Top videos
Colombian singer, songwriter, and producer Feid (@Feid) steps into the COLORS spotlight with ‘PIDA LO QUE QUIERA MAMI’, a vibrant, love-soaked offering from his upcoming album that blends pop and Afro-infused rhythms.
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COLORSxSTUDIOS is a unique aesthetic music platform showcasing exceptional talent from around the globe. COLORS focuses on the most distinctive new artists and original sounds in an increasingly fragmented and saturated scene. All COLORS shows seek to provide a clear, minimalistic stage that shines a spotlight on the artists, giving them the opportunity to present their music without distraction.
#colors #feid
We have an All New documentary for you centered on Dr. Dre. Dre is celebrating 30 years of Gin and Juice at the same time that Big Boy is celebrating #BigBoy30
It's Big Boy's 30 years in radio and all the stars are coming out!! Dr. Dre and Big Boy have a long history together on the radio and this documentary shows Dre as an artist, a producer, a discoverer and a creator of other Hip Hop Legends. How did the presence of Dr. Dre affect Ice Cube, 50 Cent, Snoop Dogg, Warren G, Eminem, Kendrick Lamar, Xzibit and others?
How does Dr. Dre choose who he works with? What are those unique qualities he can hear before he puts someone into the recording studio?
What is life like 30 years later when the world recognizes both Big Boy and Dr. Dre with their Stars on the Hollywood Walk of Fame?
How was the world changed when Dr. Dre starred in the Super Bowl Halftime Show performing in LA, for LA and from LA? And to top it off the Los Angeles Rams won the Superbowl that year? How huge was this event for the culture? What really happened with Eminem, 50 Cent, Mary J Blige, Snoop Dogg, Kendrick Lamar and Dre behind the scenes of the Superbowl Halftime performance?
What do artists experience when they work with Dre in the studio? Is it true that Dr. Dre can make you deaf with the audio levels when he is working? What happened with Dr. Dre’s health scare in 2021? How does Dre’s process and strive for perfection affect the music?
What is the bet of legend between Dr. Dre and Big Boy from back in the day? What happened when Big Boy tried to take the same bet with Snoop Dogg? What is Dre interested in for these years after already being a legend?
So many years and so many memories with Dr. Dre. Thanks for watching!!
For more clips and highlights, subscribe to all 4 channels. Watch the full interview exclusively on BigBoyTV.
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#BigBoy30 #DrDre
Elvis Presley "Welcome To My World" from Aloha From Hawaii, Live in Honolulu, 1973
Listen to your favorite Elvis Presley tracks: https://Elvis.lnk.to/top_tracksYD
Elvis Presley made television and entertainment history with his Elvis, Aloha from Hawaii concert, performed at the Honolulu International Center Arena on January 14, 1973. It was beamed live via Globecam Satellite to various countries, on a delayed basis to approximately thirty European countries and it first aired in America that April 4th on NBC in edited form. The American broadcast version included four "insert" songs that were shot just after the concert. In all, the concert was seen in over forty countries by close to 1.5 billion people, a global ratings smash. Never before had one performer held the world's attention in such a way. Aloha from Hawaii presents Elvis Presley at the pinnacle of his superstardom, giving one of the most outstanding concert performances of his career.
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Lyrics:
Welcome to my world,
Won't you come on in
Miracles, I guess
Still happen now and then
Step into my heart
Leave your cares behind
Welcome to my world
Built with you in mind
Knock and the door shall be open
Seek and you will find
Ask and you'll be given
The key to this heart of mine
I'll be waiting there
With my arms unfurled
Waiting just for you
Welcome to my world
Welcome to my world
#Elvis #RockAndRoll #AlohaFromHawaii
Official Music Video for “Carry Me” by Anne Wilson
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Text ‘AnneWilson’ to +1-615-436-6352
to join Anne’s fan club text list and receive updates on music, merch, tour and more!
