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The Sad Story of Rich Homie Quan and Young Thug.. This video includes rappers Rich Homie Quan, Young Thug, Lil Keed, Birdman, and more..
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- Rich Homie Quan dead at 34
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DJ #Spinderella, legendary turntablist and former member of Salt-N-Pepa, joins N.O.R.E. and DJ EFN on #DrinkChamps. The iconic DJ opens up about her journey in hip hop, from her early days with Salt-N-Pepa to her recent legal battles over royalties. Spinderella shares stories about her romance with Kenny Anderson, her interactions with Tupac, and her experiences touring with the Fat Boys. She also weighs in on the evolution of DJing, from vinyl to digital, and discusses her impact on female DJs in the industry. Watch!
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No matter how you feel about today’s feature, you have to admit he’s had an influence on his generation that stood out in music even to this day to a certain extent, where the people that love his music look past everything negative involving NBA young boy and still express extreme support for him being free to be destructive. I use that word carefully, because in no way is he necessarily a bad person, but negativity always seems to surround him to not only derail his career, but more importantly hinder improvement as a person. He’s currently locked up on a federal gun charge, held without bond at the Weber county jail, north of Salt Lake City awaiting trial which the feds allege he was in possession of a deadly weapon while on house arrest and unrelated charges of committing fraud by imitating someone else’s voice in order to obtain prescription drugs to fuel his codeine habit. As far as potential I don’t know an artist in rap right now that had more than NBA Youngboy. He was young, influential and talented enough to lead this generation of hip hop, but, for these reasons his Growth is being Stunted. The Gift And The Curse of Being NBA YOUNGBOY! Stunted Growth Music
🎥 INTRO: 0:00
🎥 HISTORY 3:23
🎥 STUNT#1 4:15
🎥 STUNT#2 6:47
🎥 STUNT#3 8:40
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#nbayoungboy #youngboyneverbrokeagain
J Balvin is four sneakers deep with Jordan Brand, and it sounds like he has more to come. In this episode, the Colombian artist discusses his relationship with Michael Jordan, his battle against sneaker bots on the Air Jordan 3, and what might be next up for his collaborations. He even touches briefly on that recent Air Jordan 4 custom he wore that Jordan was apparently not too happy about. Elsewhere in the episode, cohosts Joe La Puma, Brendan Dunne, and Matt Welty talk about finding your true sneaker size, the merits of the Air Max Dn, Wale’s Foams, and getting caught wearing basic sneakers.
TIMESTAMPS:
0:00 3:10: Host Intros
3:11 - 9:41: Brendan’s Shoe Size
9:42 - 18:28: Stolen Foamposites
18:29 - 26:07: Keeping it “Basic”
26:08 - 28:30: J Balvin Joins CSS
28:31 - 35:05: Sneaker Cam
35:06 - 36:39: J Balvin x Air Jordan 1
36:40 - 39:22: J Balvin x Air Jordan 2
39:23 -1:00:05: J Balvin x Air Jordan 3
1:00:06 - 1:10:45: Air Jordan 11 Collab
1:10:46 1:13:05: J Balvin x Air Jordan 4
1:13:06 - 1:13:41: Outro
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COMPLEX is a community of creators and curators, armed with the Internet, committed to surfacing and sharing the voices and conversations that define our new America. Our videos exemplify convergence culture, exploring topics that include music, sneakers, style, sports, and pop culture through original shows and Complex News segments. Featuring your favorite celebrities, authoritative commentary, and a unique voice, our videos make culture pop.
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Produced By Harrison
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LYRICS
J’brille comme une étoile,
Avant d’le dégainer moi j’le nettoie,
J’ai pris du cash, donc JRK a pris du poid,
Sur ta tre-mon, nous on est 3
Il faut l’argent du beurre,
Il faut l’bonheur, il faut la gloire,
Le pe-ra j’le prends pas à cœur,
J’me dis « imagine si ça foire »
Imagine si ça foire, imagine si ça l’fait,
On a ouvert des foies, on a laissé des plaies,
J’peux pas être ****phobe,
Ma bitch, elle kiffe les deux
On a cassé la porte on a pas fait la queue,
On a vesqui les bleus, on a coffré des bleus,
Tu connais l’enjeu
(Gamin, la prison c’est pas un jeu)
On fait pas la fiesta, Rolex au poignet
Y’a pas d’festina
Mais qu’est-ce qui y’a ?
