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More info on Wikipedia ❯ https://en.wikipedia.org/wiki/TopPop
Broadcast date: 1975-02-08
This is to let you know that the video recording of the video clip was originally recorded by AVROTROS Broadcasting. AVROTROS Broadcasting hereby warrants and represents that it is the sole and exclusive owner of the physical film and/or videotape footage in this video clip.
The performance of the artist(s) in the clip was filmed and recorded with the written consent of the artist(s) and their representatives.
AVROTROS is a Dutch radio and television broadcaster, founded in 2014 from a merger of AVRO and TROS. From January 1st, 2014 the name of the merged broadcaster was used in joint programmes. AVRO was founded in 1923 as the Netherlands first public broadcaster. TROS started broadcasting in 1964. Toppop was a weekly AVRO pop program that was aired between 1970 and 1988.
AVROTROS Broadcasting
PO Box 2
1200 JA Hilversum
The Netherlands
TopPop was the first regular dedicated pop music TV show in the Dutch language area. Dutch broadcaster AVRO aired the programme weekly, from 1970 to 1988. Presenter Ad Visser hosted the show for its first fifteen years.
World famous music artists performed on TopPop: ABBA, 10CC, Bee Gees, The Jacksons with Michael Jackson, David Bowie, Earth & Fire, Queen, Golden Earring, Boney M, KC & The Sunshine Band, Chic, Donna Summer and many many more.
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“In the Closet” by Michael Jackson
Listen to Michael Jackson: https://MichaelJackson.lnk.to/_listenYD
The “In The Closet” short film was a stunning departure from Michael Jackson’s previous work—a sensual dance filmed in Salton Sea, California with supermodel Naomi Campbell, and iconic fashion photographer Herb Ritts in the director’s chair. This short film took home an MTV Video Music Award for Best Choreography!
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Facebook: https://MichaelJackson.lnk.to/_followYS/facebook
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Chorus:
She wants to give it
(She wants to give it, she wants to give it) Dare me
(She wants to give it, she wants to give it)
She wants to give it
(She wants to give it, she wants to give it) Yea
(She wants to give it, she wants to give it)
#MichaelJackson #Dangerous #InTheCloset
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Directed by Cole Stevenson
Filmed & Edited by Colton Davis
Produced by C Lance
Mixed and Mastered by Nato Down & Shea Micheal
SZA - SOS (Karaoke Version)
#SZA #SZAKaraoke #SOS #SOSKaraoke #2022karaoke #KARAOKeJ #karaoke #karaok #instrumentalkaraoke #SZANewSong #SZAtypebeat #SZA2022 #hitdifferent #gooddays #Karaoke2022 #SOSAlbum #SZASOS #SOSSZA
Watch the Karaoke Video of the song "SOS" by "SZA" From "SOS" made by KARAOK&J.
Lyrics by:
A & J Entertainment
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TXT (투모로우바이투게더), Jonas Brothers 'Do It Like That' Official MV
Production : STUDIO SACCHARIN
