and "Back in My Arms Again"). Ross' cooing vocals would front the Supremes' decorative backup vocals, put over on television and live performance with highly stylized choreography and visual style. Holland-Dozier-Holland would write and produce all of the Supremes' hits through the end of 1967.

Not all of the Supremes' singles went to number one after 1965, but they usually did awfully well, and were written and produced with enough variety (but enough of a characteristic sound) to ensure continual interest. The chart-topping (and uncharacteristically tough) "You Keep Me Hangin' On" was the best of their mid-period hits. Behind the scenes, there were some problems brewing, although these only came to light long after the event. Other Motown stars (most notably Martha Reeves) resented what they perceived as the inordinate attention lavished upon Ross by Gordy, at the expense of other artists on the label. The other Supremes themselves felt increasingly pushed to the background. In mid-1967, as a result of what was deemed increasingly unprofessional behavior, Ballard was replaced by Cindy Birdsong (from Patti LaBelle & the Bluebelles). Ballard become one of rock's greatest tragedies, eventually ending up on welfare, and dying in 1976.

After Ballard's exit, the group would be billed as Diana Ross & the Supremes, fueling speculation that Ross was being groomed for a solo career. The Supremes had a big year in 1967, even incorporating some mild psychedelic influences into "Reflections." Holland-Dozier-Holland, however, left Motown around this time, and the quality of the Supremes' records suffered accordingly (as did the Motown organization as a whole). The Supremes were still superstars, but as a unit, they were disintegrating; it's been reported that Wilson and Birdsong didn't even sing on their final hits, a couple of which ("Love Child" and "Someday We'll Be Together") were among their best. In January 1970. Jean Terrell replaced Ross, and the group continued through 1977. ~ Richie Unterberger, All Music Guide

PLEASE NOTE: I divided my uploads between multiple channels, Bookmark this link in your browser for instant access to an index with links to all of John1948's oldies classics. LINK: http://tinyurl.com/Channel-Index

John Alex GATSBY - Therapy (Official Music Video) Hotney 8 Visualizzazioni • 3 anni fa

Official Music Video for John Alex Gatsby's single, "Therapy"
Available Everywhere: https://songwhip.com/johnalexgatsby/therapy
Follow me on Instagram @johnalexgatsby
Directed By: @Andrethedirector
Director of Photography: Josh Libertine

© 2023 Cromer Entertainment Corp.

Lyrics:

When I realize what I got it’s genetics
You could see in my mind it’s so messy
Cause this life that we live get so hectic
That’s why I’m with you here in this session

I got issues
We all got problems
Why you listening
You can’t solve em
Cause I got issues
Ain’t my problem
Damn it’s been along day

I been trying hard not to go back to the old me
They think that they know me, but really man they don’t know me
They say they the homies but really man they be phony
So lonely getting to the top I wish they woulda told me
Had some ups and downs
But we don’t know where the road leads
I been lost and found
The devil he couldn’t hold me
These blessings turn to lessons
Just realizing he chose me
These meds gon make me OD
They tryna take control of me

When I realize what I got it’s genetics
If you could see it in my mind it’s so messy
Cause this life that we live get so hectic
That’s why I’m with you here in this session

I got issues
We all got problems
Why you listening
You can’t solve em
Cause I got issues
Ain’t my problem
Damn it’s been along day
(In therapy)

I got issues
We all got problems
Why you listening
You can’t solve em
Cause I got issues
Aint my problem
Damn it’s been along day
(In therapy)

Asking all these questions what you need from me
Now I’m out here stressing what they think of me
Cause really I don’t know if you misleading me
All I do is tell the truth you ain’t believing me
Believe in me
Teasing me
I don’t need no one to think for me
I’m just sitting here peacefully
I got places I could be
But I’m right here with you (you)
Letting you into my mind to see
Minding my business I could be
Finally I been finding me

Wont mess up my life (no)
Can’t live with regrets (no)
Can’t do all this twice
Can’t ruin my rep
God is my witness
I get my vengeance
Even though I’m against it
Imma still pay attention
In therapy

I got issues
We all got problems
Why you listening
You can’t solve em
Cause I got issues
Ain’t my problem
Damn it’s been along day
(In therapy)

I got issues
We all got problems
Why you listening
You can’t solve em
Cause I got issues
Ain’t my problem
Damn it’s been along day
In therapy

Go hard

Ohhh
In therapy
In therapy
Ohh in therapy
It’s been along day
It’s been along day
It’s been along day
It’s been along day
It’s been along day
(therapy)

Elton John, Dua Lipa - Cold Heart (PNAU Remix) (Official Video) Hotney 8 Visualizzazioni • 3 anni fa

Elton John & Dua Lipa’s new single ‘Cold Heart (PNAU Remix)’ is out now! https://EltonJohnDuaLipa.lnk.t....o/ColdHeart_PNAURemi
#EltonJohn #DuaLipa #PNAU #ColdHeart

VIDEO CREDITS
Commissioner Katie Dolan
Production Company: Blinkink

Director Raman Djafari
Producer Gareth Owen
Executive Producer Josef Byrne
Production Assistant Molly Turner

3D Design & Modeling Raman Djafari
3D Animation Raman Djafari
3D Build Rosa Siabi

2D Design Raman Djafari
Elton & Dua Design Seo young

Storyboard Artist Raman Djafari
Storyboard Artist Ewa Luczkow
Storyboard Artist Mysie Pereira

Background Artist Xavier Ren

2D Animator &
Clean up Supervisor Katie Spangenberg
2D Animation Joe Sparkes
2D Animation Thomas Knowler
2D Animation Ed Smith

2D Clean Up Simona Mehandzhieva
2D Clean Up Chirstopher Aboiralor
2D Clean Up Jack Zhang
2D Clean Up Jack Langridge Gould
2D Clean Up Krisi Zhupali
2D Clean Up Pete Chownsmith
2D Clean Up Martin Dray
2D Clean Up Reed Wiles
2D Clean Up Lydia Reid
2D Clean Up Nili Bhavsar
2D Clean Up Natalie Gray
2D Clean Up Kohana Wilson
2D Clean Up Sameera Joshi
Compositor Raman Djafari

VFX Artist Jack Stone
VFX Artist George Brunt