Muslimgauze ‎– Blue Mosque (1994) [FULL ALBUM]

Label: Staalplaat - STCD 081 (November, 1994)
Genre: Electronic
Style: Ambient, Dub, Experimental, Tribal
Year: 1994
Notes: Reissued in 1999, repressed in 2005.

Tracklist
SIDE A
00:00 Muzzel Of Deceit
02:54 Yusef
08:54 Bir Zeit
15:24 Rattan Kiss
27:49 Bitter Citrus
33:14 Qiblah
39:01 Futile Arad Search
45:06 Blue Mosque
48:36 Fadhaa

SIDE B
52:37 Bandit Queen
56:06 Freedom Fighter
58:55 Kirpan
1:05:25 Galbanum Tingktyur
1:09:34 Pakistani Nuclear Box
1:19:42 Muilah Rockets
1:23:41 Zingari
1:28:49 Blue Mosque
1:35:40 I Am Khalid Al Istambuli
1:41:54 I Am Khalid Al Istambuli

original issue CDs are gold designs on silver backgrounds, re-issue CDs are gold designs on black backgrounds, re-issue also comes with a black double jewel case tray
the 2005 re-press is identical to the original release except that they were pressed by Sony (check the lead out)


"The opening "Muzzel of Deceit" shows Muslimgauze continuing the work begun on 'Zealot', where dub-wise production techniques blend with drones and at times slamming beats, "Freedom Fighter" being a great example of this (why Muslimgauze hasn't been more readily sampled by other artists remains a mystery) to create a very modern form out of traditional types of music. "Bir Zeit" stands out here, due to its aggressive electronic feel and distorted rhythm track elements; though the track is mixed relatively low, it sets up an excellent air of looming menace thanks to the strange whispering throughout the track. "Futile Arad Search" is another fine piece; it relies on a strange percussion loop that seems constructed from anything but regular percussion instruments which are set against a slightly more conventional rhythm that surfaces from the wash of sound in the mix. Particularly striking is one part where little but a soft drum machine beat and the sudden shudder of a tambourine come to the fore. Other songs worthy of attention include "Fadhan", with its wheezing electronics layered below a traditional drum performance, the jaunty swing of "Bandit Queen", with its quirky keyboard hook, and the slow, compelling crawl of "Pakistani Nuclear Box"."
(Boomkat)


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