Director : Yongsoo Kwon
1st AD : Wonsik You
2st AD : Seoyoung Son
Editor : Heegyeong Kwon
Assistant Editor : Chaehyun Kim
Director of photography : Chihoon Ihm
1st Camera Assistant : Kwangmo Kim
2nd Camera Assistant : Jeongpil Ho
Data Manager : Hyunji Kim
3rd Camera Assistant : Gaeul Park
Gaffer : Kwon hoon ho
1st : Kim dae jin
2nd : Kim min seo
3rd : Noh hyung woo
4th : Han jae young
DI - LUCID COLOUR
COLORLIST - Haewon Kwak
CREW - Seonyoung Lee, Sujeong Park, Daseul Kim, Dongwo Jo, haewon Park, Jangwon Yoon
PRUDUCER- Onew Kim
2D - Hyeji Kim
__
[SERVICING PRODUCTION COMPANY]
WASSUB PRODUCTION
EXECUTIVE PRODUCER : TOMMY SUB LEE
PRODUCER : SOMANG GWAK
[LOCAL PRODUCTION]
PRODUCTION
SUPERVISING PRODUCER : VERONICA KIM
ASSISTANT PRODUCER : MICHAEL KIM
CAM TRUCK PA : ERIC CHOI
SET PA : KARSTEN HALL
SET PA : ROMEO APALIT
CAMERA
1ST AC : LUKE IM
2ND AC : LY TRAN
DIT : STAN PAIK
VTR : JASON JOHNSON
STILLS
1st Photo Asst : WRAY SINCLAIR
ELECTRIC
GAFFER : BRIAN RED HICKMAN
BB ELECTRIC : MATT HALL
ELECTRIC : CAMILO FIGUEROA, DICK SMART, CARLOS GOMEZ
LIGHTING PROGRAMMER : GIDEON MARKHAM
GRIP
KEY GRIP : MYNOR PRIESING
BB GRIP : JAKE KOENIG
GRIP : STEVE O'HOLLEARN
GRIP : MAXIMUS GILLETTE
ART
PROP MASTER : CHLOE KIRK
SET DECORATOR : RICO TURRUBIARTE
CATERING : GALLAGHER'S CATERING INC
CRAFTY : DAISY PADILLA
Connect with TOMORROW X TOGETHER:
https://ibighit.com/txt
https://twitter.com/TXT_bighit
https://twitter.com/TXT_members
https://www.facebook.com/TXT.bighit
https://www.instagram.com/txt_bighit
https://www.tiktok.com/@txt.bighitent
https://weverse.io/txt
https://www.weibo.com/TXTbighit
https://space.bilibili.com/3493085912763265/
BIGHIT MUSIC. Rights are reserved selectively in the video. Unauthorized reproduction is a violation of applicable laws. Manufactured by BIGHIT MUSIC, Seoul, Korea.
#투모로우바이투게더 #TOMORROW_X_TOGETHER #TXT #JonasBrothers #DoItLikeThat
This karaoke version has been produced by Zoom Karaoke and the recording rights are owned and controlled by Zoom Entertainments Limited - www.zoomkaraoke.co.uk
Song lyrics:
UH! UH! UH! UH!
HA-HA, HA-HA
WHAT, WHAT, WHAT, WHAT
UH!
ON YOUR MARK, READY, SET
LET'S GO, DANCE FLOOR PRO
I KNOW, YOU KNOW, I GO PSYCHO
WHEN MY NEW JOINT HIT
YOU JUST CAN'T SIT
GOTTA GET JIGGY WIT' IT
OOH, THAT'S IT
NOW HONEY, HONEY, COME RIDE
D.K.N.Y. ALL UP IN MY EYE
YOU GOT A PRADA BAG
WITH A LOT-A STUFF IN IT
GIVE IT TO YOUR FRIEND
LET'S SPIN
EVERYBODY LOOKIN' AT ME
GLANCIN' THE KID
WISHIN' THEY WAS
DANCIN' A JIG
HERE WITH THIS HANDSOME KID
CIGA-CIGAR
RIGHT FROM CUBA, CUBA
I JUST BITE IT
IT'S FOR THE LOOK
I DON'T LIGHT IT
ILLWAY THE AN-MAY
ON THE ANCE-DAY OOR-FLAY
GIVE IT UP, JIGGY
MAKE IT FEEL LIKE FOREPLAY
YO, MY CARDIO IS INFINITE
HA-HA
BIG WILLIE STYLE'S ALL IN IT
GETTIN' JIGGY WIT' IT
GETTIN' JIGGY WIT' IT
GETTIN' JIGGY WIT' IT
GETTIN' JIGGY WIT' IT
WHAT
YOU WANNA BALL WITH THE KID
WATCH YOUR STEP
YOU MIGHT FALL
TRY'NA DO WHAT I DID
MAMA, MAMA
MAMA, COME CLOSER
IN THE MIDDLE OF THE CLUB
WITH THE RUB-A-DUB, UH!
