Latest videos
Official HD music video for “Everybody’s Fool,” taken from the band’s multi-platinum debut Fallen.
Evanescence are celebrating the 20th anniversary of Fallen with a series of special reissues via Craft Recordings.
Details/order: https://found.ee/fallen20
Available on Deluxe 2-LP, 2-CD, and Digital — as well as a Super Deluxe Edition collector’s box set — Fallen (20th Anniversary Edition) offers newly remastered audio, including the album’s singles “My Immortal,” “Going Under,” “Everybody’s Fool,” and “Bring Me To Life.” The expanded set also includes a trove of bonus material – ten tracks in all – comprising previously-unreleased demos and live recordings plus a selection of rare B-sides. Alongside reimagined artwork, all physical formats will include previously-unseen photos from the era, plus a handwritten foreword by Amy Lee, who oversaw all aspects of the reissue. The Deluxe vinyl, CD and digital configurations are out now.
Available exclusively at Evanescence.com is the Super Deluxe Box Set, arriving February, 2024. Housed in a collectible shadow box-style package (inspired by Amy’s songwriting journal cover art), this limited edition includes all of the above-mentioned music as part of a 2-LP set (featuring a Black & Silver blend vinyl) plus a bonus cassette of previously unreleased demos and voice notes which is exclusive to this box set. Adding additional insight into the album is an expansive book which features new track-by-track notes from Lee, while a zoetropic turntable slipmat, rare photo prints, and enamel pin set round out the collection.
Subscribe to Evanescence on YouTube: http://bit.ly/2vTSZWt
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Listen to Evanescence on Apple Music: http://apple.co/2kB2JDO
#Evanescence #EverybodysFool #Vevo #Rock #OfficialMusicVideo #HDVideo
Music video by Evanescence performing Everybody's Fool. (C) 2004 Wind-Up Records, LLC
Amy Lee of Evanescence has been involved in several behind-the-scenes feuds over the years...
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Official HD music video for “Going Under,” taken from the band’s multi-platinum debut Fallen.
Evanescence are celebrating the 20th anniversary of Fallen with a series of special reissues via Craft Recordings.
Details/order: https://found.ee/fallen20
Available on Deluxe 2-LP, 2-CD, and Digital — as well as a Super Deluxe Edition collector’s box set — Fallen (20th Anniversary Edition) offers newly remastered audio, including the album’s singles “My Immortal,” “Going Under,” “Everybody’s Fool,” and “Bring Me To Life.” The expanded set also includes a trove of bonus material – ten tracks in all – comprising previously-unreleased demos and live recordings plus a selection of rare B-sides. Alongside reimagined artwork, all physical formats will include previously-unseen photos from the era, plus a handwritten foreword by Amy Lee, who oversaw all aspects of the reissue. The Deluxe vinyl, CD and digital configurations are out now.
Available exclusively at Evanescence.com is the Super Deluxe Box Set, arriving February, 2024. Housed in a collectible shadow box-style package (inspired by Amy’s songwriting journal cover art), this limited edition includes all of the above-mentioned music as part of a 2-LP set (featuring a Black & Silver blend vinyl) plus a bonus cassette of previously unreleased demos and voice notes which is exclusive to this box set. Adding additional insight into the album is an expansive book which features new track-by-track notes from Lee, while a zoetropic turntable slipmat, rare photo prints, and enamel pin set round out the collection.
Subscribe to Evanescence on YouTube: http://bit.ly/2vTSZWt
Official Evanescence Website: http://www.evanescence.com
Like Evanescence on Facebook: https://www.facebook.com/Evanescence
Follow Evanescence on Twitter: https://twitter.com/Evanescence
Follow Evanescence on Instagram: https://www.instagram.com/EvanescenceOfficial
Listen to Evanescence on Spotify: https://open.spotify.com/artis....t/5nGIFgo0shDenQYSE0
Listen to Evanescence on Apple Music: http://apple.co/2kB2JDO
#Evanescence #GoingUnder #Vevo #Rock #OfficialMusicVideo #HDVideo
Music video by Evanescence performing Going Under. (c) 2003 Wind-up Records, LLC
Official HD music video for “My Immortal,” taken from the band’s multi-platinum debut Fallen.
Evanescence are celebrating the 20th anniversary of Fallen with a series of special reissues via Craft Recordings.
Details/order: https://found.ee/fallen20
Available on Deluxe 2-LP, 2-CD, and Digital — as well as a Super Deluxe Edition collector’s box set — Fallen (20th Anniversary Edition) offers newly remastered audio, including the album’s singles “My Immortal,” “Going Under,” “Everybody’s Fool,” and “Bring Me To Life.” The expanded set also includes a trove of bonus material – ten tracks in all – comprising previously-unreleased demos and live recordings plus a selection of rare B-sides. Alongside reimagined artwork, all physical formats will include previously-unseen photos from the era, plus a handwritten foreword by Amy Lee, who oversaw all aspects of the reissue. The Deluxe vinyl, CD and digital configurations are out now.
Available exclusively at Evanescence.com is the Super Deluxe Box Set, arriving February, 2024. Housed in a collectible shadow box-style package (inspired by Amy’s songwriting journal cover art), this limited edition includes all of the above-mentioned music as part of a 2-LP set (featuring a Black & Silver blend vinyl) plus a bonus cassette of previously unreleased demos and voice notes which is exclusive to this box set. Adding additional insight into the album is an expansive book which features new track-by-track notes from Lee, while a zoetropic turntable slipmat, rare photo prints, and enamel pin set round out the collection.
