LISA’s debut album, ‘Alter Ego’ is out now. Listen here: https://lisa.lnk.to/AlterEgo
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Lyrics:
I’ve been thinking
That I got no idea what you’re thinking
Are you happy? Are you sad?
Are you always gonna hate me for that night in Tokyo?
When it ended
I kinda hoped that it’d be open ended
But you never looked back
Well I guess you can’t hold on to something once you let it go
But I know a place
Where we can be us
I know it ain’t real
But it’s real enough
From sun going down to sun coming up
It’s like you’re here with me
Whenever I close my eyes
It’s taking me back in time
Been drowning in dreams lately
Like it’s 2019 baby
Whenever I’m missing you
Call you up but I can’t get through
Don’t know where you sleep lately
But I’ll see you in my dreams maybe
We can catch up, drive down our old street
If all that we were is all that we’ll ever be
It’s bittersweet
At least a girl can dream
I guess that I’m taking what I can get
‘Cause I don’t get nothing new from your friends
If you got the harder side of the break
Then why is it harder for me to take
There’s so much I might never get to say, ay
But I know a place
Where we can be us
I know it ain’t real
But it’s real enough
From sun going down to sun coming up
It’s like you’re here with me
Whenever I close my eyes
It’s taking me back in time
Been drowning in dreams lately
Like it’s 2019 baby
Whenever I’m missing you
Call you up but I can’t get through
Don’t know where you sleep lately
But I’ll see you in my dreams maybe
We can catch up, drive down our old street
If all that we were is all that we’ll ever be
It’s bittersweet
At least a girl can dream
I-I-I know it’s only in my mind
Playing three nights on the stereo
Like a movie scene, DiCaprio
Oh l-I-I put my make up on just to fall asleep
It’s like you’re here with me
Whenever I close my eyes
It’s taking me back in time
Been drowning in dreams lately
Like it’s 2019 baby
Whenever I’m missing you
Call you up but I can’t get through
Don’t know where you sleep lately
But I’ll see you in my dreams maybe
We can catch up, drive down our old street
If all that we were is something we’ll never be
It’s bittersweet
Can we be friends at least

Credits:
Starring.
Lalisa Manobal
Kentaro Sakaguchi

A film by ARFILM @arfilm_ojun
Written & Directed by OJun Kwon

Assistant Director. Choi Ji Hwan
Field Producer. Jeong Ji Won
Production Assistant. Kim Jun Seo / Kim Seong Jun /
Park Sang Joon / Jang Kyu Seong / Heo Seong Won / Park Seong Ho / Seol Hyun Jun

Director of Photography. Eumko
1st AC(Focus Puller). Lee Young Woo
2nd AC. Ko Yun Tae / Kim So Yul / Kim Ji Min
3rd AC. Choi Seo Young / Shin Cheol Min
DIT. Choi Jeong Woong

Gaffer. Song Hyun Suk
1st Assistant. Choi Jung Hyun
2nd Assistant. Choi Jong Bok
2nd Assistant. Min Jun Hee
2nd Assistant. Seo Su Min
3rd Assistant. Heo Gun / Kong Il-ho
4th Assistant. Sin Hyeon Jo / Song U Jin

Art Director. Jang Zezeen
1st Assistant. Noh Ji Su / Shin Soon Ok
2nd Assistant. Kang Joo Hyuk
3rd Assistant. Jo Na Hyeon / Lee Sang Joon / Kim Hyo Jun

Key Grip. Lee Nam Kwon
Best Boy. Lee Jun Hee
Grip. Kim Jae Man / Yun Dae Sang

Special Effect. Park Yo Seop
Special Effect Team. Kim Uk / Ahn Won Seop / Ham Chungu

Drone Camera. GODFINGER
Drone Operator. Lee Min Jae
Gimbal Operator. Cha Jun Hwan
Assistant. Park Young Jun

Location Manager. Cho Kyoung Jong
Location Sound & Sound Mixer. Choi Jin Young

2D. [NULL STUDIO] Kim Min Jun / Kim Han Ki / Lee Geun Do
2D. Kim Soo Wan

DI. Lucid Color
Colorist. Ko Won Seok
DI Crew. Kim Da In / Bae Su Hyeon / Yeom Bo Ram / Hong Hye Won
DI Producer. Kim Onew
Manager. Seo Yu Jin

Sound Effects. Yosi

Lisa Management. Alice Kang, Wonjae Park, Chase Johnson
Lisa Creative. Emily Jang
Stylist. Nanist
Make-up Artist. Myungsun Lee
Make-up Assistant. Insung Cho
Hair Stylist. Hyeyeon Jang
Hair Assistant. Jieyoon Cho
Personal Stylist. Nanist

Kentaro Management: KANA MATSUKURA MOMOKA HAYASHI
Make-up Artist: LEE JIYOUNG
Hair. RUMI HIROSE
Stylist. TAICHI SUMURA
Interpreter. JANG SEUNGHOON

#LISA #Dream #KentaroSakaguchi

SiR - POETRY IN MOTION with Anderson .Paak
Stream/Download: https://orcd.co/heavyalbumsir

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Aye Verb vs A Ward deliver a classic rap battle of the year contender after building up the biggest grudge promotional run towards a battle EVER!

