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At the #RockHall2022 Induction Ceremony, @OliviaRodrigo helped us celebrate the music of Carly Simon with a performance of "You're So Vain."
ON EXHIBIT: See the Shushu/Tong dress Olivia wore that night, on display now only at the Rock & Roll Hall of Fame.
#oliviarodrigo
https://www.cleveland.com/ente....rtainment/2023/09/ro
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NYU & Skidmore Glee Clubs "Alleluia" on The Ed Sullivan Show, May 1, 1955. Subscribe now to never miss an update: https://ume.lnk.to/EdSullivanSubscribe
Watch Motown performances from The Ed Sullivan Show https://youtube.com/watch?v=B9YrYoY0N4I&list=PLQWND5qZhbj3tfQKiK-5FzjLSTUz5WRTf
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The Ed Sullivan Show was a television variety program that aired on CBS from 1948-1971. For 23 years it aired every Sunday night and played host to the world's greatest talents. The Ed Sullivan Show is well known for bringing rock n' roll music to the forefront of American culture through acts like Elvis Presley, The Beatles, and The Rolling Stones. The entertainers each week ranged from comedians like Joan Rivers and Rodney Dangerfield, to Broadway stars Julie Andrews and Richard Burton, to pop singers such as Bobby Darin and Petula Clark. It also frequently featured stars of Motown such as The Supremes, The Temptations, Stevie Wonder and The Jackson 5. The Ed Sullivan Show was one of the only places on American television where such a wide variety of popular culture was showcased and its legacy lives on to this day.
© SOFA Entertainment. All Rights Reserved.
#NYU #SkidmoreGleeClubs #EdSullivan #EdSullivanShow
Lil' Flip's official music video for 'Sunshine'. Click to listen to Lil' Flip on Spotify: http://smarturl.it/LilFSpotify?IQid=LilFSSh
As featured on U Gotta Feel Me. Click to buy the track or album via iTunes: http://smarturl.it/LilFUGFMiTunes?IQid=LilFSSh
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More from Lil' Flip
I Can Do Dat: https://youtu.be/JkZUU_NbYok
Game Over: https://youtu.be/i7OyKAFu50M
The Way We Ball: https://youtu.be/oB1AcVQCYdI
More great Hip Hop/Urban videos here: http://smarturl.it/HipHopUrban?IQid=LilFSSh
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---------
Lyrics:
[Lea] Uhhhhhhh
[Lil' Flip] Yeeah
[Lea] Ohh, ohh, ohh, oh baby
[Lil' Flip] Lil' Flipper (Lil' Flipper)
[Lea] Ooh baby
[Lil' Flip] My girl Lea (my girl Lea) hit it
Sunshine
I can call you my baby boy
You can call me your baby girl
Maybe we can spend some time (some time)
I can be your sunshine!
I can call you my baby boy
You can call me your baby girl
Maybe we can spend some time (some time)
I can be your sunshine!
Look, I know you wanna chill wit a player
But all you got to do is keep it real wit a player
Just answer your phone whenever I call
Cause I'm riding on chrome whenever I ball
I like them short and tall but not too thick
I just walk in the spot and take my pick
And they wanna roll cause they like my style
And when I pop my collar I make them smile
I need a lady in the streets but a freak in the sheets
That know how to cook cause a nigga like to eat
Spaghetti, shrimp and steak and I'll adore you
I'll treat you like milk, I'll do nothing but spoil you
I know your friends wanna holla cause I got them dollars
Push the Maybach Monday, tuesday Impala
I switch whips like kicks I'm a balla (I'm a balla)
And if I get your phone number I'm a call ya (I'm a call ya)
And we can meet up the next day and chill
But I'm always on the road baby girl, that's how I live
I got bills to pay, I got moves to make
But when my plane touch down, pick me up at 8:00, don't be late
We don't have to be in love (love)
We can just be friends!
I will be right there, beginning to the end!
I can bring my girls (girls), you can bring your friends (friends)
We can both have fun, don't want this stuff to end!
