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We have a huge episode of #TalkWithFlee for you this week. #JCole came through and he and #Camron got to talking about the lawsuit, Cole explaining his process and why the interview kept getting pushed back. He got deep (pause) into the Kendrick and Drake situation, sharing his reaction to the Metro Boomin track and why he apologized at Dreamville Fest. I could keep going, but I'm not giving away the whole interview in the caption. Tune in and watch the full episode.
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Ashley Pointer | August 4, 2026
Charlie Puth walked into the Tiny Desk and turned it into a jazz club. Known for crafting some of the biggest pop records of the last decade, Puth approaches the Desk less like a hitmaker and more like a bandleader, reimagining familiar songs with fresh arrangements that spotlight the musicianship at his core. With effortless precision — and plenty of spontaneity — he guideshis band through each song, shaping dynamics in real time like a professor leading a masterclass.
"We Don't Talk Anymore" opens with a colorful vamp before unfolding into what Puth jokingly calls "the version I wish came out," trading glossy pop production for rich harmony and space to breathe. Performing another hit, "Attention" leans into an early '90s, Michael Jackson-inspired groove, extending the outro into a jam. Introducing "See You Again," Puth reflects on how much of his music is inspired by church. This version, wildly different from the one that soundtracks the Furious 7 tribute to actor Paul Walker, swells into a warm, worship-like song.
Closing the set with "Changes" from his latest album, Whatever's Clever!, Puth leaves behind any notion that he is just a pop songwriter and producer. These arrangements reveal an artist deeply fluent in the language of harmony, groove and collaboration — one who's still approaching music with the curiosity of a lifelong student.
SET LIST
"We Don't Talk Anymore"
"Attention"
"See You Again"
"Changes"
MUSICIANS
Charlie Puth: vocals
Darek Cobbs: keys, music director
Jan Ozveren: guitar
Brandon Brown: bass
Cedric Thompson: drums
Olivia Tapia: background vocals
Blakley: background vocals
Lorea Turner: background vocals
TINY DESK TEAM
Producer: Ashley Pointer
Director/Editor: Joshua Bryant
Audio Director: Josh Newell
Host/Series Producer: Bobby Carter
Videographers: Joshua Bryant, Kara Frame, Maia Stern, Alanté Serene
Audio Engineer: Josephine Nyounai
Audio Mix: Maggie Luthar
Photographer: Bronson Arcuri
Series Editor: Lars Gotrich
Executive Producer: Suraya Mohamed
Executive Director: Sonali Mehta
Series Creators: Bob Boilen, Stephen Thompson, Robin Hilton
#tinydesk #nprmusic #charlieputh
Support for NPR comes from Moises, the creative suite for musicians, used by over 75 million artists worldwide to learn create and collaborate. Available for phone, tablet and desktop.
THE SPEAKEASY THREE are a vocal harmony group based in Brighton (UK) - they perform mostly as an a cappella trio but are joined here by members of THE SWING NINJAS for a cover version of WHEN I GET LOW, I GET HIGH the Chick Webb / Ella Fitzgerald swing classic (the original to be found on White Mink : Black Cotton Vol 1 - http://www.whitemink.co.uk - This was their debut release. You can see the 2019 follow-up here: https://www.youtube.com/watch?v=UYoATL_ymw8
Or check the best modern VINTAGE swing bands playlist on SPOTIFY here:
https://open.spotify.com/user/....electro_swing/playli
Stream the single: http://hyperurl.co/reu5mw
Buy the single: https://TS3.lnk.to/whenigetlowID
___________________
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Or our new JUKEBOX CHANNEL @FreshlySqueezedJukebox for audio streams, radio shows, DJ mixes (and more) here: http://vid.io/xca6
___________________
THE SPEAKEASY THREE originally split up shortly after the making of this video when Liz (the brunette) became pregnant. They have recently reformed with a new line-up and are working on a new video.
You can follow them on Facebook here: https://www.facebook.com/thespeakeasythree/
You can hear more from the SWING NINJAS here:
https://www.youtube.com/watch?v=U5EmQ79dEvM
- - - - - - - - - - - - - -
MUSIC CREDITS:
THE SPEAKEASY THREE are (Left to Right) LIZ, CORRINNE and NAZ.
