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As Saigon Gears Up To Release His New Album "The Jordan Era" He Has Began Releasing Some Never Been Seen Videos Of Some Of His Classics.... This is a song of his Mixtape "Pain Peace & Prosperity" Hosted by DJ Kay Slay...
In the video, Saigon and The Abandoned Nation give a stern message to the music business execs as he has went on the enjoy a successful career in tech after leaving Atlantic Records following being shelved for 7 years.... The "Pain, Peace and Prosperity" mixtape was released on with a early version of Saigon's 3 part Autobiography with the same name
#hiphop #saigon #homeless #forgiveness #love
Get Saigon Autobiography "Pain, Peace & Prosperity" HERE
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(Audiobook Version Here)
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New Single Featuring Pete Rock "Get Loose"
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Check Out My New Urban Horror Movie "Shadows"
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NADA SURF POPULAR: The documentary on the band who are more than just a one hit wonder
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#nadasurf #popular #rickocasek
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Nada Surf's journey through the tumultuous waters of the music industry is a testament to resilience and artistic evolution. Initially touted to follow in the footsteps of alternative rock giants like Weezer, the band catapulted to fame with their breakout hit "Popular," which drew comparisons to Weezer due to its success and shared producer with the Blue Album. However, despite the initial hype surrounding "Popular," Nada Surf faced challenges as they struggled to replicate its success and were eventually labeled as one-hit wonders.
The band's history is intertwined with the personal experiences of frontman Matthew Caws, whose upbringing in a family marked by academic pursuits and cultural diversity shaped his musical journey. Raised in various locales including Paris and influenced by his older sister's extensive record collection, Caws eventually found his way back to New York City in the early '80s, where he formed early musical endeavors with future Nada Surf bassist Daniel Lorca.
The band's trajectory took a turn with the formation of Nada Surf in 1992, marked by a determination to confront personal demons and navigate the complexities of depression and self-doubt. Despite initial setbacks, including a drummer's departure, Nada Surf persevered, recruiting drummer Ira Elliott and forging ahead with their musical aspirations.
Their debut album, "High/Low" (1996), featuring the iconic track "Popular," thrust Nada Surf into the spotlight, albeit briefly, as they grappled with the pressures of sudden fame and expectations from both fans and the music industry. However, subsequent albums faced challenges, with the label pushing for another hit akin to "Popular," while the changing landscape of alternative rock posed additional hurdles.
Undeterred, Nada Surf embarked on a journey of self-discovery and artistic reinvention. With the release of their third album, "Let Go" (2003), the band found a new home at Barsuk Records and garnered critical acclaim for their mature and introspective sound. This marked the beginning of a new chapter for Nada Surf, characterized by steady growth and a loyal fan base that appreciated the band's sincerity and authenticity.
Subsequent albums such as "The Weight is a Gift" (2005) and "Lucky" (2008) further solidified Nada Surf's reputation as a band capable of crafting thoughtful and evocative music. Collaborations with renowned artists like Dan Wilson of Semisonic showcased the band's willingness to explore new creative avenues while staying true to their artistic vision.
As the years progressed, Nada Surf continued to evolve, releasing albums like "You Know Who You Are" (2016) and "Never Not Together" (2020), which demonstrated a blend of introspection and social commentary. Their music found resonance in popular culture, with placements in films and television shows, reflecting the enduring relevance of their artistry.
Through ups and downs, Nada Surf's journey is a testament to the power of perseverance and the transformative nature of music. From the heights of fame to the depths of uncertainty, the band's unwavering commitment to their craft has solidified their place in the pantheon of alternative rock, proving that sometimes, the greatest success lies in resilience and authenticity.
The breakup of the Clash & the making of Cut the Crap
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#theclash #cutthecrap #mickjones #joestrummer
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The Clash emerged in 1976 amidst the British punk rock scene, distinguishing themselves with a socially conscious approach to their music. Comprising Joe Strummer, Mick Jones, Paul Simonon, Keith Levene, and Terry Chimes, the band quickly gained prominence with their politically charged lyrics and energetic performances. Despite internal conflicts and lineup changes, The Clash achieved commercial success in the United States, particularly with their albums "London Calling" and "Combat Rock," the latter being their best-selling release.
However, internal tensions within the band began to escalate. Drummer Terry Chimes departed due to personal reasons, and his replacement, Topper Headon, struggled with heroin addiction and was eventually fired. This instability, coupled with disagreements over musical direction and management issues, led to a division within the band.