They say love is pain and pain is love
I know ya Momma mad cause you talk to a thug
You think you know my type but you ain't got no clue
About - what a real real nigga like me do
I like to stack my bread and flip my chips
And I can change ya life if ya get wit Flip
I take private jets to Vegas, man
It's twenty bread each pick cause I'm major man
We can cruise the world in a Bently Azure
But don't worry, the chauffer open the door
You couldn't ask for more cause we got it all (we got it all)
Cause you my baby girl right?, right?
We don't have to be in love (love)
We don't have to be in love (love)
“Kiss It Better” from Rihanna’s eighth studio album ANTI, available now:
Download on TIDAL: http://smarturl.it/downloadANTI
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LaVern Baker "Tweedle Dee" on The Ed Sullivan Show on November 20, 1955. Subscribe now to never miss an update: https://ume.lnk.to/EdSullivanSubscribe
Watch Motown performances from The Ed Sullivan Show https://youtube.com/watch?v=jVmVvQdVCSw&list=PLQWND5qZhbj3tfQKiK-5FzjLSTUz5WRTf
Watch classic Rock and Roll performances from The Ed Sullivan Show: https://youtube.com/watch?v=qwlrUUyxg9c&list=PLQWND5qZhbj06AA1fnZQnHvOqP5ZctF8Y
Watch Comedy clips from The Ed Sullivan Show: https://youtube.com/watch?v=EpPCFoXXhF0&list=PLQWND5qZhbj369RgtweTchIVK1EORDKlz
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The Ed Sullivan Show was a television variety program that aired on CBS from 1948-1971. For 23 years it aired every Sunday night and played host to the world's greatest talents. The Ed Sullivan Show is well known for bringing rock n' roll music to the forefront of American culture through acts like Elvis Presley, The Beatles, and The Rolling Stones. The entertainers each week ranged from comedians like Joan Rivers and Rodney Dangerfield, to Broadway stars Julie Andrews and Richard Burton, to pop singers such as Bobby Darin and Petula Clark. It also frequently featured stars of Motown such as The Supremes, The Temptations, Stevie Wonder and The Jackson 5. The Ed Sullivan Show was one of the only places on American television where such a wide variety of popular culture was showcased and its legacy lives on to this day.
© SOFA Entertainment. All Rights Reserved.
#LaVernBaker #EdSullivan #EdSullivanShow #50s
Rapper Quando Rondo released from federal custody
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Listen to the album “Who Am I?". Out Now!
Stream: https://music.empi.re/whoamipeewee
#PeeweeLongway #WhoAmI #EMPIRE
Official Video by Peewee Longway - "Back to that Trappin" © 2023 MPA Bandcamp Music Group / EMPIRE
http://vevo.ly/m3ougB
GoldLink's "Crew" featuring Brent Faiyaz & Shy Glizzy. Available now on:
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GoldLink's "At What Cost" available now!
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The official video for No Savage x Shy Glizzy's "Mood Switch" - Out Now!
Stream "Mood Switch" on all platforms:
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#ShyGlizzy #NoSavage #MoodSwitch #GlizzyGang #DontFeedTheSharks #OfficialVideo
--
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Meeting Mr. Right, the man of my dreams
The one who shows me true love or at least it seems
With brown cocoa skin and curly black hair
It's just the way he looks at me that gentle loving stare
Finally you've come along
The way I feel about you it just can't be wrong
If you only knew, the way I feel about you
I just can't describe it, oh no no
Finally it has happened to me right in front of my face
My feelings can't describe it
Finally it has happened to me right in front of my face
And I just cannot hide it
Finally it has happened to me right in front of my face
My feelings can't describe it
Finally it has happened to me right in front of my face
And I just cannot hide it
It seems so many times, you seemed to be the one
But all he ever wanted was to have a little fun
But now you've come along and brightened up my world
In my heart I feel it, I'm that special kinda girl
Finally you've come along
The way I feel about you, it just can't be wrong
If you only knew, the way I feel about you
I just can't describe it, oh no no
Finally it has happened to me right in front of my face
My feelings can't describe it
Finally it has happened to me right in front of my face
And I just cannot hide it
Finally it has happened to me right in front of my face
My feelings can't describe it
Finally it has happened to me right in front of my face
And I just cannot hide it
Finally, oh finally yeah, yeah oh oh
Finally it has happened to me right in front of my face
My feelings can't describe it
Finally it has happened to me right in front of my face
And I just cannot hide it
Finally, oh yeah, yeah
Finally, oh yeah
At the heart of hip-hop culture is its poetic soul. Used first as a medium to incite the dancefloor before evolving into a means of conveying the harsh realities of life all the way through to gritty street reporting, there is a reason why “rapping” has been one of the four elements since its inception. But where graffiti and breakdancing have fallen by the wayside, the other key component that has evolved like no other is that which was then known as “DJing.
