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Badnam Kar Diya – Aarzoo Khaan | Emotional Hindi Sad Song | New Song 2026 | Arijit Singh Vibe Hotney 8 Streams • 3 months ago

Badnam Kar Diya – Aarzoo Khaan | Emotional Hindi Sad Song | New Song 2026 | Arijit Singh Vibe

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Mohabbat ko meri
badnam kar diya…

Jise dil se chaha
usi ne
mujhe tanha kar diya.

Kabhi jo meri duniya tha
aaj wahi
meri kahani badal ****a.

“Badnam Kar Diya”
ek aise dil ki kahani hai
jo sachchi mohabbat ke baad bhi
galat thehra diya ****a.

Is gaane mein
dard bhi hai,
bewafai bhi,
aur ek gehra ehsaas bhi
jo dheere se kehta hai —

humne mohabbat ki thi…
gunah nahi.

Agar aapne bhi
kabhi kisi se
sachcha pyaar kiya ho
aur badle mein ilzaam mila ho,
to ye gaana
aapke dil ko chhoo jaayega.

🎙️ Voice: Aarzoo Khaan
🎧 Vibe: Emotional • Deep • Painful • Soulful (Arijit Singh Vibe)

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🎧 Listen on Streaming Platforms

Spotify ► https://open.spotify.com/artis....t/1qfsPgztwYGU0GUCNg

Apple Music ► https://music.apple.com/in/art....ist/aarzoo-khaan/184

JioSaavn ► https://www.saavn.com/s/artist..../aarzoo-khaan-albums

Gaana ► https://gaana.com/artist/aarzoo-khaan

Amazon Music ► https://music.amazon.in/artist....s/B0FSCHHVNN/aarzoo-

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📲 Follow Aarzoo Khaan

YouTube ► https://youtube.com/@Aarzoo2khaan

Instagram ► https://www.instagram.com/Aarzoo2khaan

Facebook ► https://www.facebook.com/Aarzoo2khaan

X (Twitter) ► https://twitter.com/Aarzoo2khaan

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She Made Her Label $170M, All She Got Was $1900…. Hotney 9 Streams • 3 months ago

The story of Alannah Myles, best known for the song Black Velvet

Podcast on Apple Podcasts
https://podcasts.apple.com/ca/....podcast/the-rock-n-r

My second YouTube Channel
https://www.youtube.com/@RockNRollTrueStories2

Title: The Tragic Story of The One-Hit Wonder Who Wasn't

Some songs are like time machines. In 1990, one of them was “Black Velvet,” a smoky, blues‑rock track that turned Canadian singer Alannah Myles into a global star. The song hit number one on the Billboard Hot 100, won a Grammy for Best Female Rock Vocal Performance, and helped her debut album sell millions worldwide. By all accounts, she should have been set for life.

Instead, the industry that finally embraced her nearly destroyed her. Behind the scenes, Myles had signed a brutal contract loaded with “recoupable” expenses for recording, videos, touring, and marketing — debts she had to pay back before seeing real royalties. She later estimated the label earned well over a hundred million dollars from her records, while she struggled to pay rent and took side jobs just to get by. She has said she didn’t receive a meaningful royalty check for “Black Velvet” until 2008, almost two decades after the song topped the charts.

Her path to that hit had been long and stubbornly independent. Born Alannah Byles in Toronto, she grew up comfortable but determined to make it on her own. She wrote songs as a teenager, played grimy Southern Ontario clubs, and rebranded herself as Alannah Myles while doing modeling, makeup work, and small acting roles to fund her music. Partnering with songwriter Christopher Ward and producer David Tyson, she chased a blues‑rock identity that Canadian labels repeatedly rejected. A three‑song demo to Atlantic in New York finally landed her a six‑album deal in 1987.

Her 1989 debut album was huge at home, producing multiple Top 40 hits and becoming the best‑selling debut album in Canadian history. “Black Velvet” – written by Ward and Tyson as an Elvis Presley tribute after Ward rode a fan bus to Memphis – was the track that broke her internationally. Released in the U.S. after “Love Is,” it climbed slowly before exploding to number one and going top ten in over a dozen countries. At the same time, her label angered her by commissioning a competing country version by Robin Lee, which muddied her ownership of the song in the public eye.

The pressure for a repeat was immediate. Her 1992 follow‑up, Rockinghorse, underperformed in the U.S. but went multi‑platinum in Canada, giving her another number‑one single and a second Grammy nomination. Still, label politics, media stories painting her as “difficult,” and the strain of constant touring took a toll. She cancelled tours for health reasons, cycled through managers, and watched as her momentum faded internationally.