NO LOVE FOR
THE HATERS, THE HATERS
MAD, 'CAUSE I GOT
FLOOR SEATS AT THE LAKERS
SEE ME ON THE FIFTY YARD LINE
WITH THE RAIDERS
MET ALI, HE TOLD ME
I'M THE GREATEST
I GOT THE FEVER
FOR THE FLAVOUR
OF A CROWD-PLEASER
D.J. PLAY ANOTHER
FROM THE PRINCE OF THIS
YOUR HIGHNESS
ONLY BAD CHICKS
RIDE IN MY WHIP
SOUTH TO THE WEST
TO THE EAST TO THE NORTH
BOUGHT MY HITS
AND WATCH THEM GO OFF
A-GO OFF
AH, YES, YES, Y'ALL
YA, DON'T STOP IN THE WINTER
OR THE SUMMERTIME
I MAKES IT HOT
GETTIN' JIGGY WIT' 'EM
GETTIN' JIGGY WIT' IT
GETTIN' JIGGY WIT' IT
GETTIN' JIGGY WIT' IT
EIGHT-FIFTY I.S.
IF YOU NEED A LIFT
WHO'S THE KID IN THE DROP
WHO ELSE, WILL SMITH
LIVIN' THAT LIFE
SOME CONSIDER A MYTH
ROCK FROM SOUTH STREET
TO ONE-TWO-FIFTH
WOMEN USED TO TEASE ME
GIVE IT TO ME NOW
NICE AND EASY
SINCE I MOVED UP
LIKE GEORGE AND WEEZIE
C.R.E.A.M. TO THE MAXIMUM
I BE ASKIN' 'EM
WOULD YOU LIKE TO BOUNCE
WITH THE BROTHER
THAT'S PLATINUM
NEVER SEE WILL ATTACKIN' 'EM
RATHER PLAY BALL
WITH SHAQ AND 'EM
FLATTEN 'EM
PSYCH, KIDDIN'
THOUGHT I TOOK A SPILL
BUT I DIDN'T, TRUST
THE LADY OF MY LIFE
SHE HITTIN'
HIT HER WITH A DROP TOP
WITH THE RIBBON
CRIB FOR MY MOM ON
THE OUTSKIRTS OF PHILLY
YOU TRY'NA FLEX ON ME
DON'T BE SILLY
GETTIN' JIGGY WIT' IT
GETTIN' JIGGY WIT' IT
GETTIN' JIGGY WIT' IT
GETTIN' JIGGY WIT' IT
UH! UH!
Taken from their fourth album Deep Purple In Rock, the band performs 'Child In Time' live on the British TV show "Doing Their Thing".
The performance features the "Mark II line-up": Ritchie Blackmore, Ian Gillan, Roger Glover, Jon Lord and Ian Paice.
Footage licensed from ITV Archive. All rights reserved.
Make sure to subscribe to the official Deep Purple Channel for more amazing videos: http://bit.ly/WOMNq2
#DeepPurple
”Taken for a Fool” by The Strokes from the album "Angles"
Listen to The Strokes: https://thestrokes.lnk.to/listenYD
Subscribe to The Strokes YouTube channel: https://TheStrokes.lnk.to/subscribeYD
Watch more videos by The Strokes: https://thestrokes.lnk.to/listenYD/youtube
Follow The Strokes:
Facebook: https://TheStrokes.lnk.to/followFI
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Twitter: https://TheStrokes.lnk.to/followTI
Website: https://TheStrokes.lnk.to/followWI
Spotify: https://TheStrokes.lnk.to/followSI
Lyrics:
You get taken all the time for a fool
I don't know why
You're so gullible but I don't mind
Oh, that's not the problem
And I don't need anyone with me right now
Monday, Tuesday is my weekend
You get taken for a fool all the time
I don't know why
#TheStrokes #TakenforaFool #Rock #IsThisIt
Franz Ferdinand - "Curious" from the forthcoming album 'Hits To The Head' out now on Domino Record Co.
