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(FREE) Juice Wrld Type Beat "Weak Heart" Hotney 1 Streams • 4 years ago

(FREE) Juice Wrld Type Beat "Weak Heart"

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https://youtu.be/Q2XPHm_Vv34
https://youtu.be/Q2XPHm_Vv34

Final Fantasy X in concert | WDR Funkhausorchester | Benyamin Nuss Hotney 8 Streams • 4 years ago

Der Soundtrack zu Final Fantasy X live in Concert - das WDR Funkhausorchester spielt gemeinsam mit Pianist Benyamin Nuss die legendären Kompositionen von Masashi Hamauzu, Junya Nakano und Nobuo Uematsu. Final Fantasy X live mit Orchester - willkommen in der Welt von Spira unter der Leitung von Chefdirigent Wayne Marshall! Eine Aufzeichnung vom 8. Oktober 2016 aus der Kölner Philharmonie.

00:00:00 Zanarkand (Arr. T. Narita)
00:03:53 Tidus’ Theme – Yuna’s Theme (Arr. M. Hamauzu & T. Narita)
00:11:50 Peril (Arr. T. Narita)
00:13:58 A Splendid Performance (Arr. T. Narita)
00:18:02 Guadosalam – Seymour’s Theme (Arr. M. Hamauzu & T. Narita)
00:24:51 Yuna’s Decision (Arr. M. Hamauzu & T. Narita)
00:28:26 The Wedding – Assault (Arr. M. Hamauzu & T. Narita)
00:31:54 Suteki Da Ne (Arr. M. Hamauzu & T. Narita)
00:36:37 Servants of the Mountain (Arr. M. Hamauzu & T. Narita)
00:40:58 Zanarkand – Hymn of the Fayth (Arr. M. Hamauzu & T. Narita)
00:47:58 Hymn of the Fayth – Final Battle (Arr. M. Hamauzu & T. Narita)
00:52:49 Ending Theme (Arr. M. Hamauzu & T. Narita)

Benyamin Nuss, Klavier
WDR Funkhausorchester
Wayne Marshall, Leitung
Masashi Hamauzu, Junya Nakano und Nobuo Uematsu, Kompositionen

*** NOCH MEHR VIDEOSPIEL-MUSIK IN UNSERER PLAYLIST: https://www.youtube.com/playli....st?list=PLS66eMqyKkK ***

► Mehr zum WDR Funkhausorchester, zu Konzerten und aktuellen Livestreams gibt es bei https://funkhausorchester.wdr.de
► Das WDR Funkhausorchester bei Facebook https://www.facebook.com/wdrfunkhausorchester

Wer bei Computerspielmusik ausschließlich an Synthesizer-Geﬁepe aus Game-Klassikern wie Pacman oder Tetris denkt, liegt daneben. Denn mit der Midi-Monotonie aus steinzeitlichen Telespielen haben die Soundtracks moderner Computerspiele nichts mehr gemeinsam. Opulente, mehrdimensionale Kompositionen untermalen heute viele Videospiele, die ebenso komplex und aufwändig produziert sind wie Hollywood-Filme. Die weltweit erfolgreichste Computer-Rollenspiel-Serie »Final Fantasy« setzt auf diesem Gebiet seit ihrem ersten Titel 1987 Maßstäbe – auch musikalisch. Denn die japanischen Komponisten Masashi Hamauzu, Junya Nakano und Nobuo Uematsu schufen für die Charaktere des Spiels eigene musikalische Themen. Neben diesen Leitmotiven der Figuren erklingen aber auch während der Kämpfe oder während man bestimmte
Gegenden der Spiel- welt durchquert, immer wiederkehrende Themen und Variationen. Wehmütige Weisen streifen das Flachland, wilder Galopp prescht durchs Unterholz, hymnisch-romantische Naturbe- schreibungen wechseln sich ab mit kraftvollem Kampfgetümmel. Es ist ergreifende Musik, die noch tiefer hineinzieht in die Fantasiewelt. Tausende Fans können diese Musik auswendig mitsingen. Kein Wunder, schließlich hält »Final Fantasy« einen etwa 80 Stunden lang in Atem, bis sämtliche Level durchgejagt und alle Aben- teuer bestanden sind.
Videospiel-Konzerte mit der Musik aus »Final Fantasy« gab es in Japan schon in den 1990er-Jahren. Dort sind Videospiele generell viel stärker als Kunstform akzeptiert. Der junge Pianist Benyamin Nuss bringt die sinfonische Konsolenmusik seit einigen Jahren auch ans deutsche Konzertpublikum. Hier hören Sie die Musik aus dem 10. Titel der »Final Fantasy«-Serie, neu arrangiert für Klavier und Orchester. Lassen Sie sich also entführen an fremde, fantastische Orte, nach Zanarkand und Guadosalam. Begleiten Sie den tapferen Helden Tidus auf seiner abenteuerlichen Mission gegen die böse Kreatur Sin. Treten Sie ein in die Welt von Spira!
- Miriam Zeh