Myles eventually left Atlantic in the late ’90s and signed with Miles Copeland’s Ark 21, gaining more creative control but far less commercial visibility. For years she survived through smaller‑scale releases, overseas deals, television work, and live shows, even as “Black Velvet” kept spinning on radio without truly enriching her. A libel suit against a major Canadian newspaper over claims of cocaine addiction was settled in 2001, reportedly with a substantial payout — ironically one of the biggest financial wins of her career.

When her contract finally allowed it, she re‑recorded “Black Velvet” for her independent album Black Velvet and later retooled it again on 85 bpm, finally owning versions of the song that paid her directly. Chronic health problems, including serious spinal damage and autoimmune issues, have since limited her ability to tour, but she continues to write and record on her own terms.

Calling Alannah Myles a “one‑hit wonder” misses the point. She had multiple Canadian hits, a second Grammy‑nominated album, and a career that’s lasted decades. “Black Velvet” was a phenomenon so huge it obscured the rest of her work — and a song that nearly ruined her even as it made her immortal. In 2021, it was inducted into the Canadian Songwriters Hall of Fame, cementing its place in rock history and her legacy as far more than a trivia‑question one‑off.

Have a video request or a topic you'd like to see us cover? Comment below or send in your idea: https://bit.ly/3stnXlN

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Why Does Everyone Beef With The Black Keys? Even Pizza Hut Isn’t Safe! Hotney 6 Streams • 3 months ago

The story of The Black Keys feuds

Podcast on Apple Podcasts
https://podcasts.apple.com/ca/....podcast/the-rock-n-r

My second YouTube Channel
https://www.youtube.com/@RockNRollTrueStories2

From the garage rock revival of the early 2000s to arena-filling, Grammy-winning success, The Black Keys have carved out a unique place in modern music. Created in a basement in Akron, Ohio, Dan Auerbach and Patrick Carney built a career on a raw, blues-infused sound that felt both timeless and immediate. They are one of the last big rock success stories of their era.

But their journey is more than a tale of musical triumph. It is also filled with feuds, insults, and burned bridges. From a long-running rivalry with Jack White to public spats with pop stars, classic rock legends, brands, and even streaming services, The Black Keys have a knack for conflict. Are they misunderstood blunt Midwesterners in a fake-smile industry, or rock’s most confrontational band with a chip on their shoulder the size of Ohio?

The story begins in Akron in 2001. Auerbach had a gig but his band did not show, so he asked neighbor Patrick Carney, who was supposed to be recording, to play drums. They recorded a demo in a few hours and realized they had something special. They called themselves The Black Keys, inspired by a local outsider artist who used the phrase “black keys” for people who were not quite right. Their early albums, like The Big Come Up and Thickfreakness, were raw, lo-fi, and critically adored.

From the start, comparisons to The White Stripes followed them. Both were Midwestern guitar-and-drum blues-rock duos, and the press loved the narrative. Jack White drew lines in interviews, and rumors swirled when The Black Keys moved to Nashville. Things exploded when leaked emails from White’s divorce revealed harsh words about Auerbach and accusations of copying. Patrick Carney called the situation embarrassing but sympathized with White’s private comments being exposed. Later, a tense encounter in a New York bar led Carney to claim White tried to start a fight, before both sides publicly made peace.

Carney’s outspoken nature fueled other feuds. When asked about Justin Bieber not getting Grammy nominations, he replied that Grammys are for music, not money, and that Bieber was already very successful. Bieber fired back on social media, and his fans flooded Carney with insults. In later interviews, Carney did not soften his stance, further cementing his reputation as someone who speaks his mind regardless of the fallout.

The band also criticized posthumous Michael Jackson releases as a label-driven move, joked about ICP’s fanbase, and stayed off streaming services for years to protest low payouts. Eventually, they joined streaming platforms but remained critical of the model. More recently, a poorly handled arena tour, disputes with management, and a controversial “America Loves Crypto” performance led them to speak out against what they see as a consolidated, billionaire-driven industry.

So why do The Black Keys seem to fight with everyone? Part of the answer is Patrick Carney’s unfiltered candor. Part of it is the long shadow of the Jack White feud, which pushed them into a defensive posture early on. And part of it is their growing frustration with a music business they view as exploitative. Through it all, they have clung to a stubborn sense of authenticity, even when it costs them allies.

