Latest videos

Home
Articles

1981: The Year of Adam & The Ants ("Kings Of The Wild Frontier") | New British Canon Hotney 6 Streams • 2 years ago

Few 80s popstars were as eye-catching as Adam Ant. The dazzling calvary jacket, the eyeliner framing ice-blue eyes, the white warrior stripe applied just north of his nose. It's an image that defined MTV as much as Duran Duran’s yacht, A-Ha’s pencil outlines or Dire Straits’ blocky capitalists. But unlike their music television brethren, Adam Ant survived punk batterings, bandmate betrayal and press indifference to realise the marketing power of adding vibrant vision to his band’s pummelling pop sound. This is New British Canon, and this is the story of “Kings of The Wild Frontier”.

#adamant #80spop #MusicDocumentary

Fact-checking by Chad Van Wagner.

00:00 Introduction
00:41 The Early Days of Adam & The Ants
06:27 Enter Malcolm McLaren
11:49 Creating "Kings of the Wild Frontier"
20:42 The Unreal Ascent of Adam & The Ants
28:23 The Inevitable Decline & Lasting Impact

Soundtrack
Luar - Citrine (https://soundcloud.com/luarbeats)
Jesse Gallagher - The Golden Present
Luar - Anchor (https://soundcloud.com/luarbeats)

You can also follow me here:
Twitter: https://twitter.com/TrashTheory
Facebook: https://www.facebook.com/TrashTheoryYT

Or support me on Patreon:
https://www.patreon.com/TrashTheory

Stand and Deliver: My Autobiography by Adam Ant, 2006, Pan
1000 UK Number One Hits by Jon Kutner & Spencer Leigh, 2005, Omnibus Press
Mad World: An Oral History of New Wave Artists and Songs That Defined the 1980s by Lori Majewski & Jonathan Bernstein, 2014, Abrams Image
Sweet Dreams: The Story of the New Romantics by Dylan Jones, 2020, Faber
“Whip In My Valise: Adam and the Ants” Vivien Goldman, Sounds, Dec 1977
“Ants Out Of Bondage” Paolo Hewitt, Melody Maker, Jan 1980
“Anti-Hero” Steve Taylor, Smash Hits, Oct 1980
“Adam & The Ants: The Ants Are Coming” Paul Gambaccini, Rolling Stone, Apr 1981
“Sound and Vision: The Making of Adam Ant” Chris Salewicz, The Face, Apr 1981
“The Sun Kings” Mark Ellen, Smash Hits, Jun 1981
“Optimism… And Lots of Drums” Mark Ellen, Smash Hits, Jun 1981
“Adam Ant stands and delivers” Maureen Cleave, The Observer, Jan 1982
“Adam Ant: True Confessions: Brando, De Niro and Bruce Lee. Lennon-McCartney And Yours Truly” Paul Morley, NME, Jan 1982
“Malcolm McLaren: Innovation Or Exploitation?” Roy Trakin, Musician, Feb 1982
“Adam Ant: Sex Person Without A Cause” John Mendelsohn, Creem, May 1984
“Adam Ant: "When everybody likes you, you're in real trouble… And I got in real trouble" Tom Hibbert, Smash Hits, Sep 1984
“Adam Ant: Metamorphosis of a Narc” Mat Snow, NME, Jul 1985
“Adam Ant: White Line Nightmare” Phil Sutcliffe, Q Magazine, Dec 2000
“'Anyone over 30 belongs to me - bisexual, male, female, ****, whatever'“ Caroline Sullivan, The Guardian, Jan 2002
“Adam Ant: Adam And The Fall” Paul Lester, Daily Telegraph, Apr 2005
“The Rebel The Rebel The Rebel” Pat Gilbert, Mojo Magazine, Feb 2008
“Adam And the Ants: The Making Of 'Kings Of The Wild Frontier'” Nick Hasted, Uncut, May 2010
“Adam Ant on fame, depression and infamy” Matt Everit, BBC Radio 6 Music, 2011
“Adam Ant: The Mojo Interview” Andrew Perry, Mojo Magazine, Mar 2013
“Adam Ant Interview” Classic Pop, Feb 2014
“‘Heroic, sexy and a warrior bravado’: how Adam and the Ants redefined pop” Alexis Petridis, The Guardian, Oct 2016
”Adam Ant interview: “I’m proud of the fact that we actually got a record like Kings Of The Wild Frontier”” Eileen Shapiro, Classic Pop, 2017
“Adam Ant Interview: ‘You need the time away from the spotlight as well as the time when you’re involved with it.’” John Earls, Classic Pop, Oct 2019
“Adam and the Ants: how the wild tribe revealed pop's theatre of dreams” Alexis Petridis, The Guardian, Feb 2021
“Adam And The Ants: Inside The Court Of Prince Charming” John Earls, Classic Pop, Jul 2021

How Weezer & The Blue Album Briefly Made Geekery Cool Hotney 15 Streams • 2 years ago

Weezer were a revelation for 90s alternative rock. Heavy metal and comic books were how Rivers Cuomo was raised. Kiss and the X-Men were the Gods that he praised. And while Kurt Cobain also loved 70s Arena Rock and Marvel Comics, he never admitted to it in song. Devo and They Might Be Giants had set the groundwork, but Weezer proved definitively that nerds could indeed rock. As well as saving the hair metal guitar solo from obsolescence, on the band’s first album Cuomo wove tales of unravelling mental health, absent fathers and romances never attempted, told through the lens of personal minutiae and pop cultural obsession. Intimate and arena rock in equal measures, this is the story of how Weezer made The Blue Album.

