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Gotye - Somebody That I Used To Know (feat. Kimbra) [Official Music Video] Hotney 2 Vues • 3 années depuis

The official music video for “Somebody That I Used To Know” by Gotye, featuring Kimbra. From the album Making Mirrors. Get the song here: https://gotye.lnk.to/STIUTK

Music video by Natasha Pincus
https://starkravingproductions.com.au

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Video credits:
Directed, produced and edited by Natasha Pincus
Body art by Emma Hack
Cinematographer and colourist: Warwick Field
Scenic artist: Howard Clark
Key grip: Rob Hansford
Assistants: Rose Cidoni, Claire Leighton, Rob Murray
Original artwork by Frank De Backer

Music credits:
Produced by Wally De Backer
Mixed by Francois Tetaz, assisted by Wally at Moose Mastering, Richmond, VIC
Bass recorded by Wally in Lucas Taranto's loungeroom, Melbourne, VIC
All other sounds put together by Wally in The Barn, Merricks, VIC

Bass guitar: Lucas Taranto
Lead and backing vocals: Kimbra
Guitar, flutes, percussion and synth samples, lead and backing vocals: Wally

Contains a sample of the recording Seville as performed by Luiz Bonfa. Courtesy of Geffen Records, under license from Universal Music Enterprises. Used by permission. All rights reserved. Written by Luiz Bonfa and published by Sasqua Music. Used by permission.

LYRICS

Now and then I think of when we were together
Like when you said you felt so happy you could die
Told myself that you were right for me
But felt so lonely in your company
But that was love and it's an ache I still remember

You can get addicted to a certain kind of sadness
Like resignation to the end
Always the end
So when we found that we could not make sense
Well you said that we would still be friends
But I'll admit that I was glad that it was over

But you didn't have to cut me off
Make out like it never happened
And that we were nothing
And I don't even need your love
But you treat me like a stranger
And that feels so rough
You didn't have to stoop so low
Have your friends collect your records
And then change your number
I guess that I don't need that though
Now you're just somebody that I used to know

Now and then I think of all the times you screwed me over
But had me believing it was always something that I'd done
And I don't wanna live that way
Reading into every word you say
You said that you could let it go
And I wouldn't catch you hung up on somebody that you used to know...

But you didn't have to cut me off
Make out like it never happened
And that we were nothing
And I don't even need your love
But you treat me like a stranger
And that feels so rough
You didn't have to stoop so low
Have your friends collect your records
And then change your number
I guess that I don't need that though
Now you're just somebody that I used to know

I used to know
That I used to know

Somebody...
*************

Kool G Rap & DJ Polo - On The Run Hotney 2 Vues • 3 années depuis

Video version is the "Untouchable Mix" from the 1992 Single: "On The Run".....

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Queens-based Kool G Rap & DJ Polo left one of the most impressive rap discographies in their wake. Though Kool G Rap's growth as an MC from their first single in 1986 to their final album in 1992 was considerable, the duo started off running and never looked back. The pair never had the large profile enjoyed by others in Marley Marl's extended family (including Big Daddy Kane, Biz Markie, and Roxanne Shanté), but aftershocks continue to be felt throughout the East Coast, from the Notorious B.I.G. to Nas to Wu-Tang Clan to the underground scene.

When their first single, 1986's "I'm Fly"/"It's a Demo," was released on Cold Chillin', G Rap was already a formidable MC who could boast with the best of them. However, it would be narratives that he would become most known for, in addition to some of the raunchiest rhymes hip-hop has ever known. Throughout the years, Marley Marl, Large Professor, and Sir Jinx provided valuable production assistance. The duo released the formative "I'm Fly"/"It's a Demo" in 1986, but G Rap (born Nathaniel Wilson) truly broke out on the Juice Crew's "The Symphony," a group cut of great legend produced by Marley Marl that also included turns from Masta Ace, Craig G., and Big Daddy Kane. After a good deal of anticipation was built for the first Kool G Rap & DJ Polo album, Road to the Riches saw the light of day in 1989. Produced by Marl and released on his Cold Chillin' label, the album included a handful of timeless moments while alluding to greater potential.That potential was fulfilled with the following year's Wanted: Dead or Alive. Marley Marl remained partly responsible for the duo's sound, while Main Source's Large Professor and Eric B. also pitched in with production work. On this album, G Rap became an MC of top caliber; he expanded his range as a magnificent storyteller on tracks like "Streets of New York" (a number three rap single) and "Wanted: Dead or Alive." Released in 1992, Live and Let Die landed the duo in a bit of hot water; its cover, depicting the duo feeding meat to rabid dogs in front of two restrained white men, gained a fair amount of attention in the press. The controversy played a role in shooting the album up to the Top 20 of the R&B/hip-hop albums chart, but the attention unfortunately waned. Just as accomplished as Wanted: Dead or Alive (if not more so), the album featured the sympathetic handiwork of Sir Jinx and Trakmasterz and helped bring G Rap's increasingly profane and vivid tales to extreme levels.

