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How SEVEN NATION ARMY Became A Stadium Chant Hotney 4 Visualizzazioni • 4 anni fa

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-------------------------------

Seven Nation Army has one of the most recognizable riffs of all time. It’s melody has become a global sports anthem. And while it might sound like it’s played on a bass guitar that sound is created by Jack White's semi-acoustic guitar brought down an octave by a guitar pedal. The band never used a bass guitar until the album that followed. And that had to do in part with the band’s obsession with the number three.

- They only ever used three colours on their album covers, promotional materials and on stage.
- Their third album was recorded in three days
- Jack White likes to throw the number onto the end of his name.
- His record label is Third Man Records
- He wrote a song for Loretta Lynn that was exactly 3 minutes and 33 seconds long…

Alright I might be stretching it with that last one. But where The Stripe’s rule of three was most evident was in their sound. Since they played as a two-piece on stage, aside from vocals, each of them could only play one instrument at a time. The group would add more elements to their minimalist composition over time, but always came back to rock’s three main ingredients of:

Guitar, drums and vocals.

They found liberation in limiting themselves. It forced them to be creative with a small tool kit. And there is a quality in that simplicity. Seven Nation Army has become timeless. There are more people who know the tune than those who even know it’s authors. Making Seven Nation Army The Last Great American Folk Song.

-------------------------------

Who did seven nation army?
The White Stripes

When did seven nation army come out?
2003

What album is seven nation army on?
The White Stripe’s 4th LP Elephant

Is seven nation army played with a bass? Does seven nation army have bass?
No, it’s played on a Kay Hollowbody with the whammy pedal set an octave down. The band never used a bass guitar in their earlier records.

why seven nation army chant
how seven nation army sports
why seven nation army football
seven nation army we will rock you

Written, Voiced and Edited by Frank Furtado
Music by Epidemic Sound: http://epidemicsound.com
#thewhitestripes #jackwhite #sevennationarmy #middle8

Thug Life - Pour Out A Little Liquor (Uncut) Hotney 4 Visualizzazioni • 4 anni fa

From 1994 Soundtrack: "Above The Rim" (Also appeared on "Thug Life Vol.1").......................

2Pac's Legacy Site:
http://www.2paclegacy.com/
Mopreme Shakur's Myspace:
http://www.myspace.com/mrmopremeshakur
Big Syke's Myspace
http://www.myspace.com/bigsykemusic
Macadoshis Myspace:
http://www.myspace.com/macadoshis1
Free Rated R's Myspace:
http://www.myspace.com/ratedrthuglife

Thug Life: Volume 1 was the first release by the group Thug Life, started by rapper Tupac Shakur, and was released on September 26, 1994. The album was originally released by Shakur's label Out Da Gutta Records. Due to heavy criticism on gangsta rap at the time, the original version of the album was scrapped and re-recorded with many of the original songs being cut. It has been said that 2Pac created two other versions of this album, with many of the songs still remaining unreleased. The group featured Big Syke, Macadoshis, Mopreme, The Rated R and Tupac Shakur. Among the notable tracks on the album are "Bury Me a G","Cradle to the Grave", "Pour Out a Little Liquor", "How Long Will They Mourn Me?" and "Str8 Ballin". In 1996 Big Syke and Shakur planned to create Thug Life: Vol. 2 - Out On Bail which would have been released on Makaveli Records, but the latter's murder in Las Vegas prevented this from becoming a reality[1]. Although the album was originally released on Shakur's label Out Da Gutta, Amaru Entertainment, the label owned by the mother of Tupac Shakur, has since gained the rights to it. Thug Life: Volume 1 was certified Gold

LYRICS:

[2Pac]
Yeah
Pour out a little liquor for your homies nigga
This one here go out to my nigga Mike Coolie
(Light up a fat one for this one)
How you come up man?

I started young kickin dust and, livin rough
You watch you mouth around my mama you couldn't cuss man
I had a down ass homie though; we ran the streets
And on the scene at the age of fourteen, huh
I packed a nine and my nigga packed a forty-five
We drinkin forties, lil' shorties livin naughty lives
You couldn't stop us, long as I got my glock, FUCK the coppers
Hangin on the block, slangin rocks and makin profits
I couldn't fuck with the schhhoooollll life, I was a fool
I'll play that motherfucker for a toooollll man
Tonight'll be the night that's what we figurin
Hustlin in the rain felt no pain cause we drinkin
Playin them hoes like manure
First let my nigga fuck and then I fuck that's how we do it (ha ha!)
It's two niggaz comin up out the hood
livin life just as good as we could
But since a bitch can't be trusted
Hoes snitched to the po-lice, now my nigga's busted
The cops whoopin on my nigga in jail
tryin to get a motherfucker to tell
And couldn't nobody diss my nigga
Damn, I miss my nigga
Pour out a little liquor!