Subscribe to Evanescence on YouTube: http://bit.ly/2vTSZWt
Official Evanescence Website: http://www.evanescence.com
Like Evanescence on Facebook: https://www.facebook.com/Evanescence
Follow Evanescence on Twitter: https://twitter.com/Evanescence
Follow Evanescence on Instagram: https://www.instagram.com/EvanescenceOfficial
Listen to Evanescence on Spotify: https://open.spotify.com/artis....t/5nGIFgo0shDenQYSE0
Listen to Evanescence on Apple Music: http://apple.co/2kB2JDO
#Evanescence #MyImmortal #Vevo #Rock #OfficialMusicVideo #HDVideo
Music video by Evanescence performing My Immortal. (C) 2004 Wind-Up Records, LLC
Sia's official music video for "Chandelier"
Listen to more by Sia: https://sia.lnk.to/listenYD
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---------
Chorus:
I'm gonna swing from the chandelier
From the chandelier
I'm gonna live like tomorrow doesn't exist
Like it doesn't exist
I'm gonna fly like a bird through the night
Feel my tears as they dry
I'm gonna swing from the chandelier
From the chandelier
#Chandelier #Sia #ImGonnaSwing
Guidance: Contains Flashing Images.
Lorde performs Green Light at Glastonbury 2017. Watch Lorde’s 2017 Glastonbury set on demand on BBC iPlayer: http://www.bbc.co.uk/iplayer/episode/p055zktz
Watch Glastonbury performances from throughout the years on BBC iPlayer: https://www.bbc.co.uk/iplayer/....episodes/b007r6vx/gl
Listen and download your favourite Glastonbury sets on BBC Sounds: https://www.bbc.co.uk/sounds/brand/b007r6vx
Dig deep in to performances, articles, photos and more at: https://www.bbc.co.uk/glastonbury
Follow all the action via @bbcglasto https://twitter.com/bbcglasto
Solar Power out now: https://lorde.lnk.to/SPAlbum
The Solar Power Tour is on sale now - get dates and tickets: https://www.lorde.co.nz/tour
Sign up to the Solar Power Institute Bulletin: https://www.lorde.co.nz/sign-up
Website: https://www.lorde.co.nz/
Tour Dates: https://www.lorde.co.nz/tour
Bulletin: https://www.lorde.co.nz/sign-up
Directed by: Joel Kefali and Ella Yelich-O’Connor
Producer: Andrew McLean
Production Company: Good Oil
Director of Photography: Andrew Stroud
Production Designer: Guy Treadgold
Editor: Theo Mercado @ Work Editorial
Colourist: David Gibson
Post: Blockhead VFX
Lorde – The Path (Lyrics)
Born in the year of OxyContin
Raised in the tall grass
Teen millionaire having nightmares from the camera flash
Now I’m alone on a windswept island
Caught in the complex divorce of the seasons
Won’t take the call if it’s the label or the radio
Arm in a cast at the museum gala
Fork in my purse to take home to my mother
Supermodels all dancing round a pharaoh’s tomb
Now if you’re looking for a saviour, well that’s not me
You need someone to take your pain for you? Well, that’s not me
‘Cause we are all broken and sad, where are the dreams that we had, can’t find the dreams that we had
Let’s hope the sun will show us the path
Lorde is a two-time Grammy Award-winning singer-songwriter, and she's back with her much-anticipated third studio album, Solar Power. The latest single, "Stoned at the Nail Salon," is out now, and there's a multi-continent tour set to begin next year. But how is she with spicy food? Find out as the New Zealand pop powerhouse takes on the wings of death and discusses the sound of cicadas, the art of songwriting, and the keys to a perfect onion ring.
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First We Feast videos offer an iconoclastic view into the culinary world, taking you behind-the-scenes with some of the country’s best chefs and finding the unexpected places where food and pop culture intersect.
ENERGY the new album, OUT NOW
https://disclosure.lnk.to/ENERGY_AlbumID
Listen to 'Magnets feat. Lorde' taken from 'Caracal' here : https://disclosure.lnk.to/CompleteDisclosureID
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Music video by Carly Rae Jepsen performing Call Me Maybe. (C) 2011 604 Records Inc.
#VEVOCertified on June 8, 2012. http://www.youtube.com/vevocertified
New album Solar Power out now: https://lorde.lnk.to/SPAlbum
The Solar Power Tour is on sale now - get dates and tickets: https://www.lorde.co.nz/tour
Sign up to the Solar Power Institute Bulletin: https://www.lorde.co.nz/sign-up
Website: https://www.lorde.co.nz/
Tour Dates: https://www.lorde.co.nz/tour
Bulletin: https://www.lorde.co.nz/sign-up
Directed by: Joel Kefali and Ella Yelich-O’Connor
Producer: Andrew McLean
Production Company: Good Oil
Director of Photography: Andrew Stroud
Production Designer: Guy Treadgold
Editor: Stewart Reeves @ WORK
Editorial Colourist: David Gibson
Post Production: Blockhead VFX
Lorde - Solar Power (Lyrics)
I hate the winter
Can’t stand the cold
I tend to cancel all the plans (so sorry, I can’t make it)
But when the heat comes
Something takes a hold
Can I kick it? Yeah, I can
My cheeks in high colour, overripe peaches
No shirt, no shoes, only my features
My boy behind me, he’s taking pictures
Lead the boys and girls onto the beaches
Come one, come all, I’ll tell you my secrets
I’m kinda like a prettier Jesus
Forget all of the tears that you’ve cried, it’s over (over, over, over)
It’s a new state of mind — are you coming, my baby?