Have a video request or a topic you'd like to see us cover? Comment below or send in your idea: https://bit.ly/3stnXlN

CONNECT ON SOCIAL
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Blog: www.rockandrolltruestories.com

#theblackkeys #danauerbach #patrickcarney

These videos are for entertainment purposes only. DISCLAIMER https://rockandrolltruestories.....com/youtube-disclai

Keeping Nipsey's Mission Alive & Prolific Album Update w/ Blacc Sam & Bino Rideaux Hotney 6 Streams • 3 months ago

Samiel "Blacc Sam" Asghedom sits down with Matt & Stak to talk about pushing Nipsey Hussle's legacy forward. From humble beginnings in the streets to building one of hip hop's most respected brands, Sam gets into the opening of Nipsey Hussle Square, the future of the Marathon brand, and the highly anticipated Nipsey docuseries and Prolific music project dropping soon. Bino Rideaux also pulls up to share what he's been working on and what it was really like creating with Nip. This one is heavy. Game, love, and real talk about a legend who never stopped building.

#allthesmokeproductions #rap #AllTheSmoke #nipseyhussle #blaccsam

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Follow Matt:
https://www.instagram.com/matt_barnes9/

Follow Stak:
https://www.instagram.com/_stak5_/

00:00:00 - Nipsey Hussle Square
00:08:15 - How do we set up our kids to win?
00:11:55 - Marathon Burger
00:14:31 - Wearing multiple hats in keeping Nipsey’s legacy alive
00:18:13 - Puma collab
00:20:30 - Dealing with LAPD during early years
00:27:20 - Nipsey’s growth mindset
00:30:28 - Rockstar 2800 situation
00:33:30 - Ad Break: DraftKings Sportsbook, Neflix: Rousey vs. Carano, GLD, Jägermeister, Jimmy John’s,
00:38:10 - Bino Rideaux joins
00:41:48 - Prolific drop date
00:45:27 - Favorite moments with Nipsey & unreleased music
00:50:56 - Nipsey documentary
00:58:44 - Quick Hitters

Listen on audio:
Apple - http://podcasts.apple.com/us/p....odcast/all-the-smoke
Spotify - https://open.spotify.com/show/....3Cdge5G5apw1LsC8jGcl

Follow ATS on social:
Instagram - https://instagram.com/allthesmoke
TikTok - https://www.tiktok.com/@allthesmoke
X - https://x.com/allthesmokeprod
Facebook - https://www.facebook.com/allthesmokeproductions/
Threads - https://www.threads.com/@allthesmoke

Watch our other shows:
KG Certified - https://www.youtube.com/@KGCertified
All The Smoke Fight - https://www.youtube.com/@ATSFight
Morning Kombat - https://www.youtube.com/@MorningKombat
Ring Champs - https://www.youtube.com/@RingChampsPodcast
Forgotten Seasons - https://www.youtube.com/@forgottenseasonsnba

Harry Styles - Dance No More (Official Video) Hotney 7 Streams • 3 months ago

Official Video for "Dance No More” by Harry Styles
Harry’s new album “Kiss All The Time. Disco, Occasionally.” is out now. Listen here: https://hstyles.lnk.to/KissAll....TheTimeDiscoOccasion

Amazon Music: https://hstyles.lnk.to/KissAll....TheTimeDiscoOccasion/AmazonMusic
Apple Music: https://hstyles.lnk.to/KissAll....TheTimeDiscoOccasion/AppleMusic
iTunes: https://hstyles.lnk.to/KissAll....TheTimeDiscoOccasion/iTunes
Pandora: https://hstyles.lnk.to/KissAll....TheTimeDiscoOccasion/Pandora
Spotify: https://hstyles.lnk.to/KissAll....TheTimeDiscoOccasion/Spotify
YouTube: https://hstyles.lnk.to/KissAll....TheTimeDiscoOccasion/YouTube
YouTube Music: https://hstyles.lnk.to/KissAll....TheTimeDiscoOccasion/YouTubeMusic

Credits:
Director: Colin Solal Cardo (@colinsco)
Produced by LA PAC
Creative Director: Molly Hawkins
Choreographer: Ryan Heffington
DOP: Madison Mckamey
Production Designer: Patience Harding
Artist Stylist: Harry Lambert

LA PAC CEO: Jérome Denis
LA PAC EP: Rémy Solomon
Line Producer: Alix Baltauss
Production Coordinator: Guillaume Pennec
Production Assistant: Téa Chiffre