#weezer #alternative #MusicDocumentary

Fact-checking by Chad Van Wagner.

00:00 Introduction
00:48 The Early Days of Rivers Cuomo in LA
07:24 The Creation of Say It Ain't So
13:35 Recording The Blue Album
20:03 Releasing The Blue Album
27:26 After The Blue Album

Soundtrack
Luar - Citrine (https://soundcloud.com/luarbeats)
Jesse Gallagher - The Golden Present
Luar - Anchor (https://soundcloud.com/luarbeats)

You can also follow me here:
Twitter: https://twitter.com/TrashTheory
Facebook: https://www.facebook.com/TrashTheoryYT

Or support me on Patreon:
https://www.patreon.com/TrashTheory

Rivers’ Edge by John D Luerssen, 2004, ECW Press
“Rivers Cuomo Interview” Lÿndsey Parker, Porkchops & Applesauce, 1994
“Weezer sings about breakup” Fred Shuster, The Greenville News, Aug 1994
“Rivers Cuomo returns home with Weezer” Roger Catlin, Hartford Courant, Oct 1994
“Smells like teen spirit” Chip Midnight, MOO Magazine, Nov 1994
“Rock Candy” Jac Zinder, Spin Magazine, Jan 1995
“Weezer” Simon Witter, Sky, Feb 1995
“In the beginning was the nerd” Emma Forrest, The Independent, Mar 1995
“Revenge of the Weezer Nerds” Mim Udovich, Rolling Stone, Mar 1995
“Weezer: Nerds No More“ Paul Gobicheau, Boston Globe, Mar 1995
“Man of Steel” Tom Beaujour, Guitar World, Mar 1995
“It's not easy being Weezer“ Sam McDonald, Daily Press, Mar 1995
“Weirder by the Day“ Al Muzer, Aquarian Weekly, Apr 1995
“Weezer: The Geek Shall Inherit the Earth” Max Bell, Vox, Apr 1995
“Tourbus Tales: Weezer” Vox, May 1995
“As Funny as They Wanna Be : Who’s laughing now?” Steve Appleford, LA Times, May 1995
“Weezer's Uncomfortable Success” Clare Kleinedler, Addicted To Noise, Dec 1996
“Weezer's Uncomfortable Success, part 2: The Rivers Cuomo Interview” Clare Kleinedler, Addicted To Noise, Dec 1996
“Happy [cancelled] Days” David Daley, Alternative Press, Jan 1997
“Ol' Nerdy Bastard” Mark Lewman, RIP Magazine, Jan 1997
“Weezer: 50,000,000 Weezer Fans Can’t Be Wrong” Erik Himmelsbach, Request, May 2001
“Odd Man Out” Ian Winwood, Kerrang!, Jul 2001
“Tantrums. Beards. Paranoia. Teenage cyber girlfriends.” Ben Mitchell, Kerrang!, Apr 2002
“Odder Than Hell” Tom Beaujour, Guitar World, May 2002
“Rivers Cuomo's Encyclopedia of Pop” Jenny Eliscu, Rolling Stone, Jun 2002
“Burner - Greatest Songs Ever: "Buddy Holly"” Ryan Dombal, Blender, Nov 2008
“Pat Wilson on The Blue Album at 25” Hardeep Phull, Billboard, May 2009
“Weezer’s ‘Undone – The Sweater Song’ Turns 15: A Look Back” Daniel Kreps, Rolling Stone, Jun 2009
“Rivers Cuomo: We Ripped Off “The Sweater Song” From Metallica” Andy Greene, Rolling Stone, Aug 2009
““I know some people think I'm a weirdo. I'm working on it.”” Paul Brannigan, Kerrang! Magazine, Sep 2010
“Welcome to The Family” George Garner, Kerrang!, Sep 2013
“UNDONE: The Complete Oral History Of Weezer” Jonathan Valania, MAGNET Magazine, 2014
Weezer Turns 20, Chris DeVille, Stereogum, May 2014
“‘The Blue Album’ at 20: Looking Back at Weezer’s Debut, Track by Track” Grantland Staff, Grantland, May 2014
“Rivers Cuomo Is Trying to Be All Right” Simon Vozick-Levinson, Rolling Stone, Sep 2014
“How Weezer’s ‘Pinkerton’ Went From Embarrassing to Essential” Laura Marie Braun, Rolling Stone, Sep 2016
“Weezer’s Blue Album: 10 Things You Didn’t Know” Jordan Runtagh, Rolling Stone, May 2019
“Bitter Sweet: The Blue Album By Weezer Revisted” [sic] Michael Hann, The Quietus, May 2019
“Artists Reflect on 25 Years of Weezer’s The Blue Album” Tyler Clark, Consequence, May 2019
“Weezer’s The Blue Album Turns 25: Track-by-Track Retrospective” Billboard Staff, Billboard, May 2019
“The Strange Birth and Near Death of Weezer” Brian Hiatt, Rolling Stone, Aug 2019
“The 250 Best Songs of the 1990s” Pitchfork Staff, Pitchfork, Sep 2022
“Weezer’s Blue Album at 30: The inside story of the debut that launched L.A.’s nerdiest band” Mikael Wood, Los Angeles Times, Mar 2024
“Weezer’s ‘Blue Album’ at 30, the scene reflects: “It’s timeless”” Ian Chaddock, Rocksound, May 2024
“Why the Big Dumb Feelings of Weezer’s ‘Blue Album’ Still Hit Hard” Eli Enis, Men's Health, May 2024
“Why Weezer's 'The Blue Album' Is One Of The Most Influential '90s Indie Pop Debuts” David Silverberg, The Grammys, May 2024