Naz continues to perform with the new Speakeasy Three as above.
Corrinne Williams performs solo and can be found here: www.corrinnewilliams.com
THE SWING NINJAS (the backing band) are BRUCE STEPHENS Euphonium, JAMIE MELLOR Guitar, WILL HOOD Alto Sax with SIMON C. RUSSELL Double Bass and MATT GEST Piano…
And sitting in on Trumpet, local jazz legend, JACK KENDON.
- - - - - - - - - - - - - -
This video is brought to you by WHITE MINK PRODUCTIONS
http://www.whitemink.co.uk part of the FRESHLY SQUEEZED family.
SONG LYRICS are available here: http://freshlysqueezedmusic.bl....ogspot.co.uk/2014/06
Please remember to SUBSCRIBE to this channel for more videos like this...
- - - - - - - - - - - - - -
VIDEO CREDITS:
DIRECTOR / D.O.P. / PRODUCER
Ian Howorth
CREATIVE PRODUCER
Nastazja Piotrowska
CAMERA OPERATORS
Tom McMahon, David Garcia
CAMERA ASSISTANT / FOCUS PULLER
Rich Savage
GAFFERS
Joss Cubitt, James Kinsman
STAGE DESIGN
Abigail Alvarez, Vana Karamanou, Katie Sommers
D.I.T.
Steven William Bollshweiler
EDITORS
Ian Howorth, Steven William Bollshweiler, Nastazja Piotrowska
HAIR STYLISTS
Simon Webster Hair, Louisa Bush, Kam Vintage
MAKEUP ARTISTS
Bebe Joe (Head)
Jasmine Hyde-Glover, Rachel Gower, Sarah Mizon, Carina Zoe Haddow, Emma Natalie, Dawn Hourican, Lizzie Mazza, Kia Davitt, Lucina Bublina, Hasna Begum, Tasha Morgan-Pollard
CHOREOGRAPHY
Lizzy Abrahams with the Sussex Swing dancers
LOCATION
Shot on location in Brighton at Proud Ballroom - with thanks
http://www.proudcabaretbrighton.com/
CAST
Matthew Coleman, Ariella Steinberg, Bethan Moyse, Ben Elliot, Simone Jane Piper, Rooster Robertson, Ben Farrar, Ian Mackenzie, Coco Deville, Cherry Bella, Dion Poole, Mary Blackman Smith
A very special thank you to...
CEDRIC and ADAM
- - - - - - - - - - - - - -
Copyright 2013
The Speakeasy Three / White Mink Productions Ltd
http://www.whitemink.co.uk
http://www.freshlysqueezedmusic.com
All Rights Reserved
FRESHLY SQUEEZED are "world leaders in putting a modern dance music spin on vintage records" (Mixmag) - we are the independent British label behind the award-winning compilation series, night club and live event WHITE MINK - "Electro swings first landmark moment" - and ground-breaking brands like ELECTRO BLUES or VINTAGE REMIX. We have released music and compilations from artists including THE CORRESPONDENTS, SWING REPUBLIC, JFB, JEM STONE, SWINGROWERS, MARCELLA PUPPINI, R.A. THE RUGGED MAN and many more. Promoting sell-out UK shows by artists including CARAVAN PALACE and PAROV STELAR. The label has always led the way in fusing vintage influences with a contemporary twist.
Tags: [video, clip, website, category, #brighton, #theswingninjas, #thespeakeasythree]
Rising from poverty and overcoming abuse in the Jim Crow South, James Brown secures a record deal, electrifies audiences, and breaks down racial barriers in Season 1, Episode 1, “Making a Life for Myself.”
#jamesbrownsayitoutloud
dive deeper into Biography on our site: http://www.biography.com
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Biography highlights newsworthy personalities and events with compelling and surprising points-of-view, telling the true stories from some of the most accomplished non-fiction storytellers of our time.
Listen to the album “Who Coppin". Out Now!