During the genre’s infancy, DJ’s would provide breakbeats that’d allow the MC’s to whip the crowd up into a frenzy. But once that spirit of the block parties was being distilled into a commercialized industry, it meant that the decks would have to take a backseat.
At that point, the sampler reigned supreme and with that, the concept of a hip-hop producer or beatmaker as we know them today was born.
From Dr Dre to DJ Premier, Timberland, Kanye West & Pharrell, there’s no shortage of those who’ve provided the canvases on which artists can paint their lyrical pictures who’ve become household names in their own right. And for those who toe the line between producer and rapper, the only limits on both your income and acclaim are your own creativity.
But make no mistake, simply downloading Fruityloops, mastering Ableton or even getting your tracks into the hands of a megastar is not necessarily a fast track to the riches you’ve dreamed of.
In fact, as some of the greats will attest, there are many ways in which being a hip-hop producer… Kinda sucks.
#metroboomin #macmiller #hiphopmadness
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Narrated by: Spencer Pearman
Written by: Robert Blair
Edited by: Roman Bill
Music by: Josh Petruccio
Business Inquiries: contactHipHopMadness@gmail.com
© HIPHOPMADNESS 2023. All rights reserved
In this episode, Suge talks about how he valued giving back and describes the way he grew up in Compton. Suge opens up for the first time in a long time about Tupac and describes how hard Tupac worked to make Death Row a family and get everyone on the label involved with the making of All Eyez On Me. He discusses how he feels when he hears about rappers who have been killed and how the recent death of Takeoff from the Migos affected him. Suge pinpoints the communication breakdown that occurred between him and Snoop after Tupac died.
5:32 Suge takes us back to when he first moved into his original neighborhood in Compton. He runs down some of the guys and families he came up with and talks about the role his father played in pushing him
10:50 Suge talks about the first time he went on tour for The Chronic and shouts out the guys who he put on from his neighborhood
16:42 Suge talks about opening up a lowrider shop in Compton that was called “Let Me Ride” as a way to provide jobs and give back to the neighborhood
18:10 Suge says he can talk freely about Pac for the first time in a long time, and how Pac is finally getting justice
19:03 Suge explains why jealousy is worse than hate
19:45 Suge recalls a meeting with Tupac and how the name for the album All Eyez On Me was created
23:14 When Pac gets bigger than everyone on Death Row, the jealousy starts to kick in
24:23 Suge says he thinks jealousy is what ruined Death Row and says we should never have to go through this again
27:05 When Takeoff got killed it really hit home for Suge and inspired him to have an illustration made of him that he tried to send to Cardi B and Offset
29:48 Suge talks about how important it was that Death Row was the first place where you could see Bloods and Crips gang members working together and getting along together
30:48 After Suge went to jail in 1996, he wanted to put Snoop in position to lead the company. But they never had a chance to talk after Snoop got turned away at the visiting center
32:19 Suge addresses the NFL for promoting gang activity and not understanding the reality of how many people have lost their lives and are doing prison time
34:16 Suge talks about plans to make Death Row the biggest music distributor in the game
NEW EPISODES OF COLLECT CALL WITH SUGE KNIGHT ARE RELEASED WEEKLY
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This episode is sponsored by EarnIn. Download EarnIn today! in the Google play or Apple app store. Type in Collect Call under PODCAST when you sign up – it’ll really help the show. Collect Call under PODCAST. Subject to your available earnings, location, Daily Max and Pay Period Max. See https://EarnIn.com/TOS for details.EarnIn is a financial technology company, not a bank. Bank products are issued by Evolve Bank & Trust, Member FDIC
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Executive Producers: Dave Mays (@therealdavemays) & Brett Jeffries (@igobybrettj)
Executive Producer: Toi-Lin Kelly
Editor & Producer: Trae Quaintance for Black Wolf Agency
Producer: Christopher Samuel (@Christylezz)
Audio: Tsun4miBeats
Sound effects: Envato Elements
IG: @BreakbeatMedia @OfficialSugeKnight @TheRealDaveMays
Buddy Holly remains an immortal music icon over 60 years after his tragic death in a plane crash that devastated rock and roll. But much mystery and misconception still surrounds his young widow Maria Elena's absence from Holly's funeral. Why did she never show up to bury the husband she adored?