Tears For Fears - Dancing To Their Own Trauma ("Mad World") | New British Canon Hotney 15 Streams • 2 years ago

Tears For Fears didn’t quite fit in. Not style conscious enough to be New Romantic but too Smash Hits to be the next Joy Division. Not quite a synth-pop band, more a pop band that used synthesisers. Before U2 took over, Roland Orzabal and Curt Smith were briefly the biggest band in the world, claiming two US Billboard number ones with a shuddering sonic maelstrom questioning authority and a slice of Cold War paranoia with the vibe of “The Boys of Summer”. But before that they were the po-faced therapy boys, drowning their sorrow and dancing to the sound of their own childhood trauma. This is New British Canon, and this is the story of “Mad World”.

#tearsforfears #80spop #musicdocumentary

Fact-checking by Chad Van Wagner.

00:00 Introduction
00:44 The Early Days of Tears For Fears
06:36 The Creation of Mad World
12:22 The Hurting & The Way You Are
17:19 Recording Songs From The Big Chair
27:49 The Aftermath & Enduring Influence

Soundtrack
Luar - Citrine (https://soundcloud.com/luarbeats)
Jesse Gallagher - The Golden Present
Luar - Anchor (https://soundcloud.com/luarbeats)

You can also follow me here:
Twitter: https://twitter.com/TrashTheory
Facebook: https://www.facebook.com/TrashTheoryYT

Or support me on Patreon:
https://www.patreon.com/TrashTheory

I Want My MTV: The Uncensored Story of The Music Video Revolution by Rob Tannenbaum & Craig Marks, 2011, Plume
Mad World: An Oral History of New Wave Artists and Songs That Defined the 1980s by Lori Majewski & Jonathan Bernstein, 2014, Abrams Image
The Hurting Liner Notes by Ian Cranna, 1999, Mercury Records
Songs From The Big Chair Deluxe Liner Notes by Paul Lester, 2005, Mercury Records
Classic Albums: Songs From The Big Chair (2020) dir. George Scott
Scenes From The Big Chair (1985) dir. Nigel Dick
“Dreams of Children” Johnny Black, Smash Hits, Dec 1982
“Tears Then…” Jim Reid, Record Mirror, Feb 1983
“Tears For Fears: Primal Therapy Cures Mental Hurting” Laura Fissinger, Creem, Oct 1983
“Tears For Fears: Talking in Riddles” Adam Sweeting, Melody Maker, Nov 1983
“A Winter’s Tale” Chris Heath, Smash Hits, Jan 1985
“Tears For Fears - Feature” Eleanor Levy, Record Mirror, Jan 1985
“Tears for Souvenirs” Dan Goldstein, Electronics & Music Maker, Jan 1985
“On The Beach” Helen FitzGerald, NME, Mar 1985
“Tears for Fears: The Stunning, The Lovely & The Brilliant” Dave DiMartino, Creem, May 1985
“Making It Big and Keeping It Small” Mike Gardner, Record Mirror, Jun 1985
“Cool, Calm & Calculated” Chris Heath, Smash Hits, Jul 1985
“TEARS FOR FEARS: A REAL SCREAM” Dennis Hunt, Los Angeles Times, Jul 1985
“Tears For Fears: "We're going to weird out like you wouldn't believe!"” Chris Heath, Smash Hits, Jan 1986
“Tears For Fears: The Sequel!” Phil Sutcliffe, Q, Sep 1989
“Tears for Fears: The 1989 Interview” Ira Robbins, Trouser Press, Sep 1989
“Tears for Fears: Fear of Finishing” Ira Robbins, Rolling Stone, Nov 1989
“Classic Tracks: Tears for Fears’ “Everybody Wants to Rule the World”” Heather Johnson, Mix, Jan 2007
“This Is Going To Hurt: The Mad World Of Tears For Fears’ Debut LP” Wyndham Wallace, The Quietus, Sep 2013
“Tears For Fears: how we made Mad World” Dave Simpson, The Guardian, Dec 2013
“How We Wrote Our First Record: Tears For Fears revisit ‘The Hurting’” Oscar Rickett, Noisey, Jan 2014
“Tears for Fears’ Curt Smith: Back in the Big Chair” Len Comaratta, Consequence of Sound, Nov 2014
“Key Tracks: Songs From The Big Chair” Chris Williams, Red Bull Music Academy, Mar 2015
“Roland Orzabal on Tears For Fears’ Songs From The Big Chair” John Earls, Classic Pop, Feb 2020
“Tears for Fears’ Songs From the Big Chair Turns 35: Musicians Reflect on ’80s Pop Favorite” Ron Hart, Spin, Mar 2020
“Tears For Fears’ Roland Orzabal in the Big Chair: The SDE interview” Paul Sinclair, Super Deluxe Edition, Mar 2020
“The Number Ones: Tears For Fears’ “Shout”” Tom Breihan, Stereogum, Oct 2020
“Making Tears For Fears: The Hurting” Wyndham Wallace, Classic Pop, Aug 2021
““I was a big early Genesis fan and I loved King Crimson." How Tears For Fears added prog to pop and ruled the 80s” Chris Roberts, Prog Magazine, Aug 2021
“‘If there is a God, this is what he put us on Earth to do’: the unlikely return of Tears for Fears” Laura Barton, The Guardian, Oct 2021
“Making Tears For Fears’ Songs From The Big Chair” Mark Lindores, Classic Pop, Feb 2022
“Tears For Fears Are Back, and Closer Than Ever” Al Shipley, GQ, Feb 2022
“How I wrote ‘Mad World’ by Tears For Fears’ Roland Orzabal” Aaron Slater, Songwriting Magazine, Feb 2022
“The Most Existential and Therapeutic of Tears for Fears, According to Curt Smith” Devon Ivie, Vulture, Feb 2022
“Tears for Fears: ‘Some people can bulls*** through music, but we can’t’” Kevin E G Perry, The Independent, Jun 2022