Stream: https://music.empi.re/whocoppinalbum
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#larryjune #whocoppin #empire
Official Video by Larry June - "God Got Us (Ain't Too Many)" © 2026 The Freeminded Records / EMPIRE
Camila Cabello - ‘C,XOXO’ | Vevo Official Live Performance
Watch Camila Cabello videos: https://www.youtube.com/@CamilaCabello
Camila Cabello
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Executive Producer: JP Evangelista
Executive Producer: Chris Pereira
Executive Producer: Jordy Wax, Contrast Films
Director: Seth Halter
Creative Director, Production: Liz Hart
Director, Line Production: Yanina Molina
Producer: Lola Gatti
Producer: Cole Brian, Contrast Films
Director of Photography: Oliver Lanzenberg
Production Designer: Tyler Jensen
Head of Design: Sydney Emery
Director, Post Production: Michael Colman
Senior Manager, Post Production: Dominic Siri
Editor: Andrew Ros
Director, Talent Booking: Gabby Prisciandaro
Senior Manager, Talent Booking: Cynthia Todd
Head of Artist/Label Relations & Digital Marketing: David McTiernan
Forrest Lipton - Marketing, Interscope
Marissa Ramirez - Creative, Interscope
Ray Kurzeka, Commercial Partners, Interscope
Ynna Tugung - Commercial Partners, Interscope
Martie Berkowitz - Digital Marketing, Interscope
Kim Valderas - Artist Relations, Interscope
1st AD: Derek Jaeschke
1st AC: Ben Steen
2nd AC: Jack Deichert
Steadicam Operator: Chris Loh
Techno Tech: Garret Dorin
2nd Techno Tech: Alexandre Nunez
Head Tech: Gilbert Alverado
DIT: Justin Wells
Production Coordinator: Sacha Noelle
Gaffer: Isaac Marziali
Board Operator: Chris Vlan Lieshout
ACLT: Blake Smith
SLT: Harrison Bliss
SLT: Robert King
SLT: Alex Emmons
SLT:Harrison Segal
Key Grip: Josh Linkey
Best Boy Grip: Alexander Griffiths
Grip/Driver: Dane Harvey
Grip: Chad Herr
Grip: William Pierson
Grip: Nicholas Franchot
Grip: Zachary White
A1: Casey Graham
Art Coordinator: Danny Erb
Set Decorator: Michael Coursey Jr.
Set Designer 1: Jake Kuchenbecker
Set Designer 2: Justin Brown
Lead Man: Montana Bertoleti
Set Dresser: Eric Moore
Set Dresser: Hunter Kist
Set Dresser: Izzy Eyre
Set Dresser: Chistina Skilbred
Additional Set Dressing: Brian Parisi, Nick Resnicow, Hannah Damico, Keith Wright
Talent Production Assistant: Mari Arita
Production Assistant: Chayce Donavan
Production Assistant: Jake Castillo
Production Assistant: Tony Rodriguez
Production Assistant: Abel Nieves
Production Assistant: Shomari Dunham
Colorist: Jacob McKee, Primary
Producer: Alex Zhao, Primary
Photographer: Rahul Bhatt
Music & Talent Intern: Tyler Gentry
Production Intern: Allyson Weisel
#CamilaCabello #CXOXO #Vevo
Music video by Camila Cabello performing C,XOXO (Short Film) | Vevo Official Live Performances.© 2024 Camila Cabello
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爱情喜剧电影《前任3:再见前任》插曲《体面》2017年12月25日正式上线,该曲由影片女主于文文作曲并演唱。歌曲以钢琴为基调,旋律舒缓低沉,歌词字里行间徐徐诉说着主人公们热烈爱过却不得不选择分手的不舍与无奈。
“分手应该体面,谁都不要说抱歉“
更是流露出影片中男女主人公爱过不后悔,体面分手的内心独白...
