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The Story of Rich Homie Quan and Young Thug
The Story of Rich Homie Quan and Young Thug Hotney 7 Streams • 2 years ago

The Sad Story of Rich Homie Quan and Young Thug.. This video includes rappers Rich Homie Quan, Young Thug, Lil Keed, Birdman, and more..

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- Lil Woody's CRAZIEST Courtroom Moments
https://youtu.be/y441BeYTBQs

- Lil Woody Tries to Ask Young Thug a Question On the Stand
https://youtu.be/5mqicDaxdpA?si=0sKBaMIGXARlTx0S

- Rich Homie Quan dead at 34
https://youtu.be/JIqTp5ePV1o?si=IJvlqXr6PN15e8IG

*Copyright Disclaimer* Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

The Gift And The Curse of Being NBA YOUNGBOY! Stunted Growth Music
The Gift And The Curse of Being NBA YOUNGBOY! Stunted Growth Music Hotney 11 Streams • 2 years ago

No matter how you feel about today’s feature, you have to admit he’s had an influence on his generation that stood out in music even to this day to a certain extent, where the people that love his music look past everything negative involving NBA young boy and still express extreme support for him being free to be destructive. I use that word carefully, because in no way is he necessarily a bad person, but negativity always seems to surround him to not only derail his career, but more importantly hinder improvement as a person. He’s currently locked up on a federal gun charge, held without bond at the Weber county jail, north of Salt Lake City awaiting trial which the feds allege he was in possession of a deadly weapon while on house arrest and unrelated charges of committing fraud by imitating someone else’s voice in order to obtain prescription drugs to fuel his codeine habit. As far as potential I don’t know an artist in rap right now that had more than NBA Youngboy. He was young, influential and talented enough to lead this generation of hip hop, but, for these reasons his Growth is being Stunted. The Gift And The Curse of Being NBA YOUNGBOY! Stunted Growth Music

🎥 INTRO: 0:00
🎥 HISTORY 3:23
🎥 STUNT#1 4:15
🎥 STUNT#2 6:47
🎥 STUNT#3 8:40

ig:
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J Balvin Trolled Sneaker Resellers on His Air Jordan Release | The Complex Sneakers Show
J Balvin Trolled Sneaker Resellers on His Air Jordan Release | The Complex Sneakers Show Hotney 6 Streams • 2 years ago

J Balvin is four sneakers deep with Jordan Brand, and it sounds like he has more to come. In this episode, the Colombian artist discusses his relationship with Michael Jordan, his battle against sneaker bots on the Air Jordan 3, and what might be next up for his collaborations. He even touches briefly on that recent Air Jordan 4 custom he wore that Jordan was apparently not too happy about. Elsewhere in the episode, cohosts Joe La Puma, Brendan Dunne, and Matt Welty talk about finding your true sneaker size, the merits of the Air Max Dn, Wale’s Foams, and getting caught wearing basic sneakers.

TIMESTAMPS:

0:00 3:10: Host Intros
3:11 - 9:41: Brendan’s Shoe Size
9:42 - 18:28: Stolen Foamposites
18:29 - 26:07: Keeping it “Basic”
26:08 - 28:30: J Balvin Joins CSS
28:31 - 35:05: Sneaker Cam
35:06 - 36:39: J Balvin x Air Jordan 1
36:40 - 39:22: J Balvin x Air Jordan 2
39:23 -1:00:05: J Balvin x Air Jordan 3
1:00:06 - 1:10:45: Air Jordan 11 Collab
1:10:46 1:13:05: J Balvin x Air Jordan 4
1:13:06 - 1:13:41: Outro

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COMPLEX is a community of creators and curators, armed with the Internet, committed to surfacing and sharing the voices and conversations that define our new America. Our videos exemplify convergence culture, exploring topics that include music, sneakers, style, sports, and pop culture through original shows and Complex News segments. Featuring your favorite celebrities, authoritative commentary, and a unique voice, our videos make culture pop.