Management: Full Stop Management
Label: Columbia Records
Producer / Commissioner: Bryan Younce

Director’s US Rep: Camille Semprez

BAND
Drummer: Pauli Lovejoy
Guitarist: Mitch Rowland
Keyboard: Jonathan Geyevu
Drummer: Sarah Jones

DANCERS
Alicia IG
Aliashka Hilsum
Alex Grmnt
Anouchka Manciet
Baptiste Rigaud
Ben Sleeper
Camille Mezerette
Carla Safouret
Casper Hauge
Chazz Cooks
Coline Omasson
Djibril Serifou
Driss Ouadah
Dylan Finlande
Emma Delvac
Filip Dudkiewicz
Francisco Patricio
Geraudy Bombile
Janina Sarantshina
Jenna Brandon
Jesse Kovarsy
Johanna Gravinay
Jonathan Lutumba
Jordan Boury
Joyce LB
Kristijan Besirovic
Laura Coduti
Leon Di Domenico
Loic Dubois
Mathis Moulin
Matteo Masson
Matteo Paoli
Mélanie Douat
Mickael Lips
Mutekirena
Océane Robin
Rubia Veth
Ruby Abbas
Sephora Kibebe
Sophia Aachari
Ugo Pisino

Choreographer Assistant: Darcy Wallace
Choreographer Assistant & Casting: Malik Le Nost
1st Assistant Director: Tatum Drouilhat
2nd assistant Director: Louis Rambaldi
Captain extra: Nicolas Drouilhat, Manon Coaquette

Artist Skin: Dotti
Artist Hair: Matt Mulhall
Assistant Stylist: Naomi Phillips

Production Designer Assistants: Laura Azzarello, Nikki Lavollay, Romain Lecornu, Martin Leny

1st Camera Assistant: Adrian Bernard
1st Camera B Assistant: Pierre Giraud
2nd Camera Assistant Chloé Mesbah
Loader: Thibault Herby
VTO Operator: Daniel Pavillon

Steadicam: Rémi Quilichini
Gaffer: Hugo Mesnil
Console Operator: Hugo Ruiz
Sparks: Tom Haffner, Djamel Bertal, Lauranne Arrighy, Alexandre Surun, Emmanuel Malherbe, Louis Jamaux, Simon Allain, Adele Deshayes
Groupman: Cyrille Pontonnier

Key Grip: Kieran Lheritier
Grip: Hugo Giallolacci, Thomas Lamouroux, Julien Loferon, Nicolas Lebigue
Crane Operator: Philippe Mourier
Stunt: Alexandre Cauderlier, Kevin Cauderlier

Stylist dancers: Éline Hoyois
Assistant Stylist dancers: Diego Aguilera, Sacha Tricot, Naomi Homs, Reah Clarke, Benjamin Matthews, Allie Cramton
Makeup Artist: Louisa Trapier
Makeup Assistants: Lou Boidin, Clara Rétif, Elise Sikula, Sitara Nash
Hair Stylist: Anastasiia Tymoshchuk
Hair Stylist Assistants: Natalia Tarasenko, Diana Bodruh, Katrin Savchenko, Hanna Minaiva
Unit Manager: Benoit Hardouin
Unit Manager Adjoint: Isabelle Ogel
Unit Assistants: Jean-Baptiste Rogez, Baptiste Merle, Anne Abitbol, Vanessa Altmeyer, James Cornet, Julien Fouilhe, Tifaine Joulie, Tifaine Houel
Location Scout: Caroline Vandenbussche

Sound Engineer: Yacine Mdarhri
Sound Assistants: Davy Samak, Walter Laguerre

Casting Director Extras: Dourane Fall

EXTRAS
Alida Bergakker
Bessie
Dolce Kummer
Dona Se Meurt
Ewan Amis
Gabriel Mrabi
Gleb Sazonov
Jeffrey
Lylou Lo Van
Monicasssh
Nikol Mlinova
Nin Khelifa
Paulin Banc
Tehani Pereira

La Pac Head Post-Production: Laurence Lelong
La Pac Post Producer: Axelle Duarte
Collectiv Editors: Carlos Font Clos, Tianès Montasser
Additional Editor: Colin Solal Cardo
Ethos Color Grading: Dante Pasquinelli
Mathematic Studio Executive Producer: Jade Schiff
Mathematic Studio Post-Producer: Thomas Delbecq
Mathematic Studio Flame Artist: Jonathan Lagache
Sound Mix: Laurent d’Herbecourt
Special Thanks to: RVZ, NEXT SHOT, Sandra, Shayma Ait Chegou, Studio LAX, Nathan Lefebvre, Sati Chansarel, César Loesch