伤后自救指“难”,关于分手应该怎样,如何能有标准答案?克“难”路上,“体面离场”了解一下。
《体面》MV: https://youtu.be/-kfVp3tqYvc
词:唐恬
曲:于文文
编曲:郑楠
和声/和声设计:于文文
别堆砌怀念让剧情
变得狗血
深爱了多年又何必
毁了经典
都已成年不拖不欠
浪费时间是我情愿
像谢幕的演员
眼看着灯光熄灭
来不及
再轰轰烈烈
就保留
告别的尊严
我爱你不后悔
也尊重故事结尾
分手应该体面
谁都不要说抱歉
何来亏欠
我敢给就敢心碎
镜头前面是从前的我们
在喝彩
流着泪声嘶力竭
离开也很体面
才没辜负这些年
爱得热烈
认真付出的画面
别让执念
毁掉了昨天
我爱过你
利落干脆
最熟悉的街主角却
换了人演
我哭到哽咽心再痛
就当破茧
来不及
再轰轰烈烈
就保留
告别的尊严
我爱你不后悔
也尊重故事结尾
分手应该体面
谁都不要说抱歉
何来亏欠
我敢给就敢心碎
镜头前面是从前的我们
在喝彩
流着泪声嘶力竭
离开也很体面
才没辜负这些年
爱得热烈
认真付出的画面
别让执念
毁掉了昨天
我爱过你
利落干脆
再见
不负遇见
----------------------------
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●Kelly于文文官方Twitter
https://www.Twitter.com/Kellyyuwenwen
●Kelly于文文官方Weibo
http://weibo.com/kellymusic
#体面 #于文文体面
#于文文 #KellyYu #Kelly于文文
The Authority On All Things R&B !
Bryce Wilson, producer, songwriter, and founding member of Groove Theory, joins J. Valentine to break down one of the most influential sounds in R&B history.
Best known for the classic “Tell Me,” Bryce shares how Groove Theory helped shape the mid-’90s shift toward a more minimal, groove-driven sound that blended hip-hop and soul. He dives into the creative process behind the music, the importance of feel over complexity, and why that era still resonates today.
We also get into his transition from artist and producer into the world of film and television, and how he’s continued to evolve creatively across industries.
Subscribe on YouTube - https://bit.ly/RnBMoneyYouTube
R&B MONEY Album out NOW !!
https://tank.lnk.to/RnBMONEYID
Tank: @TheRealTank
http://www.youtube.com/@TheRealTank
J Valentine: https://www.youtube.com/@jvalentinetv
Director / Producer: Ruben Rivera
https://www.youtube.com/@KnowYourStudio/featured
Podcast IG: @RnBMoneyPodcast
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#tank #jvalentine #rnbmoneypodcast
THE ROYAL FAMILY VIRTUAL EXPERIENCE - ICONIC EDITION
Relive some of your favourite throwbacks from HHI, WOD & all the RF classics throughout the history of The Palace Dance Studio! Featuring some of your favourite Alumni’s, The Royal Family & ReQuest Dance Crew! #CROWNSUP
Track - "BBHMM" Rihanna
"Milkshake" Kelis
"BBHMM" Rihanna (Brenmar & Gutta Remix)
"N***A In Paris" Jay Z & Kanye west (Onderkoffer Remix)
"BBHMM" Rihanna (Shintaro & YGSP Twerk Remix)
"Watch Out For This (Bumaye)" Major Lazer Ft. Busy Signal, The Flexican & FS Green, Ape Drums & 2Deep VIP Remix)
"My Neck My Back" Khia (Zooly Remix - TRAP)
"Roll the Bass" Major Lazer
"Work It" Missy Elliot (King Kong Goes Duro Remix)
"BBHMM" Rihanna (Flosstradamus Remix)
Choreography - Parris Goebel
Dancers - The Royal Family & The Royal Family Varsity
Watch The Royal Family Virtual Experience NOW - LINK BELOW!
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#RFDanceCrew #RQ #TPDS #PARRIS #CROWNSUP
T-Sean and Xaven don't just make songs — they make moments. "Stay" is one of those. Built on Uptownbeats' signature warmth, the track moves the way a late night conversation does — slow, honest, impossible to rush. This is Zambian AfroPop with something to say.
Stream/Download: [https://social.tunecore.com/li....nkShare?linkid=eSOBC
Zambia has an answer for 2026 and it sounds like this.A slow-burning AfroPop record that earns every emotion it asks you to feel.