By the early 1980s, the Clash had split into two factions: Mick Jones on one side and Joe Strummer, Paul Simonon, and manager Bernie Rhodes on the other. Rhodes, a controversial figure known for his authoritarian approach, was rehired by Strummer to manage the band's finances, despite previous conflicts. However, Rhodes' control over the band's creative direction further strained relationships within the group.
The tensions came to a head with the release of their final album, "Cut the Crap," in 1985. Strummer aimed for the album to be a departure from mainstream pop and glam metal, but Rhodes exerted significant influence over its production. The resulting album received harsh criticism for its synthetic sound and inconsistent quality, leading to poor sales and further alienating fans and critics.
Following the album's release, the Clash attempted to organize a tour, but Strummer's relocation to Spain and legal threats, along with resistance from band members over Rhodes' heavy-handed management, thwarted these plans. Eventually, in October 1985, Strummer disbanded the Clash.
Despite their legacy as one of punk rock's seminal bands, "Cut the Crap" remains a stain on the Clash's discography, often omitted from discussions of their career. Strummer himself expressed regret over the album's failure and the band's dissolution, acknowledging that the chemistry between the original members was irreplaceable.
In later years, attempts to revisit "Cut the Crap" included a 2005 re-release and a 2021 remix by German musician Gerald Manns, which received mixed reactions from fans and band members. Nonetheless, the album's reception and the circumstances surrounding its creation serve as a cautionary tale of the dangers of internal discord and artistic compromise within a band. Despite their turbulent end, the Clash's impact on music and culture endures, leaving behind a complex and storied legacy.
With the Friends Reunion this week, it's a good trip down memory lane with the song 'Shiny Happy People' and how it almost became the Friends Theme.
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Today we take a look at why the band R.E.M. hated one of their biggest songs from their 1991 record 'Out of Time.' The song in question was 'Shiny Happy People.'
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De La Soul members Kelvin “Posdnuos” Mercer and Vincent “Maseo” Mason sit down with Zane Lowe in New York to celebrate 35 years of ‘3 Feet High and Rising’. Despite challenges navigating the music industry and grieving the loss of Dave “Trugoy the Dove” Jolicoeur a year ago, the group continues to move forward and celebrate the legacy of De La Soul.
Listen to De La Soul on Apple Music: https://apple.co/DeLaSoulYT
00:00 - On Being Yourself
9:18 - On True Legacy
20:07 - On Prince Paul
36:10 - On Tribe Called Quest
47:49 - On Dave Trugoy
56:45 - On Being A Fan
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Del Amitri play the lead single from their best-selling 1992 album 'Change Everything' live on the Chris Evans Breakfast Show with Sky.
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Del Amitri perform 'Roll To Me' of their record "Twisted" on Dutch TV show "2 Meter Sessies". Filmed on March 21, 1995.
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"Guerrilla Radio" by Rage Against the Machine from The Battle of Mexico City
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Lyrics:
[Verse 1]
Transmission, third World War, third round
A decade of the weapon of sound above ground
No shelter if you're looking for shade
I lick shots at the brutal charade
As the polls close like a casket
On truth devoured, silent play on the shadow of power
A spectacle, monopolized
The camera's eyes on choice disguised
Was it cast for the mass who burn and toil?
Or for the vultures who thirst for blood and oil?
Yes a spectacle, monopolized
They hold the reins, stole your eyes
All the Fistagons, the bullets and bombs
Who stuff the banks, who staff the party ranks
More for Gore or the son of a drug lord
None of the above, fuck it, cut the cord!
[Chorus]
Lights out, guerrilla radio
Turn that shit up
Lights out, guerrilla radio
Turn that shit up
Lights out, guerrilla radio
Turn that shit up
Lights out, guerrilla radio
[Verse 2]
Contact, I hijacked the frequencies
Blockin' the beltway, move on DC
Way past the days of bombin' MCs
Sound off, Mumia, go on, be free
Who got 'em? Yo, check the federal file
All you pen devils know the trial was vile
Army of pigs try to silence my style
Off 'em all out the box, it's my radio dial
[Chorus]
Lights out, guerrilla radio
Turn that shit up
Lights out, guerrilla radio
Turn that shit up
Lights out, guerrilla radio
Turn that shit up
Lights out, guerrilla radio
Turn that shit up
[Bridge]
It has to start somewhere
It has to start sometime
What better place than here?
What better time than now?
