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Top 3 BEST Courtney Hadwin Performances on AGT! Hotney 17 Ansichten • 2 Jahre vor

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. Hey, if you hadn't had a chance to watch HERE are the best AGT 2023 auditions 👉 https://youtu.be/V55xv4zaXL8 📣 What?! Did you see these famous contestants return years later? HERE 👉 https://www.youtube.com/watch?v=BCbiJsGq8W4 Who was your favorite?

BTW, what's you ALL-TIME favorite original song audition? Before you answer watch this 👉 https://youtu.be/0cdJaLP69iQ

Audition - AGT 2018 - 0:00
Quarterfinals - AGT 2018 - 1:24
Audition - AGT Champions 2019 - 3:21
TR Extras - 5:35

#AGT #AmericasGotTalent #TalentRecap

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ABOUT AMERICA'S GOT TALENT
Creator and Executive Producer Simon Cowell returns to the judges' panel along with Howie Mandel, Heidi Klum and Sofia Vergara. Terry Crews, who made a big splash as the host of the inaugural series "America's Got Talent: The Champions", joins as host for "America's Got Talent." With the show open to acts of all ages, AGT 2022 continues to celebrate the variety format like no other show on television. Year after year, "America's Got Talent" features a colorful array of singers, dancers, comedians, contortionists, impressionists, magicians, ventriloquists and hopeful stars, all vying to win America's hearts and a $1 million prize.

ABOUT TALENT RECAP
Talent Recap is the #1 independent website which is exclusively dedicated to the fans of the most popular talent shows around the world. As passionate fans of these shows, we provide news, analysis and fan engagement on America’s Got Talent, Britain’s Got Talent, The Voice, The X Factor, American Idol, The Four, The Masked Singer, The World’s Best and its contestants.

America's Got Talent 2021
https://www.youtube.com/channe....l/UCT2X19JJaJGUN7mrY

America's Got Talent News & Recaps
https://goo.gl/e12UJ8

Deep House Remixes Of 2000's Hits - DJ Mix With 28 Songs Hotney 7 Ansichten • 4 Jahre vor

Deep House Remixes of 2000’s Hits is a continuous 118-minute DJ mix with 28 deep house and nu disco remixes of popular 2000's songs including Eric Prydz, Gwen Stefani, Evanescence, Nelly Furtado and Linkin Park. Mixed by me.

DISCLAIMER: If you are experiencing ads during any of my mixes, I have NOT placed them there. Since I'm using copyrighted music, the copyright owners (or their representatives) can place ads in my mixes. My channel is NOT monetized.

Tracklist with cues:
0:00 Gwen Stefani - 4 In The Morning (DJ Bars Remix)
5:11 T.A.T.U. - All The Things She Said (Bentley Grey Remix)
9:14 Nelly Furtado - Say It Right (Layer Bootleg)
13:26 Evanescence - Bring Me To Life (A-Mase Remix)
17:53 Craig David - Walking Away (Suprafive & CandyWeed Remix)
21:23 50 Cent feat. Olivia - Candy Shop (NJOY vs. Velchev & Dmitriy Rs Remix)
25:07 Brandy & Ray J - Another Day In Paradise (Maxim Andreev Nu Disco Mix)
29:09 Benny Benassi - Satisfaction (Dmitry Glushkov Remix)
32:57 Tim Deluxe feat. Sam Obernik - It Just Won't Do (DJ Dark & MD DJ Remix)
36:15 3 Doors Down - Here Without You (Alexander Holsten Remix)
40:39 Röyksopp - What Else Is There? (Andrey Vakulenko Remix)
44:51 Motorcycle - As The Rush Comes (A-Mase Remix)
50:29 iiO - Is It Love? (Alex Pushkarev & DJ Jan Steen Remix)
55:50 ATB - Let You Go (Mad Morello & Igi Bootleg)
59:38 Andain - Beautiful Things (The Distance & Riddick Remix)
1:04:42 iiO - Rapture (Maxim Andreev Nu Disco Mix)
1:10:33 Narcotic Thrust - When The Dawn Breaks (Mr. DJ Monj & Dmitriy Rs Remix)
1:13:57 Plumb - In My Arms (Snebastar Remix)
1:17:28 Eric Prydz - Call On Me (Snebastar, Velchev & Dmitriy Rs Remix)
1:20:51 Stromae - Alors On Danse (Dubdogz Remix)
1:26:03 Depeche Mode - Freelove (10 Element Deep Remix)
1:29:40 Guru Josh Project - Infinity (Dj Savin & Alex Pushkarev Remix)
1:33:26 Linkin Park - In The End (S-87 vs. Velchev & Dmitriy Rs Remix)
1:37:05 Ian Van Dahl feat. Marsha - Castles In The Sky (10 Element Deep Remix)
1:41:59 Edward Maya feat. Vika Jigulina - Stereo Love (Snebastar & Cheeful Remix)
1:45:51 Benny Benassi pres. The Biz - Love Is Gonna Save Us (Alex Cyber Mashup)
1:48:45 iiO - At the End (Ozz & Ali feat. Dmitriy Rs Remix)
1:52:49 RAM - RAMsterdam (Dmitry Glushkov & Jorn van Deynhoven Remix)