Artist: T-Sean
Feature: Xaven
Producer: Uptownbeats
Instagram:https://www.instagram.com/tseanbaila
Facebook:https://www.facebook.com/Dancehalldaddyofficial
Twitter:https://twitter.com/tseanbaila
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#tsean #xaven #stay #tseanstay #tseanxaven #staymusicvideo #officialmusicvideo
MARQUISE - IRONIC (Official Music Video)
STREAMING : http://MARQUISE.lnk.to/ironic
#marquise_ironic
#marquise #มาร์คีส์
#yupp
________________
song Credit
Artist : MARQUISE
Music Director : Doimountain
Produced by : Doimountain
Lyrics : Fyqoodgurl, GASTON, MARQUISE
Composed by : Doimountain, MENO, MARQUISE, GASTON, Fyeqoodgurl
Arranged by : Doimountain, MENO
Edited by : Doimountain, MENO, Tanyathorn Nantasen
Mixed and Mastered by : Doimountain, RACCOONBOY at Faster than light year Studio
Music Video Credit
Production : OVRDOTE
Directed by : MANGTO
Producer : Traracandothiswork
1st Assistant Director : Chanoknun
Director of Photography : Kritsada Boonrit
Editor : WALLEVEE.
Colorist : FLANJKS
Choreographer : KZGiRL
Dancer : KZGiRL / KAM
Partner Choreographer : Jet’slot
________________
Lyrics
Intro
(I’m gonna make you see)
(I’m gonna make you see)
Verse
Boy, I thought it was love
Like an angel sent from above
Got me chasing your touch
You don’t really want me
You just hate the fact I’m wanted
Send a knife to your door,
Jealousy cuts you to the core
I’m addicted to more
Wrap me ‘round your finger and you
talking like you know me
Pre-chorus
It’s cynical, like you’re my drug
Yeah I know, you’re so bad
Bad for me, I can’t help it
It’s wearing off, just like a rush
You’re a danger-er-er
Chorus
Every late night got me livin’ in your mind
Saying good for you but I know its a lie
Playing saint, you wish me hell in paradise
I love it
Yeah, I know you’re obsessed isn’t that ironic?
Post-chorus (whisper)
I I I ironic
Don’t you think it’s ironic?
I I I ironic
It’s I I… Ironic
I I I ironic
Don’t you think it’s ironic?
I I I ironic
It’s I I… Ironic
Verse 2
I’m gonna make you see
eye for an eye, for the dopamine
Hit and run, i’ll never blink, outta your league
Your lie-ie-ies, ironic
(Good girl)
Gone bad
I’m ghostin’, I don’t look back, back (Ooh)
Too bad
I smile like a gun,
silence is violence
Pre-chorus
It’s cynical, how I’m your drug
And I might see you cry
when I’m over your games
A moth to flames, i’m wide awake
You’re a danger-er-er
Chorus
Every late night got me livin’ in your mind
Saying good for you but I know its a lie
Playing saint, you wish me hell in paradise
I love it
Yeah, I know you’re obsessed isn’t that ironic?
Post-chorus (whisper)
I I I ironic
Don’t you think it’s ironic?
I I I ironic
It’s I I… Ironic
I I I ironic
Don’t you think it’s ironic?
I I I ironic
It’s I I… Ironic
________________
Follow MARQUISE
https://www.instagram.com/marquiseaura/
https://www.tiktok.com/@marquiseaura
https://www.twitter.com/MARQUISE_AURA
https://www.instagram.com/marquise__official/
https://www.facebook.com/MARQUISEAURAOfficial
©YUPP! ENTERTAINMENT
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Nearly three decades after hip-hop legend Tupac Shakur was fatally shot in Las Vegas, Nevada, the trial for Duane "Keffe D" Davis—the only man criminally charged in connection with the killing—is officially underway. Prosecutors claim Davis orchestrated the drive-by shooting following a fight involving his nephew, while the defense argues the state's case relies entirely on unverified, recorded statements. Law&Crime's Jesse Weber recaps the critical highlights from day one, breaking down the opening statements and early eyewitness testimony from the stand.
Right now you can get a free 14-day trial of Odoo’s all-in-one business solution to give your business the cutting edge! Check it out at https://odoo.com/sidebar.
Go beyond the headlines with Law&Crime+ Case Files to access raw evidence to see the truth for yourself: https://bit.ly/LCSIDEBAR
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#tupac #keffed #lawandcrime
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North Carolina native, tourmate, duet partner, and dear friend of the JM camp, Priscilla Block joins the podcast this episode! They explain their “handlers” and personnel they’ve surrounded themselves with, along with the learning moments/growth artists have throughout their careers.