Acid green, aquamarine
The girls are dancing in the sand
And I throw my cellular device in the water
Can you reach me? No, you can’t
Turn it on in a new kind of bright, it’s solar (solar, solar, solar)
Come on and let the bliss begin
Blink three times when you feel it kickin’ in
That solar power
#Lorde #SolarPower
Solar Power out now: https://lorde.lnk.to/SPAlbum
The Solar Power Tour is on sale now - get dates and tickets: https://www.lorde.co.nz/tour
Sign up to the Solar Power Institute Bulletin: https://www.lorde.co.nz/sign-up
Website: https://www.lorde.co.nz/
Tour Dates: https://www.lorde.co.nz/tour
Bulletin: https://www.lorde.co.nz/sign-up
Directed by: Joel Kefali and Ella Yelich-O’Connor
Producer: Andrew McLean
Production Company: Good Oil
Director of Photography: Andrew Stroud
Production Designer: Guy Treadgold
Editor: Biff Butler @ Work Editorial
Colourist: David Gibson
Post: Blockhead VFX
Lorde – Oceanic Feeling (Lyrics)
It’s a blue day
We could jump Bulli
When I hit that water
When it holds me
I think about my father
Doing the same thing
When he was a boy
It’s a blue day
We could go fishing
You’ll catch the big one
Sliding the knife under the skin
Grateful for this offering
And all the living things
Under the sun
Little brother
I think you’re an angel
See your silver chain levitate
When you’re kick-flipping
Baby boy, you’re super cool
I know you’re scared
So was I
But all will be revealed in time
Oh look, the rays are in the bay now
Can you hear the waves and the cicadas all around?
I can make anything real
Brain so hot, it’s a summer body
Every day is blue and never cloudy
Don’t look down
I can make anything real
In the future
If I have a daughter
Will she have my waist or my widow’s peak?
My dreamer’s disposition or my wicked streak?
Will she split a tab with her lover and laugh at the stars
Like her mother when she was a girl?
Now the cherry-black lipstick’s gathering dust in a drawer
I don’t need her anymore
Cause I got this power
Just had to breathe out
And tune in
O, was enlightenment found? No, but I’m trying
Taking it one year at a time
Can you hear the sound? It’s shimmering higher
On the beach I’m building a pyre
(use the wood brought in by the tide)
I know you’ll show me how, I’ll know when it’s time
To take off my robes and step into the choir
" Get Lorde’s Melodrama album here:
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Music video by Lorde performing Green Light. (C) 2017 Universal Music NZ Ltd.
Lyrics:
[Verse 1]
I do my makeup in somebody else's car
We order different drinks at the same bars
I know about what you did and I wanna scream the truth
She thinks you love the beach, you're such a damn liar
[Refrain]
Well those great whites, they have big teeth
Hope they bite you
Thought you said that you would always be in love
But you're not in love no more
Did it frighten you
How we kissed when we danced on the light up floor?
On the light up floor
[Pre-Chorus]
But I hear sounds in my mind
Brand new sounds in my mind
But honey I'll be seein' you wherever I go
But honey I'll be seein' you down every road
I'm waiting for it, that green light, I want it
[Chorus]
'Cause honey I'll come get my things, but I can't let go
I'm waiting for it, that green light, I want it
Oh, I wish I could get my things and just let go
I'm waiting for it, that green light, I want it
[Verse 2]
Sometimes I wake up in a different bedroom
I whisper things, the city sings 'em back to you
[Refrain]
Well those rumors, they have big teeth
Hope they bite you
Thought you said that you would always be in love
But you're not in love no more
Did it frighten you
How we kissed when we danced on the light up floor?
On the light up floor
[Pre-Chorus]
But I hear sounds in my mind
Brand new sounds in my mind
But honey I'll be seein' you wherever I go
But honey I'll be seein' you down every road
I'm waiting for it, that green light, I want it
[Chorus]
'Cause honey I'll come get my things, but I can't let go
I'm waiting for it, that green light, I want it
Oh, honey I'll come get my things, but I can't let go
I'm waiting for it, that green light, I want it
Yes, honey I'll come get my things, but I can't let go
I'm waiting for it, that green light, I want it
Oh, I wish I could get my things and just let go
I'm waiting for it, that green light, I want it
[Outro]
I'm waiting for it, that green light, I want it
I'm waiting for it, that green light, I want it
I'm waiting for it, that green light, I want it
I'm waiting for it, that green light, I want it
I'm waiting for it, that green light, I want it
I'm waiting for it, that green light, I want it"
Title: Lorde – Tennis Court (Pure Heroine Album)
Get Lorde’s Melodrama album here: https://Lorde.lnk.to/PureHeroine
Listen to more Lorde:
https://Lorde.lnk.to/LordeID
Buy official merch here:
https://Lorde.lnk.to/OfficialSiteID
Follow Lorde:
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Music video by Lorde performing Tennis Court. (C) 2013 Universal Music NZ Ltd.