Y’a un problème, dis moi
(Y’a un problème dis moi)
SVR not a regular car
London to Paris a 6 hours drive
But I do it in a 4 in half
Whip the lamb like it’s formula 1
When you been through all the things that I have
Everything else is a walk in the park
I told them I rap and before they would laugh
Now we walk in the club and they know who we are
I’m not shaking my leg but my jewellery dance
In America sat by the pool with a jawn
Lucky I never been jail
Immigration asking if there’s cases I’ve caught in the past
J’parle mal j’suis impoli moi,
Jsuis tout seul dans le bolide noir,
S’en sortir c’est la seule histoire
Aux arrivants j’ai plus d’espoir
Liberté pour mes reufs, j’espère
Sur la route du succès faut pas que j’me perde,
Combien de temps j’ai pas vu mon père,
J’revais de finir à Manchester
Cava?
Everything good, I made it out the hood
With my bros so we stick with each other
If im fucking a bitch, I don’t trust her enough
Gotta cover my dick with a rubber
Buy a whip for my pops and my grandma
My brother, my cousin, my chick and my mother
Remember back then I would suffer
And now I got cribs in four different boroughs
I’m in Paris, tryna drop rizz
But they don’t understand ‘cos they’re speakin French
Why she keep on saying “wesh”?
I’m just tryna be direct
Rappers see me as threat
So they leaving me on read
When they put me on their song
They gotta write their verse again
They gotta go pick up their pen
On fait pas la fiesta, Rolex au poignet
Y’a pas d’festina
Mais qu’est-ce qui y’a ?
Y’a un problème, dis moi
(Y’a un problème dis moi)
SVR not a regular car
London to Paris a 6 hours drive
But I do it in a 4 in half
Whip the lamb like it’s formula 1
When you been through all the things that I have
Everything else is a walk in the park
I told them I rap and before they would laugh
Now we walk in the club and they know who we are
I’m not shaking my leg but my jewellery dance
In America sat by the pool with a jawn
Lucky I never been jail
Immigration asking if there’s cases I’ve caught in the past
J’parle mal j’suis impoli moi,
Jsuis tout seul dans le bolide noir,
S’en sortir c’est la seule histoire
Aux arrivants j’ai plus d’espoir
Liberté pour mes reufs, j’espère
Sur la route du succès faut pas que j’me perde,
Combien de temps j’ai pas vu mon père,
J’revais de finir à Manchester
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Maddox Batson - X's (Official Music Video)
Listen to Maddox Batson's new single "X's" here: https://maddoxbatson.lnk.to/xssong
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Credits:
Starring - Maddox Batson
Co-Starring - Harper Zilmer
#MaddoxBatson #Xs #HarperZilmer
Tyla - Breathe Me (Official Music Video)
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DP: Seiya Uehara (GROUNDRIDDIM)
AC: Yugo Shinomiya (GROUNDRIDDIM)
Lighting Director: Yuto Fukata
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Producer: Spikey John & Yuya Ozawa (GROUNDRIDDIM)
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With a SPECIAL THANKS to Verdy
"TYLA" available at: https://tyla.lnk.to/tyla
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(C) 2024 FAX Records, under exclusive license to Epic Records, a division of Sony Music Entertainment #tyla #breatheme
Stream “Backseat Of The Rolls Truck” Here: https://big30.lnk.to/BackseatOfTheRollsTruck
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Music video by BIG30 performing Backseat Of The Rolls Truck. © 2021 Bread Gang/N-Less
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The Breakfast Club features celebrity interviews, Jess Hilarious' "Jess With The Mess", Charlamagne tha God’s "Donkey of the Day", DJ Envy’s mixes and so much more! Every guest visiting the world’s most dangerous morning show is grilled with their signature blend of honesty and humor. The results are the best interviews to be found on radio.
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Listen to the album “Tha Clicc House RELOADED". Out Now!
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Official Video by G Perico from "Welcome To The Clicc House " © 2024 Perico’s Innerprize, LLC / EMPIRE
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Full-length Big U interview.
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Dame Dash took to his Instagram Live on Thursday (Sept. 5) to challenge the Hip-Hop impresario to a “mogul battle” after Fif called him “broke.” However, in the midst of speaking on the Queens-bred icon, the Roc-A-Fella co-founder’s grill fell out of his mouth while recording live.