[Outro]
All hell can't stop us now
All hell can't stop us now
All hell can't stop us now
All hell can't stop us now
All hell can't stop us now
All hell can't stop us now
#GuerrillaRadio #RATM #RageAgainstTheMachine
Adam Ant's official music video for 'Goody Two Shoes'. Click to listen to Adam Ant on Spotify: http://smarturl.it/AdamAntSpotify?IQid=AAntGTW
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---------
Lyrics:
Goody two, goody two, goody goody two shoes
Goody two, goody two, goody goody two shoes
Don't drink, don't smoke, what do you do?
Don't drink, don't smoke, what do you do?
Subtle innuendos follow
There must be something inside
ARMANII PERFORMS TOXIC
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SHOT & EDITED DJUVISUALS
COMPOSED IZZYLIYA
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Subscribe and 🔔 to Eurovision 👉 https://www.youtube.com/user/e....urovision?sub_confir
Electric Fields will represent Australia in the Eurovision Song Contest with the song One Milkali (One Blood).
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Creative Director : NU KIM
Visual Creative Coordinating : Yujoo Kim
Style Directing : Yoon Cho, Soo Lee
Brand Experience Design : Yoovin Baek, Hyemin Yoo
Content Production : Yurok Jang, Jisoo Min
A&R : Kyuyoung Kim, Yujeong Kim, Soyoon Park, Jennie Lee, Myeongji Kim
Performance Director : Soyeon Park
Assistant Director : Yejin Lee
Choreography : Soyeon Park
Music Video Director : Yong Seok Choi (Lumpens)
Executive Producer : Emma Sungeun Kim (GE Production)
Producer: Ran Ro (Lumpens)
Production Assistants : Hyo-seok Kim, Seungwon Choi, Sungyong Kim, Saechan Jung
Director of Photography : Hyunwoo Nam (MOTHER)
Focus Puller : Eunki Kim
2nd AC : Youngseo Park
3rd AC : Sangpil Kim
DIT : Hyunji Kim
Jimmy Jib Operator : Youngjoong Kim
Jimmy Jib Team : Hyunin Kim, Hojun Choi, Byungjong Kim
Gaffer : Jeonghwan Heo (Kwang Light)
Lighting Crew : Suwon Son, Hyeonseok Yu, Jungmin Park, Donggi Han, Minjae Park, Dongjun Han, Seongwoo Choi
Crane : Sung Wook Kang
Generator : Dae Joong Lee
Production designer : Mu:E
Art Director : Bona Kim, Jinsil Park (Mu:E)
Asst. Art Director : Yesol Kim, Jawon Kim (Mu:E)
Art Team Manager : ilho Heo (Mu:E)
Art Team : Shinil Jeon, YoungHun Jin, Jinho Jang, HyunWoong Noh
D I: LUCID COLOUR
Colorist : Wonseok Ko
DI Crew : Dain Kim, Imgoo Jo, Suhyeon Bae
DI Producer : Minji Nam
Manager : Yujin Seo
SOURCE MUSIC. Rights are reserved selectively in the video.
Unauthorized reproduction is a violation of applicable laws.
Manufactured by SOURCE MUSIC, Seoul, Korea
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Presenting The Latest Bollywood Romantic Full Song, 'Naina' From The Upcoming Movie 'Crew,' Featuring The Dynamic Trio Of Kareena Kapoor Khan, Tabu, & Kriti Sanon, Alongside The Soulful Voices Of Diljit Dosanjh And The Rap Maestro Badshah, Music Composed By Raj Ranjodh, Lyrics Penned By Raj Ranjodh & Badshah
Crew In Cinemas On March 29
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Song Details :
Song Name - Naina
Album Name - Crew
Music Composer - Raj Ranjodh
Singers - Diljit Dosanjh Ft. Badshah
Lyrics - Raj Ranjodh & Badshah
Actors - Tabu, Kareena Kapoor Khan, Kriti Sanon
Song Directed by - Farah Khan
Cinematographer - Ravi Varman
Production Designer - Disha Dey
Producers - Shobha Kapoor, Anil Kapoor, Ektaa R. Kapoor & Rhea Kapoor
Production House - Anil Kapoor Film And Communication Network Pvt Ltd. & Balaji Telefilms Ltd.