Lyrics:
[Verse 1]
Don't you think that it's boring, how people talk?
Making smart with their words again, well, I'm bored
Because I'm doing this for the thrill of it, killin' it
Never not chasin' a million things I want
And I am only as young as the minute is, full of it
Getting pumped up on the little bright things I bought
But I know they'll never own me (Yeah)
[Chorus]
Baby, be the class clown, I'll be the beauty queen in tears
It's a new art form, showing people how little we care (Yeah)
We're so happy, even when we're smilin' out of fear
Let's go down to the tennis court and talk it up like "yeah" (Yeah)
[Verse 2]
Pretty soon I'll be getting on my first plane
I'll see the veins of my city like they do in space
But my head's fillin' up fast with the wicked games, up in flames
How can I fuck with the fun again when I'm known?
And my boys trip me up with their heads again, loving them
Everything's cool when we're all in line for the throne
But I know it's not forever (Yeah)
[Chorus]
Baby, be the class clown, I'll be the beauty queen in tears
It's a new art form showing people how little we care (Yeah)
We're so happy, even when we're smilin' out of fear
Let's go down to the tennis court and talk it up like "yeah" (Yeah)
[Bridge]
It looked all right in the pictures (Yeah)
Getting caught's half of the trip though, isn't it? (Yeah)
I'll fall apart, with all my heart (Yeah)
And you can watch from your window (Yeah)
And you can watch from your window
[Chorus]
Baby, be the class clown, I'll be the beauty queen in tears
It's a new art form showing people how little we care (Yeah)
We're so happy, even when we're smilin' out of fear
Let's go down to the tennis court and talk it up like "yeah" (Yeah)
[Outro]
And talk it up like "yeah" (Yeah)
And talk it up like "yeah" (Yeah)
Let's go down to the tennis court and talk it up like "yeah" (Yeah)
And talk it up like "yeah" (Yeah)
And talk it up like "yeah" (Yeah)
Let's go down to the tennis court and talk it up like "yeah" (Yeah)
Title: Lorde – Team (Pure Heroine Album)
Music video by Lorde performing Team. (C) 2013 Universal Music NZ Ltd..
Get Lorde’s Pure Heroine album here: https://Lorde.lnk.to/PureHeroineID
Listen to more Lorde:
https://Lorde.lnk.to/LordeID
Follow Lorde: Website: http://lorde.co.nz/
Instagram: https://www.instagram.com/LordeMusic/
Twitter: https://www.twitter.com/Lorde
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YouTube: https://www.youtube.com/LordeMusic
Lyrics:
[Intro]
Wait till you're announced
We've not yet lost all our graces
The hounds will stay in chains
Look upon Your Greatness and She'll send the call out
Send the call out
Send the call out
Send the call out
Send the call out
Send the call out
Send the call out
Send the call out
Send the call out
Send the call out
Send the call out
Send the call out
Send the call out
Send the call out
Send the call out
Send the call out
[Verse 1]
Call all the ladies out, they're in their finery
A hundred jewels on throats
A hundred jewels between teeth
Now bring my boys in, their skin in craters like the moon
The moon we love like a brother, while he glows through the room
[Pre-Chorus]
Dancin' around the lies we tell
Dancin' around big eyes as well
Even the comatose, they don't dance and tell
[Chorus]
We live in cities you'll never see onscreen
Not very pretty, but we sure know how to run things
Livin' in ruins of a palace within my dreams
And you know we're on each other's team
[Post-Chorus]
I'm kind of over gettin' told to throw my hands up in the air
So there
[Verse 2]
So all the cups got broke
Shards beneath our feet
But it wasn't my fault
And everyone's competing for a love they won't receive
'Cause what this palace wants is release
[Chorus]
We live in cities you'll never see onscreen
Not very pretty, but we sure know how to run things
Livin' in ruins of a palace within my dreams
And you know we're on each other's team
[Post-Chorus]
I'm kind of over gettin' told to throw my hands up in the air
So there
I'm kind of older than I was when I reveled without a care
So there
[Chorus]
We live in cities you'll never see onscreen
Not very pretty, but we sure know how to run things
Livin' in ruins of a palace within my dreams
And you know we're on each other's team
[Outro]
We're on each other's team
And you know we're on each other's team
We're on each other's team
We're on each other's team
And you know, and you know, and you know
Music video by Lorde performing Royals. (C) 2013 Universal Music NZ Ltd.