"My cousin died last year and I still can't let go" (4X)

This goes out to all you so called G's
Pour out a little liquor for your real motherfuckin partners
Don't let the drink get like that y'all, huh
Pour out a little liquor
Pour out a little liquor
What's that you drinkin on?

Drinkin on gin, smokin on blunts and it's on
Reminisce about my niggaz, that's dead and gone
And now they buried, sometimes my eyes still get blurry
Cause I'm losin all my homies and I worry
I got my back against a brick wall, trapped in a circle
Boxin with them suckers til my knuckles turn purple
Mama told me, "Son there'll be days like this"
Don't wanna think so -- I hit the drink and stay blitzed
We had plans of bein big time G's
Rolling in marked cars, movin them keys
And now I roll up the window, blaze up some indo
Get to' down for my niggaz in the pen, yo
Your son's gettin big and strong
and I'd love'm like one of my own, til you come home and
the years sure fly with the quickness
You do the time, and I'll keep handlin yo' business
That's the way it's supposed to be
Homie, if it was me, you'd do the shit for me
Homie, I can remember scrapin back to back
Throwin dogs on them suckers runnin up on this young hog
I hope my words can paint a perfect picture
And let ya know how much a nigga miss ya
Pour out some liquor!

"My cousin died last year and I still can't let go"

Look at you
Drinkin got you where you don't even give respect to your partners
Pour out some liquor nigga!
It ain't like that
Tip that shit over
Pour out a little liquor!

"My cousin died last year and I still can't let go" (4X)

This for my nigga Madman
Dagz, Hood, Silk yeah
A little liquor for my homies y'all
We in this motherfuckin piece YEAH
Pour out a little liquor
Young Queen, YEAH
This one goes out to all my mack partners
Back in the motherfuckin Bay
Oaktown still in the motherfuckin house
(Pour out a little liquor)
My nigga Richie Rich, Gov'na
(I don't care, Nighttrain, Henessey)
All my real motherfuckin partners
(Pour out a little liquor)
And all my real partnas in Marin, fuck you busta ass niggaz
Yeah nigga, pour out a little liquor!!

Bronski Beat - Smalltown Boy (Official Video) Hotney 3 Visualizzazioni • 4 anni fa

Taken from the album “The Age of Consent”, available on all platforms: https://BronskiBeat.lnk.to/TheAgeOfConsent
Subscribe to the channel: https://londonrecords.lnk.to/YTSubscribe
Listen to London Records’ essential playlist: https://londonrecords.lnk.to/Essentials

Shop → https://BronskiBeat.lnk.to/Store

Follow Bronski Beat :
Facebook https://BronskiBeat.lnk.to/Facebook
Instagram https://BronskiBeat.lnk.to/Instagram
Twitter https://BronskiBeat.lnk.to/Twitter

Follow London Records :
Facebook https://londonrecords.lnk.to/Facebook
Instagram https://londonrecords.lnk.to/Instagram
Twitter https://londonrecords.lnk.to/Twitter

↓ LYRICS ↓

[Intro]
To your soul
To your soul
Cry
Cry
Cry

[Verse 1]
You leave in the morning with everything you own in a little black case
Alone on a platform, the wind and the rain on a sad and lonely face

[Verse 2]
Mother will never understand why you had to leave
But the answers you seek will never be found at home
The love that you need will never be found at home

[Chorus]
Run away, turn away, run away, turn away, run away
Run away, turn away, run away, turn away, run away

[Verse 3]
Pushed around and kicked around, always a lonely boy
You were the one that they'd talk about around town as they put you down

[Verse 4]
And as hard as they would try they'd hurt to make you cry
But you never cried to them, just to your soul
No, you never cried to them, just to your soul

[Chorus]
Run away, turn away, run away, turn away, run away (Crying to your soul)
Run away, turn away, run away, turn away, run away (Crying to your soul)
Run away, turn away, run away, turn away, run away (Crying to your soul)
Run away, turn away, run away, turn away, run away

