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ANDJELA MISIC - Classical Guitar Concert 💃 | Paco de Lucia, Antonio Rey, F. Sor | Siccas Guitars Hotney 2 Streams • 4 years ago

The very young and promising talent Andjela Misic from Serbia has paid a visit to Siccas Guitars studio in Karlsruhe to play a very virtuosic and Spanish concert program, including a few pieces by Paco de Lucia. Make sure to listen to the whole concert and let us know your opinion about Andjelas's performance. Enjoy! 🫡

00:00 INTRO & ALMA by Antonio Rey
🎸 Guitar: https://www.siccasguitars.com/....shop/guitar/carl-her
06:10 Zapateado by Paco de Lucia
🎸 Guitar: https://www.siccasguitars.com/....shop/guitar/jose-mar
10:27 Farolillo de Feria by Paco de Lucia
🎸 Guitar: https://www.siccasguitars.com/....shop/guitar/francisc
15:20 Mozart Variations Op. 9 by Fernando Sor
🎸 Guitar: https://www.siccasguitars.com/....shop/guitar/daniel-f
24:53 Cielo Abierto by Quique Sinesi
🎸 Guitar: https://www.siccasguitars.com/....shop/guitar/leonard-

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Classical guitars are our passion! We are specialized in the highest quality concert guitars as well as historic guitars from around the world. Our passion for these unique instruments and the joy to give guitarists, passionate players, and collectors the possibility to purchase their own appropriate instrument is the motivation that drives us. Another focus is to work closely with established and young, largely unknown luthiers. Together we want to develop new ideas and share experiences with our customers. We also recorded pieces for many great composers such as Johann Sebastian Bach, Astor Piazzolla and Isaac Albeniz (Asturias). You will also find almost all the classical music composers that wrote for the classical guitar. Make sure to discover Agustin Barrios Mangoré, Manuel Maria Ponce, Heitor Villa-Lobos and many more if you don't know their compositions already You can find our showroom in 76137 Karlsruhe, Roonstr. 31, Germany

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Lighted by Nyta: https://www.nyta.eu/en/

Megan Thee Stallion: NPR Music Tiny Desk Concert Hotney 3 Streams • 4 years ago

Watch Megan Thee Stallion play at the Tiny Desk Fest.

More from NPR Music:
Tiny Desk Concerts: https://www.npr.org/tinydesk
Twitter: https://twitter.com/nprmusic
Instagram: https://www.instagram.com/nprmusic

This Tiny Desk concert was part of Tiny Desk Fest, a four-night series of extended concerts performed in front of a live audience and streamed live on YouTube, Twitter and Facebook.

Dec. 2, 2019 | Sidney Madden -- "I'm gonna get real comfortable with y'all, so I'm need y'all to get real comfortable with me," Megan Thee Stallion told the excited Tiny Desk Fest crowd as soon as she assumed her position behind the desk. After promptly switching out her patent leather heels for some fuzzy Louis Vuitton slippers, she let the room know, "Now, don't be scared to get ratchet."

From there, the Houston rapper wasted no time demonstrating why she's a superstar in the making. Megan exuded irresistible charisma, cracking jokes with the crowd and rattling off explicit bars from her award-winning mixtape, Fever, for the live audience watching on YouTube and social media.

From "Hot Girl Summer" to the platinum-selling "Cash S***," Hot Girl Meg's raunchy hits took on new life thanks to a live backing band, Brooklyn's Phony Ppl, who seamlessly blend jazz, R&B and hip-hop. Midway through the spirited set, Megan and Phony Ppl surprised the audience by premiering an unreleased collaboration, a bouncy banger titled "F***** Around." After the first verse/chorus, the adoring crowd was singing along as if they'd known the song for years.

It was the first time Megan performed with a live band in public, but then again, there's been a lot of firsts over the past year. This time last fall, Megan was rapping her heart out at local shows, balancing classes at Texas Southern University and occasionally dropping a fire freestyle video from a suburban cul-de-sac driveway. Since then, the brilliant and bodacious rapper ascended to major festival stages, became one of the most sought-after features on other stars' songs, and electrified late-night television audiences.

Though she's dubbed herself a stallion because of her tall and voluptuous frame (Meg stands 5 feet 10 inches without heels,) the 24-year-old rapper has proven herself to be a workhorse when it comes to consistency. Her viral 2019 freestyles shot her online exposure through the roof and whichever alter ego she chooses in the moment — Tina Snow, Hot Girl Meg, Stalli — she's maintained the spotlight all year thanks to a steady stream of new music, an engaging personality and her own viral social media campaign, Hot Girl Summer.

Though she's usually known for extensive twerking during her stage performances, at the Tiny Desk, Meg played up a different skill set: impeccable timing and lung capacity. "Yall talk about Meg's knees but sis breath control is pretty impressive too," one viewer tweeted out during the live video stream.

Megan's lyrical content lies in subverting established sexual dynamics and no matter the level of raunch she deploys, empowering women remains the artist's manifesto. Co-signs from all across hip-hop, from Q-Tip to Nicki Minaj to Chance the Rapper, have only bolstered her appeal and validated her bars in the eyes of the genre's cultural gatekeepers.

