DaftPunk Greatest Hits Full Album Best Songs Of DaftPunk 1080p
DaftPunk Greatest Hits Full Album Best Songs Of DaftPunk 1080p

THE BEST OF THE BEST ARABIC SONGS 2022 - افضل موسيقى عربية

Farruko - San Miguel

#Trili #RIPAnuelAA #MereTrili

The Tiny Desk is working from home for the foreseeable future. Introducing NPR Music's Tiny Desk (home) concerts, bringing you performances from across the country and the world. It's the same spirit — stripped-down sets, an intimate setting — just a different space.

Anamaria Sayre | March 10, 2022
When catching glimpses of his meteoric rise to global stardom and his picturesque life with partner and artist Evaluna Montaner, fans are often left to speculate on the romance of Camilo’s life. From his Tiny Desk (home) Concert in Miami, the Colombian singer-songwriter pulls back the curtain for 15 minutes of soul-baring intimacy, letting the world view his fairytale life in full bloom.

Trading out his typical guitar opening for soulful strings, Camilo opens with a softer rendition of “Índigo,” a sweet dedication to his soon-to-be born baby of the same name. Setting the tone for his love-laden performance, he sings to an off-camera Montaner, Índigo’s mamá and Camilo’s querida, who trades her usual place as singer on the duet to serve as director for the performance. Transitioning to a slower “La Mitad,” his sweet vocals overlap with layers of singing guitar for a meditative rendition of the heartfelt track. When he completes the piece, Camilo pauses to recite a poem he’s written for the occasion, inviting the audience to explore the inner workings of the mind behind the music.

He transitions into a full-bodied, emotional performance of “El Mismo Aire,” complete with more silky strings and captivating percussion. Cowbell and trumpet converse playfully to create a resounding close with “Vida de Roco.” The Colombian singer-songwriter offers up a percussive bouquet for this performance, presenting each song with a novel depth of instrumentation and tone. He builds a dream landscape on layers of sweet drum solos and chest-gripping strings, inviting the listener to partake in a world where sound and heart perfectly coexist.

SET LIST
“Índigo”
“La Mitad”
“El Mismo Aire”
“Vida de Rico”

MUSICIANS
Camilo: vocals, kalimba, sampler, veillette, guitar
Daniel Uribe: guitar, lap steel
Oscar Convers: bass
Nico González: melodica, steel guitar, guiro
Franda Fuentes: percussion
Richi López: ronroco, chekere
JonTheProducer: mellotron, cowbell
josefe: trumpet, bugle
Manuela López Lambuley: cello
Francia Laurens: viola

CREDITS
Director: Evaluna Montaner
Producer: Mayte Calzacorta
Production House: The Way Films
Recording Engineer: Pascual Matera
Vocal Engineer: Natalia Ramírez
Mixing Engineer: Nicolás Ramírez
Mastering Engineer: Nicolás Ramírez

TINY DESK TEAM
Producer: Anamaria Sayre
Video Producer: Kara Frame
Audio Mastering: Josh Rogosin
Tiny Production Team: Bob Boilen, Bobby Carter, Joshua Bryant, Maia Stern, Ashley Pointer
Executive Producer: Keith Jenkins
Senior VP, Programming: Anya Grundmann

#tinydesk #nprmusic #camilo

From Sept. 15 through Oct. 15, Tiny Desk is celebrating Latinx Heritage Month with an "El Tiny" takeover, featuring Jessie Reyez, Susana Baca and more musicians from all corners of Latinidad.

Felix Contreras | September 19, 2022
Having played the music myself, I have always lovingly referred to Mexican Regional music as “cowboy hats and accordions.” But this is not your grandparents’ Mexican Regional. Younger musicians today are rejecting the restrictions of that industry-imposed title and adding contemporary sounds like hip-hop and trap while still maintaining the emotional spirit and rough edges of the genre.

Then there’s Carin León — a game changer if there was one. His Tiny Desk (home) concert is a deep dive into this moment in time as the genre actually changes. He starts with a traditional bolero “El Amor De Tu Vida” but the second song, “Alguien Mejor,” is an example of how he and his amazing group are changing things. It starts with a traditional bajo sexto guitar as he raps and sings the lyrics, but when the mournful strains of a pedal steel guitar popular with trad country music enters the arrangement, the cross cultural reality of life along the border where this music comes from springs to life with the passion of both genres and cultures.