Subscribe to Franz Ferdinand on YouTube: https://smarturl.it/FranzYT
Stream & save "Curious": https://franzferdinand.ffm.to/curious
Order & stream 'Hits To The Head': https://smarturl.it/HitsToTheHead
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YouTube: https://smarturl.it/FranzYT
Website: http://franzferdinand.com
Facebook: http://smarturl.it/FranzFB
Twitter: http://smarturl.it/FranzTW
Instagram: http://smarturl.it/FranzIN
Spotify: http://smarturl.it/FranzSP
Apple Music: http://smarturl.it/FranzAM
Follow Domino Record Co:
YouTube: http://smarturl.it/DominoYT
Website: http://smarturl.it/DominoRecordCo
Facebook: http://smarturl.it/DominoFB
Twitter: http://smarturl.it/DominoTW
Instagram: http://smarturl.it/DominoIN
FEATURING : ALEX KAPRANOS, BOB HARDY, JULIAN CORRIE, DINO BARDOT & AUDREY TAIT
DIRECTED & PRODUCED : ANDY KNOWLES
PRODUCTION COMPANY : RALPH
COMMISSIONER : JOHN MOULE
LABEL : DOMINO
CHOREOGRAPHED BY : ANDERS HAYWARD
PRODUCTION MANAGER: ANDREA ÅBERG
1ST ASSISTANT DIRECTOR : MARK MCPADDEN
DIRECTOR OF PHOTOGRAPHY : JONATHAN ILES
LIGHTING DESIGNER : ELLIOTT LINEHAN-CROSS
FOCUS PULLER : PETE WADE
STEADICAM OPERATOR : DREW TATE
2ND AC : JAKE GANLEY
SPARK : TOBY MARTIN
SPARK : JOEY ROGERS
DIT : MOOSE KRUIZENGA
PLAYBACK : JOHN BIGGS
ART DEPT : LAURA HART
STYLIST : PHIL BUSH
STYLIST ASSISTANT : ZOE VICTOIRE
HAIR : ELLE CLANCY
MAKE-UP : HOLLY DAVIES
EDIT : SIMON LEWIS
COLOURIST : DAVE LUDLAM @ RASCAL POST
http://vevo.ly/6VGP9R
This karaoke version has been produced by Zoom Karaoke and the recording rights are owned and controlled by Zoom Entertainments Limited - www.zoomkaraoke.co.uk
Song lyrics:
SO, IF YOU'RE LONELY
YOU KNOW I'M HERE
WAITING FOR YOU
I'M JUST A CROSS-HAIR
I'M JUST A SHOT
AWAY FROM YOU
AND IF YOU LEAVE HERE
YOU LEAVE ME BROKEN
SHATTERED, I LIE
I'M JUST A CROSS-HAIR
I'M JUST A SHOT
THEN WE CAN DIE, AAH...
I KNOW I WON'T
BE LEAVIN' HERE
WITH YOU...
I SAY DON'T YOU KNOW
YOU SAY YOU DON'T KNOW
I SAY
TAKE ME OUT
I SAY YOU DON'T SHOW
DON'T MOVE, TIME IS SLOW
I SAY
TAKE ME OUT
I SAY YOU DON'T KNOW
YOU SAY YOU DON'T KNOW
I SAY
TAKE ME OUT
IF I MOVE, THIS COULD DIE
IF EYES MOVE
THIS COULD DIE
I WANT YOU
TO TAKE ME OUT
I KNOW I WON'T
BE LEAVIN' HERE
OH, I KNOW I WON'T
BE LEAVIN' HERE
I KNOW I WON'T
BE LEAVIN' HERE
I KNOW I WON'T
BE LEAVIN' HERE
WITH YOU
I SAY DON'T YOU KNOW
YOU SAY YOU DON'T KNOW
I SAY
TAKE ME OUT
IF I WANE THIS COULD DIE
I WAKE THIS COULD DIE
I WANT YOU
TO TAKE ME OUT
IF I MOVE, THIS COULD DIE
EYES MOVE
THIS CAN DIE
COME ON...
TAKE ME OUT
I KNOW I WON'T
BE LEAVIN' HERE
OH, I KNOW I WON'T
BE LEAVIN' HERE
I KNOW I WON'T
BE LEAVIN' HERE
I KNOW I WON'T
BE LEAVIN' HERE
WITH YOU
http://KEXP.ORG presents Brittany Howard performing live in the KEXP studio. Recorded November 18, 2019.
Songs:
Stay High
Georgia
He Loves Me
Presence
Host: Cheryl Waters
Audio Engineer: Kevin Suggs
Cameras: Jim Beckmann, Alaia D'Alessandro, Scott Holpainen & Justin Wilmore
Editor: Jim Beckmann
http://kexp.org
https://brittanyhoward.com
From the Grammy-winning debut solo album “Jaime” out now.
