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William Shatner and Brad Paisley, with help from Taylor Goldsmith and Gordon Mote, perform Masks from their album Love and Other Mysteries on Jimmy Kimmel Live.
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Jimmy Kimmel serves as host and executive producer of Emmy® nominated “Jimmy Kimmel Live,” ABC’s late-night talk show. “Jimmy Kimmel Live” is well known for its viral video successes, with over 16 billion views and more than 19 million subscribers on the show’s YouTube channel. Some of Kimmel’s most popular comedy bits include Celebrities Read Mean Tweets, Lie Witness News, Halloween Candy YouTube Challenge, Jimmy and Cousin Sal pranking Aunt Chippy and music stars like Rihanna and Dua Lipa surprising Jimmy in the middle of the night.
Ethiopian Music : Ahmed Hussein (Manjus) አህመድ ሁሴን (ማንጁስ) (ደሴ ላይ) - New Ethiopian Music 2022(Official Video)
Ethiopian Music: Check Out Ethiopian New Musics, Comedy and More Ethiopian Videos by Minew Shewa Entertainment.
Ethiopian music.
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“No Excuses” by Meghan Trainor
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Lyrics
Someone else
You must've confused me, confused me with
Someone else
You must've confused me, confused me with
Someone else
There ain't no excuses, excuses, babe
Someone else
'Cause your mama raised you better than that, huh
#MeghanTrainor #NoExcuses #Pop
Listen to Dasha
https://DASHA.lnk.to/memo
Follow Dasha:
Text Me: +1 (615) 502-3160
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TikTok: https://www.tiktok.com/@dasha
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YouTube: https://www.youtube.com/channe....l/UCqUsyV0QGES5xXA34
Directed by: Jo Anna Edmison
Cinematography: Cory Gehr
Creative Direction by: Adam Budd, Jo Anna Edmison, Dasha
1st AD: Kelli Johnson
Produced by: Emily Comstock
Gaffer: Alex Blocher
Key Grip: Michael Lena
Hair: Stephanie Barba
Stylist: Ali Mullin
Production Assistant: Nadia Fleenor
Editor: Jo Anna Edmison
Colorist: Arthur Garibay
VFX: Madison Brooks
Warner: Claire Vogel
Warner: Norman Wonderly
Warner: Alyssa Fractor
Dasha Management: Presley Nardella
Dasha Management Alexandre Lunt
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Disillusion is taken from Badly Drawn Boy's album, The Hour of Bewilderbeast. Limited edition reissue, available here: http://x-l-r.co/THOTB
Video directed by Garth Jennings.
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#BadlyDrawnBoy #Disillusion #XLRecordings
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Warren G❗️
Production House: @artrugroup
Director: Eric Herbert
Let Me Breathe by Warren G featuring Zoe Osama is a fresh breath of G-Funk air, carrying that unmistakable West Coast vibe while embracing modern Hip-Hop sensibilities. Warren G, the legendary producer and rapper from Long Beach, CA, teams up with Zoe Osama to create a track that drips with laid-back coolness and street wisdom. With a beat that bounces at 98 BPM, this track sits comfortably in the middle of your playlist, delivering a rhythmic groove that you can’t help but nod along to.
The track starts off with a catchy hook that emphasises the need for space and freedom—a recurring theme that speaks to the grind and hustle of life in the fast lane. “Tens, twenties, fifties, hunnids, give a nigga space, let me breathe,” echoes throughout the track, creating an anthemic chorus that sticks with you. Warren G’s production is smooth yet gritty, layering rich basslines with crisp percussion, all while maintaining that signature G-Funk essence that made him a household name.
Zoe Osama’s verses complement Warren G’s legendary flow, adding a contemporary twist to the classic G-Funk sound. He drops bars about the relentless pursuit of success, the challenges of staying grounded amidst the chaos, and the importance of making your own path. Lines like “I done made a million in the streets, nigga, I can’t stop, I gotta eat,” resonate with anyone who’s ever hustled to make something out of nothing. Zoe’s sharp lyricism cuts through the beat like a knife, making it clear that he’s not here to play.