▬Contents of this video▬
00:00 - Intro
00:29 - Whirlwind Romance
02:27 - The Day the Music Died
04:34 - Maria Elena's Absence from the Funeral
06:28 - Maria Elena's Painful Healing Journey
08:19 - Outro
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In this eye-opening video, we finally reveal the real reasons Maria Elena did not attend her late spouse's funeral service or burial in his hometown of Lubbock, Texas. Through exclusive interviews and examination of overlooked historical records, the full truth emerges about the painful circumstances that kept Holly's bereaved wife from properly mourning with his family and fans.
You will learn about the whirlwind romance between Buddy and Maria Elena that saw them impulsively marry within weeks of meeting at a New York music office. Their happily-ever-after turned devastating when Holly perished in the infamous 1959 plane crash that also killed Ritchie Valens and the Big Bopper.
We detail how a pregnant Maria Elena shockingly miscarried their child upon learning of Buddy's untimely demise. Bedridden by grief and trauma, attending the distant funeral proved medically impossible for her. But misunderstandings in Lubbock brewed about Maria Elena lacking respect for failing to be present at her own husband's burial.
The video explores Maria Elena's painful path to healing from profound personal loss while navigating prejudice as a Latina in conservative Texas. You'll learn why she harbored resentment toward Lubbock for decades over their judgmental treatment of her as Buddy's widow. We analyze the ongoing tensions between Maria Elena and the city government over commemorating his legacy properly.
Finally, hear in Maria Elena's own words her perspective on protecting Buddy Holly's name, image, and music from misuse even long after his passing. Get the full story behind the funeral absence that made Maria Elena a mythical figure in rock history.
#buddyholly #funeral
The Real Reason Why Buddy Holly’s Wife Didn’t Go to His Funeral
Subscribe to Core Community: https://www.youtube.com/c/CoreCommunity
- - - - - - - - -
Ashes of Perishing is a Metalcore band from Helsinki, Finland
FFO: August Burns Red, The Ghost Inside, Bleed from Within, Emmure, Impending Doom
#CoreCommunity #AshesOfPerishing #Metalcore
Facebook: https://www.facebook.com/ashesofperishing
Instagram: https://www.instagram.com/ashesofperishingband
YouTube: https://www.youtube.com/@ashesofperishing3266
Bandcamp: https://ashesofperishing.bandcamp.com
TikTok: https://www.tiktok.com/ashesofperishing
Recorded by: Ashes of Perishing
Mixed/Mastered by: Mixed by Valtteri Limnell / Mastered by Miro Kiiski (miromastering)
Video by: Sanna Vihervuori Photography
Artwork by: Valtteri Limnell
Lyrics:
Because of you
No matter how hard I try,
I just can't seem to find a way out.
I guess I'll never feel safe,
Am I just existing or am I alive?
Am I just existing or am I alive?
"You are such a waste of life,
Waste of space and a waste of time.
You will not become anything,
You will be nothing"
Now its your time to suffer
I curse your name
Until my last fucking breath
Drag me into the earth
Bury me and be away with it
Drag me into the earth
Bury me and be away with it
"You are such a waste of life,
Waste of space and a waste of time.
You will not become anything,
You will be nothing"
I've said it before
Go fuck yourself!
- - - - - - - - -
Core Community on Facebook: https://www.facebook.com/officialcorecommunity
Core Community on Instagram: https://www.instagram.com/core_community
Core Community's Homepage: http://corecommunity.wix.com/blog
Core Community on Bandcamp: https://corecommunity.bandcamp.com/
- - - - - - - - -
I DON'T CLAIM TO OWN THIS SONG !
I GOT THE BAND'S PERMISSION TO UPLOAD THIS SONG !
ALL RIGHTS GO TO THE BAND !