✅Deep House Remixes Of 80's Hits 1: https://youtu.be/RnpvCHE2h7g
✅Deep House Remixes Of 80's Hits 2: https://youtu.be/rgQXXpvZHeQ
✅Deep House Remixes Of 90’s Hits 1: https://youtu.be/Cx6WMr5t_bU
✅Deep House Remixes Of 90’s Hits 2: https://youtu.be/zKeeRffTolk
✅Deep House Remixes Of 2010’s Hits: https://youtu.be/HLkcmJEUUls
✅Deep House Remixes Of Eurodance Hits: https://youtu.be/VI8pkCl1bpI

✅Please subscribe to my channel: https://bit.ly/2m9dkXC
✅Follow me on Instagram: https://www.instagram.com/djstiltje
✅Follow me on Twitter: https://www.twitter.com/djstiltje

#DeepHouse #VocalDeepHouse #DeepHouseRemixes #NuDisco #NuDiscoRemixes

She Made Her Label $170M, All She Got Was $1900…. Hotney 15 Ansichten • 4 Monate vor

The story of Alannah Myles, best known for the song Black Velvet

Podcast on Apple Podcasts
https://podcasts.apple.com/ca/....podcast/the-rock-n-r

My second YouTube Channel
https://www.youtube.com/@RockNRollTrueStories2

Title: The Tragic Story of The One-Hit Wonder Who Wasn't

Some songs are like time machines. In 1990, one of them was “Black Velvet,” a smoky, blues‑rock track that turned Canadian singer Alannah Myles into a global star. The song hit number one on the Billboard Hot 100, won a Grammy for Best Female Rock Vocal Performance, and helped her debut album sell millions worldwide. By all accounts, she should have been set for life.

Instead, the industry that finally embraced her nearly destroyed her. Behind the scenes, Myles had signed a brutal contract loaded with “recoupable” expenses for recording, videos, touring, and marketing — debts she had to pay back before seeing real royalties. She later estimated the label earned well over a hundred million dollars from her records, while she struggled to pay rent and took side jobs just to get by. She has said she didn’t receive a meaningful royalty check for “Black Velvet” until 2008, almost two decades after the song topped the charts.

Her path to that hit had been long and stubbornly independent. Born Alannah Byles in Toronto, she grew up comfortable but determined to make it on her own. She wrote songs as a teenager, played grimy Southern Ontario clubs, and rebranded herself as Alannah Myles while doing modeling, makeup work, and small acting roles to fund her music. Partnering with songwriter Christopher Ward and producer David Tyson, she chased a blues‑rock identity that Canadian labels repeatedly rejected. A three‑song demo to Atlantic in New York finally landed her a six‑album deal in 1987.

Her 1989 debut album was huge at home, producing multiple Top 40 hits and becoming the best‑selling debut album in Canadian history. “Black Velvet” – written by Ward and Tyson as an Elvis Presley tribute after Ward rode a fan bus to Memphis – was the track that broke her internationally. Released in the U.S. after “Love Is,” it climbed slowly before exploding to number one and going top ten in over a dozen countries. At the same time, her label angered her by commissioning a competing country version by Robin Lee, which muddied her ownership of the song in the public eye.

The pressure for a repeat was immediate. Her 1992 follow‑up, Rockinghorse, underperformed in the U.S. but went multi‑platinum in Canada, giving her another number‑one single and a second Grammy nomination. Still, label politics, media stories painting her as “difficult,” and the strain of constant touring took a toll. She cancelled tours for health reasons, cycled through managers, and watched as her momentum faded internationally.

Myles eventually left Atlantic in the late ’90s and signed with Miles Copeland’s Ark 21, gaining more creative control but far less commercial visibility. For years she survived through smaller‑scale releases, overseas deals, television work, and live shows, even as “Black Velvet” kept spinning on radio without truly enriching her. A libel suit against a major Canadian newspaper over claims of cocaine addiction was settled in 2001, reportedly with a substantial payout — ironically one of the biggest financial wins of her career.

When her contract finally allowed it, she re‑recorded “Black Velvet” for her independent album Black Velvet and later retooled it again on 85 bpm, finally owning versions of the song that paid her directly. Chronic health problems, including serious spinal damage and autoimmune issues, have since limited her ability to tour, but she continues to write and record on her own terms.

Calling Alannah Myles a “one‑hit wonder” misses the point. She had multiple Canadian hits, a second Grammy‑nominated album, and a career that’s lasted decades. “Black Velvet” was a phenomenon so huge it obscured the rest of her work — and a song that nearly ruined her even as it made her immortal. In 2021, it was inducted into the Canadian Songwriters Hall of Fame, cementing its place in rock history and her legacy as far more than a trivia‑question one‑off.

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