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LYRICS:
I went to bed 15
I woke up 23
And now it all just feels like
Some kind of crazy tragic dream
Truth is I’m way too young
To feel as old as I do
It ain’t easy being strong
When they’re all counting on you
So girl pull yourself together
Don’t you dare lose your composure
So much for closure
Where is that little girl?
That one I used to be
I can’t remember the last time
That I felt young and free
How much can one heart take
When it’s taking on everything
I carry the weight of the world
Can someone carry me?
Everyone else is dealing
But I’ve got no time for healing
So I play the part, bottle up
Every single thing I’m feeling
So girl pull yourself together
Don’t you dare lose your composure
Feels like it’s all on my shoulders
Where is that little girl?
That one I used to be
I can’t remember the last time
That I felt young and free
How much can one heart take
When it’s taking on everything
I carry the weight of the world
Can someone carry me?
Oh, can someone carry me?
I miss that little girl
The one I used to be
Maybe that little girl
Is still somewhere inside of me
How much can one heart take
When it’s taking on everything
I carry the weight of the world
Can someone carry me?
Jesus, can you carry me?
I need You to carry me
#AnneWilson #CarryMe #Stars
Woodstock Music Festival, Bethel, New York, USA - August 17th, 1969
0:00:45 Heaven and Hell
0:04:19 I Can't Explain
0:06:44 It's A Boy
0:07:21 1921
0:09:52 Amazing Journey
0:13:09 Sparks
0:18:39 Eyesight To The Blind
0:20:38 Christmas
0:23:55 The Acid Queen
0:27:29 Pinball Wizard
0:30:22 Abbie Hoffman Incident
0:30:57 Do You Think It's Alright?
0:31:45 Fiddle About
0:32:59 There's A Doctor
0:33:21 Go To The Mirror
0:36:46 Smash The Mirror
0:37:52 I'm Free
0:40:15 Tommy's Holiday Camp
0:41:17 We're Not Gonna Take It
0:44:51 See Me, Feel Me
0:50:37 Summertime Blues
0:54:13 Shakin' All Over
1:00:27 My Generation
1:02:13 Naked Eye Jam
1:05:32 Pete Solo
A brand new version of Woodstock 1969. Remade, re-edited and remastered in 4K. This new version is superior to the old in every way. To start with, I used the audio from the Woodstock 50th Anniversary Edition CD release which has been remastered by Prof. Stoned. It's a lot better sounding than the old version. On the old edit, I stretched the audio around to fit the footage which would do the job of syncing the audio, but would hurt the overall quality. This time around, I have left the audio untouched to remain at the correct speed for the whole show while still keeping the quality. For the black and white footage, I have used AI upscaling and frame interpolation to greatly improve the quality and bring the footage up to a smooth 60fps. I think it looks way better.
For the various proshots, I've ripped the Blu-ray versions whenever available rather than the DVD's for a huge upgrade in quality. The DVD versions not only ran at the wrong speed making the songs too fast, but also suffered from a ghosting effect because the footage was being played back at 29.97fps instead of the intended 23.97fps. Now with the Blu-ray versions, I can let the footage play at the correct speed and in its original frame rate of 23.97fps. The only footage from a DVD source is the extra footage used on My Generation because that particular version was only ever released on the "Woodstock Diaries" DVD in 2002. Everything else is from the Blu-ray releases of "The Kids Are Alright" and "Woodstock" the film and bonus features.
Like last time, I've added in a countdown timer whenever there wasn't any footage available. Since the camera mixing on every version of Woodstock isn't that good (incorrect shot and cameras being out of sync) I had to cut up every single camera shot individually on all the different versions and one by one correctly resyncing them all to the new remastered audio. The only song with no footage is Shakin' All Over. For the black and white footage, it would play back at various speeds throughout making it quite a challenge to get it all synced up properly but I think it's pretty much spot on now.