It’s an exciting moment from a four song performance that beautifully represents how a culture changes and develops as outside influences become part of its aesthetic. The music’s rustic roots are on display in the barroom set, complete with strategically placed bleached-out cattle skulls. You still see accordions and cowboy hats in this video but you hear so much more — you can actually hear a society in transition.

SET LIST
“El Amor De Tu Vida”
“Alguien Mejor”
“No Es Por Acá”
“La Primera Cita”

MUSICIANS
Carin León: vocals
Orlando Aispuro: guitars, bajo sexto, keys
Abraham Noe Reyes: guitars
Luis Carlos Perez: drums, percussion
Martin Caro: percussion, octapad
Antonio Z. Rivera: bass, tuba
Leonardo Barahona: tololoche
Luis Araujo: accordion
Cheché Ávila: trumpet
Abel Anguiano: trombone
Alan Ortega: pedal steel, dobro, lapsteel

CREDITS
Video: Orlando Aispuro, Kran Rosas, Kevin Rosas, Yerick Johnsson
Audio: Alberto Medina, Baruc Llamas, Salatiel Granillo
Diego Valenzuela: photographer
Emilio Moreira: gaffer
Angel Moreno: gaffer
Diego Hernandez: gaffer
Jesus Eden Camacho: engineer
Jesus Valdez: stage manager
Israel Aispuro: stage tech, guitar tech, recording assistant
Manuel Valverde: guitar tech
Ramon Herrera: rhythm tech
Uzziel Hernandez: video tech
Ivan Villa: lightning tech

TINY DESK TEAM
Producer: Anamaria Sayre, Felix Contreras
Video Editor: Kara Frame
Audio Mastering: Josh Rogosin
Tiny Production Team: Bob Boilen, Bobby Carter, Joshua Bryant, Marissa Lorusso, Hazel Cills, Maia Stern, Ashley Pointer
VP, Visuals and Music: Keith Jenkins
Senior VP, Programming: Anya Grundmann


#TinyDesk #ElTiny #carinleon

Perfect scene that explains the essence of digging, sampling, and beatmaking.
Wu-Tang - An American Saga S02E06 - HULU

Melissa Manchester - Don't cry out loud

The Tiny Desk is working from home for the foreseeable future. Introducing NPR Music's Tiny Desk (home) concerts, bringing you performances from across the country and the world. It's the same spirit — stripped-down sets, an intimate setting — just a different space.

Bobby Carter | March 3, 2021
Jack Harlow's Tiny Desk (home) concert feels like the arrival of a rap superstar. Tucked in a homey-looking space in Los Angeles surrounded by bookshelves and vintage furniture, the Louisville, Ky., emcee delivers a performance with the confidence of an old pro. His set, however, is the first time he's relied solely on live instrumentation to bring his songs to life. "It's been a long time since I had a chance to perform and I've never done it like this," he says.

This is a far stretch from the kid with loose curls and specs frolicing with his hometown friends, but his success should serve as a reminder of the importance of artist development. He's been able to slow cook for a few years, consistently dropping mixtapes and visuals until he landed a big hit last year in "WHATS POPPIN." That performance earned him a Grammy nomination ahead of his very impressive debut album, Thats What They All Say.

For this turn at the Tiny Desk, Harlow, his band and some background singers deliver a megamix of highlights from the album. The orchestration underscores his sentimental and introspective side on songs like "Same Guy" and "Funny Seeing You Here," but it also elevates the melody, which is the true hero here. Over the past few years, the 22-year-old rapper has steadily ticked the boxes for a successful career, and this showing undoubtedly checks the performer section.