Get Lorde’s Pure Heroine album here: https://Lorde.lnk.to/PureHeroineID
Listen to more Lorde:
https://Lorde.lnk.to/LordeID
Follow Lorde:
Website: http://lorde.co.nz/
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Facebook: https://www.facebook.com/LordeMusic
YouTube: https://www.youtube.com/LordeMusic
Lyrics:
[Produced by Joel Little]
[Video by Joel Kefali]
[Verse 1]
I've never seen a diamond in the flesh
I cut my teeth on wedding rings in the movies
And I'm not proud of my address
In a torn up town, no postcode envy
[Pre-Chorus]
But every song's like
Gold teeth, Grey Goose, trippin' in the bathroom
Bloodstains, ball gowns, trashin' the hotel room
We don't care; we're driving Cadillacs in our dreams
But everybody's like
Cristal, Maybach, diamonds on your timepiece
Jet planes, islands, tiger's on a gold leash
We don't care; we aren't caught up in your love affair
[Chorus]
And we'll never be royals (Royals)
It don't run in our blood
That kind of luxe just ain't for us
We crave a different kind of buzz
Let me be your ruler (Ruler)
You can call me queen bee
And baby, I'll rule (I'll rule, I'll rule, I'll rule)
Let me live that fantasy
[Verse 2]
My friends and I, we've cracked the code
We count our dollars on the train to the party
And everyone who knows us knows
That we're fine with this
We didn't come from money
[Pre-Chorus]
But every song's like
Gold teeth, Grey Goose, trippin' in the bathroom
Bloodstains, ball gowns, trashin' the hotel room
We don't care; we're driving Cadillacs in our dreams
But everybody's like
Cristal, Maybach, diamonds on your timepiece
Jet planes, islands, tiger's on a gold leash
We don't care; we aren't caught up in your love affair
[Chorus]
And we'll never be royals (Royals)
It don't run in our blood
That kind of luxe just ain't for us
We crave a different kind of buzz
Let me be your ruler (Ruler)
You can call me queen bee
And baby, I'll rule (I'll rule, I'll rule, I'll rule)
Let me live that fantasy
[Bridge]
(Oh, oh-oh)
We're bigger than we ever dreamed
And I'm in love with being queen
(Oh, oh-oh)
Life is great without a care
We aren't caught up in your love affair
[Chorus]
And we'll never be royals (Royals)
It don't run in our blood
That kind of luxe just ain't for us
We crave a different kind of buzz
Let me be your ruler (Ruler)
You can call me queen bee
And baby, I'll rule (I'll rule, I'll rule, I'll rule)
Let me live that fantasy
‘CMF2’ is out now. Get the album here: https://coreytaylor.lnk.to/CMF2ID
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"WE ARE THE REST"
NO WAY TO BEAT ME- NO WAY TO WIN (4x)
What’s the matter with a matter of opinion?
Burnin’ at the stakes as one
Common shit, satisfyin’ all the minions
Chokin’ on yourself like a WATER GUN
NO WAY TO BEAT ME- NO WAY TO WIN
NO WAY TO BEAT ME- NO WAY TO WIN
Better shift when the brothers hit the riff
With a 1, 2... 1-2-3!!!
We Are The Rest- The Ones Left Over
We Are The Blessed With The Best Disorders
We Are The Rest, cuz The Best Get Left Behind
We Are The Rest, And We Remember
When Everybody Is a Weak Pretender
We Are The Rest When The Rest Of You Are Lies
Solo 1 (Zach) Solo 2 (Tooch)
Thirty Aught Six Years tied to the tree
Like a dog- like a dog- like a motherfuckin dog
Turning out twisted- lied to relieve
I’m a dog- I’m a dog - I’m a motherfuckin dog!
What’s the difference? It’s a difference of opinion
Even in a different you
Never mind you’ll be doing me a favor
Tell me all about it then what’ll you do?
NO WAY TO BEAT ME- NO WAY TO WIN (4x)
We Are The Rest- The Ones Left Over
We Are The Blessed With The Best Disorders
We Are The Rest, cuz The Best Get Left Behind
We Are The Rest, And We Remember
When Everybody Is a Weak Pretender
We Are The Rest When The Rest Of You Are Lies
NO WAY TO BEAT ME- NO WAY TO WIN (4x)
Peruzzi and @AcebergTM performing "Ready".
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"Baby-Baby-Baby" by TLC
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Lyrics:
Baby, baby, baby
I got so much love in me
Oh baby, baby
Baby, baby, baby
Cause if you gonna get me off
You got to love me deep
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Dave quizzes Snoop on his Snoop slang.
(From "Late Show," air date: 8/30/06)
#snoopdogg #foshizzle #letterman
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Who ya got?
(From "Late Night," air date: 11/14/90)
#hallandoates #music #letterman
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One of the few things she can't do.
From "Late Show," air date: 12/19/06)
#beyonce #holidays #letterman
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Hi there and welcome to Nostalgia Hit. In today's video, we take a trip back to the "Rocking 80s" where we check out the world's biggest Rock Bands and their front men and women. With big vocals and big hair, loud guitars, and clothes to match we take a look back at 30 veteran rockers of the 80s, then and now. Enjoy the video!
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#nostalgiahit #80srockstars #thenandnow
80s Rock Gods
1. Taime Downe | Faster Pussycat
2. Tom Keifer | Cinderella
3. Janet Gardner | Vixen
4. Steve Perry | Journey
5. James Hetfield | Metallica
6. Don Dokken | Dokken
7. Michael Monroe | Hanoi Rocks
8. Jon Bon Jovi | Bon Jovi
9. Sebastian Bach | Skid Row
10. Bruce Dickinson | Iron Maiden
11. Brian Johnson | AC/DC
12. Gene Simmons | KISS
13. Joe Elliott | Def Leppard
14. Vince Neil | Mötley Crüe
15. Tom Araya | Slayer
16. Phil Lewis | L.A. Guns
17. Billy Gibbons | ZZ Top
18. Spike (Jonathan Gray) | The Quireboys
19. Dee Snider | Twisted Sister
20. David Coverdale | Whitesnake
21. Blackie Lawless | W.A.S.P.
22. Steven Tyler | Aerosmith
23. Jack Blades | Night Ranger
24. David Lee Roth | Van Halen
25. Rob Halford | Judas Priest
26. Ozzy Osbourne
27. Alice Cooper | Lead Singer of Alice Cooper
28. Joan Jett | Joan Jett & the Blackhearts
29. Axl Rose | Guns N' Roses
30. Bret Michaels | Poison
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In this episode I rediscover the greatest guitar solo that is inaudible from this classic song.