SET LIST
"Realer"
"Freak Nasty"
"Cash S***"
"Big Ole Freak"
"Hot Girl Summer"
"F****** Around"
"Money Good"

MUSICIANS
Megan Thee Stallion: vocals; Elbee Thrie: vocal, percussion; Elijah Rawk: guitar; Maffyuu: drums; Aja Grant: keys; Bari Bass: bass; Ebony Joi: vocals

CREDITS
Producers: Sidney Madden, Abby O'Neill, Morgan Noelle Smith; Creative Director: Bob Boilen; Audio Engineers: Josh Rogosin, James Willetts; Videographers: Morgan Noelle Smith, Maia Stern, Kara Frame, CJ Riculan, Jack Corbett; Associate Producer: Bobby Carter; Production Assistant: Tsering Bista; Executive Producer: Lauren Onkey; VP, Programming: Anya Grundmann; Photo: Laura Beltran Villamizar/NPR

More from NPR Music:
Tiny Desk Concerts: https://www.npr.org/tinydesk
Twitter: https://twitter.com/nprmusic
Instagram: https://www.instagram.com/nprmusic

Billie Eilish Live 2022 4K FULL CONCERT in Los Angeles Hotney 2 Streams • 4 years ago

Billie Eilish Live 2022 4K FULL CONCERT in Los Angeles at the Forum. 2 nights SOLD out what a show! Don't miss this historic last night of shows.

https://www.billieeilish.com/tour - go see her live!!!

Billie Eilish Keeps Her Savant Streak Going With Pre-Coachella Homecoming Shows at the Forum.

00:00 - Beginning
00:56 intro
3:11 bury a friend
6:27 i didn't change my number
8:58 NDA
12:17 therefore i am
15:17 talking
17:05 my strange addiction
19:35 idontwannabeyouanymore
21:27 lovely
22:48 talking
26:01 you should see me in a crown
28:53 billie bossa nova
32:10 GOLDWING
35:41 halley's comet
37:56 talking
39:51 oxytocin
42:40 copycat [medley]
43:01 oxytocin still
44:13 ilomilo
47:34 talking
48:26 i love you
50:14 your power
54:37 talking
55:47 male fantasy
59:00 not my responsibility interlude
1:00:16 overheated
1:03:41 talking
1:05:16 bellyache/ocean eyes/bored
1:09:26 getting older
1:13:40 lost cause
1:17:15 talking
1:20:10 when the party's over
1:23:38 all the good girls go to hell
1:26:25 talking [interlude]
1:27:11 everything i wanted
1:30:57 talking
1:34:01 bad guy
1:37:27 happier than ever

The audience at Saturday night’s show, at least, was not one that differentiated singles from album tracks; this was a crowd that could name that tune — any tune in her catalog — in three notes or less. It was maybe most striking when she and Finneas struck up “Billie Bossa Nova,” a terrific track from the most recent album that you might have been thinking of as a cult favorite at most, and the (yes) mostly young and female audience responded within three seconds with a roar loud enough that it might as well have been “Bad Guy.” When a crowd of 17,000 is going apeshit for a song that really is a legitimate bossa nova — one Jobim could be proud of — it’s hard not to feel the kids are all right.

The potential for stylistic expansion that was made explicit in “Billie Bossa Nova” is part of why the “Happier Than Ever” album was so heartening. You could also feel her stretching her wings in a different direction in the darkly sexy club-thumper “Oxytocin,” which had the house lights at their dimmest and briefly turned the Forum into a thinking-woman’s rave.

It was inevitable that the show would begin and end on moments of high anxiety and cathartic angst, starting with “Bury a Friend,” and its ominous “I wanna end me!” shout, and climaxing with the latest album’s Grammy-nominated title track, with its final (Grammys-censored) plea to “just fucking leave me alone!” Many of the songs that came between were infused with depression and anxiety, too, with Eilish having made no secret on or off the record of her struggles with mental wellness. In several of the newer songs represented in the set, from “Everything I Wanted” to “NDA,” Eilish has thrown into the mix the deleterious effects of fame (although with more self-awareness and even bemusement than most artists who bitch about their own celebrity in song). The latest album has more lyrically light moments than the first — to the point that the “Happier Than Ever” title doesn’t even seem completely ironic — but it still comes off as more troubled in its concerns than not.

So why did Eilish’s tour stops this week make the Forum feel like the happiest place on earth? There’s the inevitable tendency of most artists whose recorded work leans darker to want to make their shows feel celebrative; no one goes to a Cure or Depeche Mode concert expecting to be cajoled into having a bad time, no matter how bleak the lyrics can be. But in Eilish’s case, she really seems to be going an extra mile in making her shows safe spaces for positive thinking.

At one point, she actually stopped the music for an extended breathing exercise. “Any bad thoughts in your head, I want you to pull ’em out right now, and I will do the same,” Eilish said, motioning as if she were literally extricating the negativity from between pigtails. “For three minutes or whatever this song is, I want you to just think about the things that make you feel happy and safe and calm, and make you feel like relaxed and at ease. … Shhhh. Close your eyes. …I want you to think about how you are loved and you are safe. … And I want us all to take one deep breath in and out. Let it out.” And what was the calming song that followed? “When the Party’s Over” — kind of a bummer song, actually. But its beauty feels medicinal, and that was predication enough for the singer to turn it into the night’s group exercise in centering and self-care.

If there was any lost opportunity in Eilish’s show, it was in her not further stopping to offer any stories behind the songs, or to explicitly acknowledge that they come from deeper and darker places on their way into being transformed into a set that feels nothing but feel-good.

#billieeilish #losangeles #happierthanever