I have fixed the beginning of Heaven & Hell which now includes more footage of the intro than the old edit. I added in a new bit of footage on Sparks at (15:10) of Roger banging his tambourines together which wasn't in the original edit. Removed a section of incorrect John footage which is now in the correct place at (29:51) on the left side. On We're Not Gonna Take It, the first bit of footage was in the wrong spot, I found the correct section just a little bit later at (41:36) and put it side by side with the other cam. See Me Feel Me has quite a few differences in the overall edit of the cameras. This new edit is a little more cleaned up with a few extra bits of footage added in and one incorrect shot removed that I replaced with another angle. My Generation has a couple very small extra shots added in and for Pete's solo at the end of the show, I opted for just 2 cameras this time instead of the 3 on the old edit. Now its only the footage from the Blu-ray for a more cohesive edit.
There are two main things missing from this video. The proshot footage of Summertime Blues from the "Woodstock" Movie and the black and white footage of Sparks, Pinball Wizard and See Me Feel Me. For Summertime Blues, YouTube just simply won't let me upload this video with it included. It gets blocked every time. However YouTube doesn't seem to care when it's used in its own separate video. So I actually made a re-edit of Summertime Blues, removing the incorrect shots and syncing it all up better with the remastered audio. You can watch that here:
https://www.youtube.com/watch?v=oS9e-pEUO6c
As for the extra black and white footage I couldn't include because of the proshot footage used in its place, I've uploaded that as it's own separate video also. One of the best things about this footage is you can actually see Pete kick the director of the Woodstock film, Michael Wadleigh off the stage as he was filming a little too close for Pete's liking during Sparks. It happens at (18:14) on this video, but the cameras don't really catch much of it. I used AI upscaling and frame interpolated on this too for the best quality. You can watch that here:
https://www.youtube.com/watch?v=gApUMjyvxvs
The Wait is Over! Presenting the Offical Video Song "ONE THOUSAND MILES" from the Album Desi Kalakaar by Yo Yo Honey Singh.
Gulshan Kumar & T-Series Present
Bhushan Kumar's "ONE THOUSAND MILES"
#OneThousandMiles #YoYoHoneySingh #MandyTakhar #DesiKalakaar
Song Credits:
Song: One Thousand Miles
Singer: Yo Yo Honey Singh
Starring: Yo Yo Honey Singh & Mandy Takhar
Lyrics: Yo Yo Honey Singh and Lil Golu
Music Director: Yo Yo Honey Singh
Mixed & Master : Vinod Verma
Music Label - T-Series
Digital Strategy & Marketing: Rajdeep Mayer
Video Credits
Directed by: Mihir Gulati
Story & Screenplay: Yo Yo Honey Singh
Director of Photography: Abhimanyu Sengupta
Edited by: Hitesh Chandwani (Frogalised Productions)
Chief AD: Rishabh Dang
Assistant Director: Hitesh Chandwani & PU Rohit
Line Production: Naushad Ahmed
Production House: Frogalised Productions
Poster : RDM Media
Post & Production
Assistant Editor: PU Rohit & Vaibhav Soni
Assistant Cameraman: Abdul Razak
Focus Puller: Ali Murad
Production Manager: Jashan Dubai, Aqsa, Syed afzal
Location manager : Hasan AL Ghawi & Mr. Nasir
Equipment and Crew: Action Filmz
Steadycam: Asem
Color Studio : The Post Brothers
Colorist : Ercan Kucuk
Color Producer : Ertug Ozturk
Makeup - Madiha Qaiser and team
YYHS Team
Rohit Chhabra
Shubham Gupta
International Management: Passant Shams Ell Dean
Stylist : Akanksha Bhakoo
Assistant Stylist : Annie Gulati
Wardrobe : Inner Saints, BHype, A La Mode, Litmus India, House of Muse, She Ela Jewels , Mozaati, Zori World
Tailor team: Abbas
Catering: Avec Events
Chauffeur : Yuvraj Sahani
Location credits: House of Hype (Dubai), *V60 Cafe (Dubai)
Spot team - Adnan
DIT - Adil
Grip team : Suliman
Cast :
Buthaina Saeed Al Sayed
Nikolos Russian
Download Desibeats - https://bit.ly/4bEaNcJ
Download Tapbeats - https://bit.ly/4bY3hcZ