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The story of Faith No More's difficult decade - the 80's that saw them lose Singer Chuck Mosley and achieve big success with the album The Real tHing.
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#mikepatton #faithnomore #chuckmosley
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Concrete Blonde: What happened to the band behind 'Joey?'
0:00- Early Musical Beginnings
2:50 - Pre-Concrete Blonde Years
3:50 - Concrete Blonde's Beginnings
5:34 - Bankruptcy
6:34 - Second/Third Album
9:21 - Near Death Experience
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#concreteblonde #joey
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Dubbed as a band that played initially moody and a stormy brand of rock music, they were in their early days labeled as the heir to the Los Angeles punk band X as being the City’s official underground band. They would sometimes shed a light on the darker side of los angeles. Concrete Blonde would go from being underground darlings to having mainstream success in just a few short years,. But along the way the band went through a lot of turmoil, - bankruptcy, issues with management and their record label and of course internal problems
The story of the band begins in 1980 when frontwoman Johnette Nepalitano and guitarist James Mankey met while working at songwriter Leon Russell’s studio in Los Angeles. Nepalitano was working as what she calls a gofer secretary person doing errands for the producer. She got the gig after meeting somebody at a party who was doing woodworking at the producer’s studio. A lot of famous people came and went in the studio with Nepalitano admitingt to The Sacramento Bee that she once spent a whole night rolling joints for leon russell and willie nelson.
Nepalitano would be described by Spin as the girl who handed you eyeliner at a Germs show’ and the type of girl who every girl wants to confide in and guys respect. She would joke to the magazine that her bad relationships were made up of boyfriends which could stretch around the block and she should have had ‘lie to me’ tattooed on her.
Nepalitano would grow up in Hollywood .with her father being a poolcleaner for major celebrities including elvis and liberace.. Bella Legosi even babysat her when she was a kid. As she got older her family moved to the valley and at the age of 9 her dad once took a piano as a form of payment for a pool job he gave it to Johnette. In addition to learning piano she soon learned to play guitar and wrote her first song at age 12 for her baby sister. It was an aunt of hers who was working in hollywood as a dancer at the shindig and dating mickey dolenz that peaked her interest in showbusiness. Guitarist James Mankey would play in the 70’s era group Sparks with his brother Earle. He also spent some time as an engineering technician for radio DJ casey kasim on his America’s top 40 program.
After working for Leon Russell for a few years, he soon left LA and headed ot Nashville, but Nepalitano and Mankey didn’t follow him. Instead the pair opted to stay in LA and work on music together at a 16 track recording studio in Thousand Oaks. It would be a local fanzine named DIY that picked up one of their songs named Heart Attack for a compilation LP that was put out in 1982.. At that time the pair of musicians called themselves the Dreamers and they decided to find a bassist and drummer and start playing clubs around LA. They struggled to get much attention initially because they couldn’t be pigeon holed into a particular scene in LA.
Fast forward to 1984 and the pair now playing under the monicker Dream 6 were playing a lot of post punk clubs in LA. The band put out a self titled EP on a french label, which got critical praise and quickly attracted major label attention. The pair soon recorded what would be concrete blonde’s self titled record with their own money costing them about $15K.
But the pair’s friends told them they might want to act sooner rather than later on getting a record label deal, since the opportunity may not present itself again. Well, they did the complete opposite rejecting any label that forced them to compromise on their sound. The band nearly signed with Columbia Records and worked with bangles and fishbone producer David Kahne, but he insisted bringing in outside musicians and he wanted to co-write songs with them, which they said no to. Elektra wanted them to work with big shot producer Michael Wagener but they asked the band do a cover of the Creedance Clearwater Revival song so they said no to elektra. One record label according to the ottawa citizen tried to get the band to sound like motorhead,
The band soon decided to go the independent route
The Volatile History of the band The Breeders who were best known for the album The Last Splash & The 1993 hit 'Cannonball'
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#kimdeal #thebreeders #pixies
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The Breeders
In the mid 80’s Kim Deal would join the band Pixies. While she didn’t know how to play bass she would learn the instrument. But several years after joining the group she felt confined, unable to express herself musically. By the late 80’s she’d go form the group The Breeders, while still in Pixies. Today, let’s take a brief look at the band The Breeders.
The story of the breeders begins with identical twin sisters Kim and Kelly Deal. Raised in Dayton Ohio, where they would be exposed to the likes of led zeppelin, the who and aerosmith, but it would be a friend of Kim’s from the west coast that sent her the tapes of bands that would truly influence their future musical creations - Susie and the banshees, sex pistols and elvis costello. Unlike so many rockstars who grow up in broken homes or move around a lot, neither of this happened to the Deal sisters who came from a stable upbringing. Their father was a physicist while their mother worked with children.