G Rap and Polo went their separate ways shortly after that. G Rap put out three albums between the mid-'90s and early '00s, while Polo cut a single with Ice-T and porn star Ron Jeremy. Landspeed kept the duo's legacy alive through a low-key reissue campaign; in 2000 and 2001, separate releases combined the first two albums and anthologized their entire career together.

Extended & updated info here: http://en.wikipedia.org/wiki/Kool_G_Rap

Ice Cube - Friday (Official Video) [Explicit] Hotney 4 Vues • 3 années depuis

Ice Cube - Friday (Official Video) [Explicit] from the album 'Friday' (1995)

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Lyrics:
[Verse 1]
You know it ain't no stoppin' all the dogs I'm droppin'
It's Friday night so everything is poppin'
I gots ten to spend on the Hen
So let the games begin
Yakety yak don't talk back or it's on
Callin' up Earl on the car phone
Mack 10 just got out of court
Rollin' through the hood in his super sport bumping Too $hort
Eighteens got the rear view mirrors vibratin'
And deep-dish Daytons
You know how we do it
Ain't nothing to it but the floss
Overcrowding Harrison-Ross
'Cause if you fuck with ours
We leave scars
Out of G-ride cars
Livin' like stars
Might hit the highway
On the Vegas run fool 'cause it's Friday

[Hook]
Oh yeah
Throw your neighborhood in the air
If you don't care
Oh yeah
Throw your neighborhood in the air
If you don't care

[Verse 2]
Standing outside on a Friday living on the edge
'Cause we all got them hard heads
It's seems like we all are waitin'
For a drive-by playing tag with Satan
But we chillin', yeah, we ready and willin'
Ya hear about the latest westside killing?
Forty sippin', set trippin', fo' dippin'
Pistol grippin', neva slippin'
BGs trying to hang out
But OGs sayin' "Take your little ass in the house"
My big homie just got out
Used to be down, now he's just cracked out
He's bout hard as Darth Vader
In his sweatshirt, khakis and Chuck Taylor's
Just seen him in the driveway
Getting beat like a smoker a fool, 'cause it's Friday

[Hook]
Oh yeah
Throw your neighborhood in the air
If you don't care
Oh yeah
Throw your neighborhood in the air
If you don't care
Fool

[Verse 3]
Why must I be like that and chase the cat?
Or settle for a hoodrat
Dookie braids no dreadlocks
Flyin' in and out of town with half a chicken in her cock
And I love her, 'cause she down
To fuck around with the underground pussy hound
And her ass is big round and wide
Jacked up, make a nigga down to ride
Smoking indo, playing that Super Nintendo
Hear a rat-a-Tat-Tat on my window
Gave her ass that pelvic thrust
Don't trust the rubber 'cause its bound to bust
In the oven, in the nappy
I had on two so I was happy
'Cause that HIV'll make your dick hang sideways
And that ain't cool, fool, 'cause it's Friday

[Hook]
Oh yeah
Throw your neighborhood in the air
If you don't care
Oh yeah
Throw your neighborhood in the air
If you don't care

[Outro]
Throw the West side in the air
Throw the East side in the air
Throw the South side in the air
Throw the North side in the air
Oh yeah!

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Rockstars & Celebrities Who Can't Stand BILLY CORGAN of The Smashing Pumpkins Hotney 1 Vues • 3 années depuis

Rockstars and celebrities who can't stand Billy Corgan

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#billycorgan #thesmashingpumpkins

I cite my sources and they may differ than other people's accounts, so I don't guarantee the actual accuracy of my videos.