WATCH FULL MAX OUT 3 EVENT NOW AT https://www.rapgrid.com/maxout3

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O soniye | New Santhali ( Promo Video) 2024 |Sadhu Marndi & Masoomi Singh | Chotu Lohar

#sadhumarndi #chotulohar #masoomi

Audio Credit
Lyrics and Composer - Dharma Baskey
Music - Bunty Studio ( Ranchi)
Singer - DD Bro & Rupali


Vedio Credit
Producer - Sadhu Marndi
Direction & Choreography - Chotu Lohar
Featuring - Sadhu Marndi & Masoomi Singh
Dop - Mithun Pramanik
Make-up - Ravi Singh Sardar
Costume - Moni Disign's
Production Manager - Johar Studio
Edit Di Poster - Jay K.Ptr ( RBK Ent.)
Makers - RBK Entertainment








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Visit https://prizepicks.onelink.me/LME0/SHANNON and use code SHANNON and get $50 in lineups when you play your first $5 lineup! 

Memphis Bleek joins Shannon Sharpe at Club Shay Shay to perform a track from his new album Apartment 3D before diving into his journey from the Marcy Projects in Brooklyn to hip-hop history. Raised by a single mother and stepfather, Bleek recalls growing up watching his mom struggle and his determination to change his family dynamic. He thought basketball, baseball, or even art would be his path, until writing lyrics became his true calling. Growing up in the same building as Jay-Z, his first job was walking Jay’s nephews to school for $100 a week. He shares memories of the projects, losing friends, and respect for older generations who disciplined kids whether related or not.

Bleek reflects on idolizing Nino Brown before Jay-Z told him to quit hustling and focus on music. Though not blood brothers, he says Jay-Z raised him alongside Dame Dash, Biggs, Clark Kent, and cousin Bee High. He explains why Brooklyn breeds stars like The Notorious B.I.G., Lil’ Kim, Fabolous, Big Daddy Kane, ODB, Joey Bada$$, and Pop Smoke. He remembers meeting Biggie during the “Brooklyn’s Finest” session with Jay-Z and visiting Biggie’s New Jersey mansion with elevators and Land Cruisers, which inspired him to believe success through music was possible. He admits his pen was never as sharp as Jay-Z, Biggie, Nas, or Tupac, and recalls being devastated by Biggie’s death.

He describes Jay-Z’s life in the projects as “royalty” with an air conditioner, waterbed, and white carpet. His mother was best friends with Jay’s sister, and Bleek always knew Jay was destined for greatness. Watching Jay-Z evolve into a businessman, he says Hov has long planned to retire from rap and hasn’t felt challenged since Eminem, Big Pun, Biggie, and Tupac. Bleek recalls freestyling for Jay-Z during the Reasonable Doubt era, seeing Jay write “Sunshine” in 30 minutes, and realizing he was hand-picked. Reasonable Doubt changed Bleek’s life, giving him money to support his mom and allowing him to buy a house in New Jersey at 17.

Bleek credits Dame Dash with saving him from a bad management deal but explains why Jay-Z will never “save” Dame now. He calls Roc-A-Fella’s breakup the worst day of his life, caused by egos, lack of focus, and fights over credit. He names Roc-A-Fella the greatest rap label ever, with Cash Money, Death Row, No Limit, Ruff Ryders, and Def Jam rounding out his top five. He shares Kanye West memories, Rihanna’s early career, and calls Rihanna an anomaly. He talks about rap beefs from Tupac vs. Biggie to Kendrick Lamar vs. Drake, praising “Not Like Us” as the greatest diss record he’s ever seen.

Bleek recalls turning down beats like Joe Budden’s “Pump It Up,” Barbara Streisand quoting him in a diss to Donald Trump, and being starstruck by Michael Jackson. He performed for Nelson Mandela, worked with Destiny’s Child, Rihanna, and Missy Elliott, and says Beyoncé is the closest thing to Michael Jackson. He praises Kevin Hart as the funniest person he’s met, likening him to Eddie Murphy, and remembers hanging with Nick Cannon, Serena Williams, and Meagan Good.