Soul II Soul, "Back To Life" & The Third British Invasion | New British Canon Hotney 6 Streams • 2 years ago

Compared to the drum-machine euphoria of dance music in 1989, Soul II Soul stood apart. Britain was getting sweaty in make-shift raves, with Euro producers snagging Disco samples to voice their four-to-the-floor 120 BPM party-starters. Meanwhile a loose collective of London-based DJs, dancers, singers and the occasional musician slowed it down, added doses of soulful groove and positive thinking, and changed the face of British music. The arrogance at the time of calling their debut Club Classics Vol. One has dimmed in the face of what we know now, its seismic cultural impact with songs that still ignite dancefloors today. This is New British Canon and this is the story of “Back To Life (However Do You Want Me)”.

#soul2soul #britishmusic #musicdocumentary

Fact-checking by Chad Van Wagner.

Soundtrack
Luar - Citrine (https://soundcloud.com/luarbeats)
Jesse Gallagher - The Golden Present
Luar - Anchor (https://soundcloud.com/luarbeats)

You can also follow me here:
Twitter: https://twitter.com/TrashTheory
Facebook: https://www.facebook.com/TrashTheoryYT

Or support me on Patreon:
https://www.patreon.com/TrashTheory

Jazzie B's 1980s: From Dole to Soul - Documentary (2016) dir. Matt O’Casey
Classic Albums: Club Classics Vol 1 (2021) dir. Matt O’Casey
“Jazzie B and the New Black Economy” Cynthia Rose, New Statesman, Jun 1988
“Smith & Mighty and Soul II Soul: Anyone Who Had A Sound” Paolo Hewitt, NME, Mar 1989
“Get Into The Groove” Tim Jeffery, Record Mirror, Apr 1989
“Soul Searching” Tim Goodyer, Music Technology, Jun 1989
“Soul II Soul: Funki Bold Demeanour” Sean O'Hagan, NME, Sep 1989
“Soul II Soul - Profile” Cynthia Rose, The Observer, Oct 1989
“Soul II Soul - Profile” Chris Heath, Smash Hits, Nov 1989
“Soul Man” Muff Fitzgerald, Record Mirror, Dec 1989
“Soul II Soul: Songs In The Key Of Life” Ian Gittins, Melody Maker, Dec 1989
“II’s Company” Ian McCann, NME, Mar 1990
“The Remarkable Life of Jazzie B: "It's a tough job but someone has to do it..."” Chris Heath, Smash Hits, May 1990
“Soul II Soul: The Most Famous Mobile Disco In The World” Christopher Mellor, Jocks, Jun 1990
“The Cool Ruler” Giles Smith, Q Magazine, Jun 1990
”Soul II Soul: Voice of the B Jive” Push, Melody Maker, Jun 1990
“Soul II Soul: Jazzie B Keeps On Movin'” Mark Rowland, Musician, Jun 1990
“Soul II Soul: Two London club DJs redefine classic soul with a new approach to making music” Robert Sandall, Rolling Stone, Jul 1990
“Seeing The Light” Nick Duerden, Record Mirror, Sep 1990
“Caron Wheeler Soul II Soul” Chris Mellor, Jocks, Sep 1990
“Caron Wheeler: Solo Soul” Carol Cooper, Spin, Oct 1990
“World Domination: Volume II” Paolo Hewitt, Select Magazine, Oct 1990
“Caron Wheeler: Got a Life, Thanks” Barbara Ellen, NME, Feb 1991
“Posse Power” Sheryl Garratt, The Face, Mar 1991
“Hooked on Classics” Chris Shaw, Echoes, Apr 1992
“Soul II Soul: The Right Time” Jeff Lorez, Blues & Soul, May 1992
“Jazzie B on Soundsystem Culture and Soul II Soul” Bill Brewster and Frank Broughton, DJ History, Feb 2005
“How Soul II Soul changed music” BBC Staff, BBC Newsbeat, May 2008
“Jazzie B Lecture” Jeff “Chairman” Mao, Red Bull Music Academy, 2010
“Jazzie B Interview” Miguel Cullen, Clash Magazine, Jul 2010
“How we made Back to Life by Soul II Soul” Jack Watkins, The Guardian, Oct 2012
“Jazzie B: 'Fashion was integral to what Soul II Soul did'” Lauren Cochrane, The Guardian, Apr 2013
“Soul II Soul’s Enduring Influence on the Music of the UK” Lloyd Bradley, Red Bull Music Academy, Jul 2013
“Soul II Soul Release Keep On Movin’, 1989” Lloyd Bradley, Mojo Magazine, Nov 2013
“Soul II Soul's Jazzie B: "Ride what you've got until the wheels fall off"” Lloyd Bradley, The Evening Standard, 11 Jun 2014
“Keep On Moving: Jazzie B Of Soul II Soul Interviewed” Yousif Nur, The Quietus, Oct 2015
“Soul II Soul’s Jazzie B Reflects on Their Game-Changing Debut Turning 30” Ron Hart, Billboard, Apr 2019
“Making Soul II Soul – Club Classics Vol. One” Mark Lindores, Classic Pop, Aug 2019
“How Soul II Soul’s ‘Fairplay’ carved a new path for Black British soundsystem culture” Ben Osborne, DJ Mag, Feb 2022
“Classic Tracks: Soul II Soul ‘Back To Life’” Tom Doyle, Sound on Sound, Sep 2022
“Soul II Soul: 'Let's Not Compartmentalise Us Any More Than We Need To'” Cyclone Wehner, The Music Australia, Mar 2023