Music Producers - Raj Ranjodh, Anshuman Sharma & Bharg
Additional Programmer - Aditya Dev
Mix & Master - Adm Studioz
Head Adm Studioz & Aditya Dev's Management: Paawon Bharadwaj
Publicity Designers - Himanshu & Rahul Nanda
Visual Promotions - Feed The Wolf
Marketing Consultant - Aparna Desai
Movie Details :
Banner: Balaji Telefilms, AKFC & Communication Network Production Pvt. Ltd
Starring Tabu, Kareena Kapoor Khan, Kriti Sanon, Diljit Dosanjh, and a special appearance by Kapil Sharma
Directed by Rajesh Krishnan
Produced by Shobha Kapoor & Anil Kapoor
Produced by Ektaa R. Kapoor & Rhea Kapoor
Music On Tips Industries Ltd.
Lyrics :
Oh Rutheya Khuda Khuda
Maine Liya Liya
Tera Naam Hazaaran Baari
Dil Mera Hua Tera
Tu Nasha Nasha Ni Mai Jaan Tere To Vaari
Meri Khud Se Badi Duri
Bas Teri Hai Jee Hazoori
Zamaan Kya He Samjhega
Dil Gawana Kyu Zaroori
(Haye Haye)
Naina Da Kehna
Ni Asi Tera Mukhda Dekhte Rehna Ni
Tu Te Meri Haina
Ishq De Ittar Rooh Ton Lehna Ni
Naina Da Kehna
Ni Asi Tera Mukhda Dekhte Rehna Ni
Tu Te Meri Haina
Ishq De Ittar Rooh Ton Lehna Ni
Naina Da Kehna
Paaji Mai Kya Keh Raha Tha Ki
Tere Aage Kya Hi Farmaaye
Banke Nasha Tu Ek Sar Chadh Jaye
Bas Fir Tu Hi Udaye
Tu Hi Giraye
Kholke Rakhde
Tu Meri Third Eye Haye Haye
Kaise Kahun Kya Main Karun Feel
Tujhe Nahi Pata Ke Tu Kare Mujhe Heel
Mujhe Jab Hath La****e
Paas Tu Aaye
Mera Sarr Ghoome Aisa Kya He Kardu Mai
Baby Youre A Mood Mood Mood
Baby Youre A Vibe Vibe Vibe
Uski Adaayein Dayein Bayein
Kaise Samjhayein Haye Haye
You Could Bring Your Crew Crew Crew
Take It To The Sky Sky Sky
Jo Na Karna Chahun
Mujhse To Wo Hi Karaaye Hai Haye
Naina Da Kehna
Ni Asi Tera Mukhda Dekhte Rehna Ni
Tu Te Meri Haina
Ishq De Ittar Rooh Ton Lehna Ni
Naina Da Kehna
Ni Asi Tera Mukhda Dekhte Rehna Ni
Tu Te Meri Haina
Ishq De Ittar Rooh Ton Lehna Ni
Naina Da Kehna
Oh Aaj Tu Bata De Mujhe Sab Soniye
Dinner Pe Leke Chalu Kab Soniye
Patli Kamar Baby
Mai Tera Lover Baby
Mujhse Bachale Tuhhe Rabb Soniye
Tujhko Pata Hai
Nasha Hai
Ishq Bala Hai Sohniae
Mujhko Hua Hai
Saza Hai
Thora Maza Hai
Soniye
Tera Hoke Mar Jaawani
Mai Ki Jag Toh Lehna Ni
Naina Da Kehna
Ni Asi Tera Mukhda Dekhte Rehna Ni
Tu Te Meri Haina
Ishq De Ittar Rooh Ton Lehna Ni
Naina Da Kehna
Ni Asi Tera Mukhda Dekhte Rehna Ni
Tu Te Meri Haina
Ishq De Ittar Rooh Ton Lehna Ni
Naina Da Kehna
Naina Da Khena
#diljitdosanjh #badshah #naina #crew #nainasong #kareenakapoorkhan #tabu #kritisanon #crewincinemasonmarch29 #hindisongs #newhindisong #newhindimovies #bollywoodsongs
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James Brown’s iconic single, “Super Bad,” originally released in 1971, was among his many, record-breaking, No. 1 R&B hits.
Directed By: Sara Serna
Producer: Dezi Catarino
Listen to Super Bad Pt 1 & 2 here: https://jamesbrown.lnk.to/SuperBadPt1and2
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Official music video for Busta Rhymes - Turn It Up (Remix) / Fire It Up [Explicit] from the 1998 single.