SET LIST
"Rendezvous"
"21C / Delta"
"Funny Seeing You Here"
"Same Guy"
"Creme/ONCE MAY COMES"
"Whats Poppin"

MUSICIANS
Jack Harlow: vocals
O'Neil "Doctor O" Palmer: keys
Rico Nichols: drums
Joe Cleveland - bass
Rob Gueringer: guitar
Erik B: vocals
Chimera Patrice: vocals
Porcha Clay: vocals

CREDITS
Video: Ace Pro, Chadrick Fellers / WastedPotential, Donald Turner, Karis West, Kylie Hazzard
Audio: Nickie Jon Pabón, CJ Blair
Playback: Kenny Woods
Backline: Jonathan Castillo

TINY DESK TEAM
Producer: Bobby Carter
Video Producer: Morgan Noelle Smith
Audio Mastering: Josh Rogosin
Tiny Production Team: Bob Boilen, Kara Frame, Maia Stern
Executive Producer: Lauren Onkey
Senior VP, Programming: Anya Grundmann

#jackharlow #tinydesk #hiphop #nprmusic

The fucking Kings of Metal!!!

Pantera rompiéndola durísimo en la segunda presentación de su tour, orgulloso de que hayan tocado en casa, Monterrey, Nuevo León.

Tuve la fortuna de presenciar los 2 shows que ofrecieron en México, los primeros 2 del maldito mundo… no puedo describir lo que sentí, aun sigo procesándolo. Lo pase increíble el sonido fue brutal y la visión que tenía del escenario espectacular.

Setlist:

Telón 00:00
Intro 01:44
A New Level 4:57
Mouth For War 9:30
Strength Beyond Strength 14:28
Becoming 19:22
I'm Broken 23:39
5 Minutes Alone 28:59
This Love 35:04
Fuckin' Hostile 42:21
Cemetery Gates Intro/Dime & Vinnie Video Tribute 46:12
Planet Caravan 47:47
Walk 54:04
Cowboys From Hell 59:36
Domination/Hollow 1:05:34
Old time Outro 01:10:09
Bonus 01:11:50

RARE Selena video, not seen in more than 20 years was found and digitized by the Smithsonian’s National Museum of American History. This footage of Selena on the program “Tejano USA” was found in a TV camera donated to the museum’s Spanish-language television project by Univision, the parent company of San Antonio’s KWEX-TV, Channel 41. The station’s production manager put an unlabeled ¾ inch tape in the camera to show what format that camera used.

When the museum digitized the video this summer, the Selena footage was discovered. The production manager, who actually directed the segment with Selena, tells the museum that after Selena passed away in 1995, he had looked everywhere for the video with no luck. The video resurfaced just as the museum planned to open a display on Hispanic Advertising that includes the Tejana artists’ work as a spokesperson for Coca-Cola.

The video was taken at Hemisfair Park, San Antonio Texas, April 1994 just before Selena performed at the “Texas Live” Music Festival sponsored by Coca Cola.

The Tiny Desk is working from home for the foreseeable future. Introducing NPR Music's Tiny Desk (home) concerts, bringing you performances from across the country and the world. It's the same spirit — stripped-down sets, an intimate setting — just a different space.

Abby O'Neill | February 3, 2022
Fatoumata Diawara is a true multi-hyphenate – an esteemed Malian singer, songwriter and actress who left her home country at 19 to pursue her artistry in France. By way of Como, Italy, she delivers a riveting performance alongside her bandmates, many of whom have toured with her since 2018. The guitarist and keyboardist here – Yacouba Kone and Arecio Smith – both contributed to her Grammy-nominated album, Fenfo.

Rich, textured guitars complement her native Bambara vocals and bring a contemporary feel to her traditional Malian sound. These renditions are sonically disparate from her album versions. On "Kanou Dan Yen," Fatoumata's captivating and calming aura is as contagious as her electric smile. "Nterini" is a touching ode to her lover about how distance creates enormous heartache. Fatoumata ends her set on a vibrant note with "Negue Negue," an uptempo Afrobeat jam with rambunctious rhythm and spirit.

SET LIST
"Kanou Dan Yen"
"Nterini"
"Negue Negue"

MUSICIANS
Fatoumata Diawara: vocals, guitar
Yacouba Kone: guitar
Juan Finger: bass
Arecio Smith: keys
Yves William Ombe Monkama: drums, percussion

CREDITS
Production: Montuno Producciones y Eventos, S.L
Audio Recording: Andrea Fognini & Davide Lasala at Edac Studio, Como Italy
Video Recording: OLO Creative Farm
Director of Photography: Paolo Volonté
Editing: Juan Gomez de Mello at Verano TV
Sound Engineers: Andrea Fognini, Davide Lasala
Mixing & Mastering: Tomi Pérez


TINY DESK TEAM
Producer: Abby O'Neill
Video Producer: Joshua Bryant
Audio Mastering: Josh Rogosin
Tiny Production Team: Bob Boilen, Bobby Carter, Kara Frame, Maia Stern, Sofie Hernandez-Simeonidis
Executive Producer: Keith Jenkins
Senior VP, Programming: Anya Grundmann

#fatoumatadiawara #nprmusic #tinydesk

I studied the top producers to see how they made their income and came up with these top 3 methods! If you want more content gone head and click that subscribe button!


