LL Cool J Speaks on Being Discovered, Hip Hop Beefs, Origin of the GOAT | Big Boy Off Air Interview Hotney 7 Streams • 2 years ago

Spiritbox – Perfect Soul (Official Music Video) Hotney 7 Streams • 2 years ago

Spiritbox’s new single “Perfect Soul” is out now.Buy/stream at https://spiritbox.lnk.to/PerfectSoul.

Pre-order 'Tsunami Sea' at https://spiritbox.lnk.to/TsunamiSea — out 3/7 via Pale Chord/Rise Records.
For tour info, tickets and more visit https://spiritbox.com/.

Follow Spiritbox at
Instagram: https://spiritbox.com/
Twitter: https://twitter.com/spiritboxband
Facebook: https://www.facebook.com/Spiritboxofficial
Spotify: https://open.spotify.com/artis....t/4MzJMcHQBl9SIYSjwW
Youtube: https://www.youtube.com/channe....l/UCmWxquutalJ1ZjdmW

Video Credits
Production Company - Versa Films
Writer / Director / Producer - Dylan Hryciuk
Producer - Jeremy Ratzlaff

Monster - Peter Davey
Courtney Body Doubles - Anna Gagnon and Aloe Harris
Coroners - Michael Neuert, Kwame Adam, and Patti Fedrau
Detectives - Daniel Prichard, Brett Belledine, and Craig Buehler

Production Designer - Taegan O'Bertos
Art Assistants - Logan McCormick, Geoffrey Park, Morgan Ortman
Set Dressers - Julia Gregory, Raelynn Olson, Drew Mewis

Production Manager - Phil Doerksen
1st Assistant Director - Tara Mewis
2nd Assistant Director - Jessica Gares
Locations - Geoffrey Park, Matt Reeb, Julia Gregory, Robert Slinn
Transport - Kevin Fyhn, Jack Kambietz, Willa Rudder
Security - Matthew Work, Jack Heilman, Chad Adams, Oleksandr "Alex" Glembotskyi, Tayden Hill
Catering - Karla Weber, Hannah Weber

Make-up Artist (Courtney) - Christina Guerra
Hair Stylist (Courtney) - Lana Hunter
Styling (Courtney) - Avigail Collins
Creature Designer / Make-up FX Artist - Karlee Morse
Fabricators - Audrey Barrett, Daniel Baker, Jeff Derushie, Avery Masson, Sasha Pawluk, Piper Penman
Make-up Artist / Hair - Lindi Edge
Assistant Make-up Artist / Hair - Steven Price
Costumer - Sarah Hegglin
Assistant Costumer - Susan Parkin

Director of Photography - Nik Pilecki
Steadicam Operator / B-unit DoP - Thomas Walker
1st AC - Sam Acton
2nd AC - Dylan Dobrescu
DIT - Jason Hamill
Drone - Kenji Yukinaga-Paradis
Gaffer - Peter LaRocque
Best Electric - Cory MacLean
Electric - Kirby Kezama
Key Grip - Matt Richmond
Grips - Matt Ripplinger, Jeffrey Altwesser
SFX Supervisor - Andrew Jones
SFX Assistant - Jerry Heilman, Andrea Erlandson
BTS Photographers - Kyle Joinson, Layla Bautista