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⌨ https://twitter.com/BustaRhymes
Lyrics:
Uh ah uh uuuuuuuuuuuuuuuuuuuhhhhhhhahaha
Check it out
Flipmode squad
Raw deluxe sh*t
'98
Check it out
I be the street sh*t
The n*ggas your mama freak with
Put y'all n*ggas on it y'all know how to keep a secret
When I get money you know I like to keep it
How I get money n*ggas you try to peep it
Flipmode be n*ggas you wanna form a team with
Them get money n*ggas the ones to plot the scheme with
Them n*ggas that be used to getting money frequent
The ones that would always measure my triple beam with
Until they start taking my n*ggas to the precinct
That's all back in the day yo that ain't nothing recent
'Cause now-a-days it be bitches we like to speak with
Eat with
Lay them down and sleep with
Type of pussy make a n*gga wanna keep it
Shorty be so exotic she looking decent
Lot of corny n*ggas be offering wack free sh*t
I can't hold the heat no more yo I gotta release it
What ya'll wanna do
Don't you know we always coming through
Me and my crew
Let me hear you say fire it up (fire it up)
Say fire it up (fire it up)
To all my dogs that's straight blunted
Run around in the 500 all day
Let me hear you say fire it up (fire it up)
Say fire it up (fire it up)
C'MON!
Now, everytime that I meet a n*gga who fronting
It's alright 'cause you getting money and everybody want it
Smoke a big sliff
Get myself for a blunted
Fall on the floor and I gotta call my S500
Iceburg 5 where you at
No need for alarm
Right now I'm cruising to the sounds of my enhancing song
Hurry up 5
Ayyo you know it's about to get thick
I see this cat a way behind my back about to do a stick
Tell me where you at
I will be there in 10 seconds flat
You know I got your back
I'll be there just in time to counteract
Sometimes I'm unforget cooth
My S5 bulletproof
I turbo boost
And blast right through your motherf*cking roof
Coming through
Hitting you
Knocking out a n*gga's tooth
Full speed ahead like we running a toll booth
Produce more flavor than Very Fine juice
Call a truce
Before me and my n*ggas I'll let loose
All my ladies in the place to be
Getting money while they next to me
Let me see
Let me hear you say fire it up (fire it up)
Say fire it up (fire it up)
All my people just wave your hand
Getting money all across the land
One time
Let me hear you say fire it up (fire it up)
Say fire it up (fire it up)
C'MON!
Bleach the heat
You're letting loose to the extreme
Me and the Iceburg S5 bounce from the scene
Recline my seat rock to the beat
Leaning so hard, it's like my whole squad up in the Jeep
Blowing up the spot or we hit them know what I mean
Got you open we keeping you n*ggas up like caffine
Flying ghetto team
Seeing everything on my little computer screen
From here to Phillipine
Keep it moving we never run out of gasoline
Gas me you ossen a n*gga with kerosine
Me and my 5 be running some mission you've never seen
Hot sh*t making you n*ggas forever feen
Anyone of you coming, you better come clean
Hit you with an overdose of more rhyme and Phetamine
Got your eye blood shot you need Physine
n*ggas is wyling I think you need to read the sireen
What ya'll wanna do
Don't you know we always coming through
Me and my crew
Lemme hear you say fire it up (fire it up)
Say fire it up (fire it up)
To all my dogs that's straight blunted
Run around in the 500
All day
Lemme hear you say fire it up (fire it up)
Say fire it up (fire it up)
To all my ladies in the place to be
Getting money while they next to me
Let me see
Lemme hear you say fire it up (fire it up)
Say fire it up (fire it up)
To all my people just wave your hand
Getting money all across the land
One time
Lemme hear you say fire it up (fire it up)
Say fire it up (fire it up)
C'MON!
*******************
Busta Rhymes’ ability to combine the musical lineage of ragga with brilliantly original lyrics makes him one of the most respected MCs in hip hop history. After breaking with the group, Leaders of the New School, Rhymes released his first solo studio album “The Coming” (1996), which featured the hit single “Woo Hah!! Got You All In Check”.
His subsequent work has been met with cultural,critical, and commercial acclaim. His Elektra solo albums “When Disaster Strikes…” (1997), “Genesis” (2001), and “The Big Bang,” which debuted at No. 1 in 2006, represent just a portion of the prodigious artistic output that charted Busta Rhymes path to certified hip hop royalty.
Watch Busta’s groundbreaking collection of music videos on his official artist channel and subscribe to the channel to stay in touch.
Sule (BSF) - I Don't Need An Intro (New Official Music Video)
Black Soprano Family (BSF) artist Sule gifts fans with an official music video for "I Don't Need An Intro."