How to make a 30,000 a month selling beats with no followers!



IM Limbo and this is How to make 30k a month selling beats online, let's get straight into it.

There are bunch of different ways to make money as a music producer, but I'm going to talk about the top 3 I've seen people have the most success with.


Before I tell you what these are it is crucial that you spend time to work on your craft and really get good and making beats. Because its going to be a lot easier to sell a product that’s actually fire!

Method number. 1 Collab sales! What do you mean collab sales? You send big producers who are already gettingsales, your loops, they use it to make a beat, that beat sales and you split the profits 50/50. You can find the email to most big producers by simply typing in type beats on youtube and they will post their email in the description of the video, also it is a good idea to send the same type of loop as the type beats they make, for example if the make drake type breats, you should probably send same drake type loops. Also it may sound counterintuitive, but you can also just pay for a collab from most big name producers. Because this guarantees they will use the loops you send them. Which a lot of smaller artist have actually gotten placements (description of what a placement is on the screen). And make lifelong connections through this. An example of a producer using the collab method would be Kavhi who was making around around 40,,000 per month and had no following at all. He was just sending fire loops to big name producers!

Method Number 2. Niche specific Type beats. This is where you create a type beat channel on youtube, but instead of posting big artist type beats, like Drake or Kendrick you instead post smaller artist like Bas or dro kenji type beat. And doing this you avoid the competition of all the bigger channels making type beats for those bigger artist. Now this method isnt as quick, because it takes time to build up a youtube channel, but it has a huge payoff because 1. You dont only get paid from selling your beats, but you also get paid for the views through google adsense too. There are so many producers who have made millions doing this method some of which being CashMoneyAP, Ant Chamberlin, and Dillygotitbumpin

Yo Before I Tell you guys the last method, i do ask if you are lkiking this video so far go ahead and subscribe and drop a like. Aight back to it

Method number 3 Dming Artist on instagram. I understand not a lot of people like this method because they feel like its spammy… but it works. The reality is most artist dont know you or what your beats sound like, but ALL OF THEM will need beats! Best way to find artist on instagram is to go to pages that promote upcoming artist, and most of them on will have paid to be promoted on that page which means they invest money in theyre music career, so these are the people who are most likely going to purchase a beat from you.This method is how Kyle Beats went from selling no beats to making thousands weekly

Let me know in the comments which method you guys think is the best. And Cya!

Provided to YouTube by Rhino Atlantic

The Ghetto (Live at the Troubador, Los Angeles, CA) · Donny Hathaway

Live

℗ 1995 Atco Recording Corporation for the United States and WEA International for the world outside.

Tuba: Aaron Dodd
Alto Saxophone: Clifford Davis
Additional Trumpet: Cyril Touff
Alto Saxophone: Donald Myrick
Bass Guitar: Donny Hathaway
Electric Piano: Donny Hathaway
Vocals: Donny Hathaway
Trumpet: Gary Slavo
Congas Drums: Henry Gibson
Trombone: John Avant
Trumpet: John E. Howell
French Horn: John Lounsberry
Tenor Saxophone: Johnny Board
Tenor Saxophone: Lenard S. Druss
Solo Guitar: Marshall Hawkins
Trombone: Morris Ellis
Drums: Morris Jennings
Trumpet: Oscar Brashear
Guitar: Philip Upchurch
Percussion: Ric Powell
Trumpet: Robert A. Lewis
Additional Saxophone: Willie Henderson
Writer: Donny Hathaway
Writer: Leroy Hutson

Auto-generated by YouTube.

Legendary Bay Area rapper Dru Down details how he was featured on Tupac's All About U and how he was at Tupac's hotel room when Faith Evans came.