[Bridge]
Cry, boy, cry
Cry, boy, cry
Cry, boy, cry, boy, cry
Cry, boy, cry, boy, cry
Cry, boy, cry, boy, cry
Cry, boy, cry, boy, cry
Cry, boy, cry, boy, cry
Cry, boy, cry, boy, cry

[Verse 5]
You leave in the morning with everything you own in a little black case
Alone on a platform, the wind and the rain on a sad and lonely face

[Chorus]
Run away, turn away, run away, turn away, run away
Run away, turn away, run away, turn away, run away
Run away, turn away, run away, turn away, run away
Run away, turn away, run away, turn away, run away

Run away, turn away, run away, turn away, run away
Run away, turn away, run away, turn away, run away

#BronskiBeat #SmalltownBoy #TheAgeOfConsent

Cassie - Me & U (Official Music Video) Hotney 3 Visualizzazioni • 4 anni fa

Official Music Video for Cassie - "Me & U" directed by Ray Kai from 'Cassie' (2006)
Subscribe to the channel https://lnk.to/BadBoyYTSubID

Watch more Bad Boy videos
Craig Mack – Flava In Your Ear (Remix) ▶️ https://lnk.to/YTFlavaInYaEarID
Puff Daddy & The Family – It’s All About The Benjamins (Remix)▶️ https://lnk.to/YTAllAboutTheBenjaminsID
Puff Daddy feat. Faith Evans & 112 - I'll Be Missing You ▶️ https://lnk.to/YTIllBeMissingYouID
Mase – Welcome Back ▶️ https://lnk.to/YTWelcomeBackID
P. Diddy – I Need A Girl Part 2 ▶️ https://lnk.to/YTINeedAGirlPt2ID

Bad Boy Certified Playlists
Bad Boy Classics 🎬 https://lnk.to/YTBadBoyGreatestHitsID
The Bad Girls 🎬 https://lnk.to/YTBadGirlsID
The Puff Daddy Videography 🎬 https://lnk.to/YTPuffDaddyVideographyID

Stay In Touch with Bad Boy…
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Twitter 📱 http://www.twitter.com/badboyrecords
Soundcloud 🎙 https://soundcloud.com/badboyentertainment
Website 💰 https://diddy.com/

Follow Cassie
Facebook 📣 https://www.facebook.com/CassieSuper/
Instagram 📸 https://www.instagram.com/cassie
Twitter 📱 https://twitter.com/cassiesuper
Soundcloud 🎙 https://soundcloud.com/cassiesuper

About Bad Boy Entertainment:

In 1993, Sean “Puff Daddy” Combs, also known as Diddy, launched Bad Boy Records. Nobody could have
imagined the impact the label would have on pop culture. As a subsidiary of the larger Bad Boy
Entertainment, the label became best known for its signature sound of streetwise hip-hop soul and the
ghetto fabulousness that radiated like precious jewels from its very name. Bad Boy was designed for
those who aspired higher, but also wanted to party until the break of dawn. Puffy had seen life from
both sides of the class divide and, with his groove-heavy music, worked hard to merge the two. There is
no better visual embodiment of this merger than the groundbreaking videos that were in heavy rotation
on BET and MTV and now on YouTube.

The Bad Boy Entertainment channel is the official YouTube home of iconic music videos from Puff
Daddy, Craig Mack, Faith Evans, 112, Total, Mase, Yung Joc, Cassie, Danity Kane, and the rest of the Bad
Boy Family, and your destination for some of the biggest 90s and 00s hip-hop hits of all time like Craig
Mack’s “Flava In Your Ear (Remix)”, the Notorious B.I.G. tribute “I’ll Be Missing You” by Puff Daddy feat.
Faith Evans and 112, and Cassie – “Me & U”.

Subscribe now to join the Bad Boy community, and while you’re here, check out our Bad Boy certified
playlists, show us some love in the comments, and stay tuned for updates. Cause it’s Bad Boy 4 Life…

Jamiroquai - Virtual Insanity (Official Video) Hotney 4 Visualizzazioni • 4 anni fa

Jamiroquai – Virtual Insanity (Video)
Stream Jamiroquai’s Top Tracks here: https://Jamiroquai.lnk.to/TopTracks

Follow Jamiroquai:
Website: http://www.jamiroquai.co.uk/
Facebook: https://en-gb.facebook.com/Jamiroquai
Twitter: https://twitter.com/jamiroquaihq
Instagram: https://www.instagram.com/acco....unts/login/?next=/ja