(FREE) R&B Type Beat x Chill Guitar Type Beat - "Loved" | Smooth Type Beat Hotney 1 Streams • 4 years ago

(FREE) R&B Type Beat x Chill Guitar Type Beat - "Loved" | Smooth Type Beat
SUBSCRIBE AND TURN ON POST NOTIFICATIONS FOR MORE!🔥🔥🔥🔥

💰 Free Download / Purchase (Untagged): https://bsta.rs/b2b29c79a
📧 Contact me: coldmelody.beatz@gmail.com
🌆 Instagram: https://bit.ly/2WDLD8B

▶ Usage Terms:

The free version of this beat can only be used for non-profitable, non-commercial projects and nothing besides that. This means YouTube or Soundcloud use with NO monetization. The free version of this beat is NOT available for streaming services such as Spotify, Apple Music, etc. Credit must be given in the title and in the description as following: (Prod. by Cold Melody).

If you want to make profit with your music (upload your song to streaming services for example), you must purchase a license that is suitable for yourself before releasing your song. Regardless if you've purchased a license or not, you can't register your song on BMI/ASCAP/WIPO/OMPI or any worldwide copyright organization or any other Content ID system.

LOVED - prod. by Cold Melody
120 BPM
E-min

All Rights Reserved © - Cold Melody

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(FREE) R&B Type Beat x Chill Guitar Type Beat - "Loved" | Smooth Type Beat
(FREE) R&B Type Beat x Chill Guitar Type Beat - "Loved" | Smooth Type Beat
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Hearing Linkin Park's "Lost" track for the first time. Vocal ANALYSIS of the missing Hotney 5 Streams • 4 years ago

I haven't dipped my toes too deep into Chester Bennington and Linkin Park just yet, and have only reacted to songs such as "Given Up" and "Breaking The Habit", but hearing the sheer number of you that wanted me to check out "Lost", I had to step up!

Join professional opera singer Elizabeth Zharoff, as she listens to Linkin Park performing "Lost" for the first time.
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Written and Performed by Linkin Park
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I definitely recommend watching the original video without interruptions. Here's the link: https://www.youtube.com/watch?v=7NK_JOkuSVY

Show Linkin Park some love: https://www.youtube.com/channe....l/UCZU9T1ceaOgwfLRq7
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WE HAVE MERCH! Check-out the full line-up here: http://thecharismaticmerch.com
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🎧 Elizabeth’s favorite headphones 🎧 : https://imp.i114863.net/zayoEM

Music Gear Questions? 🎤 See my list of recommendations: https://imp.i114863.net/yRyGoV

WANT MY CHAIR? I don’t blame you…and here’s a link to make it even sweeter:
https://secretlab.co/?rfsn=4692958.b220199&utm_source=refersion&utm_medium=affiliate&utm_campaign=4692958.b220199
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🎙Podcast: https://thecharismaticvoice.com/podcast/
🌐Website: https://thecharismaticvoice.com
📸Instagram: https://www.instagram.com/thecharismaticvoice/
🧑‍🤝‍🧑Patreon: https://patreon.com/thecharismaticvoice
📺Twitch: https://www.twitch.tv/thecharismaticvoice
📰Our FREE Newsletter: http://eepurl.com/gz7Z_z

--------------------------------------COURSES-------------------------------------------
🎵MUSIC APPRECIATION COURSE🎵
Want to understand how to listen to and appreciate music more? My Music Appreciation course is now live. Take a look at https://thecharismaticvoice.com