Soundgarden, Courtney love, pavement,

The smashing pumpkins frontman and leader billy corgan has feuded with many bands and musicians over the years. Today let’s take a look at some of his more notable feuds that don’t involve ex-bandmates and if i’ve missed any put them in the comments section below.

Collective Soul

Collective Soul ascended to prominence in the mid 90’s with their 1994 hit single Shine from their debut album. The song was a huge hit topping the US Mainstream rock charts and it was also a crossover hit peaking at number 11 on the US billboard hot 100.

It was during that the time that Shine took off, The Smashing Pumpkins frontman Billy Corgan slammed Collective Soul in the press referring to Frontman Roland as a "shameless rip off artist" According to Cleveland.com Corgan was upset over how similar the song sounded to the smashing pumpkins track, Drown. Corgan was so upset that he sued Collective Soul in the mid 90’s but Roland was able to produce a demo of the song that dated back to 1989, which predated the formation of the Smashing Pumpkins. It was rumored that Collective Soul for their second album, which was self titled and came out in 1995 wrote a diss track about corgan in 1995 called Smashing Young Man. While Corgan isn’t named in the track there are lyrics like "synthetic-like," and saying he lives in a "self-lit spotlight

And as recently as 2020 Ed Roland gave an interview to Cleavland.com where he clarified what the song was about saying

everyone thought that because he was busy smack-talking about us all the time -- which didn't bother me at all. It's just a fun song, and the next thing you know Billy starts coming at me again and I'm like, "Dude! No, no no..." And finally, there was one point where I just said, "Yeah, it was written about him, sure. Whatever he wants to think, I don't care." But I love Smashing Pumpkins. If I ever met Billy, I'd tell him what a great musician, great songwriter he is. I've got nothing negative to say. I've got other things to do in my life than to bitch about people
The Smashing Pumpkins would surprisingly cover “Shine” at a show in 2010 briefly and heres what happened..” Whoa, heaven let your light shine down. I hate that song. What a rip off of my band. Fast forward to
2019 and Billy Corgan was answering fan questions on Instagram when one fan asked the frontman if he ever made peace with collective soul to which he responded ‘F*** Collective soul, now and always.’

Soundgarden
Billy Corgan gave an interview in 2012 with Philstar just before playing a show in the Philippines where he singled out the band Soundgarden who he labeled as a nostalgia act for making money off playing their old tunes. Soundgarden would reunite in 2010 after a 13 year break. Corgan would say there are bands that are essentially coming back to only make money playing their old albums &maybe somewhere in the back of their minds they are thinking that their might be a future. I'm not in that business obviously. .I condemn anybody whose in that business, but doesn't admit he's in that business. When Soundgarden came back and they just played their old songs. Great! Iwas a fan of Soundgarden. But call it for what it is. They are just out to have one more round at the till he'd say.

The same month Corgan appeared on a a radio station and seemed to indicate that it was Soundgarden frontman Chris Cornell who started the feud the frontman told an interviewer in 2007 that he didn't consider the Smashing Pumpkins reunion at that point in timeas he put it to be legitimate. In 2007 Corgan had reunited with original drummer Jimmy Chamberlin but not the rest of the original band, leading many in the press and in their fanbase to criticize Corgan. Corgan would claim in that same interview

An Cornell would retaliate a few months later in 2012 telling ABC Radio
"When Billy Corgan was completely broke, I got him a movie deal with [director] Cameron Crowe where he made $40,000. He was very happy about that, and he was specifically happy about the $40,000. So

Inside The Song with Graham Coxon from Blur - "Song 2" Hotney 1 Vues • 3 années depuis

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Blur is an English rock band formed in 1988, consisting of vocalist Damon Albarn, guitarist Graham Coxon, bassist Alex James, and drummer Dave Rowntree. The band was central to the 1990s Britpop movement. They achieved mass popularity in the UK, aided greatly by a chart battle with rivals Oasis in 1995, which was dubbed the “Battle of Britpop”.

Their self-titled fifth album, released in 1997, incorporated influences from the lo-fi styles of American indie rock groups, and the album became their third to top UK charts.

“Song 2” is the second track, and the single, from this self-titled album. This song was atypical of Blur’s previous style as it sounds the least like the rest of the band’s Britpop catalogue. When the band originally wrote the song, they wanted to play it for their label as a joke, because they thought it was far too noisy and horrible to ever be released as a single. However, the label loved it!