#Jamiroquai #VirtualInsanity #Jamiroquai Live #JamiroquaiOfficial #VirtualInsanityLyrics #VirtualInsanity #JamiroquaiEssentials #JamiroquaiGreatestHits #JamiroquaiLyrics #BestOfJamiroquai #DeeperUnderground #CosmicGirl #SpaceCowboy #TooYoungToDie #JamiroquaiTikTok #TikTok #FamilyGuy #JamiroquaiFamilyGuy

Lyrics:

What we're living in?
Lemme tell ya
Yeah, it's a wonder man can eat at all
When things are big that should be small
Who can tell what magic spells we'll be doing for us
And I'm giving all my love to this world
Only to be told
I can't see, I can't breathe
No more will we be
And nothing's gonna change the way we live
'Cause we can always take, but never give
And now that things are changing for the worse, see
Whoa, it's a crazy world we're living in
And I just can't see that half of us immersed in sin
Is all we have to give these
Futures made of virtual insanity, now
Always seem to be governed by this love we have
For these useless, twisting, of our new technology
Oh, now there is no sound, for we all live underground
And I'm thinking what a mess we're in
Hard to know where to begin
If I could slip the sickly ties that earthly man has made
And now every mother can choose the color
Of her child, that's not nature's way
Well, that's what they said yesterday
There's nothing left to do, but pray
I think it's time to find a new religion
Whoa, it's so insane
To synthesize another strain
There's something in these futures
That we have to be told
Futures made of virtual insanity, now
Always seem to be governed by this love we have
For these useless, twisting, of our new technology
Oh, now there is no sound, for we all live underground, wow
Now there is no sound
If we all live underground
And now it's virtual insanity
Forget your virtual reality
Oh, there's nothing so bad
As a man-made man
Oh, yeah, I know, yeah (take it to the dance floor)
I know I can't go on
Of this virtual insanity we're living in
Has got to change, yeah
Things will never be the same
And I can't go on
Where we're living in
Oh, oh, virtual insanity
Oh, this world
He's got to change
'Cause I just
I just can't keep going on in this virtual, virtual insanity
That we're living in, that we're living in
And that virtual insanity is what is, yeah
Futures made of virtual insanity, now
Always seem to be governed by this love we have
For these useless, twisting, of our new technology
Oh, now there is no sound, for we all live underground, oh
Futures made of, now, virtual insanity
Now we all, we seem to be governed by a love
For these useless, twisting, of our new technology
And now there is no sound, for we all live underground
Yes, we do, oh
now this life that we live in
(Virtual insanity) it's all going wrong
Out of the window (living in)
Do you know there is nothing worse than (virtual insanity)
a man-made man
(Virtual insanity) there's nothing worse than
(Living in) a foolish man
(Virtual insanity) hey!
Virtual insanity is what we're living in, yeah
Well... It's alright

Gotye - Somebody That I Used To Know (feat. Kimbra) [Official Music Video] Hotney 3 Visualizzazioni • 4 anni fa

The official music video for “Somebody That I Used To Know” by Gotye, featuring Kimbra. From the album Making Mirrors. Get the song here: https://gotye.lnk.to/STIUTK

Music video by Natasha Pincus
https://starkravingproductions.com.au

Official Gotye Store:
https://store.gotye.com

Follow Gotye online:
http://www.gotye.com
https://instagram.com/gotye
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https://twitter.com/gotye

Subscribe to Gotye on YouTube: http://gotye.lnk.to/subscribe

Video credits:
Directed, produced and edited by Natasha Pincus
Body art by Emma Hack
Cinematographer and colourist: Warwick Field
Scenic artist: Howard Clark
Key grip: Rob Hansford
Assistants: Rose Cidoni, Claire Leighton, Rob Murray
Original artwork by Frank De Backer

Music credits:
Produced by Wally De Backer
Mixed by Francois Tetaz, assisted by Wally at Moose Mastering, Richmond, VIC
Bass recorded by Wally in Lucas Taranto's loungeroom, Melbourne, VIC
All other sounds put together by Wally in The Barn, Merricks, VIC

Bass guitar: Lucas Taranto
Lead and backing vocals: Kimbra
Guitar, flutes, percussion and synth samples, lead and backing vocals: Wally

Contains a sample of the recording Seville as performed by Luiz Bonfa. Courtesy of Geffen Records, under license from Universal Music Enterprises. Used by permission. All rights reserved. Written by Luiz Bonfa and published by Sasqua Music. Used by permission.