The sisters would eventually form a duo and start covering country tunes. Kim would play guitar and sing, while kelley would harmonize. Kim and kelley didn’t strive to become musicians initially, with Kim going to college and getting a 2 year diploma in biology. Kelly meanwhile, would join the military working at a local airforce base. Kim would get married to a man named John Murphy and relocate to boston working at a science lab. It was during this time she saw an ad for the band Pixies who were looking for a bass player, but she didn’t play bass, but she quickly learned. Her sister Kelley almost joined as the drummer, but things wouldn’t work out. Despite being alternative darlings and many, Kim felt underappreciated in Pixies, despite being many people’s favourite member and writing one of the pixies popular tracks gigantic. It was on the tour with Pixies Kim would befriend throwing muses guitarist Tanya Donnelley and they bonded over being creatively stifled within their respective groups. They planted the initial seed of starting a new group together dancing and drinking after a Sugarcubes show in Boston. Deal would tell the LA Times
“I said, ‘Ooh, Tanya, I got a great idea--we need to make a dance song and we’ll be cool and rich. We’ll be disco queens.’ Donnelly would add “We started it and figured out we couldn’t do it for beans. We had no idea what to do. But then Kim had all these songs and we just decided to do that instead.”
Following the release of Pixies hugely influential record 1989’s DooLittle, frontman Black Francis sought to go solo for a little bit giving Kim the perfect opportunity to put together her own band with Donnelley. Calling themselves the breeders, the band would be formed in 1989. The idea for the name came to kim one day who was at a bar and overheard several **** men talking about a straight man who walked into a bar using a derogatory term “breeder”. Enlisting Surfer Rosa producer Steve Albini, the original lineup of the breeders consisted of Tanya Donnelley on guitar, Josephine Wiggs on bass, and Britt Walford on drums. Wiggs who played in the english band perfect disaster had met Kimduring one of Pixies tour of Europe and hit it off. Deal wouldn’t play bass in her new band though, doing vocals and playing guitar because as she told one publication, she was a guitar player at heart. Playing with Pixies, she already had an in with the label 4AD and they soon nabbed a recording contract. It was in 1990 the band put out their first record Pod, which was recorded and mixed the album in 11 days. The album got some traction thanks to their cover of the beatles tune happiness is a warm gun, which got some attention on college radio. Also landing the band on many people’s radar was the fact that nirvana’s kurt cobain was a huge fan of the band listing pod as one of his favourite albums. What’s funny is that a lot of the press reports around the time of Pod coming out painted the Breeders as a side project for Kim, and there’s quite a few publications labelling them a supergroup. Kim definitely didn’t consider the band a side pproject telling a pub
The history of the band Collective Soul.
0:00 - Introduction/Early Years
2:44 - Birth of Collective Soul/Shine
4:35 - Signing to Atlantic/First album
7:27- Self Titled Album
10:06 - Legal Problems
11:07 - Later Years
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#collectivesoul #edroland #shine
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Collective Soul is a band I’ve always always associated with Hootie and the Blowfish and Matchbox Twenty.. All three bands had a number of hits in the 90’s but they never got much respect. Coupled with matchbox twenty, collective soul was sometimes dubbed as a faceless band -a group wiith a bunch of hits. People knew the songs, but couldn’t pick the band members out of a lineup.
Adored by radio, hated by critics Collective Soul would be one of the most successful bands to emerge out of the mid to late 90’s. I want to thank Trevor for suggesting this story. I actually ran into him at work one day and he said Sidd when are you gonna do collective soul, so here it is Trevor. Enjoy.
Early Years
The band’s history begins with the Roland brothers Ed and his younger sibling Dean. Growing up in Stockbridge Georgia, an atlanta suburb, their father was a baptist preacher and the head of the local youth choir. They grew up in a strict conservative household only being allowed to listen to christian humns, elvis and jerry lee lewis. Their father majored in music in college and got involved in some record burnings too before he became the head pastor of the biggest church in town. The boys sundays mostly revolved around the church going to sermon in the morning and then returning in the evening for choir. They’d spend their saturday nights with their mother who played piano and their father rehearsing hymns for the following day’s service.
Ed would tell the LA Times about Stockbrige’s music scene revealing It’s a small place, only about 20,000 people--There’s nowhere to play there, but it’s close enough to Atlanta, which is really a cool place. The music scene is very diverse. There’s the R&B; scene, the Indigo Girls folk scene and a rock scene. Being from Georgia you would expect Roland to have been influencedby the likes of Molly Hatchet and lynyrd skynyrd, but he would admit to earofnewt that his influences weren’t southern rock bands, but california rock - fleetwood mac and the eagles. He’d cite other influences like elton john as well.
Both brothers soon got into guitar playing and following high school Ed moved to Boston to attend the Berklee School of Music and study guitar.. The experience was a culture shock for Ed. He got exposure to artists he had never previously heard of and credited jamming with professional musicians as making him a better guitar player and expanding his musical horizons.
It was after a year he’d return home landing a job at a local 24 track recording studio called Reel 2 Reel which was owned by Will Turpin’s father. It was now the 80’s and he was also playing with two local musicians Shane Evans and Ross Childress in the local act Marching Two Step. The idea for Ed was to get a major recording contract and it was a long time coming. He’d spend nearly 12 years chasing that dream playing clubs in the southeast and recording ideas but nothing seemed to get the attention of record labels.