Stream/download the new 'Jaime' remixes: https://smarturl.it/JaimeRemixes
Order limited edition vinyl at the Official Store: http://smarturl.it/brittanyhoward/officialstore
Listen/Buy from Favorite Retailer: https://smarturl.it/brittanyhoward
Credits:
Director: Danny Clinch
Director of Photography: Josh Goleman
Producer: Robert H. Dyar Jr
Audio Engineer: Craig Alvin
Assistant Engineer: Zachary Pancoast
Audio Mixed by: Shawn Everett
Filmed at Sound Emporium Studios in Nashville, TN on July 30, 2019.
Vocals and guitar: Brittany Howard
Drums: Nate Smith
Bass: Zac Cockrell
Keyboards: Robert Glasper, Paul Horton, Lloyd Buchanan
Guitars: Alex Chakour, Brad Allen Williams
Background Vocals: Karita Law, Shanay Johnson
HE LOVES ME:
I don’t go to church anymore
I know He still loves me
I know He still loves me when I’m smoking blunts
Loves me when I’m drinking too much
He loves me then (yeah!)
He loves me when I do what I want
He loves me
He doesn’t judge me
Yes, He loves me!
I don’t need to know why
Cause, I know what love means…
I don’t need forgiving
I know He still loves me when I’m smoking blunts
Loves me when I’m drinking too much
He loves me then (yeah!)
He loves me when I do what I want
He loves me
He doesn’t judge me
Yes, He loves me!
http://vevo.ly/Q0FgOt
From the Grammy-winning debut solo album “Jaime” out now.
Stream/download the new 'Jaime' remixes: https://smarturl.it/JaimeRemixes
Order limited edition vinyl at the Official Store: http://smarturl.it/brittanyhoward/officialstore
Listen/Buy from Favorite Retailer: https://smarturl.it/brittanyhoward
Credits:
Director: Danny Clinch
Director of Photography: Josh Goleman
Producer: Robert H. Dyar Jr
Audio Engineer: Craig Alvin
Assistant Engineer: Zachary Pancoast
Audio Mixed by: Shawn Everett
Filmed at Sound Emporium Studios in Nashville, TN on July 30, 2019.
Vocals and guitar: Brittany Howard
Drums: Nate Smith
Bass: Zac Cockrell
Keyboards: Robert Glasper, Paul Horton, Lloyd Buchanan
Guitars: Alex Chakour, Brad Allen Williams
Background Vocals: Karita Law, Shanay Johnson
STAY HIGH:
I already feel like doing it again, honey
Cuz once you know, then you know and you don’t wanna go
Back to wherever it is that you come from, yeah
I just want to stay high with you
Cuz where I come from everybody frowns and walks around with that ugly thing on their face
And where I come from we work hard and grind and hustle all day (yes! we do!)
There comes a time
There comes a time at night where we get to play
And we smile and laugh
And jump and clap and
Yell and holler and just feel great!
I just want to stay high with you
So, don’t question my state of mind
I’m doing wonderful just fine, thank you. (Thank you!)
Everything is everything and everything is beautiful
(How did you get like that?)
See all I do is keep it cool and don’t worry bout what everyone is doing
I already feel like doing it again, honey!
I just want to stay high with you
http://vevo.ly/B7s1so
Official music video for "Hold On" - the first single off Alabama Shakes' debut record Boys & Girls. Out now on ATO Records and Rough Trade.
Download on iTunes: http://smarturl.it/boys-girls
Buy CD & vinyl: http://ow.ly/9Zr2d
Directed by Stephen Shirk and Chris Hershman.