AD feat. T-Rell - Teen Snipe! (Adam 16 Diss)
AD feat. T-Rell - Teen Snipe! (Adam 16 Diss) Hotney 6 Streams • 2 years ago

AD - Teen Snipe feat T-Rell

Directed by: Ben Tovar ( @6Ben7 )

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CENTRAL CEE X JRK 19 - BOLIDE NOIR (MUSIC VIDEO)
CENTRAL CEE X JRK 19 - BOLIDE NOIR (MUSIC VIDEO) Hotney 6 Streams • 2 years ago

Listen: https://centralcee.lnk.to/BolideNoir

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Produced By Harrison
Directed by @JerryPHD

LYRICS

J’brille comme une étoile,
Avant d’le dégainer moi j’le nettoie,
J’ai pris du cash, donc JRK a pris du poid,
Sur ta tre-mon, nous on est 3
Il faut l’argent du beurre,
Il faut l’bonheur, il faut la gloire,
Le pe-ra j’le prends pas à cœur,
J’me dis « imagine si ça foire »

Imagine si ça foire, imagine si ça l’fait,
On a ouvert des foies, on a laissé des plaies,
J’peux pas être ****phobe,
Ma bitch, elle kiffe les deux
On a cassé la porte on a pas fait la queue,
On a vesqui les bleus, on a coffré des bleus,
Tu connais l’enjeu
(Gamin, la prison c’est pas un jeu)

On fait pas la fiesta, Rolex au poignet
Y’a pas d’festina
Mais qu’est-ce qui y’a ?
Y’a un problème, dis moi
(Y’a un problème dis moi)

SVR not a regular car
London to Paris a 6 hours drive
But I do it in a 4 in half
Whip the lamb like it’s formula 1

When you been through all the things that I have
Everything else is a walk in the park
I told them I rap and before they would laugh
Now we walk in the club and they know who we are

I’m not shaking my leg but my jewellery dance
In America sat by the pool with a jawn
Lucky I never been jail
Immigration asking if there’s cases I’ve caught in the past

J’parle mal j’suis impoli moi,
Jsuis tout seul dans le bolide noir,
S’en sortir c’est la seule histoire
Aux arrivants j’ai plus d’espoir
Liberté pour mes reufs, j’espère
Sur la route du succès faut pas que j’me perde,
Combien de temps j’ai pas vu mon père,
J’revais de finir à Manchester


Cava?
Everything good, I made it out the hood
With my bros so we stick with each other
If im fucking a bitch, I don’t trust her enough
Gotta cover my dick with a rubber
Buy a whip for my pops and my grandma
My brother, my cousin, my chick and my mother
Remember back then I would suffer
And now I got cribs in four different boroughs

I’m in Paris, tryna drop rizz
But they don’t understand ‘cos they’re speakin French
Why she keep on saying “wesh”?
I’m just tryna be direct
Rappers see me as threat
So they leaving me on read
When they put me on their song
They gotta write their verse again
They gotta go pick up their pen

On fait pas la fiesta, Rolex au poignet
Y’a pas d’festina
Mais qu’est-ce qui y’a ?
Y’a un problème, dis moi
(Y’a un problème dis moi)

SVR not a regular car
London to Paris a 6 hours drive
But I do it in a 4 in half
Whip the lamb like it’s formula 1

When you been through all the things that I have
Everything else is a walk in the park
I told them I rap and before they would laugh
Now we walk in the club and they know who we are

I’m not shaking my leg but my jewellery dance
In America sat by the pool with a jawn
Lucky I never been jail
Immigration asking if there’s cases I’ve caught in the past

J’parle mal j’suis impoli moi,
Jsuis tout seul dans le bolide noir,
S’en sortir c’est la seule histoire
Aux arrivants j’ai plus d’espoir
Liberté pour mes reufs, j’espère
Sur la route du succès faut pas que j’me perde,
Combien de temps j’ai pas vu mon père,
J’revais de finir à Manchester

Desiigner Disses 50 Cent In Backseat Freestyle "You Was Never Worth A Deal"
Desiigner Disses 50 Cent In Backseat Freestyle "You Was Never Worth A Deal" Hotney 6 Streams • 2 years ago

Subscribe NOW to The Breakfast Club: http://ihe.art/xZ4vAcA

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The Breakfast Club features celebrity interviews, Jess Hilarious' "Jess With The Mess", Charlamagne tha God’s "Donkey of the Day", DJ Envy’s mixes and so much more! Every guest visiting the world’s most dangerous morning show is grilled with their signature blend of honesty and humor. The results are the best interviews to be found on radio.