Warren G’s verse is a masterclass in cool confidence. He raps about navigating the treacherous waters of fame and fortune, all while keeping his feet firmly planted in reality. “Let me cook, let me breathe, something like the Matrix, I’m the one with the keys,” he declares, reminding us that he’s still in control, still calling the shots, and still making waves in the industry. The track’s energy level sits at a solid 6, making it perfect for cruising down the boulevard or setting the vibe at a late-night kickback.
In true G-Funk fashion, “Let Me Breathe” is as much about the vibe as it is about the lyrics. It’s a track that embodies the spirit of West Coast Hip-Hop while pushing the genre forward. Whether you’re a longtime fan of Warren G or a newcomer to his music, this track is a testament to his staying power and his ability to adapt to the ever-changing landscape of rap music. It’s the kind of track that makes you want to roll down your windows, turn up the volume, and let the music take over. Contact: gfunkmusicpartnerships@gmail.com | https://linktr.ee/mrwarreng
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Warren G "Let Me Breathe" Credits.
CREW
Director: Herb @ArtruGroup
Producers: @ArtruCultureGroup @TheBrothersMitchell
DP: Andre @AndreMitchell
1st AC: Devin @DevinMitchell
AD: Mack @Macizum @ArtruGroup
Drone Operators: Andre @AndreMichell, Lantz @LantzSimpson
Edit: Andre @AndreMichell
Colorist: Mack @Macizum @ArtruGroup
Photography: Archie @a_shotthat
Gaffer: Devin @Devinmichell
Grip: Kwanza @kwanzito
Grip: Malik @thatboii.munchy
Grip: Jajuan @stoopidlitvisuals
Stylist: Chan G. @houseofcyndarella
Assistant Stylist: Dwania G.
Art Director: Cali @mistercalical
Location: The HigherUps @thehigherups_multimedia
Location: Eleve Health @EleveHealth
Location: Air Rental Inc @airrentalinc
Vehicles: Lexani Wheels @Lexani
Props: Tereza @CopPropShop Pete @cedarfilmstudiosofficial Miranda @Resin8Vibes
Rentals: PB @pbworldtour
Cast
Warren G @WarrenG
Zoe Osama @ZoeOsama
Character Xavier: Carlos @CarlosLexani
Character Carmen: Celena @ninasosefia
Big Fave @bigfave21st
Studio Photographer: Swiss @sharkpolansky
Bank Manager: Geoffrey @geoffreyOropeza
Studio Engineer: Casino @officialelcasino
Inky Slim @inky_slim
Chris Sandoval @chris_non_stop
Goon 1: Jajuan @stoopidlitvisuals
Goon 2: Mack @Macizum
Goon 3: Kwanza @kwanzito
Goon 4: Devin @DevinMitchell
P.hy.lis Hyman Greatest Hits Full Album Playlist 2021 - Best song of P.hy.lis Hyman
P.hy.lis Hyman Greatest Hits Full Album Playlist 2021 - Best song of P.hy.lis Hyman
P.hy.lis Hyman Greatest Hits Full Album Playlist 2021 - Best song of P.hy.lis Hyman
https://youtu.be/vkm0EYkBPD4
Hope you will enjoy my new exclusive Melodic Techno & Progressive House live mix from Long Beach, California .
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Tracklist:
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#melodictechno #ProgressiveHouse #djmix
On a new #DrinkChamps, N.O.R.E. & DJ EFN chop it up with the one and only #BobbyShmurda!
Bobby joins us and shares his journey in music. With its highs and lows, Bobby shares stories about his career, serving time in prison, making hit records and much much more!
Lots of great stories that you don’t want to miss!!