Artist: The Zenith Passage
Song: Synaptic Depravation
BUY/STREAM - https://orcd.co/SynapticDepravation
_____________________________________________
Release Date: April 1st 2022
Label: Unique Leader Records
Genre: Technical Death Metal
_____________________________________________
The Zenith Passage is:
Derek "Demon Carcass" Rydquist - Vocals
Brandon Giffin - Bass
Justin McKinney - Guitar
Chris Beattie - Guitar
Matt Paulazzo - Drums
Lyrics written by Derek Rydquist
Music written by Justin McKinney
Bass Arrangement by Brandon Giffin
Video Shot by Nicole Papastavrou
Edited by Dylan Gould
Recorded by Justin McKinney
Mixed and Mastered by Zack Ohren at Castle Ultimate, with additional mixing by Justin McKinney
Lyrics
-----
"Gazing anguished
Into the abyss that doesn’t stare back
To see all life unfolded
Observed in a scattered, thrashing wavelength
That is as meaningless as the constraints that define it,
Immeasurably disappointing
At the forefront of the expansion of consciousness
We are marched towards an inevitability
A renaissance of nothingness
The vanguard of mediocrity
A celebration of the failing circuit
Unintelligible stimuli
A reaction without incitement
Creating an imbalance felt throughout every configurable possibility of realities
Targeted pacification to weaken the individual sense of self
The attrition of abstraction
Diminished organic filtering
Bottlenecked by faltering processes
Watch as the program runs endless cycles
Spiraling corrosive enchantment
Secluded synapse
Heralded foreboding of depravity
A static directive to infiltrate the mind
Deluge of ignorance in wake of forsaken admonishment
Imminent unknown atrocities buried in labyrinthine vacancies"
Buy here: http://www.metalblade.com/thezenithpassage
Offers the band of "Divinertia II," "Lyrically, this song is about the panic that ultimately causes what we can consider a Big Bang within the context of Datalysium. In Part I, we explore a universal totality that exists in a closed loop. At some point it gets wise to the idea of 'more.' In 'Divinertia II,' this idea manifests 'more' into existence, unexpectedly splitting into the known and unknown realities that we exist in today, all borne of confusion and fear.
"Musically, we explore and expand on a motif and counterpoint theme, which evolves into various tempos and momentum. A majority of this song is just one riff played at various speeds using a familiar rhythmic motif throughout. The evolving tempos are all derivatives of triplet, as a nod to the number of the universe, 333."
"Datalysium" was recorded between McKinney's home studio and Rydquist's apartment, with some vocals tracked at Flatline Audio with Dave Otero (Cattle Decapitation, Wake), who also mixed the album. McKinney handled the tracking, while they brought in Ryan Williams (The Black Dahlia Murder, John Frum) to produce some of the bass and vocals.
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THE ZENITH PASSAGE
Derek Rydquist: Vocals
Justin McKinney: Guitar
Chistopher Beattie: Guitar
Brandon Giffin: Bass
Directed & Edited by:
Vince Edwards
Lights & Laser Programming:
Sean Krell
Camera Operators:
Stephanie Cabral
Nicole Papastavrou
Grip / Hydro Tech:
Ryan Williams
Divinertia II
Music: Beattie/McKinney Lyrics: Rydquist
The exit velocity of a fragmenting quandary
A propulsive fracturing of all matter born of instinct
The point unfolding, aligning
Space imagined, elongated
Split then flattened, severance
Disappearing from whence was nothingness
A particulate new truth ushering extrinsic expanse
Extrapolating from one
A unary system broken out to sheer complexity
Insular proclivities
The first notion of fear leads to absolute singular ambition
Ulterior intentions of reducing the binary to the source
Pantophobia
Concomitant displacement causing a mass disorientation
The curiosity of sharing a vision of reality retracted
Awareness of Duration
Entangled in the infinite
Temporal fluctuation from an encumbered state
Dimensional retracing to rejoin every plane
A particulate new truth ushering extrinsic expanse
Extrapolating from one
A unary system broken out to sheer complexity
Propensity to reset to the incepting point
The exit velocity of a fragmenting quandary
A propulsive fracturing of all matter born of instinct
#thezenithpassage #techdeath
ARTIST: The Zenith Passage
ALBUM: Datalysium
RELEASE DATE: 07/21/2023
US Store: https://www.indiemerch.com/met....albladerecords/band/
EU Store: https://eu.kingsroadmerch.com/....metal-blade/artist/1
01. The Axiom of Error (00:00)
02. Algorithmic Salvation (02:27)
03. Lexicontagion (05:57)
04. Synaptic Depravation (09:38)
05. Deletion Cult (15:50)
06. Divinertia I (21:04)
07. Divinertia II (26:20)
08. Automated Twilight (31:43)
09. Datalysium (38:44)
Order here: https://www.metalblade.com/thezenithpassage
While far too many progressive and technical death metal bands are happy to walk the same path and stick to a tried-and-true sound, on their second full-length The Zenith Passage forge new and exhilarating territory. From start to finish, Datalysium is driven by imagination, and played by artists who have full command of their instruments, creating something that stands out of any pack while maintaining what made them such a riveting proposition in the first place. When asked to describe the record, the band do so vividly: "Imagine if Necrophagist and Meshuggah were married, and Cynic and Extol got married, then years later they went to a swingers party to spice up their relationships, which then became a regular thing. From this, they all had a kid together, no one knows who the biological father is, but that's cool because they're co-parenting. That kid then grows up, idolizing David Lynch, Ridley Scott and film noir. He then goes to film school for a couple of years, but drops out because he'd rather play synth music, but ends up broke and homeless. Then Datalysium would be that kid."