Troi Torain aka STAR is a multimedia personality whose career has spanned the arenas of radio, television and the world-wide web. Considered a radio pioneer by many, Torain's personal brand STAR & BUC WILD has set precedents in the urban landscape. STAR made the national stage on MTV in 1999 (Beat Suite) but it was his radio shows on New York's Hot 97 and Power 105 that launched him into super stardom. Torain's resume also includes WEA (Warner Elektra Atlantic), Virgin Records, The Source magazine, Power 104.1 (Hartford), Power 99 (Philly), Hip-Hop Weekly magazine, Vladtv.com, 100.3 The Beat (Philly) shot97.com, VH1 (The Gossip Game) Everyday Struggle (Complex) and The Star Report. In 2011 STAR was also inducted into News Ones Top 20 greatest radio personalities of all time -- https://troitorain.org
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NEW ALBUM 'BEING POOR IS EXPENSIVE' OUT NOW
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Director - George Power
EP - Ashley Thomas
DOP - Tom Turley
Gaffer - Jordan Young
1st AD - Mindaugas Kairys
Editor - Goerge Vicary
Styling - Aurelie Mason Perez
Make Up - Femi Konteh
Starring - Bashy
Bashy is managed by Eleven MGMT
How Black Men Lose Their Smile written by Thomas Mackenzie Bell and Ashley Thomas
Produced by Toddla T and Bashy
Vocals by Bashy
Trumpet by Okiel McIntyre
Published by Warner Chappell Music Ltd. and Downtown Music UK Limited (PRS) and Downtown DLJ Songs (ASCAP). All rights reserved and administered by Downtown Music UK Limited (PRS) and Downtown DLJ Songs (ASCAP).
Sample Information
“This track contains a sample of the recording “Time Come” as performed by “Linton Kwesi Johnson”. Licensed courtesy of Universal Music Operations Limited. (P) 1979 Island Records. Written and composed by Johnson used Kind Permission Universal Music Publishing all rights reserved.
“How Black Men Lose Their Smile” by Bashy contains an interpolation of “Battle” by Wookie used kind permission Manchu Recordings. Written and composed Gray & Chue used kind permission Sentric Music Publishing all right reserved
Special thank you to Dwayne Greenaway, Frances Turner and Zogie.
4Xtra pulls up in the midst of controversies to address a few things, Adam calls him a clout monster!
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Watch the official video for Smoke DZA's "ALD Lounge" feat. Really Jaewon
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Directed by Frankie Fire
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Directed by @DiamondVisuals
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Life’s A Gamble available now: https://richforever.lnk.to/LifesAGamble
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Credits:
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Graded by: Davide Fantuzzi
Copyright (C) 2024 RTK/gamma.
#RichTheKid #HoldOn #LifesAGamble
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Lara Downes | Aug 29, 2024
In September 2023, Jonathon Heyward began a 5-year term as the music director of the Baltimore Symphony Orchestra. The appointment made him, at 31, the youngest conductor of any major American orchestra, and the first Black music director in the organization’s 107-year history. He stepped into trailblazing shoes; his predecessor, Marin Alsop, had become the first woman to lead a major American orchestra when she took the job 16 years earlier.
I have this theory, which I shared with Jonathon during this conversation. I think that any of us who have ever gone first -- who’ve ever had to break any barrier or glass ceiling, ever felt uninvited or unseen -- has an innate and intense need to create a more inclusive world. As a boy in South Carolina, Jonathon first encountered classical music via his public elementary school’s music program, and he’s picked up the work of public education and engagement with a wholehearted energy. In Baltimore, he’s embraced the OrchKids program, which Alsop founded early in her tenure, inviting underserved youth across the city to experience music as a vehicle for developing creative – and life — skills. He’s committed not only to opening the doors of the symphony hall to new and diverse audiences, but also to physically meeting those audiences where they are. The orchestra performs in multiple community spaces throughout a city that struggles with severe socioeconomic disparities and racial divisions.
It might seem unrealistic to think that music can play a role in healing the troubles of our cities, our nation and our world. But if you believe it, and if you work hard to prove it, the more clearly you realize how very true it is. Music, which echoes creative expression through centuries of human troubles, can ignite a flame of wonder, imagination and emotional well-being that just might have the power to heal people and their communities.
This summer, Jonathon started another new job: music director of New York’s Festival Orchestra of Lincoln Center, formerly known (since 1973) as the orchestra of the Mostly Mozart Festival. The rebranding is part of a radical transformation at Lincoln Center, driven by a mission to create programming and policies that make the arts accessible to the city’s diverse population. Jonathon’s first concerts with the orchestra were focused on invitation and inclusion. A “Symphony of Choice” concert let audience members vote on which pieces the orchestra should play. “City of Floating Sounds,” by the Chinese-born composer Huang Ruo, came with an app that allowed people to hear musical fragments all over the city before they came to the live performance.
Jonathon is full of ideas about how to change the way people perceive and experience music and what it means. When you go first, you can carve a new path. And when you’re the youngest, there’s a long path ahead. It will be thrilling to watch Jonathon Heyward move forward.
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