Make some noise for Bobby!!! 💐💐💐🏆🏆🏆
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30 years ago, bassist Wade Summerlin anchored this aggressive John Zorn-like jazz rock hybrid band SHOVIN' SHUNSHINE with his funky basslines. DEATH JAZZ was the name of the album, and the concept. The band broke up, but death jazz fans kept begging for a re-release. Now Wade's back to talk about the bands re-release of their 2002 classic from these ROCK JAZZ FUSION LEGENDS. WILL IT BE VINYL??? TUNE IN to find out!!!
GET THE RELEASE HERE (when it comes out): https://www.genterine.com/records/releases.html
Every Friday is Dennis Ball Live! We also have new short episodes all the time.
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Ghost Cave, our house band: www.ghostcaveatl.com
From the bands website: http://www.billyshawsongs.com/shovinsunshine/
This is the story of Shovin' Sunshine. Three musicians, Wade Summerlin, Jeremy Slotin, and Billy Shaw got together to experiment with new forms of jazz and the Avant Garde. Wade and Jeremy had been loosely playing together in thrash and death metal groups; Billy was coming back East after releasing his debut avant garde album called "Sassy". They got together in Jeremy's basement and started the experiment that became known as "Shovin' Sunshine", the very first and perhaps only Death Jazz group ever. They wanted to use the term acid jazz, but that same year a number of more currently influential players were using the label, and between their sound and the identification of this term to their music, Shovin' Sunshine wasn't convinced that it accurately described what Shovin' Sunshine was all about. So with little hesitation and even less dissent, the group chose to define and pursue the theory and tradition of Death Jazz.
The technical approach to the production of music was not particularly groundbreaking; the group was after clear, undistorted representation of fairly conventional instrumentation: Jeremy on drums, Wade on electric fretted four-string bass, and Billy on tenor sax. The approach to the creation of the music was what set this trio apart; Billy usually charted out melodies and arrangements in advance, he seldom ever shared the direction with the rest of the band. Fortunately, everyone seemed to think the same thoughts at pretty much the same time, and reasonably tight arrangements emerged from basically extemporaneous improvisations, all of which was taped. In fact, every time the band ever played the music was committed to tape.
Regrettably (and we really do mean this in the most profound sense of the word), the band didn't stay together longer than a summer. During that time though, a number of live gigs were performed, and many hours of tape were accumulated. The group dispersed to their respective interests, most notably Wade, who formed the seminal Cobweb Strange. Jeremy went to music school and Billy moved to Florida (where as it were, he ended up in music school as well) where he continued to pursue his form of avant (and later chucked it all to return to Bluegrass and what became Contemporary Mountain and Prairie and a series of acoustic pseudo-country music compositions that began to characterize his music publicly as anything but avant garde jazz).
So twelve years go by, and there wasn't much Shovin' of Sunshine. But Wade and Billy got in touch with each other recently and decided that at the least, Shovin' Sunshine still interested enough people to warrant a permanent place of its own in virtual space. Unknown to anyone else, Billy had continued to evaluate, arrange, and master the raw tapes, and continues to do so, including ongoing digitization and web-based access. What this means to the Shovin' Sunshine fan is that all of the originally released and newly available material is going to be re-released on high-quality CD and in digital format over the web. The quality of the original tapes has always been considered superb. Production and distribution in today's digital formats with modern capabilities is going to kick total ass; we're all pretty excited about this and we think that you will be too, once you hear some of what we have to offer.
So, here's the plan. We're going to be re-releasing Shovin' Sunshine's original studio recording Fire-A-Go-Go digitally remastered on CD, to be available through the Atlanta-based Genterine Records; some of our favorites from that album will be available both here at this web site and at the new Shovin' Sunshine web site being sponsored by Genterine Records. Next, we're going to release the first new Shovin' Sunshine recording in over a decade, recorded live at the Liquid Bean in 1993.
