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BLACKPINK - ‘Pink Venom’ M/V
BLACKPINK - ‘Pink Venom’ M/V Hotney 15 Streams • 4 years ago

⁣BLACKPINK - ‘Pink Venom’

Kick in the door Waving the coco
팝콘이나 챙겨 껴들 생각 말고
I talk that talk Runways I walk walk
눈 감고 pop pop 안 봐도 척

One by one then Two by two
내 손끝 툭 하나에 다 무너지는 중
가짜 쇼 치곤 화려했지
Makes no sense You couldn’t get a dollar outta me

자 오늘 밤이야 난 독을 품은 꽃
네 혼을 빼앗은 다음 Look what you made us do

천천히 널 잠재울 FIRE 잔인할 만큼 아름다워

I bring the pain like

This that pink venom
This that pink venom
This that pink venom
Get ‘em, get ‘em, get ‘em
Straight to ya dome like whoa whoa whoa
Straight to ya dome like ah ah ah

Taste that pink venom
Taste that pink venom
Taste that pink venom
Get ‘em, get ‘em, get ‘em
Straight to ya dome like whoa whoa whoa
Straight to ya dome like ah ah ah

Black paint and ammo, got bodies like Rambo
Rest in peace, please light up a candle
This da life of a vandal, masked up and I’m still in Celine
Designer crimes or it wouldn’t be me

Diamonds shinin’ drive in silence I don’t mind it I’m ridin’
Flyin’ private side by side with da pilot Up in the sky
And I’m wildin’, stylin’ on them and there’s no chance
Cuz we got bodies on bodies like this a slow dance

자 오늘 밤이야 난 독을 품은 꽃
네 혼을 빼앗은 다음 Look what you made us do

천천히 널 잠재울 FIRE 잔인할 만큼 아름다워

I bring the pain like

This that pink venom
This that pink venom
This that pink venom
Get ‘em, get ‘em, get ‘em
Straight to ya dome like whoa whoa whoa
Straight to ya dome like ah ah ah

Taste that pink venom
Taste that pink venom
Taste that pink venom
Get ‘em, get ‘em, get ‘em
Straight to ya dome like whoa whoa whoa
Straight to ya dome like ah ah ah

원한다면 provoke us
감당 못해 and you know this

이미 퍼져버린 shot that potion 네 눈앞은 핑크빛 ocean

Come and give me all the smoke 도 아니면 모 like I’m so rock and roll

Come and give me all the smoke 다 줄 세워 봐 자 STOP DROP

I bring the pain like

La tatata La tatata La tatata La tatata
La tatata La tatata

Straight to ya
Straight to ya
Straight to ya dome like

La tatata La tatata La tatata La tatata
La tatata La tatata

I bring the pain like

00:00 Pink Venom
01:56 Join the #PinkVenomChallenge
02:11 Only on YouTube Shorts

More about BLACKPINK @
http://www.blackpinkofficial.com/
http://www.facebook.com/BLACKPINKOFFI...
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https://www.instagram.com/BLACKPINKOF...
https://twitter.com/BLACKPINK

#BLACKPINK #블랙핑크 #PreReleaseSingle #PinkVenom #MV
#20220819_12amEST #20220819_1pmKST #OutNow #YG

Sample Breakdown - Illmatic [1994] |  Nas
Sample Breakdown - Illmatic [1994] | Nas Hotney 15 Streams • 2 years ago

Hi 👋 If you enjoy our content and would like to support me so that I could create more free content, you can now buy me a coffee. Many thanks for your support, it is greatly appreciated!
https://www.buymeacoffee.com/themoment

Illmatic is the debut studio album by American rapper Nas. It was released on April 19, 1994, by Columbia Records. After signing with the label with the help of MC Serch, Nas recorded the album in 1992 and 1993 at Chung King Studios, D&D Recording, Battery Studios, and Unique Recording Studios in New York City. The album's production was handled by DJ Premier, Large Professor, Pete Rock, Q-Tip, L.E.S. and Nas himself. Styled as a hardcore hip hop album, Illmatic features multi-syllabic internal rhymes and inner-city narratives based on Nas' experiences in the Queensbridge Houses in Queens, New York City.