- - - - - - - - -
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Contact us now!
℗ & © 2023 Ashes of Perishing
All rights reserved.
The official video for ASM Bopster's "3's please/Steps 2k dis"
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#ASMBopster #3splease #Steps2kdis #OfficialVideo
The official music video for ASM Bopster's "Like The Way You Move" (feat. Blueface) - Out Now: https://bopster.ffm.to/ltwym
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#ASMBopster #Blueface #OfficialVideo
The official video for Kenya Vaun's "Summer" - OUT NOW!
Stream "Summer" Now: https://kenyavaun.lnk.to/summer
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#KenyaVaun #Summer #liveperformance
BTS (방탄소년단) 'DNA' Official MV
Credits:
Director : YongSeok Choi (Lumpens)
Assistant Director : WonJu Lee (Lumpens)
Director of Photography : HyunWoo Nam(GDW)
Gaffer : HyunSuk Song (Real Lighting)
Art Director : JinSil Park (MU:E)
Choreography & performance direction: Sungdeuk Son
Choreography by: Christopher Martin, Keone & Mari
BigHit Entertainment. All rights reserved.
Unauthorized reproduction is a violation of applicable laws.
Manufactured by BigHit Entertainment, Seoul, Korea.
Connect with BTS:
http://www.ibighit.com
http://twitter.com/BTS_bighit
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Hey Dumplings, today I want to get into more #KPop news, specifically more #BTS news. I want to talk about Dispatch reporting on some news about BTS and something illegal that happened to them. I want to get into Jimin being accused of payola. And then I want to get into Suga talking about BTS disbanding. Let me know what you think and drop your thoughts down below in the comments.
0:00 Table of Contents
0:21 Suga Says BTS Was Going To Disband
2:58 Dispatch Reports On Illegal Things Done To BTS
5:27 Jimin Accused Of Payola
8:12 What You Can Do Next To Support
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BTS (방탄소년단) 'FAKE LOVE' Official MV
Director : YongSeok Choi (Lumpens)
Assistant Director : WonJu Lee, Guzza, HyeJeong Park, MinJe Jeong (Lumpens)
Director of Photography : HyunWoo Nam(GDW)
Gaffer : HyunSuk Song (Real Lighting)
Art Director : JinSil Park Bona Kim (MU:E)
Construction Manager : SukKi Song
Special Effect : Demolition
BigHit Entertainment. Rights are reserved selectively in the video.
Unauthorized reproduction is a violation of applicable laws.
Manufactured by BigHit Entertainment, Seoul, Korea
Connect with BTS:
http://www.ibighit.com
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BU content certified by Big Hit Entertainment
#BANGTANBOMB #방탄밤 #BTS #방탄소년단
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BTS (방탄소년단) 'Black Swan' Official MV
Credits:
Director : YongSeok Choi (Lumpens)
Co-Director : Guzza (Lumpens)
Assistant Director : Jihye Yoon (Lumpens)
Executive Producer / Producer : Tiffany Suh
Director of Photography : Hyunwoo Nam (GDW)
Focus Puller : Sangwoo Yoon
B Cam : Eumko
2nd AC : Eunki Kim
Camera Crew : Robin Kim, Isue shin, Alec Echaverria, Matt Maio
JIB Operator : YoungJoong Kim, Hyun In Kim
Co-production company : FREENJOY
Executive Producer : Nathan Scherrer
Production Supervisor : Sina Pars, Joe Keenan
Production Coordinator : Matt Kovacs
Client Liaison : Ran Ro
1st AD : Joe Suarez
2nd AD Liaison : Joseph Kim
Location Manager : Laura Dominguez
Gaffer : Kyle Bryson
Key Grip : Wadsworth Peters
Color : Company 3
Colorist : Charles Bunnag
Senior Producer : Gabriel Wakeman
Associate Producer : Bianca Yi
Visual Creative : Nu Kim, Sabinne Cheon, Lee Sun Kyoung, Kim Ga Eun
Performance Directing : Son Sung Deuk, Lee Ga Hun, Lee Byung Eun
Artist Management : Kim Shin Gyu, Kim Su Bin, Park Jun Tae, An Da Sol, Ahn Jong Hun, Lee Jung Min
Big Hit Entertainment. Rights are reserved selectively in the video. Unauthorized reproduction is a violation of applicable laws. Manufactured by Big Hit Entertainment, Seoul, Korea.