LYRICS

Now and then I think of when we were together
Like when you said you felt so happy you could die
Told myself that you were right for me
But felt so lonely in your company
But that was love and it's an ache I still remember

You can get addicted to a certain kind of sadness
Like resignation to the end
Always the end
So when we found that we could not make sense
Well you said that we would still be friends
But I'll admit that I was glad that it was over

But you didn't have to cut me off
Make out like it never happened
And that we were nothing
And I don't even need your love
But you treat me like a stranger
And that feels so rough
You didn't have to stoop so low
Have your friends collect your records
And then change your number
I guess that I don't need that though
Now you're just somebody that I used to know

Now and then I think of all the times you screwed me over
But had me believing it was always something that I'd done
And I don't wanna live that way
Reading into every word you say
You said that you could let it go
And I wouldn't catch you hung up on somebody that you used to know...

But you didn't have to cut me off
Make out like it never happened
And that we were nothing
And I don't even need your love
But you treat me like a stranger
And that feels so rough
You didn't have to stoop so low
Have your friends collect your records
And then change your number
I guess that I don't need that though
Now you're just somebody that I used to know

I used to know
That I used to know

Somebody...
*************

Kool G Rap & DJ Polo - On The Run Hotney 3 Visualizzazioni • 4 anni fa

Video version is the "Untouchable Mix" from the 1992 Single: "On The Run".....

Get Kool G Rap & DJ Polo's Music:
http://www.amazon.com/Kool-G-R....ap-%26-DJ-Polo/e/B00
&
http://itunes.apple.com/WebObjects/MZStore.woa/wa/viewCollaboration?ids=205334540-5446871&s=143441

Kool G Rap's Myspace:
http://www.myspace.com/therealkoolgrap

DJ Polo's Myspace:
http://www.myspace.com/incredibledjpolo

Queens-based Kool G Rap & DJ Polo left one of the most impressive rap discographies in their wake. Though Kool G Rap's growth as an MC from their first single in 1986 to their final album in 1992 was considerable, the duo started off running and never looked back. The pair never had the large profile enjoyed by others in Marley Marl's extended family (including Big Daddy Kane, Biz Markie, and Roxanne Shanté), but aftershocks continue to be felt throughout the East Coast, from the Notorious B.I.G. to Nas to Wu-Tang Clan to the underground scene.

When their first single, 1986's "I'm Fly"/"It's a Demo," was released on Cold Chillin', G Rap was already a formidable MC who could boast with the best of them. However, it would be narratives that he would become most known for, in addition to some of the raunchiest rhymes hip-hop has ever known. Throughout the years, Marley Marl, Large Professor, and Sir Jinx provided valuable production assistance. The duo released the formative "I'm Fly"/"It's a Demo" in 1986, but G Rap (born Nathaniel Wilson) truly broke out on the Juice Crew's "The Symphony," a group cut of great legend produced by Marley Marl that also included turns from Masta Ace, Craig G., and Big Daddy Kane. After a good deal of anticipation was built for the first Kool G Rap & DJ Polo album, Road to the Riches saw the light of day in 1989. Produced by Marl and released on his Cold Chillin' label, the album included a handful of timeless moments while alluding to greater potential.That potential was fulfilled with the following year's Wanted: Dead or Alive. Marley Marl remained partly responsible for the duo's sound, while Main Source's Large Professor and Eric B. also pitched in with production work. On this album, G Rap became an MC of top caliber; he expanded his range as a magnificent storyteller on tracks like "Streets of New York" (a number three rap single) and "Wanted: Dead or Alive." Released in 1992, Live and Let Die landed the duo in a bit of hot water; its cover, depicting the duo feeding meat to rabid dogs in front of two restrained white men, gained a fair amount of attention in the press. The controversy played a role in shooting the album up to the Top 20 of the R&B/hip-hop albums chart, but the attention unfortunately waned. Just as accomplished as Wanted: Dead or Alive (if not more so), the album featured the sympathetic handiwork of Sir Jinx and Trakmasterz and helped bring G Rap's increasingly profane and vivid tales to extreme levels.

G Rap and Polo went their separate ways shortly after that. G Rap put out three albums between the mid-'90s and early '00s, while Polo cut a single with Ice-T and porn star Ron Jeremy. Landspeed kept the duo's legacy alive through a low-key reissue campaign; in 2000 and 2001, separate releases combined the first two albums and anthologized their entire career together.

Extended & updated info here: http://en.wikipedia.org/wiki/Kool_G_Rap

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