[Background]
As a teenager, Nas wanted to pursue a career as a rapper and enlisted his best friend and neighbor, Willy "Ill Will" Graham, as his DJ.Nas initially went by the nickname "Kid Wave" before adopting the alias "Nasty Nas".At the age of fifteen, he met producer Large Professor from Flushing, Queens, and was introduced to his group Main Source. Nas made his recorded debut with them, performing the opening verse on "Live at the Barbeque" from their 1991 album Breaking Atoms.Nas subsequently made his solo debut on his 1992 single "Halftime" for the soundtrack to the film Zebrahead. The single added to the buzz surrounding Nas, earning him comparisons to influential golden age rapper Rakim. Despite his buzz in the underground scene, Nas did not receive an offer for a recording contract, being rejected by major rap labels such as Cold Chillin' and Def Jam Recordings. Nas and Ill Will continued to work together, but their partnership was cut short when Graham was murdered by a gunman in Queensbridge on May 23, 1992;Nas' brother was also shot that night, but survived.Nas has cited that moment as a "wake-up call" for him.

[Recording]
Prior to recording, DJ Premier had listened to Nas' debut single, later stating "When I heard 'Halftime', that was some next shit to me. That's just as classic to me as 'Eric B For President' and 'The Bridge'. It just had that type of effect. As simple as it is, all of the elements are there. So from that point, after Serch approached me about doing some cuts, it was automatic. You'd be stupid to pass that up even if it wasn't payin' no money." Serch later noted the chemistry between Nas and DJ Premier, recounting that "Primo and Nas, they could have been separated at birth. It wasn't a situation where his beats fit their rhymes, they fit each other."While Serch reached out to DJ Premier, Large Professor contacted Pete Rock to collaborate with Nas on what became "The World Is Yours".Shortly afterwards, producers Q-Tip and L.E.S. chose to work on the album. "Life's a Bitch" contains a cornet solo performed by Nas' father, Olu Dara. The song also features Brooklyn-based rapper AZ.

[Production]
Illmatic also garnered praise for its production. According to critics, the album's five major producers (Large Professor, DJ Premier, Pete Rock, Q-Tip and L.E.S.) extensively contributed to the cohesive atmospheric aesthetic that permeated the album, while still retaining each's individual, trademark sound.' For instance, DJ Premier's production on the album is noted by critics for his minimalist style, which featured simple loops over heavy beats.Charles Aaron of Spin wrote of the producers' contributions, "nudging him toward Rakim-like-rumination, they offer subdued, slightly downcast beats, which in hip hop today means jazz, primarily of the '70s keyboard-vibe variety".Q magazine noted that "the musical backdrops are razor sharp; hard beats but with melodic hooks and loops, atmospheric background piano, strings or muted trumpet, and samples ... A potent treat." One music critic wrote that "Illmatic is laced with some of the finest beats this side of In Control Volume 1".


*Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. No copyright infringement intended. ALL RIGHTS BELONG TO THEIR RESPECTIVE OWNERS

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#Samples
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#illmatic

Sarah McLachlan: Tiny Desk Concert
Sarah McLachlan: Tiny Desk Concert Hotney 8 Streams • 7 months ago

Ann Powers | February 12, 2026
During a Sarah McLachlan performance, the chills come when you least expect them. One of the most expressive singer-songwriters of her generation, McLachlan makes the goosebumps happen with her gloriously gentle, iridescent voice — particularly through her negotiation of the break between its registers. She does just that in the first song of this Tiny Desk, an almost country-fied version of her 1997 hit “Building a Mystery.” With Luke Doucet’s impossibly delicate guitar arpeggios as her guide, McLachlan takes the song beyond its edge at the very last minute, gliding into a high note that remains unresolved. It’s one of several moments here that feel miraculous.

McLachlan has long been a purveyor of such small graces. Despite her renown as founder of the Lilith Fair tour, she has been underestimated as a major player in the reinvention of pop balladry, when she updated a folk-based sound with modern-rock flourishes and a fresh, feminist perspective. Here, playing alongside her longtime collaborators Doucet and Melissa McClelland — a husband-wife duo who’ve made many beautiful albums under the name Whitehorse — she highlights the side of her art that’s grounded in deep feeling and unassuming virtuosity. At one point, she apologizes to those watching because her back is to them while she’s at the piano. But from whatever angle experienced, this is one of the Tiny Desk’s warmest and most poignant sets.

