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The lift and death of Rush drummer John Rutsey
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#rush #johnrutsey #neilpeart
I cite my sources and they may differ than other people's accounts, so I don't guarantee the actual accuracy of my videos.
Rush’s original drummer John Rutsey was 55 at the time of his death in 2008. Following his departure from the band in 1974, after the release of their first album, Rutsey would be out of the rock n’ roll spotlight, all the while his former band would become one of the biggest acts in the world. This is his story.
John Rutsey founded Rush in 1968, in Toronto, Canada, along with guitarist and childhood friend Alex Lifeson, and future Red Rider bassist Jeff Jones, who was the band’s original frontman. The three musicians would use the band name Rush last minute, right before playing their first show, after struggling to come up with one during practice. Author Bill Basiniewicz wrote about how they’d eventually get their name in his 1988 biography on the band, Visions.
“The band was excited, but they had a big problem. While they had been dreaming of playing, they had neglected to come up with a name for their group. So, a few days before the gig, they sat around in John's basement trying to come up with an appropriate moniker. They weren't having much luck when John's older brother Bill piped up, 'Why don't you call the band Rush?,' and Rush it was," he’d say.
Rush’s first performance with Jeff Jones was successful, but on their next one, he would pull a no-show. Jones would leave the band and was replaced with Geddy Lee, another childhood friend who John and Alex knew from their time as students at St. Patrick’s School. Rush’s first roadie, Ian Grandy, who was with the band until 1983, discussed a temporary direction Rutsey had them pursue, in a 2009 interview with Guitar International Magazine:
“John led the guys as far as being 'glam rockers', with really flashy jackets and pants, and eight-inch high boots," Grandy would then mention an anecdote about him and Rutsey catching up at a now-legendary Toronto club.
“One time, he was speaking to me at the Gasworks and I said, ‘Didn’t we used to be the same height (5’8”)?’ He laughed and said ‘Well, maybe a long time ago!’”
In fact, Rush wouldn’t always be a trio. By 1971, the band also experimented briefly as a four piece, incorporating Mitch Bossi as second guitarist. But that didn’t satisfy John Rutsey, who sought a different direction for the band. On the podcast In Conversation with Chad Smith, Alex Lifeson said in 2013:
“John wanted to [do] more of a Bad Company or Small Faces sort of thing. That’s the kind of music he was really into…the English bluesy kind of thing,”
“We went for a while, for a few months. I remember we were at a rehearsal, and we told Mitch that it wasn't really working out. He picked up his stuff, and he left,” he’d say.
For a brief moment, it seemed as though Rush’s early efforts were about to pay off, but they’d hit another dead end. An episode of the podcast series Full in Bloom in May of 2020 featured Epic Records A&R Tom Werman talking about his attempt to sign Rush back in the early 70s:
“I heard a demo, and I went up to Toronto to see them, the manager picked me up - Ray Danniels, I think he managed Van Halen later on, I can't remember.”
“I went backstage and said, ‘This is incredible.’ This was very artsy. This wasn’t your standard rock ‘n’ roll, and I thought this would be a really great signing for me because it’s high-class, you know, and it’s differe
But Rutsey’
Sources:
Bosso, Joe. “In Conversation: Chad Smith with Alex Lifeson - Part Two.” MusicRadar, MusicRadar, 20 May 2013, https://www.musicradar.com/new....s/guitars/in-convers
Daly, Skip. “Ian Grandy Interview: Rush's First Roadie.” Guitar International Magazine, 16 Sept. 2009, http://guitarinternational.com..../2009/09/16/a-talk-w
“The National Midnight Star #138 (Rockline Radio interview excerpt).” The National Midnight Star - Digest Archives, https://www.pelstudio.com/tnms/0138.html.
Reed, Ryan. “The History of John Rutsey and Rush.” Ultimate Classic Rock, 25 July 2015, https://ultimateclassicrock.com/rush-john-rutsey/.
“Rush: Tom Werman Talks about Trying to Sign the Band in the '70s.” SoundCloud, Full In Bloom, 22 May 2020, https://soundcloud.com/fullinb....loom/rush-tom-werman
Trunk, Eddie. "Hangin' With: Rush" Interview. YouTube, VH1, 2005, https://www.youtube.com/watch?v=e2An_Ww1oCo. Accessed 6 Oct. 2021.
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'Millennium' was the first single from Robbie’s second album ‘I’ve Been Expecting You’ and the first of seven UK No. 1 singles (so far). ‘Millennium’ includes a co-writing credit for John Barry and Leslie Bricusse, as it incorporates elements of their 1967 theme for the James Bond film 'You Only Live Twice'.
That theme was originally sung by Nancy Sinatra, who topped the chart when she duetted with her father Frank Sinatra on ‘Somethin’ Stupid’; a cover of the same song would provide Robbie and Nicole Kidman with the UK Christmas No. 1 in 2001.