The song was written to poke fun at the Grunge music that was bog in America at the time. Graham Coxon was tired of doing complicated parts and wanted to do something simple, but horrible and make as much noise as possible. The song was tracked in Maison Rouge Studio, with the vocals recorded live, and lots of fuzz and distortion on the guitar, producing the loud, extreme sound Coxon was aiming for. The song also featured two drum kits, with Dave Rowntree and Graham Coxon both banging on the drums simultaneously.

The track’s title was originally just a working title, representing the track’s placement on the album, but the name stuck. In the end, the numerology works out well, as the song is not only the second song on the album, but is 2 minutes and 2 seconds long, features 2 verses and 2 choruses, and eventually peaked at #2 on UK charts.

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The Verve: Whatever Happened To The Band Behind 'Bitter Sweet Symphony?' Hotney 3 Vues • 3 années depuis

The Verve: Whatever happened to the band behind 'Bitter Sweet Symphony?'
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#theverve #richardashcroft

I cite my sources and they may differ than other people's accounts, so I don't guarantee the actual accuracy of my videos.

montages or remember from the late 90’s nike commercial the British band the Verve’s tumultuous history is full of ego, litigation, drug addiction, in-fighting and bad luck. To some outside the UK, the Verve were simply a one hit wonder, but was that case? Today, let’s take a look at the volatile history of the Verve

Rolling Stone

Early Life

Hailing from the english town of Wigan located in the greater Manchester Area, town was Economically depressed. The Verve frontman Richard Aschroft was no fan of his hometown telling the alternative press "If I hadn't made the decision to be in a band looking back on what was on offer in that town, it's a quite frightening prospect,"

The son of a part-time clerical worker and hairdresser mother, Ashcroft’s family didn’t have much money and struggled to make ends meet. Ashcroft couldn’t afford to buy albums so instead he taped songs from the radio and rifled through his parents record collections made up mostly of Pink Floyd and Beatles albums. Ashcroft would go through a few phases in his life first wanting to be a footballer dreaming of playing for manchester united. He would eventually change his dream to be a rockstar after witnessing a live gig by The Stone Roses. Side note guys i’ve done a whole video on the stone roses career the link is down below. Ashcroft would tell Select Magazine"Seeing them play Warrington in 1989 basically changed my life," "These guys looked and dressed like me and they were from the same background, yet they were on-stage, being adored. Seeing them made me realize that I could do that as well. I could do better."

But Ashcroft didn’t have a lot of supporters in his dream or had to deal with obstacles in his life. He would tell a career councillor that he wanted to be a rockstar only to be offered a position as a lifeguard. On top of that he was told by a doctor prior to becoming a teenager that he had the lung capacity of a collapsed flea with the doctor telling him he would likely have a cold for the rest of his life. . It did little to dampen his spirits as his mother would reveal her son was cocky from a young age with one schoolmate of his telling select magazine he was nicknamed Jesus because he loved being the center of attention. Ashcroft would admit to Spin Magazine he knew he was destined to be a rockstar adding “ i could sing the lord’s f**** prayer when i was five years old so I knew.”

It was at the age of 11 Ashcroft’s father would pass away from a brain hemorrhage that was the result of a dormant brain clot that eventually expanded. The tragic event would change his outlook on life with him telling melody maker in 1993.

“My father died when I was really young. He'd worked nine to five all his life, and he suffered and got nowhere. And I was 11 at the time and I immediately realized that this wasn't the life for me. Immediately I found out how quickly someone can die just be wiped out. So I thought, F*** this, I'm gonna do something positive, I can do something positive, I can do something great, I'm gonna make something of myself.' He would add how the event resulted in him losing some of his innocence in life telling select magazine "Other kids were playing with their Action Men and I was questioning life and society,"

Ashcroft’s mother would remarry and he would soon fell under the influence of his step father who was a big believer in a 17th and 18th century movement named rosicrucanism (rosie- crushianism)"Select magazine would write about his step father and i quote “Richard firmly believed his step dad could bend light rays around people to make them disappear, or raise the temperature in the room by thought alone.” Ashcroft who was still coming to terms with the death of his father and figuring out adding "It's difficult for people to understand that – they doubt it, calling you a lunatic,

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