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Megan Thee Stallion Speaks On The Origins Of Nicki Minaj Beef
Megan Thee Stallion Speaks On The Origins Of Nicki Minaj Beef Hotney 7 Streams • 2 years ago

Subscribe NOW to The Breakfast Club: http://ihe.art/xZ4vAcA

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Executive Producer: Eddie F.
DP/Sr. Video Director: Nick Ciofalo
Video Editor: Elijah Lugo
Social Media Manager: Sydney Brown
Producer: Taylor Hayes
Producer: Brandon Tagoe
Producer: Symantha Wilson
Board Op/Producer: Christopher Arce
Writer/Producer: Big Mack
Podcast Producer: Arthur Roques


The Breakfast Club features celebrity interviews, Jess Hilarious' "Jess With The Mess", Charlamagne tha God’s "Donkey of the Day", DJ Envy’s mixes and so much more! Every guest visiting the world’s most dangerous morning show is grilled with their signature blend of honesty and humor. The results are the best interviews to be found on radio.

#BreakfastClub

G Perico - Welcome To The Clicc House (Official Video)
G Perico - Welcome To The Clicc House (Official Video) Hotney 4 Streams • 2 years ago

Listen to the album “Tha Clicc House RELOADED". Out Now!
Stream:
https://music.empi.re/clicchousereloaded

#GPerico #ThaCliccHouse #EMPIRE



Official Video by G Perico from "Welcome To The Clicc House " © 2024 Perico’s Innerprize, LLC / EMPIRE

Bashy - How Black Men Lose Their Smile (Official Video)
Bashy - How Black Men Lose Their Smile (Official Video) Hotney 9 Streams • 2 years ago

NEW ALBUM 'BEING POOR IS EXPENSIVE' OUT NOW
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Follow Bashy:
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Director - George Power
EP - Ashley Thomas
DOP - Tom Turley
Gaffer - Jordan Young
1st AD - Mindaugas Kairys
Editor - Goerge Vicary

Styling - Aurelie Mason Perez
Make Up - Femi Konteh
Starring - Bashy
Bashy is managed by Eleven MGMT

How Black Men Lose Their Smile written by Thomas Mackenzie Bell and Ashley Thomas
Produced by Toddla T and Bashy
Vocals by Bashy
Trumpet by Okiel McIntyre

Published by Warner Chappell Music Ltd. and Downtown Music UK Limited (PRS) and Downtown DLJ Songs (ASCAP). All rights reserved and administered by Downtown Music UK Limited (PRS) and Downtown DLJ Songs (ASCAP).


Sample Information
“This track contains a sample of the recording “Time Come” as performed by “Linton Kwesi Johnson”. Licensed courtesy of Universal Music Operations Limited. (P) 1979 Island Records. Written and composed by Johnson used Kind Permission Universal Music Publishing all rights reserved.

“How Black Men Lose Their Smile” by Bashy contains an interpolation of “Battle” by Wookie used kind permission Manchu Recordings. Written and composed Gray & Chue used kind permission Sentric Music Publishing all right reserved

Special thank you to Dwayne Greenaway, Frances Turner and Zogie.

Pahjo x Shireen B - Destiny (Official Music Video)
Pahjo x Shireen B - Destiny (Official Music Video) Hotney 9 Streams • 2 years ago

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Pahjo x Shireen B - Destiny
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Conductor Jonathon Heyward keeps breaking classical music barriers
Conductor Jonathon Heyward keeps breaking classical music barriers Hotney 6 Streams • 2 years ago

Lara Downes | Aug 29, 2024

In September 2023, Jonathon Heyward began a 5-year term as the music director of the Baltimore Symphony Orchestra. The appointment made him, at 31, the youngest conductor of any major American orchestra, and the first Black music director in the organization’s 107-year history. He stepped into trailblazing shoes; his predecessor, Marin Alsop, had become the first woman to lead a major American orchestra when she took the job 16 years earlier.

I have this theory, which I shared with Jonathon during this conversation. I think that any of us who have ever gone first -- who’ve ever had to break any barrier or glass ceiling, ever felt uninvited or unseen -- has an innate and intense need to create a more inclusive world. As a boy in South Carolina, Jonathon first encountered classical music via his public elementary school’s music program, and he’s picked up the work of public education and engagement with a wholehearted energy. In Baltimore, he’s embraced the OrchKids program, which Alsop founded early in her tenure, inviting underserved youth across the city to experience music as a vehicle for developing creative – and life — skills. He’s committed not only to opening the doors of the symphony hall to new and diverse audiences, but also to physically meeting those audiences where they are. The orchestra performs in multiple community spaces throughout a city that struggles with severe socioeconomic disparities and racial divisions.