Bleek agrees with Fat Joe that rappers live paycheck to paycheck and opens up about marriage, fatherhood, and why focusing on friendships hurt his career. He says Jay-Z always has his back but egos destroy empires. From Marcy Projects to Roc-A-Fella Records, Memphis Bleek’s story is one of loyalty, lessons, and legacy.

#ClubShayShay​ #memphisbleek #jayz

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Club Shay Shay is a weekly podcast hosted by Shannon Sharpe – 3x Super Bowl champion, member of the Pro Football Hall of Fame and co-host of First Take on ESPN. Each week Shannon will sit down with athletes, celebrities and influencers to break down, analyze and discuss the latest headlines in sports, pop culture and everything in-between. Get on the VIP list at Club Shay Shay NOW and never miss an episode!

Memphis Bleek | EP. 181
https://youtu.be/Skep02BJYJA

Club Shay Shay
https://www.youtube.com/c/ClubShayShay

UNDER ACID HOOF is the brand new album of the Greek doom metal band Acid Mammoth. The records was released January 24th via Heavy Psych Sounds.
GRAB YOUR COPY:https://www.heavypsychsounds.com/shop.htm#HPS115
USA MARKET:https://allthatisheavy.com/search?type=product&q=acid+mammoth
====
Acid Mammoth
Official Site: https://www.acidmammoth.com/
Merch: https://acidmammoth.bigcartel.com/
FB:https://www.facebook.com/acidmammoth/
====
Heavy Psych Sounds Records
https://www.facebook.com/HEAVYPSYCHSOUNDS/
http://www.heavypsychsounds.com
====
01 Them! 00:00
02 Tree of Woe 04:38
03 Tusks of Doom 13:48
04 Jack the Riffer 19:38
05 Under Acid Hoof 27:08
====
“Under Acid Hoof” is the band’s second full-length album. The album was recorded in 2019, mixed and mastered by Dionysis Dimitrakos of Descent Studios, who also worked with the band for their debut album back in 2017. Drums were recorded in Dope of Sound Studios in Athens.
The album is a direct continuation of the band’s self-titled, debut full-length album, but darker, heavier, and fuzzier. Five Tracks of Doom, each one offering something unique to the Opus. It just gets heavier and heavier as you dwell deeper into the album.
The father & son duo on guitars offer to the listener a horde of Iommi-style riffs with fuzzy melodies accompanied by doomy riffing, which is supported by wicked bass lines and heavy drumming. The clean mellow vocals add to the mix, and the occasional talk of witchcraft and mammoths can lead to a sublime, heavy experience.
The artwork is made by Branca Studio, whoelse could get the spirit of this album and put it on a cover ?
You have to dig this album loud if you are a fan of Electric Wizard, Monolord, Sleep.
----
1.000.000 Views / June 2021

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Buy a Coffee for 666MrDoom
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#EdenMuñoz #Chale
Familia con todo el corazón... les dejo mi primera rola inédita #Chale
ya disponible para que hagan lo que quieran con ella jálense! https://lizos.lnk.to/Chale

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KAROL G joined Zane Lowe in Colombia to discuss her new album, Tropicoqueta, and to perform “No Puedo Vivir Sin Él” live. Listen to Tropicoqueta on Apple Music: http://apple.co/Tropicoqueta_YT

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#KAROLG #Tropicoqueta #AppleMusic

Nouveau et dernier clip "Eté 90" extrait de notre EP d'adieu "Rupture 2 merde": https://youtu.be/sKQIWaEPplQ
Pour écouter tout l'EP: https://panenkamusic.lnk.to/Rupture2merde
Extrait de HIT SALE XTRA CHEESE, réédition de l'album DISPO: 👉https://PanenkaMusic.lnk.to/HitSale-XtraCheese
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(p) & (c) PANENKA MUSIC

Durrty Goodz is widely regarded as one of the hardest MCs in the game, by those with any nous. This latest edition of Invite Only serves as a reminder to why Goodz is one of the best in the game, despite being relatively inactive in terms of his output in recent years.

Durrty Goodz has always had one of the most unmistakeable flows, and it’s no different when he touches mic in 2025, and it’s a true testament to his originality that his style hasn’t been emulated all these years on.

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What is love if compromised? What is a new beginning if the past is always present?

Vishal Mishra’s soulful ballad "Aakhir" is an ode to the love laden with loss and sacrifices. Through the words of Kaushal Kishore, Vishal composes a stirring melody that is sure to stay with you much after you have heard it. In a delicately shot video featuring popular film actor Shantanu Maheshwari and Diksha Singh, a known face in commercials - the story of Aakhir gets a visual composition that represents its melody and lyrics .