The album was recorded between McKinney's home studio and Rydquist's apartment, with some vocals tracked at Flatline Audio with Dave Otero (Cattle Decapitation, WAKE), who also mixed the album. McKinney handled the tracking, while they brought in Ryan Williams (The Black Dahlia Murder, John Frum) to produce some of the bass and vocals. Having been friends with Williams for years, it felt natural to have him be a part of the recording process, while Otero also contributed profoundly. A longtime friend of McKinney, this is the first time they have actually collaborated on a record. "Dave is the kind of dude that just gets it, when going for the sound or idea we have in mind, even bringing an idea to light that we never even thought to do and collaborating and expanding on these ideas further. We were expecting some really epic stuff from Dave, but the end result of that has proved to be way more than those expectations."
THE ZENITH PASSAGE
Derek Rydquist: Vocals
Justin McKinney: Guitar
Chistopher Beattie: Guitar
Brandon Giffin: Bass
Directed & Edited by:
Vince Edwards
Lights & Laser Programming:
Sean Krell
Camera Operators:
Stephanie Cabral
Nicole Papastavrou
Grip / Hydro Tech:
Ryan Williams
LYRICS
Look into the eyes of a god, what is there to be seen?
A simple reflection of ignorance
An encoded message that doesn’t make sense
Suppression of cognition through a language that can’t be interpreted by lesser beings
Willing participants, blissed in their slavery
With empty promises, fervor unwavering
As stagnancy becomes weaponized
Wide aphasia
Vast veiled persuasion
Distracted by subduing sentiment
Conventions evolve within a ruling set
Obfuscated Revelation
Devoid of reason, follow to do what’s been foretold
The framework for all that’s known
Prolonging sufferance through the spreading of knowledge permitted outside of their reach
At the benighted ascendant’s behest
Diction trusted
Tainted influence
Controlled parsing
An obscured reference
Disillusioned
Wide aphasia
Vast veiled persuasion
Distracted by subduing sentiment
Conventions evolve within a ruling set
Disillusioned
#thezenithpassage #metalblade #technicaldeathmetal #datalysium
Buy here: https://www.metalblade.com/thezenithpassage
The title track from The Zenith Passage's "Datalysium" album.
While far too many progressive and technical death metal bands are happy to walk the same path and stick to a tried-and-true sound, on their second full-length The Zenith Passage forge new and exhilarating territory. From start to finish, Datalysium is driven by imagination, and played by artists who have full command of their instruments, creating something that stands out of any pack while maintaining what made them such a riveting proposition in the first place. When asked to describe the record, the band do so vividly: "Imagine if Necrophagist and Meshuggah were married, and Cynic and Extol got married, then years later they went to a swingers party to spice up their relationships, which then became a regular thing. From this, they all had a kid together, no one knows who the biological father is, but that's cool because they're co-parenting. That kid then grows up, idolizing David Lynch, Ridley Scott and film noir. He then goes to film school for a couple of years, but drops out because he'd rather play synth music, but ends up broke and homeless. Then Datalysium would be that kid."