It might seem unrealistic to think that music can play a role in healing the troubles of our cities, our nation and our world. But if you believe it, and if you work hard to prove it, the more clearly you realize how very true it is. Music, which echoes creative expression through centuries of human troubles, can ignite a flame of wonder, imagination and emotional well-being that just might have the power to heal people and their communities.

This summer, Jonathon started another new job: music director of New York’s Festival Orchestra of Lincoln Center, formerly known (since 1973) as the orchestra of the Mostly Mozart Festival. The rebranding is part of a radical transformation at Lincoln Center, driven by a mission to create programming and policies that make the arts accessible to the city’s diverse population. Jonathon’s first concerts with the orchestra were focused on invitation and inclusion. A “Symphony of Choice” concert let audience members vote on which pieces the orchestra should play. “City of Floating Sounds,” by the Chinese-born composer Huang Ruo, came with an app that allowed people to hear musical fragments all over the city before they came to the live performance.

Jonathon is full of ideas about how to change the way people perceive and experience music and what it means. When you go first, you can carve a new path. And when you’re the youngest, there’s a long path ahead. It will be thrilling to watch Jonathon Heyward move forward.

WATCH OTHER EPISODES OF AMPLIFY
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#jonathanheyward #amplify #nprmusic

Pygmy Lush: Tiny Desk Concert
Pygmy Lush: Tiny Desk Concert Hotney 7 Streams • 2 years ago

Lars Gotrich | August 30, 2024
How rare is it for the same group of musicians to create not one but two beloved bands of the punk scene? Around the turn of the millennium, pg. 99 pushed heavy music to its most chaotic extremes, inspiring tattoos and the next generation of hardcore. Then a few members of pg. 99 started Pygmy Lush — something quieter and sweeter, though no less experimental.

Pygmy Lush never broke up, life just happened; this Tiny Desk is the atmospheric folk band’s first live performance in seven years. While its catalog can get noisy, Pygmy Lush here relies on haunted campfire singalongs from 2008’s Mount Hope (“Asphalt,” “Dead Don’t Pass” and “Hard to Swallow”) and “It’s a Good Day to Hide” from its split LP with the hardcore band Turboslut. Like those records, the foundations here are simple — acoustic guitars, looped melodies, repeated phrases, hushed vocals — but its gentle swells allow small feelings to grow roots and wander.

Blood and chosen family surrounds this set. Chris and Mike Taylor’s mother came to see Pygmy Lush perform for the very first time — the way they lit up when she entered the NPR Music office is too precious for words. Johnny Ward’s mother sat beside her. Mike Widman’s eldest daughter sings on “Hard to Swallow.” And, because Pygmy Lush has always featured an orbit of collaborators, Aimée Argote from the shapeshifting indie-rock band Des Ark plays piano and sings — their touch is so delicate, yet gives the monochromatic mood so much color.

Pygmy Lush closes this Tiny Desk with “I’ll Wait with You,” a personal request of mine. In years previous, I’ve seen the band howl its catharsis with deafening volume: “To the end,” a declaration of friendship forged in and through hardship. An unbreakable bond. Here, the scream becomes a smile, a promise.

SET LIST
“Asphalt”
“It’s a Good Day to Hide”
“Dead Don't Pass”
“Hard to Swallow”
“I'll Wait with You”

MUSICIANS
Chris Taylor: vocals, guitar
Johnny Ward: vocals, guitar
Mike Taylor: guitar, vocals
Mike Widman: bass
Andy Gale: drums
Aimée Argote: piano, vocals
Ezra-June Widman: vocals

TINY DESK TEAM
Producer: Lars Gotrich
Director/Editor: Kara Frame
Audio Technical Director: Josephine Nyounai
Host/Series Producer: Bobby Carter
Videographers: Kara Frame, Mitra I. Arthur, Alanté Serene, Elizabeth Gillis
Audio Engineer: Carleigh Strange
Production Assistant: Ashley Pointer
Photographer: Estefania Mitre
Tiny Desk Team: Hazel Cills, Maia Stern, Joshua Bryant
Executive Producer: Suraya Mohamed
Series Creators: Bob Boilen, Stephen Thompson
VP, Visuals and Music: Keith Jenkins