Priscilla tells her story of how she got into music, the slow grind for years that set her up for success once her viral moment finally came, and her chance meeting of Taylor Swift. The episode wraps up with JR doing a quick Q&A aimed at PB.
Check out Priscilla's music and tour dates at www.priscillablock.com
Check out Justin’s new album, Stray Dog now - https://JustinMoore.lnk.to/StrayDog
The Justin Moore Podcast is sponsored by Bobcat Company. This episode is brought to you by Wrangler, Bangtail Whiskey and This Little Piggy.
https://www.bobcat.com
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Virtuosity means masterly perfection, the highest degree of artistic skills. It is a special state where the artist overcomes technical difficulties without extra effort to fully indulge in the joy of music making.
At Haydn's concerts, barriers were set up to control the frantic crowd.
But live instruments have fallen into the background by the 21st century.
At the same time, there are three artists who feel a burning desire to prove that classical music has not lost anything from its power and that classical instruments have a place in today's mainstream musical world.
This is the Rise of the Instruments.
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http://www.havasi.eu
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Rise of the Instruments
Composed and performed by: HAVASI
Featuring:
Dohnanyi Symphony Orchestra Budafok
Tina Guo, Cello
Peter Pejtsik, Cello
Endi, Drums
Producer and Creative Director: Csaba Marjai
Costume Designer: Tamas Naray
Film Director: Laszlo Krisko
D.O.P.: Zoltan Csincsi
Sound Engineer: Gabor Juhos
Music Production Director: Miklos Lukacs
Future - California Girls (Official Music Video)
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(C) 2026 Sahluna Management Company, Inc. under exclusive license to Epic Records, a division of Sony Music Entertainment.
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I uploaded this video a few years ago, because it's one of my father's favourite songs and it reminds me of my childhood when he would play it on the cassette player. It's wonderful to read the daily comments people leave on how they are connected to this song. It's no wonder that this song is played every single day by so many people.
Sukiyaki (Ue o Muite Arukou)- Kyu Sakamoto (English Translation and Lyrics)
About the Lyrics
The lyrics tell the story of a man who looks up and whistles while he is walking so that his tears won't fall. The verses of the song describe his memories and feelings. The English-language lyrics of the version recorded by A Taste of Honey are not a translation of the original Japanese lyrics but a completely different set of lyrics set to the same basic melody.
The title Sukiyaki, a Japanese hot pot dish, has nothing to do with the lyrics or the meaning of the song; the word served the purpose only because it was short, catchy, recognizably Japanese, and more familiar to most English speakers. A Newsweek columnist noted that the re-titling was like issuing "Moon River" in Japan under the title "Beef Stew."
About the song:
"Ue o Muite Arukō" (上を向いて歩こう?, literally "[I] shall walk looking up") is a Japanese-language song that was performed by Japanese crooner Kyu Sakamoto, and written by lyricist Rokusuke Ei and composer Hachidai Nakamura. It is best known under the alternative title "Sukiyaki" in English-speaking parts of the world. The song reached the top of the Billboard Hot 100 charts in the United States in 1963, and was the only Japanese-language song to do so. In total it sold over 13 million copies internationally. The original Kyu Sakamoto recording also went to number eighteen on the R&B chart.[3] In addition, the single spent five weeks at number one on the Middle of the Road charts. The recording was originally released in Japan by Toshiba in 1961. It topped the Popular Music Selling Record chart in the Japanese magazine Music Life for three months, and was ranked as the number one song of 1961 in Japan.
Well-known English-language cover versions include a 1981 cover under the title "Sukiyaki" by A Taste of Honey and a 1995 cover by 4 P.M.. There is also an English language version with altogether different lyrics by Jewel Akens under the title "My First Lonely Night" recorded in 1966. There are many other language versions of the song as well.
About Kyu Sakamoto:
Kyu Sakamoto (坂本 九 Sakamoto Kyū?, born Hisashi Oshima (大島 九 Ōshima Hisashi?), 10 December 1941 -- 12 August 1985) was a Japanese singer and actor, best known outside of Japan for his international hit song "Sukiyaki", which was sung in Japanese and sold over 13 million copies. It reached number one in the United States Billboard Hot 100 in June 1963.
http://en.wikipedia.org/wiki/Kyu_Sakamoto