SET LIST
“Building a Mystery”
“Reminds Me”
“Only Human”
“Adia”
“Angel”

MUSICIANS
Sarah McLachlan: vocals, guitar, piano
Luke Doucet: guitar, background vocals
Melissa McClelland: bass, background vocals

TINY DESK TEAM
Producer: Mitra I. Arthur
Director/Editor: Kara Frame
Audio Director/Mix: Josh Newell
Host/Series Producer: Bobby Carter
Videographers: Kara Frame, Joshua Bryant, Maia Stern
Audio Engineer: Josephine Nyounai
Production Assistants: Dhanika Pineda, Dora Levite
Photographer: Michael Zamora
Tiny Desk Team: Ashley Pointer, Felix Contreras
Series Editor: Lars Gotrich
Executive Producer: Suraya Mohamed
Executive Director: Sonali Mehta
Series Creators: Bob Boilen, Stephen Thompson, Robin Hilton

#tinydesk #nprmusic #sarahmclachlan

Support for NPR Music comes from Levi's. Behind the moments that matter, originals are out there, living the stories worth telling. What's yours? Live in Levi's.

Luke Combs - Miss You Here (Official Studio Video)
Luke Combs - Miss You Here (Official Studio Video) Hotney 8 Streams • 6 months ago

Listen to “Miss You Here” from Luke’s new album, The Way I Am available now!

Listen:
https://LC.lnk.to/TheWayIAmAY

Follow Luke:
Instagram: https://www.instagram.com/lukecombs
Facebook: https://www.facebook.com/LukeCombs/
TikTok: https://www.tiktok.com/@lukecombs
Twitter: https://x.com/lukecombs
Website: https://www.lukecombs.com/home/

Follow Luke Combs HQ:
Instagram: https://www.instagram.com/lukecombshq/
Facebook: https://www.facebook.com/lukecombshq/
Tik Tok: https://www.tiktok.com/@lukecombshq

Lyrics:

Brand new truck, still smell the leather
Ain’t a mile on it of you and me together
In the rear-view mirror
Aw, I shouldn’t miss you here
Little one-horse town west of Arizona
Million miles from the stars we kissed under
On a night this clear
Aw, I shouldn’t miss you here

Where do I gotta go to run from your memory
What do I gotta do to keep my heart from killing me
Oh, I should have never let you go
How do you know what dive bar I’m drinking at
Why can’t I get so gone that the want you back disappears
Oh, I shouldn’t miss you here

Met a good girl, gotta good thing going
But it don’t feel right layin’ there holding her
Thinking of you
I hate what you make me do

Where do I gotta go to run from your memory
What do I gotta do to keep my heart from killing me
Oh, I should have never let you go
How do you know what dive bar I’m drinking at
Why can’t I get so gone that the want you back disappears
Oh, I shouldn’t miss you here

Ain’t a nowhere that I’ve found
Where your ghost ain’t tracked me down

So what do I gotta do to run from your memory
What do I gotta do to keep my heart from killing me
Oh, I should have never let you go
How do you know what dive bar I’m drinking at
Why can’t I get so gone that the want you back disappears
Oh, I shouldn’t miss you here

I Looked Up | Sons Of Sunday
I Looked Up | Sons Of Sunday Hotney 16 Streams • 2 years ago

The official music video for "I Looked Up" from Sons Of Sunday.

"I Looked Up" is available everywhere now:
https://SonsOfSunday.lnk.to/ILookedUp.OneMoreDayYT

Connect with Sons Of Sunday:
Website | https://www.sonsofsunday.com
Instagram | https://www.instagram.com/thesonsofsunday/
TikTok | https://www.tiktok.com/@thesonsofsunday

Lyrics:
I remember that long cold night
How dark it was
Heart broke blinds closed
Didn’t even wanna see the sun

Like a refugee with nowhere to run
Lies in my mind held me hostage like a loaded gun
Tellin me I had no one

God I was too prideful to pick up that phone
Three a.m. I knew I needed help
But man I didn’t want anyone else to know
I was losing it

Somewhere between the deepest hell
And lowest low
I heard a voice from overhead
Sayin’ “son, don’t you dare let go”

I looked up
I looked up
From the bottom and I saw You
It was all You
I looked up
I looked up
From the bottom and I saw You
It was all You

I was at my lowest that night on August sixth
Trying to wrestle with all the pain and hell
I was dealing with
Punching holes, throwing blows, pitching fits
Trying not to drown

Wasn’t feeling like I was good enough
Knew I just couldn’t ever keep this up
Started sinking underneath from all this endless over-thinking