___________________________________
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Listen to "Back in the Saddle" out now: https://LC.lnk.to/BITS
Follow Luke:
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Lyrics:
I’ve been gone for a little too long
I’ve been waitin’ on a drummer to kick off a comeback song
I’ve been waitin’ in the wings like a dog on a chain
I can feel this fire building up a little wild in it
Went and checked the wire, sure enough there’s live in it
Try to stop it but I can’t, it’s callin’ my name
‘Cause I’m back in the saddle like some old cowboy
Who dug his way out of his grave
Pulled up his boots, put his pistol on his hip
Climbed up and took hold of the reins
Don’t worry where I’ve been
I’m back in the saddle again
This time I’m takin’ what’s mine
Like a long lost out west outlaw outta his mind
I’m ridin’ into town, no turnin’ back now
‘Cause I’m back in the saddle like some old cowboy
Who dug his way out of his grave
Pulled up his boots, put his pistol on his hip
Climbed up and took hold of the reins
Don’t worry where I’ve been
I’m back in the saddle again
‘Cause I’m back in the saddle like some old cowboy
Who dug his way out of his grave
Pulled up his boots, put his pistol on his hip
Climbed up and took hold of the reins
Don’t worry where I’ve been
I’m back in the saddle again
Don’t worry where I’ve been
I’m back in the saddle again
Watch the official music Video for N'IMANA by AMALON.
AMALON - N'IMANA
DIR by Eazy Cuts
Produced By MURIRO
Mastered by BOB PRO
Stream & download N'IMANA https://push.fm/fl/2vhctmtu
LYRICS
Wari diamant iri mubutaka
Nobody wanted to be your love
And I was looking for a lover
Unkunda ukondi utari gold digger
Ubwo umbonye hehe no kurira
Ako gahinda I'm ready kukamara
You got my shoulders now
Baby you could lean on
Our love feels like a fairytale
I love you like no one else
Ntaho najya ngusize
Niyo waba undi kure
Nguhorana kumutima
Ntukababare shenge
Bimbabariz'umutima
Feel this one
Twahujwe ni mana
Ninde wadutanya
Nurupfu ntirwa bibasha
Twahujwe ni mana
Ninde wadutanya
Nurupfu ntirwa bibasha
Your all I need
Your all I need
Your all I need
Your all I need
Tuzabisangira
Ibintu uzansangana
Ari wowe tubana
Narya ubusa nkihangana
I never believed in love
Kugeza nkubonye maa
Menyako ntabaho
Ntagufite by my side
Niyo waba undi kure
Nguhorana kumutima
Ntukababare shenge
Bimbabariz'umutima
Feel this one
Twahujwe ni mana
Ninde wadutanya
Nurupfu ntirwa bibasha
Twahujwe ni mana
Ninde wadutanya
Nurupfu ntirwa bibasha
Twahujwe ni mana
Ninde wadutanya
Nurupfu ntirwa bibasha
Twahujwe ni mana
Ninde wadutanya
Nurupfu ntirwa bibasha
Your all I need
Your all I need
Your all I need
Your all I need
Follow AMALON
https://www.instagram.com/amalonrw/
https://twitter.com/AMALONHKP
https://www.facebook.com/amalonr
https://music.apple.com/rw/art....ist/amalon/145533754
#AMALON#N'IMANA
©AMALON MUSIC.
Chase Matthew - Darlin' (Official Music Video)
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With a new EP and a year of big moves on tap, Warner Music Nashville’s Chase Matthew continues to make his case as one of Country’s boldest new voices. A Music City native, the rising star began his career by blazing an independent trail, leveraging an infectious country-or-nothing personality, rowdy live performances, and authentic music built around his low-slung vocal twang. Amassing nearly 900M global career streams (with more than 150M global streams on his first RIAA PLATINUM-certified smash, “County Line”), Matthew has garnered 1.5M+ followers across social media; named “One to Watch” by HITS; and among MusicRow’s Next Big Thing Class of 2024. Since releasing his sop****re album, Come Get Your Memory, he spent 2023 selling out venues across the nation on his headline COME GET YOUR MEMORY TOUR, while also performing at major festivals and more. His debut single “Love You Again” is nearing Top 30 at Country radio, and along with releasing his six-song EP We All Grow Up – a mix of backroad swagger and broken hearts – he’s set to spend this year extending his wildly popular headline run, as well as joining Jason Aldean for the HIGHWAY DESPERADO TOUR.