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Lyrics:
I never thought that I would find a way out
I never thought I'd hear my heart beat so loud
I can't believe there's something left in my chest anymore
But goddamn, you got me in love again
I used to think that I was made out of stone
I used to spend so many nights on my own
I never knew I had it in me to dance anymore
But goddamn, you got me in love again
Show me that heaven's right here, baby
Touch me, so I know I'm not crazy
Never have I ever met somebody like you
Used to be afraid of love and what it might do
But goddamn, you got me in love again
You got me in love again
You got me in love again
You got me in love again
Again
So many nights, my tears fell harder than rain
Scared I would take my broken heart to the grave
I'd rather die than have to live in a storm like before
But goddamn, you got me in love again
Show me that heaven's right here, baby
Touch me, so I know I'm not crazy
Never have I ever met somebody like you
Used to be afraid of love and what it might do
But goddamn, you got me in love again
You got me in love again
You got me in love again
You got me in love again
Again
I can't believe, I can't believe
I finally found someone
I'll sink my teeth in disbelief
'Cause you're the one that I want
I can't believe, I can't believe
I'm not afraid anymore
Goddamn, you got me in love again
La-la-la, la-la-la
La-la-la, la-la-la
I never thought that I would find a way out
I never thought I'd hear my heart beat so loud
I can't believe there's something left in my chest anymore
Oh, goddamn, you got me in love again
(We're in love, we're in love)
(We're in love, we're in love, oh, oh)
I can't believe, I can't believe
I finally found someone
I'll sink my teeth in disbelief
'Cause you're the one that I want
I can't believe there's something left inside my chest anymore
But goddamn, you got me in love again
You got me in love again
You got me in love again
You got me in love again (Again and again)
Again (And again and again and again)
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Watch the original music video for WAR - Why Can't We Be Friends? from 'Why Can't We Be Friends?' (1975) newly remastered from the original 16MM film reels.
For our friends across the globe, sing along in English, Spanish, Portuguese, German, or French by enabling subtitles!
To watch in 4K, adjust your Settings ⚙ to 2160p (4K)
WAR burst onto the scene 50 years ago, capturing the heart and soul of America’s streets with its righteous, multi-cultural sound on hits like “Why Can’t We Be Friends?” “Low Rider” and “The Cisco Kid.” Avenue/Rhino is kicking off a year-long anniversary celebration that will begin with the introduction of a new colored-vinyl boxed set for Record Store Day, available at participating retailers. Find out more at https://www.wartheband.com
🔔 Subscribe to the WAR channel and ring the bell to get notifications https://lnk.to/SubscribetoWar
📺 Watch all of WAR’s official videos here https://Rhino.lnk.to/WARVideosID
🎵 Listen to more WAR here https://Rhino.lnk.to/WARStrID
Stay In Touch with WAR…
❤ Website https://war.com/
🙏🏾 Facebook https://www.facebook.com/WARTHEBAND
✌🏾 Twitter https://twitter.com/WARtheBand
🎶 Instagram https://www.instagram.com/wartheband/
*******************
“We spoke out against racism, hunger, gangs, crimes, and turf wars, as we embraced all people with hope and the spirit of brotherhood. It’s just as apropos today.” - WAR
WAR, the original street band, was founded by veteran record producer Jerry Goldstein and rock legend Eric Burdon in 1969. Together with the original band members Lonnie Jordan, Howard Scott, Lee Oskar, B.B. Dickerson, Harold Brown, the late Thomas “Papa Dee” Allen, and Charles Miller, they blended many musical styles and influences. The musical laboratory that is WAR yielded 17 gold, platinum and multi-platinum awards, including the triple platinum ‘The World Is A Ghetto’ and double platinum ‘Why Can’t We Be Friends?’ and ‘Greatest Hits’, and hit songs "Why Can't We Be Friends?", "Low Rider", "Spill the Wine", and "The Cisco Kid".
WAR began playing live shows to sold-out audiences in the 1970s and continues their commitment to being road WARriors, touring over 150 dates a year to this day.