Follow Harry Styles
Instagram: https://hstyles.lnk.to/follow/instagram
Facebook: https://hstyles.lnk.to/follow/facebook
YouTube: https://hstyles.lnk.to/follow/youtube

Follow HSHQ:
Instagram: https://HStyles.lnk.to/HSHQIG
TikTok: https://HStyles.lnk.to/HSHQTT
SMS/WhatsApp: https://HStyles.lnk.to/HSHQWA

#HarryStyles #KissAllTheTimeDiscoOccasionally #DanceNoMore

Charli xcx - Rock Music (Official Video) Hotney 6 Streams • 3 months ago

Charli xcx - Rock Music
Listen: http://charlixcx.lnk.to/RockMusic

Credits:
Director: Aidan Zamiri
Creative Director: Imogene Strauss

Production Company: Object & Animal
Executive Producer: Alex Brinkman
Producer: Myriam Schroeter
Associate Producer: Reese Layton

Director of Photography: James Beattie
Production Designer: Griffin Stoddard

Editor: Neal Farmer

Artist Mgmt: Twiggy Rowley, Brandon Creed, Sam Pringle & Daniela Parada
Artist Digital: Mekaila Morris

Atlantic Marketing: Marisa Aron
Atlantic Creative: Caroline DeFranco

Production Supervisor: Raven Jensen
Production Coordinator: Dan Order
Creative Assistant: Sarame Sahgal
Post Producer: Gina Crow

1st AD: Josh Montes
2nd AD: David Henrriquez
2nd 2nd AD: Alex Lycette

1st AC: DJ Carroll
2nd AC: Ashton Green
Film Loader: Luke Dowden
Phantom Operator: Jared Kovacs

Gaffer: Austin Locicero
Best Electric: Alex Fischetti, Max Garstak
Electric: Prannoy Jacob
Electric: Duell Davis
Electric: Maria Cabra
Electric: Eli Freireich
DMX Board Op: Alex Blum
Electric Driver: Matt Calabrese
Genny OP: Manuel Moreno
Key Grip: Liam Murphy
Best Grip: Hana Kim
Grip: Chris Angarone
Grip: Natalie Larkowski
Grip: Charlie Diserens
Grip: Ray Parrella
Grip: Steff Berek
Grip Driver: Niklas Moller
Playback OP: Richard Hart
VFX Supervisor: Cooper Vacheron
VTR: Color Space Digital
VTR Op: Brian Sanchez
BG Wardrobe Stylist: Zoey Radford Scott
BG Wardrobe Assistant: Alexia Barritt
BG Wardrobe Assistant: Josh Hickman
BG Wardrobe Assistant: Nick Trotta
Casting Director: Michele Mansoor
Casting Director Assistant: Raina Bell
Location Manager: Matthew Dipple
ALM Tech: Shady Kerko
ALM Shoot: Brendan Carroll

Art Director: Audrey Ledoux
GS Producer / Art Coord: Vivian Swift
Leadman: Doug Moore
Prop Master: Amanda Soltis
Set Dec: Leo Swarts
Set Dresser: Thomas William
Set Dresser: David Dee
Art Swing: Andreas Kohl
SPFX Lead: Jeff Moratti
SPFX Tech: George Fernandez
PA - Truck: Coleman Chambliss
PA: Rocko Zevenbergen
Shopper: Bailey Brown
Shopper: Lily Rohren
Scenic: Kristen Dempsey
Crafty: Charlie Waters
Set Medic: Scott Zelenetz
Stunt Coordinator: Becca GT
Set Security: Movie Mic
Set Security: Eric Lopez
Office PA: Dannielle Bowman
PA Truck Driver: Ainsley Samuda
PA Truck Ridealong: Kavel Lewis
PA Truck Ridealong: Adonis Lightburn
PA Pass Van Driver: Aidan Burns
PA Pass Van Driver: Nick Yoon
PA Pass Van Driver: Jacob Friedman
Set PA / PA Pass Van Driver: Grayson Powell
Set PA / PA Pass Van Driver: Ben Burton
Set PA: Lizi Latimer
Set PA: Shady Kerko
Set PA: Mac Pogue
Set PA: Dan Kim
Styling Team: Caitlin Harvey
Styling Team: Angelina Arena
Tailor: Thao Huynh
Styling Team: Chris Horan