Shot by HiDeph @hidephatl
Instagram: https://www.instagram.com/hidephatl/
Produced by Mr. Harlem Zone @mrharlemzone and Nyckles @nycklesproductionz
Instagram: https://www.instagram.com/mrharlemzone/
Instagram: https://www.instagram.com/nycklesproductionz/
Sule's debut album "Written On Wides Corner" is available on all streaming platforms.
iTunes/Apple Music: https://music.apple.com/us/alb....um/written-on-wides-
Spotify: https://open.spotify.com/album..../7cMy3XnSVSkqwVJhl87
℗ 2024 Black Soprano Family LLC & EQ Distribution
Follow Sule @sulebsf
Instagram: https://www.instagram.com/sulebsf/
Twitter: https://twitter.com/SulesMusic
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Instagram: https://www.instagram.com/paperchaserdotcom/
X/Twitter: https://twitter.com/PaperChaserBlog
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Threads: https://www.threads.net/@paperchaserdotcom
Website: https://www.paperchaserdotcom.com/
#Sule #WrittenOnWidesCorner #IDontNeedAnIntro #BSF #BlackSopranoFamily
#WantingAndWaiting - listen now: https://orcd.co/wantingandwaiting
#HappinessBastards - album out March 15: https://orcd.co/happinessbastards
#HappinessBastardsTour | 35 cities across North America + Europe | Get Tickets: http://TheBlackCrowes.com
“Wanting And Waiting” Produced by: Jay Joyce
Production Companies: Columinati Films & Ursidae Parade
Directed by: Chris Acosta & Chris Phelps
Executive Producer: Mark DiDia
Producers: Zebulon Griffin & Tim Oakley
Art Director: Ryan Scott Fitzgerald
Production Designer: Steve Phelps
Director of Photography: Mario Contini
1st AC: Ben Brady
2nd AC: Tamara Arroba
Steadicam Camera Operator: Brian Sergott
Gaffer: Michael Creasy
Key Grip: JQ Da Silva
Best Boy Electric: Kurt Myers
Best Boy Electric: Joel Reaves
Best Boy Grip: Johnathan Le
Grip: Ryan Swain
PM: Robyn Griffin
PC: Erin Mackey
Key PA: Ryan Denman
PA: Kevin Alcantar
PA: Dave Matoza
PA: Nat Dugdale
Colorist: Brian Krijgsman
Filmed at SV Studios, LA/CA
Follow The Black Crowes:
https://www.theblackcrowes.com
@theblackcrowes
#TheBlackCrowes
http://vevo.ly/IUNI9I
Featured on 'The Collective,' the new album from Kim Gordon out March 8th. Preorder and pre-save the album here: https://kimgordon.ffm.to/thecollective
Stream "Psychedelic Orgasm": https://kimgordon.ffm.to/psychorg
Stream "I'm a Man": https://kimgordon.ffm.to/imaman
Stream "BYE BYE": https://kimgordon.ffm.to/byebye
See Kim Gordon live: https://kimaltheagordon.com/
Directed by:
Vice Cooler @vicecooler
Kim Gordon @kimletgordon
Edited by:
Vice Cooler
Camera Ops:
Kim Gordon
Linus Gordon
Vice Cooler
https://www.instagram.com/kimletgordon/
https://www.facebook.com/KimGordonOfficial/
https://twitter.com/KimletGordon
#KimGordon
From the album "Between The Shadows". Pre-order here: https://orcd.co/betweentheshadows
Subscribe To Frontiers Music Srl YouTube Channel: http://radi.al/SubscribeFrontiers
"CHILDREN OF THE NIGHT" Lyrics:
Like a dream you’re in my mind
Do anything to stop the time
I can’t sit still, I’m ready to break
I’m all in, it’s all at stake
Everybody knows you give what you take
So, what are you gonna do?
We are all the children of the night
Somewhere lost between the shadows and the light
Round and round from the hell and back again
(Somewhere between the shadows)
We are all the children of the night
We were young and freakin’ out
Hypnotized by the midnight hour
Waking up on the morning train
Feeling tired and feel no pain
Life is good, no complaints
Remember all the times the party never ended
We are all the children of the night
Somewhere lost between the shadows and the light
Round and round from the hell and back again
(Somewhere between the shadows)
We are all the children of the night
That’s right
We are the children of the night
We are the children of the night
You know you can’t stop us now
We are all the children of the night
Somewhere lost between the shadows and the light
Round and round from the hell and back again
(Somewhere between the shadows)
We are all the children of the night
That’s us
Out of the shadows
We are the children of the night
THANK YOU FOR LISTENING!
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