Marching two step’s time came to an end and Ed was about to give up on his dream of being in a successful band. It was now january of 1993, but the band’s manager pushed him to try his hand at getting a publishing deal whereby he could write songs for other people or score film and television. He’d spend the next 3-4 months coming up with a demo tape. But some of those songs were up to five years old.
Roland would toy around with his own musical ideas while he was off work in the recording studio. Meanwhile, during the day he’d producing, mixing, and engineering local Atlanta artists.
Roland soon had a demo, 90% of which he created himself. The demo would consist of nearly a dozen songs and one of the last songs written would be called Shine. Roland would remark how the song was considerably longer than anything else on the demo.
That demo would end up being Collective Soul’
The untold story of rock musician Sheryl crow
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#sherylcrow
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Heralded as a musician with enormous drive - even though some used that characteristic against her. Sheryl Crow’s success in the 90’s almost didn’t happen. Her debut record sat in limbo, she was and she almost lost her recording contract and despite the success of her debut album, it soon created a media firestorm with some of her early musical collaborators. Today, let’s talk about the career of Sheryl Crow.
Born in Kennett, missouri,population 10,000 Sheryl Crow was a self professed “moody” music geek growing up. wanting to know all the lyrics, and wanting to know who played what part on each album. Her parents were also encouraging getting her piano lessons at the age of 6. Her father, was a lawyer and trumpeter, and her mother, was, a piano teacher and music enthusiast.
Crow would attend university of missouri majoring in music Piano performance with a secondary degree in education. It was following school she joined a cover band where she was the only woman, a group called Cashmere. She would cite her influences growing up as the Stones, Fleetwood Mac, Rod Stewart. I’m guessing Led Zeppelin is somewhere in there too. She would land a job as an elementary music teacher in the st. louis public education system by the mid 80’s.. She was making $17,000 a year and got engaged to the guitar player in her band, who was also a born again christian. The plan was that she’d live in Missouri the rest of her life, have a family and live happily ever after but things wouldn’t work out that way. The engagement was broken off after Crow’s fiance told her if she wasn’t going to sing for the lord he couldn’t be with her.
But despite her fiance’s comments, Crow loved playing in bands and didn’t back down. One of her first big breaks would be doing a jingle for a mcdonalds that was only originally supposed to air regionally in and around st. louis. But it soon got picked up nationally. Crowe would admit that for 45 minutes of work she made $42,000.00 which was more than she made after 2 years of teaching. It was at this point she relocated to LA, since she was no longer engaged. thinking that she’d make a career playing music or at least writing jingles. She’d go home on a tuesday and tell her parents she was leaving for la on sunday. She was 24 at the time and had a good amount of determination. She had never been to any other city except St. Louis, so she was obviously overwhelmed by what she saw. She would live by the beach with several friends and one of the first things she did was to get a list of all the studios in LA and a map mapping out all the locations. She’d take her demo tape with her commercials and a few songs to the studios to see if she could get any work.
She soon began questioning her decision to move to LA after going into a studio one day and coming back out and seeing a boot on her car. She had no money to get her car back.
She did what everyone else was doing at the time who came to LA in search of their dreams of becoming famous. She waited tables at a place in the valley a jazz club called Le Cafe. It was a place where lots of well known musicians and industry people frequented. A guy named Les Hooper stopped by the place and he was a commercial producer. Crow gave him her tape, knowing she could fired for doing such a thing, which she was. The next morning she was letgo, but hooper heard the tape and loved it. He helped her get a job doing a national commercial for car maker Toyoto which paid $67,000.00, She was able to get her car back after getting that big cheque.
She soon started getting other work like doing a studio session with johnny mathis and even got a tv part on a show called cop rock - a detective show that was also a musical.It didn’t last very long on the air. I know To give you guys a timeline this was 1990. About a year prior in 1989 she would buy a 4 track recorder and she would do covers of Shaka Khan and Heart while also writing songs on her keyboard and programming drums. Then Crow got her big break. She had gotten word that michael jackson was holding auditions for his bad tour for backup singers and got the gig.
She soon got a passport, boarded a 747 an
For more stories rooted in the spirit of perseverance, check out Tres Generaciones Tequila: https://www.tresgeneraciones.com/
On November 16, 2023, IDEA GENERATION and Tres Generaciones Tequila hosted an event with rappers Pusha T and No Malice of the CLIPSE.
The legendary duo and IDEA GENERATION Founder Noah Callahan-Bever sat down together in Washington, D.C. in celebration of Clipse's upcoming performance at the Kennedy Center. In front of a live audience, Clipse and NCB discussed their lengthy careers, the many challenges they faced and how they continued to persevere, the chaos of working with Kanye West, whether rappers should be active past 40 years old, and the possibility of a new Clipse album. The room was packed with fans sipping on Tres Generaciones Tequila, and the after party was jumping thanks to DJ Rick Geez.
Special thanks to our partners at Tres Generaciones for bringing this experience to life. More about Tres: https://www.tresgeneraciones.com/
The Godfather of Punk, Former Sex Pistol and PiL frontman joins GMB for his first Live TV interview since he lost his beloved wife Nora in April. Sadly, Nora was suffering with Alzheimer’s disease and John was her full-time carer for the last few years of her life. The pair were devoted and had been together for over 45 years marrying in 1979.
Broadcast on 05/09/23
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