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Kooda B - First Day Out (Official Video) Hotney 4 Streams • 4 years ago

Kooda B. “First Day Out” Listen and Stream here: https://m.soundcloud.com/kooda....bvkoodageek/kooda-b-

Stay connected with Kooda, follow on:
Instagram: https://www.instagram.com/koodab_foa/
Tik Tok: https://www.tiktok.com/@thatskoodab?_t=8bMGjU8FaCh&_r=1

Produced by AXL Beats
Directed by Family Ova All
Shot by TravelBag Biggz
https://www.instagram.com/travelbagbiggz

Edited by Rob Kwasniak
https://www.instagram.com/Kwasfx

(Lyrics)
First day out the feds I know they nervous I’m back
Look at my wrist & my neck I spent 200 on that Was just sleeping in the cell had to double the matt
Chow time chicken day Ni**as doubling back (for ah fact)
Story about the struggle for the real niggas
Get lock for some time & see who still with ya
4 years something short it got my deal bigger
I turned all of my dreams to a real picture
I ain’t even slime him out & he still told
Wasn’t even my smoke & I still rode
Being loyal don’t matter they will still fold
On the move try to stop me bet I still ah go (Uh) Interview I seen boy D**kriding
You ain’t 100 you ah bitch show me you about it
I don’t entertain that cause I’m really sliding Paper work black & white kooda b got it
On count with the slattts everywhere I went
Spin the yard every night when I was behind that fence
Holidays be depressing missing them events
15 minutes phone calls unless you got some pins It will go up any time you will never know
lock in the sock or a knife that’s the prison pole
If you tuff or you pussy it will really show
You ah rat jorge to & that nigga snow

I got convicted for some shit cause ah snitch he’s ah b*tch
Keep running your lips they gonna find him dead in ah ditch
His body next to the garbage hollow tips left dents
Boy face rearranged his brains by the fence
Still got moves jail ain’t change nothing I want 50 ah show or I ain’t coming
Anything I drop it’s hot see I’m really the truth did it all & I ain’t bluffing
Got my weight up I’m on my way up now they like wait up & asking for favors apart of plan is to prosper never look back and provide when you get to that paper
look girl I’m back & better pretty lil freak suck me up wherever only gone swallow yup I let her kiss on her neck the box get wetter
(Oh baby) I’m the man of this shit I move the glock to my hip and I told her dance on the dick
I see ah 50 year old tying to get clout like what’s that about how you a gangsta ? But got a rat dick in your mouth
Come take a trip to brooklyn we putting folks in the trunk if you want smoke I’m bringing it and we putting opps in the blunt (glah glah)

Midnight Star - No Parking On The Dance Floor (Official Music Video) Hotney 4 Streams • 4 years ago

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© Unidisc Music

The synth-funk unit Midnight Star scored several times on the charts during the mid-'80s, led by their double-platinum album No Parking on the Dance Floor in 1983. Just one of the successful acts on Solar Records (also including Shalamar, Lakeside, and the Whispers), the group was formed in 1976 at Kentucky State University by the Calloway brothers, trumpeter Reginald, and trombone player Vincent, with vocalist Belinda Lipscomb. After signing with RCA near the turn of the decade, Midnight Star recorded their first album in 1980, The Beginning, with a conglomeration of studio players and producers. After moving to the Solar label by 1982, the group released Victory and then added a full band: guitarist Melvin Gentry, bassist Kenneth Gant, drummer Bobby Lovelace, and keyboard player Bo Watson.

Though the Calloways' production skills -- later used to full effect on tracks by Natalie Cole, Gladys Knight, and Teddy Pendergrass -- had pushed Midnight Star into the R&B charts during 1981-1982, with singles like "Hot Spot" and "I've Been Watching You," the group was unprepared for the success of the first single from their third proper album, No Parking on the Dance Floor. "Freak-a-Zoid" hit number two on the R&B charts in mid-1983, and though it failed to make the pop Top 40, it pushed the LP over the platinum mark. "Operator," the first single from their next album, Planetary Invasion, became their highest-charting single, making number 18 on the pop charts. By 1986, Headlines had become Midnight Star's third album to at least sell gold, but it proved their last; both Reginald and Vincent left the group to form Calloway in 1988. (Incidentally, the Calloways had introduced future legend Babyface to Solar executives for his first job, and produced Babyface's group the Deele).

Without Reginald and Vincent Calloway to lead the way, Midnight Star fell fast and far. A 1988 self-titled album flopped, and 1990's Work It Out proved to be their last until 2002's 15th Avenue. Since then, the members continued outside collaborations, but they also came together for frequent touring. As late as 2007, the group's lineup featured Lipscomb, Gentry, Watson, Lovelace, and Gant. As Calloway, the Calloways found success with their first single, 1989's "I Wanna Be Rich," which hit number two on the pop charts. The track was their only major hit, followed by "Sir Lancelot" and the title track from their 1990 debut album, All the Way. Calloway returned two years later with Let's Get Smooth, but the album proved their last. The brothers continued working, with Pieces of a Dream and Bootsy Collins, among others.