#tinydesk #nprmusic #pygmylush

Son Little: Field Recordings x Aspen Ideas Festival
Son Little: Field Recordings x Aspen Ideas Festival Hotney 15 Streams • 2 years ago

Suraya Mohamed | September 2, 2024
The sun was high when musician Son Little arrived at Anderson Park on the campus of the Aspen Ideas Festival in Colorado. While looking for a shady place to capture this Field Recording, we trekked down a steep rocky trail, all the way to the edge of the nearby Roaring Fork River, only to find it too tight for our crew and musical guest. And because the river was indeed roaring, we headed back to the top of the hill to record this intimate set.

Son Little had never performed a concert in a field before, but he was completely at ease on the hot hill, waiting patiently while we set up the cameras and microphones. He played a lovely four-song set that radiates vulnerability and affection, starting with “bend yr ear” and “what’s good” (both from his latest album, Like Neptune), and finished the set with two of his bigger hits, “mad about you” and “neve give up.”

SET LIST
“bend yr ear”
“what’s good”
“mad about you”
“neve give up”

MUSICIANS
Son Little: guitar, vocals

NPR TEAM
Director: Mito Habe-Evans
Editor: Mitra I. Arthur
Videographers: Tsering Bista, Mito Habe-Evans
Audio Engineer: Josh Newell
Post-Production Coordinator: Tsering Bista
Supervising Editor: Becky Lettenberger
Executive Producer: Suraya Mohamed
VP, Visuals and Music: Keith Jenkins

ASPEN IDEAS TEAM
Senior Producer: Ava Hartmann
Videographers: Ryan Lohr, Will Sardinsky
Audio Engineer: Michael Milota
Audio Services Director: Matt Windholz
Festival Director: Graham Veysey

#nprmusic #fieldrecordings #sonlittle

Jonathan Scales Fourchestra: Field Recordings x Aspen Ideas Festival
Jonathan Scales Fourchestra: Field Recordings x Aspen Ideas Festival Hotney 15 Streams • 2 years ago

Suraya Mohamed | September 3, 2024
The Aspen Ideas Festival campus spans 40 acres and is filled with art installations, event venues, grassy fields and picturesque gardens. Sounds perfect, right? But when we tried to find a place to record Jonathan Scales’ steelpans, the landscape actually presented a challenge.

Scales’ instruments were once authentic oil barrels that were pounded, finished and tuned just for the Fourchestra. Despite the fact that it originated in tropical Trinidad and Tobago, the steelpan is highly sensitive to the sun’s heat, which impacts the metal so drastically that if left in the sun even for a short period of time, it can warp out of tune. Our team spent a lot of time trying to find a shady spot to capture this Field Recording and we finally found a nook protected by a strand of Aspen trees.

Jonathan Scales Fourchestra has been performing for 17 years, and in the process he’s established the steelpans as a signature jazz instrument. This performance features bassist Cody Wright, who used to play with the group and made a special appearance for this performance. Their energetic, creative four-song set revels in the uncategorizable area between jazzy funk and bluegrass.

SET LIST
“Desert”
“Box in the Sky”
“Lurkin' ”
“The Trap”

MUSICIANS
Jonathan Scales: steelpans
Cody Wright: bass
Maison Guidry: drums

NPR TEAM
Director: Mito Habe-Evans
Editors: James Hughes
Videographers: Tsering Bista, Mito Habe-Evans
Audio Engineer: Josh Newell
Post-Production Coordinator: Tsering Bista
Supervising Editor: Becky Lettenberger
Executive Producer: Suraya Mohamed
VP, Visuals and Music: Keith Jenkins

ASPEN IDEAS TEAM
Senior Producer: Ava Hartmann
Videographers: Ryan Lohr, Will Sardinsky
Audio Engineer: Michael Milota
Audio Services Director: Matt Windholz
Festival Director: Graham Veysey

SPECIAL THANKS
Brandi Wynne

#nprmusic #fieldrecordings #jonathanscalesfourchestra

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