🎶DEMYSTIFYING SINGING🎶
My intensive 7-week course on vocal foundations includes weekly group sessions and private lessons. Learn more at http://thecharismaticvoice.com.
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Elizabeth Zharoff is an international opera singer and voice coach, with 3 degrees in voice, opera, and music production. She's performed in 18 languages throughout major venues in Europe, America, and Asia. Currently based somewhere between Los Angeles and Tucson, Arizona, Elizabeth spends her days researching voice, singing, teaching, writing music, and recording TONS. She also plays Diablo and Dungeons & Dragons.
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We have a sister channel: THE SINGING HOLE. Join us there to examine how ordinary creatures create extraordinary sounds. https://www.youtube.com/@thesinginghole
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Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing.
Non-profit, educational, or personal use tips the balance in favor of fair use.
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#linkinpark #Reaction #TheCharismaticVoice
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Boston The Tragic History Of the Band, Death of Brad Delp & Tom Scholz Perfectionism Hotney 5 Streams • 4 years ago

Whatever happened to the band Boston? They were behind hits such as 'More Than a Feeling'

0:00 - Introduction of Boston
0:35 - Tom Scholz Early Beginnings With Boston
2:08 - Boston Gets A Record Deal
3:25 - Boston Tricks It's Record Label
4:45 - Boston's Second Album & Lawsuits
8:17 - Tom Scholz Creates A Company, Brad Delp Leaves
10:00 - Brad Delp Returns, Corporate America
11:25 - Brad Delp Passes Away

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#boston #braddelp #tomscholtz

Tom Scholz was the mastermind behind Boston. An MIT alumni and following graduation he would end up getting a job with Polaroid working as a product design engineer. Apart from tinkering with electronics, he also was into music, having played in a series of bands in the city of Boston with names like Middle Earth, Freehold and Mother’s Milk. While he spent a lot of time on the live music circuit, he quickly realized he wasnt going to get a record deal that way. It was then he turned his attention to recording demos in some local studios which never caught the interest of record labels. He soon built a twelve track recording studio in his basement and again record labels showed no interest in what he was creating.
It wasn’t until he enlisted the help of several musicians he had played on the local boston circuit that he finally got the attention of the labels. Guitarist Barry Goudreau, who Scholz played with in boston on the live music circuit would introduce him to singer Brad Delp. They worked on and created the songs that formed the first Boston album, albeit some of them with different names. San Francisco Day which was later to named Hitch A Ride, It Isn’t Easy which was re-titled Something About You, Foreplay, originally composed in 1969, Peace Of Mind, Rock ’N’ Roll Band, and the final track they recorded was called, Ninety Days which was later renamed More Than A Feeling. The hand claps on the song were even from Scholz first wife.
And you would think these songs would’ve created a bidding war with the record labels, but it didn’t. In fact most record labels passed on the demos. But in 1975, Tom, Scholz was contacted a representative from ABC Records named Charlie McKenzie. It had turned out by some strange twist of fate McKenzie had heard the demo while he was visiting a friend who worked at RCA records. That friends name was Paul Ahern. McKenzie and Ahern convinced Scholz to let them shop around the demo claiming they could get him a record deal. They would end up taking the demo to CBS owned Epic Records who showed interest, but prior to signing a deal they wanted to see the band perform live for executives.
Epic staff producer Tom Werman recalled to Classic Rock Magazine hearing the demos for the first time revealing "After More Than A Feeling, which sounded quite like the final product, and halfway through the second song, I stopped the tape. I couldn’t believe that this music was actually available to us, and told Ahern that if Lennie and I could see the band reproduce this live, we'd guarantee to sign them. "
As Scholz turned to his live showcase for the record executives he knew he didn’t really have a band. Scholz would work with Delp as well as a bunch of local musicians they already knew from the Boston music scene for the live showcase, which took place at a warehouse space, which ended up belonging to Aerosmith. The band passed with flying colours and ended up signing an astounding 10 album deal that would last 6 years. While it may seem crazy, that was the standard contract that was given to bands back then.
However, things started to turn sour for Scholz when Epic Records told him that they wanted to re-record the demos in a studio setting with an experienced producer. The label suggested John Boylan who met with Scholz where the pair hatched a pretty impressive scheme. Instead of going to LA to re-record the demos, which Scholz thought was pointless, He would stay home in Boston and work in his basement sprucing up the demos to give the record label something that seemed more polished. Meanwhile, the rest of the band would go to Los Angeles to work on new material that would turn into the song Let Me Take You Home Tonight, Scholz stayed home, fastidiously gussying up the demos to give Epic something that sounded like a more p