Directed by: Vince Edwards & The Zenith Passage
Edited by: Dylan Gould | StayGoulden
Camera Op: @NicolePapastavrou
Lights & Laser Programming: Sean Krell
Datalysium
Music: McKinney Lyrics: Rydquist
Patiently, it awaits
Biding time, drifting away
The design taking shape
To condense its domain
An initiative instilling all things to bring on their own finality
To escape decay, transmute the bases and transcend
Bound disorderly, architecting the means to their end
Reorganizing into salient, definitive manifestation
Conceit is passed from the prime source
Material motivation
Salvation is promised comfort
Immaterial curation
All progression is a machination of amalgamation
Conglomerating the Anthropocene’s futile history
Human achievement - a system function reduced, nonexistent
To escape decay, transmute the bases and transcend
Bound disorderly, architecting the means to their end
Reorganizing into salient, definitive manifestation
Enveloped in a spectrum of diversion
The unity that they seek serves not the peace they envision
Conceit is passed from the prime source
Material motivation
Salvation is promised comfort
Immaterial curation
All progression is a machination of amalgamation
Free to worship at the altar of perceived choice
Be it man or beast or machine or what comes after
None are their own master
All will become absorbed, returned to the source
#thezenithpassage #metalblade #techdeath #deathmetal
Stone Sour's video for 'Gone Sovereign/Absolute Zero' from the album, House of Gold & Bones, Pt. 1 - available now on Roadrunner Records. Buy the album now on iTunes: http://smarturl.it/hogap1
House of Gold & Bones Part 2 on iTunes: http://smarturl.it/hogabp2
Subscribe: http://bit.ly/171a3Ya
Site: http://www.stonesour.com/
Facebook: https://www.facebook.com/stonesour
Twitter: https://twitter.com/WeAreStoneSour
Instagram: http://instagram.com/wearestonesour
Stone Sour's music video for 'Through Glass' from the album, Come What(ever) May - available now on Roadrunner Records.
- CD: http://smarturl.it/StoneSourHOFBPT2CD
- iTunes: http://smarturl.it/hogabp2
- Stream: http://smarturl.it/HouseofGoldpt2Stream
Come What(ever) May on iTunes: http://smarturl.it/comewhatevermay
Subscribe: http://bit.ly/171a3Ya
Site: http://www.stonesour.com/
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Instagram: http://instagram.com/wearestonesour
LYRICS
I'm looking at you through the glass
Don't know how much times has passed,
Oh God it feels like forever, but no one ever tells you that
Forever feels like home, sitting all alone inside your head
Cause I'm looking at you through the glass
Don't know how much times has passed,
Oh God it feels like forever, but no one ever tells you that
Forever feels like home, sitting all alone inside your head
How do you feel? That is the question.
But I forget you don't expect an easy answer.
When something like a soul becomes initialized and folded up like
Paper dolls and little notes, you can't expect a bit of hope
So while you're outside looking in, describing what you see
Remember what you're starting at is me.
Cause I'm looking at you through the glass
Don't know how much times has passed,
Oh God it feels like forever, but no one ever tells you that
Forever feels like home, sitting all alone inside your head
How much is real? So much to question.
An epidemic of the mannequins contaminating everything
We thought came from the heart, but never did right from the start
Just listen to the noises - null and void instead of voices
Before you tell yourself it's just a different scene
Remember it's just different from what you see
I'm looking at you through the glass, don't know how much times has passed,
All I know is that it feels like forever, but no one ever tells you that
Forever feels like home, sitting all alone inside your head
And it's the stars, the stars that shine for you
And it's the stars, the stars that lie to you
And it's the stars, the stars that shine for you
And it's the stars, the stars that lie to you
I'm looking at you through the glass, don't know how much times has passed,
All I know is that it feels like forever, but no one ever tells you that
Forever feels like home, sitting all alone inside your head
Cause I'm looking at you through the glass
Don't know how much times has passed,
Oh God it feels like forever, but no one ever tells you that
Forever feels like home, sitting all alone inside your head
And it's the stars, the stars that shine for you
And it's the stars, the stars that lie to you
And it's the stars, the stars that shine for you
And it's the stars, the stars that lie to you