Hair Stylist: Matt Benns
Hair Stylist Assistant: Austin Webber
Makeup Artist: Raoul Alejandre
Makeup Assistant: Adanis Belliard
Makeup Assistant: Tiffany Rodriguez
Makeup Assistant: Shannon Rodriguez
Manicurist: Sonya Meesh
BTS: Tyrell Hampton
BTS Sound: Gunnar Nagle
Talent Security: Luke McNamara
Band Member: George Daniel
Band Member: A G Cook
Band Member: Finn Keane

Color House: Ethos Studio
Colorist: Dante Pasquinelli
Producer: Nat Tereshchenko
Color assist: Annie Cater
Head of Production: Sasha Pace
MD/EP: Eliana Carranza-Pitcher
Founder/EP: James Drew

VFX: Corduroy VFX

Sound Design & Mix: Concret Form

Title Design: Special Offer, Inc.

Text 1-310-861-2831

https://charlixcx.com/
https://www.tiktok.com/@charlixcx
https://www.instagram.com/charli_xcx
https://twitter.com/charli_xcx
https://www.youtube.com/@officialcharlixcx
https://facebook.com/charlixcxmusic

#Charlixcx #RockMusic #OfficialVideo

AZ - "Uniqueness" (Official Music Video) Hotney 13 Streams • 3 months ago

Listen to "Uniqueness" now: https://quietmoney.lnk.to/Uniq
Pre-save "Doe Or Die III": https://quietmoney.lnk.to/DoeOrDieIII

"Uniqueness" Lyrics:
Yeah
Pour me some prosecco
Turn the lights down a little more, you heard
Feel like some Bobby Womack shit
This how you show up and show out

Sneaker hoarder,
relationships sinking in water,
two sons, got jiped wanted a daughter
New guns, bumping Nip
my niece's there at the altar
Rhyme culture, whole aura still M.C Ultra
Who the vulture, sipping rum punch sunken the sofa
One blunt, was on a hunt trying to jump in some chocha
Young Sosa, soloist, seeking asylum
Hidden Sonics on my first album speaking in volumes
Peep how they wildin,
fashion trends keep me from stylin
Handsome then, super slim trying to sleep with the stallions
Henny gallon, no dimmies, my pennies was piling
Far from friendly when you bent,
Is what get you sent to the island
Grill salmon tryna leave alone wings and bones
Pocket dialing with these phones I'm the king of the tones
Bring me my throne, the lover,
E-N-Y Guy from Sutter
In junior high used to lie when I stutter
Fly with the butters,
Coogi sweaters copped them in colors
I'm not like the others, nut busser, kept boxes of rubbers, it's over
Your boy sober, sitting back 30 years older
Stare closer see the tears on my shoulders, distilling
Lost feelings, need therapy for the healing
From what I see I could never be a civilian
When touching them millions, who to trust fooling with lust
A have you doing everything but never doing enough
Just flew to the cut,
first Ghana then Botswana
It's a lot to ponder, traveled back right after Kwanzaa
Quick reminder, life's short, visit resorts, spirits and sports
How you move mirror your thoughts, message was caught
Unwrapped, placed in my lap, the greatest is back
Tell the haters make me a plaque

Thirty billion streams predicted
And we ain't even mix it
It's that next level shit
AZ Esquire, Poet Extraordinaire
Kept it P since day one
My word always my bond, regardless to whom or what

Rather unique
I travel through beats,
correlate with crime most my kind is deceased
Rhyme for the streets never those that line up they pep’s
Just the one’s who will is weak that thirst knowledge and seek
We civil, read through riddles, court cases lead to acquittals
The chisel, in our presence they shribble , words is fribble
If action ain't applied to assist
what's flyer than this
from the mix I survived the abyss
Highly equipped to cope
My nig did his bid on a boat, out of her wig his wiz slid him some dope
He home, all he wanted fear God and some foams
A Lo knitted, Yank fitted and Bvlgari cologne
I hit him,
when tour stop I’ll spin the block and get him
Just heard the word that his opps got with him, gave him his wings
A few niggas keep it a bean, he was one
Doe or die, I guess we all get a run

More money, more murder
Life as we know it
Not how it should be, but it's the laws of nature
Do or die, three decades and counting
Who else could pour their heart out and paint pictures at the same time
A toast to the official, survivors of the urban corner cold war
Never compromise
Calculated and conquered any and all oppositions that stood in their path
This is pre-ordained
I salute y'all
The God
--
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