* Johnny B. Goode - Chuck Berry {DES Stereo} 1958 Hotney 4 Streams • 4 years ago

1958......#8 U.S. Billboard Hot 100
Original video edited and AI remastered with HQ stereo sound.
This DES stereo video has been abridged to support the hard work of its creators. Without sales of the CD on which this first-time DES song appears there can be no more new stereo like this based on mono originals. Please visit www.ericrecords.com to order and express your support! To find out more about spectral editing and sound source separation, go to http://www.monotostereo.info/
"Johnny B. Goode" is a 1958 rock-and-roll song written and first recorded by Chuck Berry. Released as a single, it peaked at number two on Billboard magazine's Hot R&B Sides chart and number eight on its Hot 100 chart.
"Johnny B. Goode" is considered one of the most recognizable songs in the history of popular music. Credited as "the first rock & roll hit about rock & roll stardom", it has been recorded by many other artists and has received several honors and accolades, including being ranked seventh on Rolling Stone's list of the "500 Greatest Songs of All Time" and included as one of the 27 songs on the Voyager Golden Record, a collection of music, images, and sounds designed to serve as a record of humanity.
Written by Berry in 1955, the song is about a semi-literate "country boy" from the New Orleans area, who plays a guitar "just like ringing a bell", and who might one day have his "name in lights". Berry acknowledged that the song is partly autobiographical and that the original lyrics referred to Johnny as a "colored boy", but he changed it to "country boy" to ensure radio play. As well as suggesting that the guitar player is good, the title hints at autobiographic elements, because Berry was born at 2520 Goode Avenue, in St. Louis.
The song was initially inspired by Johnnie Johnson, the regular piano player in Berry's band, but developed into a song mainly about Berry himself. Johnson played on many recordings by Berry, but for the Chess recording session Lafayette Leake played the piano, along with Willie Dixon on bass and Fred Below on drums. The session was produced by Leonard and Phil Chess.
The opening guitar riff of "Johnny B. Goode" borrows from the opening single-note solo on Louis Jordan's "Ain't That Just Like a Woman" (1946), played by guitarist Carl Hogan.

Alex Warren - Ordinary (Official Music Video) Hotney 4 Streams • 2 years ago

"Ordinary" is out now!

Stream/Download: http://alexwarren.lnk.to/ordinary

Lyrics:
VERSE 1
They say the holy waters watered down and this town's lost it faith
Our colors will fade Eventually
So if our time is running out day after day we’ll make the mundane our masterpiece

PRE
Oh my my Oh my my
Love I take one look at you

CHORUS
Taking me out of
Of the ordinary I want you laying me down
Til we’re dead and buried
On the edge of your knife
Staying drunk on your vine the
Angels up in the clouds are jealous knowing we found something so out of the ordinary you got
me kissing the ground of your sanctuary shatter me with your touch
Oh lord return me to dust the
Angels up in the clouds are jealous knowing we found

VERSE 2
Hopeless hallelujah
Oh this side of heaven’s gates
On my life
How do ya Breathe and Take my breath away
At your alter I will pray
You’re the sculptor I’m the clay
Oh my my

CHORUS
You’re taking me out
Of the ordinary I want you laying me down
Til we’re dead and buried
On the edge of your knife
Staying drunk on your vine
The Angels up in the clouds
Are jealous knowing we found something so out of the ordinary you got me kissing the ground
of your sanctuary shatter me with your touch
Oh lord return me to dust
The Angels up in the clouds
Are jealous knowing we found
BRIDGE
Something so heavenly
Higher than ecstasy whenever your next to me
Oh my my world was in black and white until I saw your light)
I thought you had to die to find something so out

CHORUS
Of the ordinary I want you laying me down
Til we’re dead and buried
On the edge of your knife
Staying drunk on your vine
The Angels up in the clouds
Are jealous knowing we found something so out of the ordinary you got me kissing the ground
of your sanctuary shatter me with your touch
Oh lord return me to dust
The Angels up in the clouds Are jealous knowing we found

EP - Zubin Anklesaria
Director - B Barone
Producer - Quinn Cavin
PM - Kaden Rutherford
DP - Quaid De Baca
1st AC - Mary Brown
Camera Assistant - Joseph
Gaffer - Chase Erickson
Drone Op - Jessar Nygard
Stunts - Tyler Albrect
PA - Ari Dyrek
PA - Fred Du Rietz
Editor - B.K. Barone
Assistant Editor - Josh Sweiven
VFX - Diana Iatsenko
Additional VFX - B.K. Barone
Colorist - Dan Edwards
Atlantic Creative - Andrew Reid
Atlantic Creative - Caroline DeFranco