Editor - Dylan Hryciuk
Assistant Editor - Jason Hamill
VFX - Java Post Productions, Tomas Ibar
Colour - Alter Ego, Wade Odlum

This video production received funding support from Creative Saskatchewan.
https://www.creativesask.ca/

Lyrics
Echos flow, bury me
Sharpen your knife upon the stone
Cover me up before you go, so delicate the orchids grow
Buried under melted snow
So I call out your name and let it die slow
I pray that the rain will wash me up, so obvious I can’t let go
Carried in the ebb and flow
So cover up the well and leave
A gift to summon the spring
Imitation of a perfect soul
I shine a light into a thousand eyes all watching, waiting
Echos flow
Deafening
Calling up
Bury me
A fortress of eyes and gnashing teeth
In judgment they’re staring back at me
So obvious I can’t let go of where you buried me
So cover up the well and leave
A gift to summon the spring
Imitation of a perfect soul
I shine a light into a thousand eyes all watching, waiting
Echos flow
Deafening
Calling up
Bury me

So cover up the well and leave
A gift to summon the spring
Imitation of a perfect soul
I shine a light into a thousand eyes all watching (waiting)
Wait for me (echos flow)
A gift to summon the spring (deafening)
Imitation of a perfect soul (calling up)
I shine a light into a thousand eyes all watching, waiting (bury me)
My dreams are just a fantasy
And that is all they’ll ever be
I turn the lights out on a thousand eyes all watching, waiting

The Who - WOODSTOCK 1969 (Full Concert) 4K - REMASTERED Hotney 15 Streams • 2 years ago

Woodstock Music Festival, Bethel, New York, USA - August 17th, 1969

0:00:45 Heaven and Hell
0:04:19 I Can't Explain
0:06:44 It's A Boy
0:07:21 1921
0:09:52 Amazing Journey
0:13:09 Sparks
0:18:39 Eyesight To The Blind
0:20:38 Christmas
0:23:55 The Acid Queen
0:27:29 Pinball Wizard
0:30:22 Abbie Hoffman Incident
0:30:57 Do You Think It's Alright?
0:31:45 Fiddle About
0:32:59 There's A Doctor
0:33:21 Go To The Mirror
0:36:46 Smash The Mirror
0:37:52 I'm Free
0:40:15 Tommy's Holiday Camp
0:41:17 We're Not Gonna Take It
0:44:51 See Me, Feel Me
0:50:37 Summertime Blues
0:54:13 Shakin' All Over
1:00:27 My Generation
1:02:13 Naked Eye Jam
1:05:32 Pete Solo

A brand new version of Woodstock 1969. Remade, re-edited and remastered in 4K. This new version is superior to the old in every way. To start with, I used the audio from the Woodstock 50th Anniversary Edition CD release which has been remastered by Prof. Stoned. It's a lot better sounding than the old version. On the old edit, I stretched the audio around to fit the footage which would do the job of syncing the audio, but would hurt the overall quality. This time around, I have left the audio untouched to remain at the correct speed for the whole show while still keeping the quality. For the black and white footage, I have used AI upscaling and frame interpolation to greatly improve the quality and bring the footage up to a smooth 60fps. I think it looks way better.

For the various proshots, I've ripped the Blu-ray versions whenever available rather than the DVD's for a huge upgrade in quality. The DVD versions not only ran at the wrong speed making the songs too fast, but also suffered from a ghosting effect because the footage was being played back at 29.97fps instead of the intended 23.97fps. Now with the Blu-ray versions, I can let the footage play at the correct speed and in its original frame rate of 23.97fps. The only footage from a DVD source is the extra footage used on My Generation because that particular version was only ever released on the "Woodstock Diaries" DVD in 2002. Everything else is from the Blu-ray releases of "The Kids Are Alright" and "Woodstock" the film and bonus features.

Like last time, I've added in a countdown timer whenever there wasn't any footage available. Since the camera mixing on every version of Woodstock isn't that good (incorrect shot and cameras being out of sync) I had to cut up every single camera shot individually on all the different versions and one by one correctly resyncing them all to the new remastered audio. The only song with no footage is Shakin' All Over. For the black and white footage, it would play back at various speeds throughout making it quite a challenge to get it all synced up properly but I think it's pretty much spot on now.

I have fixed the beginning of Heaven & Hell which now includes more footage of the intro than the old edit. I added in a new bit of footage on Sparks at (15:10) of Roger banging his tambourines together which wasn't in the original edit. Removed a section of incorrect John footage which is now in the correct place at (29:51) on the left side. On We're Not Gonna Take It, the first bit of footage was in the wrong spot, I found the correct section just a little bit later at (41:36) and put it side by side with the other cam. See Me Feel Me has quite a few differences in the overall edit of the cameras. This new edit is a little more cleaned up with a few extra bits of footage added in and one incorrect shot removed that I replaced with another angle. My Generation has a couple very small extra shots added in and for Pete's solo at the end of the show, I opted for just 2 cameras this time instead of the 3 on the old edit. Now its only the footage from the Blu-ray for a more cohesive edit.