© 2024 Chase Matthew Music / Warner Music Nashville LLC
#ChaseMatthew #LoveYouAgain #Darlin
#musicareggaeton #reggaetonlatino
SANTA CATALINA
donde los jile no entran!
Artistas: Floyymenor
PRODUCCION - GRABACION - MEZCLA & MASTER
neo on the shet : https://instagram.com/nesontheshet
BEATMAKERS
https://instagram.com/nesontheshet
DIRECTOR: rimasdebalconmusic
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MANAGMENT: skottypippen
Sigue a Floyymenor en todas sus plataformas
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¥ATU$4EQUI€NE$OMO
The Flirts were an American female band. The trio was created and masterminded by American Hi-NRG mogul Bobby "O" Orlando,. The trio initially was composed of one blonde, one brunette, and one redhead. They are best known for Hi-NRG songs such as "Passion", "Danger", "Helpless" and "Jukebox (Don't Put Another Dime)".
'Passion' reached # 22 on 29 January 1983 in the Dutch Top 40, their only hit in the Netherlands.
Watch our great music videos ❯ https://goo.gl/feVLNN
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More info on Wikipedia ❯ https://goo.gl/8s9Vj1
Broadcast date: 1982-12-18
This is to let you know that the video recording of the video clip was originally recorded by AVROTROS Broadcasting. AVROTROS Broadcasting hereby warrants and represents that it is the sole and exclusive owner of the physical film and/or videotape footage in this video clip.
The performance of the artist(s) in the clip was filmed and recorded with the written consent of the artist(s) and their representatives.
AVROTROS is a Dutch radio and television broadcaster, founded in 2014 from a merger of AVRO and TROS. From January 1st, 2014 the name of the merged broadcaster was used in joint programmes. AVRO was founded in 1923 as the Netherlands first public broadcaster. TROS started broadcasting in 1964. Toppop was a weekly AVRO pop program that was aired between 1970 and 1988.
AVROTROS Broadcasting
PO Box 2
1200 JA Hilversum
The Netherlands
TopPop was the first regular dedicated pop music TV show in the Dutch language area. Dutch broadcaster AVRO aired the programme weekly, from 1970 to 1988. Presenter Ad Visser hosted the show for its first fifteen years.
World famous music artists performed on TopPop: ABBA, 10CC, Bee Gees, The Jacksons, David Bowie, Earth & Fire, Boney M, Smokie, KC & The Sunshine Band, Chic, Donna Summer, Rod Stewart, and many many more.
Here's Matt Capone (@matt___capone on Instagram) performing their poem "Dear Steve Harvey" at our Voices In Power (@voicesinpower_ on Instagram) Poetry Open Mic Experience located in Philly on June 10, 2023.
For more videos of amazing poetry be sure to visit our channel and don't forget to Subscribe.
We are currently based out of Philadelphia but also have with monthly experiences in Houston, Bronx, Miami, Camden, and are in the works of expanding to Delaware, Atlanta, and Los Angeles.
If you're interested in having us, please send your inquiry to findus@voicesinpower.com.
Website is www.voicesinpower.com (currently under construction)
Also, if you have social media, you can follow us on Instagram at @voicesinpower_, on TikTok at @voicesinpower, and like us on Facebook at Voices In Power.
Video by Bagi Image.
The Place Where Artists Call Home.
Voices In Power, LLC
Watch Teddy Swims' performance live at The BRIT Awards 2025
Stream my new album, "I've Tried Everything But Therapy (Part 2): https://TeddySwims.lnk.to/ITEBTpt2
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#TeddySwims #TheBRITAwards