Charlie Clips vs QB Black Diamond add another great match to the RBE Straight To It Series shot in "Full Circle" style by Ruin Your Day.
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"Changes" out now: https://charlieputh.lnk.to/changes
Pre-order 'Whatever's Clever!' now: https://charlieputh.lnk.to/whateversclever
Lyrics:
VERSE 1
Lately there’s been something in the air
There’s been a lot of smaller talk
When we were younger we would share our fears
Now we’re afraid of being mocked
I still can hear you through all of the silence
Do you need any help calling like I did?
CHORUS
There’s been some changes in our life, oh
I can feel the distance
Space and time, has made everything different
Day and night, oh
Everything has changed and
I don’t know why
VERSE 2
I used to hear your voice inside my head
Now I forget what it sounds like
And all the things we used to leave unsaid
I wish they were said in hindsight
I still can hear you through all of the silence (all the silence)
Do you need any help calling like I did? (oh like I did)
CHORUS
There’s been some changes in our life, oh
I can feel the distance
Space and time, has made everything different (different)
Day and night, oh
Everything is changing
I don’t know why
BRIDGE
Maybe that’s (mm) just the way it is
No matter how matter how much you’re missing it
Sometimes the wind blows in different new directions and lessons are happenin’
Maybe that’s (mm) just the way it is
No matter how matter how much you’re missing it
No love lost, I know it’s innocent
It’s what you make of it
CHORUS
There’s been some changes (changes) in our life, oh
I can feel the distance (distance)
Space and time (time), has made everything different (different)
Day and night, oh
Everything is changing (changing)
I don’t know why (why)
There’s been some changes (changes) in our life, oh
I can feel the distance (distance)
Space and time (time), has made everything different (different)
Day and night, oh
Everything is changing (changing)
I don’t know why
Director: Charlotte Rutherford
Starring:
Charlie Puth
Brooke Puth
Production Company: Someday Studio
EP / Producer: Wyatt Whitaker
EP: Andrew Gallo
Creative Direction:
Crystalline Structures
Director of Photography: Joseph White
1st AC: Andrae Crawford
2nd AC: Kevin Sun
DIT: Bret Sudling
VTR: Robert Morales
Gaffer: Bradford Jamieson
Best Boy Electric: Christian Rice
Electric: Myles Jameison
Key Grip: Luke Poole
Best Boy Grip: Brandon Diaz
Grip: Gaither Narron
Stop Motion: Gustavo Soriano
Set Designer: Ryan Brennan
Leadman: Andrew Bond
Lead Assist: Matthew Willits
Set Dresser: Zoe Hazlett
Set Dresser: Greggory Falks
Wardrobe Stylist: Sean Knight
Wardrobe Assistant: Drew Hemnes
Groomer: Sydney Sollod
Craft Services: Yesenia Isamar Reyes-Chaidez
PA: Garrett Charbonneau
PA: Avalon York
PA: Matt Donovan
Post Producer: Patrick Armstrong at Sidekick.prod
On-set VFX supervisor: Ethan Feldbau
VFX: Ben Kadie
Claymation: Alistair Nicholls
Additional VFX: Alexis da Camara
Titles: Sean Armstrong
Editor: Anthony Miralles at Slips Studios
Editor Producer: Helen Sope
Colorist: Isac Hessellund at Copenhagen Visual
Colorist Producer: Carsten Dahl
Management:
Mikaela Puth
Ty Stiklorius
Bo Young Lee
Atlantic Records:
Amber Ajeé Baker
Jamie Wayne
Justin Horowitz
Dave Rocco
Marisa Aron
Whatever’s Clever Executive Produced by
BloodPop® & Charlie Puth
Creative Direction:
Crystalline Structures
Logos:
Timothy Luke
Special thank you to BloodPop® ♫
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The official YouTube channel of Atlantic Records artist Charlie Puth. Subscribe for the latest music videos, performances, and more.
#CharliePuth #Changes #WhateversClever