There are two main things missing from this video. The proshot footage of Summertime Blues from the "Woodstock" Movie and the black and white footage of Sparks, Pinball Wizard and See Me Feel Me. For Summertime Blues, YouTube just simply won't let me upload this video with it included. It gets blocked every time. However YouTube doesn't seem to care when it's used in its own separate video. So I actually made a re-edit of Summertime Blues, removing the incorrect shots and syncing it all up better with the remastered audio. You can watch that here:
https://www.youtube.com/watch?v=oS9e-pEUO6c

As for the extra black and white footage I couldn't include because of the proshot footage used in its place, I've uploaded that as it's own separate video also. One of the best things about this footage is you can actually see Pete kick the director of the Woodstock film, Michael Wadleigh off the stage as he was filming a little too close for Pete's liking during Sparks. It happens at (18:14) on this video, but the cameras don't really catch much of it. I used AI upscaling and frame interpolated on this too for the best quality. You can watch that here:
https://www.youtube.com/watch?v=gApUMjyvxvs

PAYAL SONG (Official Video): YO YO HONEY SINGH | NORA FATEHI | PARADOX | GLORY | BHUSHAN KUMAR Hotney 8 Streams • 2 years ago

PRESENTING THE OFFICIAL VIDEO SONG 'PAYAL' FROM THE MOST LOVED ALBUM OF THE YEAR "GLORY" BY YO YO HONEY SINGH.

GULSHAN KUMAR & T-SERIES PRESENTS
BHUSHAN KUMAR'S 'PAYAL'

#PAYAL #YOYOHONEYSINGH #NORAFATEHI #PARADOX #GLORY

SONG CREDITS:
SONG : PAYAL
STARRING : YO YO HONEY SINGH, NORA FATEHI & PARADOX
SINGER : YO YO HONEY SINGH
RAP: PARADOX
MUSIC PRODUCED BY - YO YO HONEY SINGH
LYRICS : PARADOX
RECORDED AT MOSIQI STUDIOS AND LPME STUDIOS, DUBAI.
MASTERED BY : HOMMIEE DILLIWALA
MIXING BY : VINOD VERMA
MUSIC LABEL : T-SERIES

VIDEO CREDITS:
DIRECTED BY: MIHIR GULATI
DOP : ABHIMANYU SENGUPTA
EDITED BY : HITESH CHANDWANI (FROGALISED PRODUCTIONS)
CHIEF ASSISTANT DIRECTOR : RISHABH DANG
ASSISTANT DIRECTION : PU ROHIT & GIORGI SAMSIANI
STYLIST (HONEY SINGH, PARADOX & DANCERS) : AKANKSHA BHAKOO
ASSISTANT STYLIST : RITIKA KAPOOR
WARDROBE ( HONEY SINGH) : RASTAH & KALPRAAG
DANCERS COSTUMES : ROSY AHLUWALIA
CHOREOGRAPHER - RAJIT DEV
ASSISTANTS - RAVEENA , SAUMYA & MANAN
ASSISTANT EDITOR AND GRAPHICS : PU ROHIT
LINE PRODUCTION: JASHAN DUBAI
COLOR STUDIO : THE POST BROTHERS
COLORIST : ERCAN KUCUK
COLOR PRODUCER : ERTUG OZTURK
POSTER AND ARTWORK : RDM MEDIA

TEAM YO YO:
ROHIT CHHABRA , SHUBHAM GUPTA

NORA’S TEAM:
MANAGER - SUNIL BUDDEN
MAKE UP & HAIR STYLIST - MARIANNA ROBERTI MULUCHYAN
MAKE UP & HAIR STYLIST - ASSITANT- SACHIN WAGDARIKAR
STYLIST - AASTHA SHARMA
STYLIST ASSISTANT- REANN MORADIAN
PERSONAL ASSISTANT - DULLAN RAHMATULLAH

GEORGIAN CREW :-
SERVICE PRODUCTION: 100 FILMS
LINE PRODUCER: NINI SARDLISHVILI
PRODUCTION MANAGER: IRAKLI QIRIA
GEORGIA DANCE COORDINATOR: ANDRO MELKUMOV
LOCATION MANAGER: IRAKLI GVISHIANI
RONIN OPERATOR: NIKA KACHIBAIA
FOCUS PULLERS: GIVIKO TUKHARELI, SABA TETRADZE
CAMERA CREW: LADO ANDGHULADZE, IMEDA TETRADZE, GIORGI BARTAIA, NIKA OKITASHVILI
GAFFER: SHOTA KHIJAKADZE
LIGHT AND DOLLY CREW: ARCHIL AND GIORGI SAMKHARADZE, BEZHAN LALIASHVILI, ZURA TSULEISKIRI
DRONE OPERATORS: QRISTESIA DANELIA, GUKA KHUNTSELIA
ART DIRECTOR: SHOTA IZORIA
SET CONSTRUCTION: BACHO TALAKVADZE
MAKE-UP ARTIST: KHATIA MELASHVILI
HAIR STYLIST: NANA MALAZONIA
COSTUME SUPERVISOR: MARIAM SABANADZE, ANA PAILODZE
SOUND ENGINEER: ACHI KHACHAPURIDZE
SET MANAGER: TUTA KAKAURIDZE
CATERING: FIESTA GROUP
BTS & STILLS: MIKHEIL GOGICHASHVILI