This heartbreak song is for a permanent place in your playlists.

Create reels using #Aakhir : https://www.instagram.com/reel....s/audio/176359016408


#Aakhir #VishalMishra #ShantanuMaheshwari
--------------------------------------------------------------------------------------------------------------------------------------------------
🎧 Audio Credits:

🎶 Composer : Vishal Mishra
🎤 Singer : Vishal Mishra
➟ Lyrics : Kaushal Kishore
➟ Music Arranged & Produced by : Vishal Mishra
➟ Additional Music Production - Bixal
➟ Live Guitars & Strokes : Shomu Seal
➟ Music Assistants : Kumar Gaurav Singh , Trihangku Lahkar & Bixal
➟ Mixed & Mastered by : Trihangku Lahkar @ VM Studio
➟ Recording Engineer @VM Studio : Trihangku Lahkar

🎬 Video Credits

➟ Actors - Shantanu Maheshwari & Diksha Singh
➟ Supporting Actor - Sanjay Kadyan
➟ Production House - Mayur Hasija Films
➟ Director - Arif Khan
➟ Creative Director - Aanchal
➟ Associate Director - Rohan Sanctis
➟ Video Superviser - Manish Saini
➟ DOP - Sanket Shah
➟ First Ac - Sameer Armarkar
➟ Editor - Nitin FCP
➟ DI - Swapnil Potale (Famous Studio)
➟ Online - Nadeem Akhtar
➟ Online Associate - Mohd Muzzamil
➟ Costume Stylist - Karishma Vyas
➟ Focus Puller - Tarun Sharma
➟ Gaffer- Vivek
➟ Art Director - Rahul Bhola
➟ Producer - Mayur Hasija
➟ Exec Producer- Vijay Kumar (VEERA)
➟ Line Producer - Karann Film Production
➟ Production Manager -Aditya Sharma
➟ Steadicam - Sandeep
➟ Still & BTS - Dev Rao & Shushant Das
➟ Drone - Bunty
➟ Make Up Artist - Barbee Arora
➟ Secondary Casting Director- Monika
➟ Juniors Cordinater- Abhishek


➟ Team Shantanu:
Make up- Nazakat Khan
Hair- Rajwinder Singh
Boy- Ritesh Choudhary

➟ Team Diksha:
Make up - Talib Ansari
Hair- Manya Ansari
Boy - Pankaj

--------------------------------------------------------------------------------------------------------------------------------------------------
Lyrics:

Kitne they chehre kitne they dil
Hum tumse mile kyun aakhir
Kitni thi raahein aur manzil
Hum tumse mile kyun aakhir
Hum tumse mile kyun aakhir

Waqt ne kaisa lamha diya hai
Dard ne dil ko sehma diya hai
Saare ke saare hum tere they
Thode bhi na rahe
Yun toh dil ke paas bahane
Par sach kya hai tu toh jaane
Mere they mere bas mere tum
Mere hi na rahe
Hairaan hoon ye soch kar
Dil ko bhala kya mila
Dil ko bhala kya mila
They hi nahi jab tere kaabil
Hum tumse mile kyun aakhir
Kitne they chehre kitne they dil
Hum tumse mile kyun aakhir
Hum tumse mile kyun aakhir


--------------------------------------------------------------------------------------------------------------------------------------------------
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© Universal Music India Pvt. Ltd.

► About VYRL Originals:
VYRL Originals is a platform from Universal Music India that is dedicated to building the culture and category of non-film music in India. VYRL Originals is the go-to destination for fans of non-film music who are seeking original content, meaningful music, and clutter-breaking slick videos.

The official WorldStarHipHop video premiere of Young Dolph's "Preach". Young Dolph's "High Quality Street Music 4: American Gangster" mixtape out now!

SUBSCRIBE to the Official WorldStarHipHop Channel for more original Worldstar material, music video premieres, and more: http://goo.gl/jl4las

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#YoungDolph #Preach #WorldstarHipHop

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"The Breakfast Club" Morning Show features uncut celebrity interviews, Jess Hilarious' unfiltered commentary, "The Latest" exclusives with Loren LoRosa, Charlamagne tha God’s "Donkey of the Day", DJ Envy’s mixes and more! Every guest visiting the world’s most dangerous morning show is grilled with their signature blend of honesty and humor. The results are the best interviews to be found on radio and beyond. And with a reach of 11.3 million monthly listeners, the show continues to put it's stamp on the culture.

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