How could I forget, I can’t forget spending forty days in the wilderness
Feeling like I messed up too bad
So bad I’d never get out of it
Ain’t it funny how heaven comes in the least expected ways
My roommate in rehab looked over at me
Said it’s gonna be okay then

Sunday morning I just kept
Circling the Church
My heart was beating out of my chest
Couldn’t make a sound or even say a word

Tried to pick up my phone
Call my wife and tell her how I feel
But my hands were heavy as two stones
Ten and two, stuck on the steering wheel

How do you worship when your soul ain’t got a song to sing
It’s hard to remember when your heart forgets the melody, Jesus
When all I had was Your name on my lips
That’s when I sent an SOS to heaven
And heaven broke in to come and rescue me

Sometimes I gotta look back at the man I was
To remember just how far You brought me, how far I’ve come, all those little victories won
I’m so glad You always see the best in me
You always knew the man that I could be
From the moment I got down on my knees


Written by Steven Furtick, Chris Brown, Brandon Lake, Leeland Mooring, Chandler Moore, Pat Barrett, Mitch Wong
© 2025 Music by Elevation Worship Publishing // Brandon Lake Music // Original Wong Publishing / Bell Music Publishing // Little Ruddy Fellow Songs // Maverick City Publishing / For Humans Publishing // Housefires Sounds / Capitol CMG Genesis
CCLI# 7245806

#SonsOfSunday #ILookedUp

Slipknot - Left Behind [OFFICIAL VIDEO] [HD]
Slipknot - Left Behind [OFFICIAL VIDEO] [HD] Hotney 16 Streams • 1 year ago

Slipknot's music video for 'Left Behind' from the album, Iowa - available now on Roadrunner Records. Download the album on iTunes: https://slipknot1.lnk.to/iowa

Subscribe: https://knot1.co/subscribe
Site: http://slipknot1.com
Instagram: http://instagram.com/slipknot
TikTok: http://tiktok.com/slipknot
Facebook: http://facebook.com/slipknot
Twitter: http://twitter.com/slipknot
iTunes: http://itunes.com/slipknot

LYRICS
I've known faces that have disappeared in time
Find me wrapped in glass and slowly soaked in lime
All my friends have pictures made to make you cry
I've seen this and wondered what I've done to calcify

(I ignore you)
As I close my eyes I feel it all slipping away
(I come toward you)
We all got left behind, we let it all slip away

I can't stand to see your thalidomide robot face
I don't even try it! You had to be a liar
Just to infiltrate me - I'm still drowing

(I ignore you)
As I close my eyes, i feel it all slipping away
(I come toward you)
We all got left behind, we let it all slip away

...Take...this...away...
I can feel it on my mouth
I can taste you on my fingers
I can hear you like the holy ghost
And kill you if you get to close

BEST OF 2025 BEST HIP HOP R&B RAP SONGS OF 2025 VIDEO MIX, BY DJ MONDRE HIPHOP CLUB BANGERS
BEST OF 2025 BEST HIP HOP R&B RAP SONGS OF 2025 VIDEO MIX, BY DJ MONDRE HIPHOP CLUB BANGERS Hotney 14 Streams • 1 year ago

DOWNLOAD LINK https://rhradio.com/all_songs/....best-of-2025-best-hi

BEST OF 2025 BEST HIP HOP R&B RAP SONGS OF 2025 VIDEO MIX, BY DJ MONDRE HIPHOP CLUB BANGERS

CONTACT: +254722510385 To Get Your Song Featured

EMAIL RHEXCLUSIVE01@GMAIL.COM

FOR DOWNLOAD VISIT: http://www.rhradio.com/
Donate to the channel via PAYPAL; richardhaniel8@gmail.com

Facebook: http://www.facebook.com/richyhanieli (Like)

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Don Was and the Pan-Detroit Ensemble: Tiny Desk Concert
Don Was and the Pan-Detroit Ensemble: Tiny Desk Concert Hotney 8 Streams • 4 months ago

Felix Contreras | May 15, 2026
Is it possible to be ubiquitous and behind-the-scenes at the same time? That pretty much sums up Don Was and his long career in the music business.

After co-leading the funky pop-rock band Was (Not Was) in the 1980s, Was went on to win an armful of Grammy awards as a producer. He's worked with Bonnie Raitt, Bob Dylan, The Rolling Stones, Willie Nelson, Elton John, Ringo Starr and Bob Weir, to name just a few. Since 2012, he has been president of the legendary Blue Note Records.