Download Song Beat: https://bit.ly/3Cjh24R

___________________________________
Enjoy & stay connected with us!
👉 Subscribe to T-Series: https://youtube.com/tseries
👉 Like us on Facebook: https://www.facebook.com/tseriesmusic
👉 Follow us on X: https://twitter.com/tseries
👉 Follow us on Instagram: https://instagram.com/tseries.official

Gwen Stefani - Somebody Else's (Official Music Video) Hotney 6 Streams • 2 years ago

Listen to “Somebody Else's”: https://GwenStefani.lnk.to/Bouquet

Follow Gwen:
TikTok: https://GwenStefani.lnk.to/tiktok
Instagram: https://GwenStefani.lnk.to/instagram
Facebook: https://GwenStefani.lnk.to/facebook
Twitter: https://GwenStefani.lnk.to/twitter
YouTube: https://GwenStefani.lnk.to/youtube

Credits:
Director: Andrew Donoho
EP: Ian Blair
Producer: Andrew Chennisi
DP: Idan Menin
Production Manager: Yusef Chabayta
Production Coordinator: Chineza Ezinkwo
Asst. Production Coordinator: Ali Noyes
1st AD: Jacquie Dore
1st AC: Jesse Cain
2nd AC: Robbie Julian
Steadiam Op: Ross Coscia
Commissioner: Vincenza Conticchio
Commissioner: Jamie Levine
Talent: Mason Gaudet

Production Designer: John Richoux
Art Director: Nick DeCell
Art Dept Coordinator: Alyssa Lopez
Floral Director: Anthony Maslo
Set Decorator: Leah Bychurch
Leadman: Benjamin Graham
On Set Dresser: Stephanie MacDonald
Swing / Driver: Oscar "Danny" Araujo
Swing: Rafael Chamagua
Swing: Jonathan "Jrod" Rodriguez
Carp / Driver: Bradley Dickinson
Floral Sculptor: Gray Hong
Floral Asst: Lakyn Moore
Art Lead PA: Sammy Thomspson

Gaffer: Jacob Abrams
Best Boy Electric: Alan Halcon
3rd Electric: Cole Brydon
4th Electric / Driver: Ryan Hueter
Generator Operator: Greg Loebell
Key Grip: John Miller
Best Boy Grip / Dolly: Daniel Abbott
Grip: Chris Randel
Grip: Kaleb Blakey
Grip Driver: David Gonzalez

Stylist: Savannah Baker
Make Up Artist: Anthony Nguyen
Hair: Suzette Boozer

Animal Wrangler: Scarlet Walker
Animal Handler: Ryan Bertroche
Animal Handler: Reanna Barin

Production MoHo Driver: Chris Mortimore
Talent Trailer Driver: Rico Medrano
Process Trailer Driver: Kevin Ward
Craft Service: Sherril Harris
Catering – Food Fetish Catering
Medic – Matt Joyce
Site Rep / Property Owner – Phil Graf
Property Owner: Laina Graf

Key PA: Sean Maydoney
PA: Alex Benson
PA: Nicole Bushong
PA: Dylan Sutherland
PA - Jaida Newhouse
Truck PA – Dewayne McDowell

Editors: Phil Meyer, Andre Jones
Colorist: Dylan Hageman
VFX: Cameo FX
VFX: Zwick Post

Lyrics:
I don’t know what a heart like mine
Was doin’ in a love like that, ah
Doin’ in a love so bad
But I know, I know, I know, I know now
I don’t know what a woman like me
Was doin’ with a man like you, ooh
But now I got a love so true
But I know, I know, I know, I know crazy
Now that I found the real thing
You don’t compare
And I don’t care
You’re somebody else’s
And it doesn’t even break my heart
You’re somebody else’s
And I pray for them whoever they are
Everyday with you is rock bottom
Leavin’ you saved me, my God
Look at me blossom
You’re somebody else’s problem
I didn’t know that somethin’ so fake
Could really make it hurt so real, ah
How’d you go and make it feel
Like my fault, my fault, my fault, my fault? Wow
If I could go back in time
I would erase you, ooh
But I could never go back there
I might be wild but I ain’t that crazy
Now that you’re dead to me
I feel so alive
And you’re not mine
You’re somebody else’s
And it doesn’t even break my heart
You’re somebody else’s
And I pray for them whoever they are
Everyday with you is rock bottom
Leavin’ you saved me, my God
Look at me blossom
You’re somebody else’s problem
You’re somebody else’s, woah
You’re somebody else’s
Narcissistic, semi-psychotic
So manipulated I bought it
Every time but not this time
You gaslit my world it was burning
Had to leave before it stopped turning
So happy I could cry
‘Cause you’re not mine
You’re somebody else’s
And it doesn’t even break my heart
You’re somebody else’s
And I pray for them whoever they are
Everyday with you is rock bottom
Leavin’ you saved me, my God
Look at me blossom
You’re somebody else’s problem

#GwenStefani #SomebodyElses #Bouquet

Music video by Gwen Stefani performing Somebody Else's.© 2024 Interscope Records

Showing 219 out of 220

Please note that if you are under 18, you won't be able to access this site.

Latest videos

Language