Was is also a son of Detroit. In recent years, he put together a band under his own name for the first time: Don Was and the Pan-Detroit Ensemble. "We are on a mission to promulgate the indigenous sounds of our hometown of Detroit, Michigan," he explains.

This is a tight and powerful group, with an emphasis on the groove, but all eyes and ears are on lead vocalist Steffanie Christi'an. In this Tiny Desk performance, she breathes a very different kind of fire into the Grateful Dead classic "The Music Never Stopped" and smolders on re-working of Hank Williams' "I Ain't Got Nothing But Time." The entire set is a perfect example of how, as the Dead used to say, "the music plays the band."

SET LIST
"The Music Never Stopped"
"You Asked, I Came"
"Midnight Marauders"
"I Ain't Got Nothin' But Time"
"Insane"

MUSICIANS
Don Was: bass
Steffanie Christi'an: vocals
Wayne Gerard Milton: guitar
Luis Resto: keys
Dave McMurray: tenor sax
Vincent Chandler: trombone
John Douglas: trumpet
Jeff Canady: drums
Mahindi Masai: percussion
Herschel Boone: background vocals
Terena Boone: background vocals

TINY DESK TEAM
Producer: Felix Contreras
Director/Editor: Maia Stern
Audio Director/Mix: Josh Newell
Host/Series Producer: Bobby Carter
Videographers: Maia Stern, Joshua Bryant, Kara Frame, Alanté Serene
Audio Engineer: Hannah Gluvna
Production Assistant: Ashley Pointer
Photographer: Vanessa Castillo
Series Editor: Lars Gotrich
Executive Producer: Suraya Mohamed
Executive Director: Sonali Mehta
Series Creators: Bob Boilen, Stephen Thompson, Robin Hilton

#donwas #nprmusic #tinydesk

Support for NPR Music comes from Capital One. Proud supporters of NPR Music and the Tiny Desk Contest. What's in your wallet? Learn more at Capital One dot com.

Young Miko - BIAF (Official)
Young Miko - BIAF (Official) Hotney 8 Streams • 3 months ago

Listen to “BIAF 3” from the new upcoming deluxe, “Do Not Disturb”:

Stay Up to Date:
https://youngmiko.lnk.to/email

Follow Young Miko:
TikTok – https://www.tiktok.com/@itsyoungmiko
Instagram – https://www.instagram.com/itsyoungmiko/
Facebook – https://www.facebook.com/itsyoungmiko
Twitter –https://x.com/itsyoungmiko
Website: https://www.youngmiko.com/

Lyrics:

hay cosas en la vida que de mi pueden pensar
se pueden imaginar
que mucho les gusta hablar
son cosas de la vida que nunca van a cambiar
pero si algo te aseguro
es que a mi me encanta chingar

baby imma freak
tómame fotos así
tómame fotos así
poso poso para ti

mirror mirror on the wall
la más freaky aquí soy yo
delicious en toa las poses
quien me pruebe se jukió
toa la semana en el gym
y en el weekend lo enseño to
pa escuchar lo que otros dicen
mejor te lo digo yo
como si na’
que si te tiro a estas horas es pa singa’
que si me prendes en flash yo te voa posá’
no significa que facil me vas a llevar
una reina no es facil de coronar

baby imma freak
tómame fotos así
tómame fotos así
poso poso para ti

nasty, cuando te quiero ver me pongo sucia y se me va lo de romantic
baby, ya tu sabes pa que fue que vine si combiné brasier y panty
(2x)
muy sexy y yo lo sé
tu crush y yo lo sé
muy sexy pa tener una jeva y no dos o tres

baby imma freak
tómame fotos así
tómame fotos así
poso poso para ti

baby imma freak
no te vas a querer ir
después me vas a decir
que no te lo han hecho así

baby imma freak
tómame fotos así
tómame fotos así
poso poso para ti


Credits:
Creative direction: Young Miko
Directed by: Kemel Jamis & Joshua Rivera
Production House: 1K Dojo
Executive Production: Mariana Beatriz & Ian Arduengo

Capitol Music Group
Capitol Marketing: Zach Elgort
Capitol A&R: Sergio Vega
Capitol Digital: Ashley Landa

#YoungMiko #DoNotDisturb #BIAF

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