The James Bond connections continue in the video directed by British filmmaker Vaughan Arnell, where a suave tuxedo-clad Robbie shares the screen with model-turned-TV-chef Lorraine Pascal, among others. ‘Millennium’ won the award for ‘British Video of the Year’ at the 1999 BRIT Awards.
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In partnership with Grey Goose, #TheShop: Lineup is an all-new series featuring an exclusive conversations with some of the biggest names in sports and culture. On this episode, Grammy Award-winning artist Ella Mai sits down with hosts Maverick Carter, Paul Rivera, and Brownie Blendz to discuss growing up in London and New York, her music process, investing, and more!
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Kes - Last Drum (Official Lyric Video)
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Song Credits
Produced by: Tano & Mical Teja
Written by: Kes, Tano, Mical Teja
Mixed and Mastered by: Nikholai Greene
Guitars: Kyle Peters
Additional Guitars: Jon Dieffenthaller
Video Credits
Lyric Video by: Jono Hirst
Directed by: Kes
Actors:
Isoke Edwards
Yohance Marshall
BTS Photography: Nicholas Bajan
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About Kes:
Of the many musical acts which call Trinidad & Tobago home, perhaps none embody its polyglot culture more than KES, the eclectic soca outfit behind some of modern Caribbean music’s most indelible anthems. Celebrated for Carnival hits (“Wotless,” “Savannah Grass”) and island pop jams (“Tuesday on the Rocks,” “Endless Summer”), the band has brought Trinidad to the world, sharing stages with the likes of Will Smith, Major Lazer and John Legend. For the group — charismatic singer Kees Dieffenthaler (aka KES) and his brothers Jon (guitar) and Hans (drums), along with childhood friend, Riad Boochoon (bass) —blending soca, pop, rock, reggae, calypso, dancehall and afrobeats together is one part of their greater calling: To spread good vibes. The last three years have proven to be the most successful in the band’s decade-plus-run. “Hello,” a fusion of afrobeats and soca originally released in 2017, continues to reach new audiences over two years after its release. With over 40 million plays on YouTube alone, it is one of the most streamed soca songs of all time. We Home, a live project recorded during the Covid-19 quarantine, is the band’s first album in over five years, with fresh renditions of KES’ carnival classics showcasing their prowess as a live band par excellence.
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"The Breakfast Club" Morning Show features uncut celebrity interviews, Jess Hilarious' unfiltered commentary, "The Latest" exclusives with Loren LoRosa, Charlamagne tha God’s "Donkey of the Day", DJ Envy’s mixes and more! Every guest visiting the world’s most dangerous morning show is grilled with their signature blend of honesty and humor. The results are the best interviews to be found on radio and beyond. And with a reach of 11.3 million monthly listeners, the show continues to put it's stamp on the culture.
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Credits
Director - Ava Rikki
Production Company - Glia Productions
Executive Producer / Producer - Sofie Warshafsky
Production Manager - Rachel Nagao
1st Assistant Director - RJ Collins
Director of Photography - Joanna Nguyen
1st AC - Hannah Lee
2nd AC - Jamal Reeves
Quaid Cde Baca - Steadicam Operator
Gaffer - Dimitri Christoforidis
BBE - Sam Needham
Electric - John Le
Key Grip - Zane Tan
BBG - Ashley Petrie
Grip - Justin Schultz
Grip - Rob Padilla
Production Designer - Cody Fusina
Leadman - Mitchell Dillon
Set Dresser - Trevor Rittman
Set Dresser - Kelsey Miralles
Art PA - Kabir Mogaji
Choreographer - Aliyah
Aerialist - Candace Cane
Hair - Jacob Dillon
Makeup - Kenya Alexis
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VFX - Jo Murayama
#CocoJones #Taste #WhyNotMore
Music video by Coco Jones performing Taste.© 2025 Def Jam Recordings, a division of UMG Recordings, Inc.
Kehlani and producer Khris Riddick-Tynes take us behind their viral R&B hit, "Folded."
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Tyla & Sean Paul - PUSH 2 START (REMIX - Official Music Video)
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Official music video for DJ Khaled, Future, Lil Baby “One of Them”. Available everywhere now: https://DJKhaled.lnk.to/OneOfThem
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Music video by DJ Khaled, Future performing One of Them.© 2026 DJ Khaled Productions, Inc., under exclusive license to Republic Records a division of UMG Recordings, Inc.
SR X POUNDZ - WHAT'S GOOD - OUT NOW: https://lnk.to/_whatsgood
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LYRICS
Yo, what’s good, what’s good,
Guns on the block, now everyone shook,
Sweetie wanna do me on a late night,
She don’t even know badman been a crook,
Yo, what’s good, what’s good,
We got ‘nuff guns like boys in the hood,
Ever since bro made Welcome To Brixton,
All the opp thots wanna take this wood
All the opp thots wanna take this wood,
If I take her to the gaff then she’s gonna get jook,
Switch
Man can’t say I ain’t a crook,
From young, I used to rob man bait in the hood,
Hand tings only, man grip smokeys,
If you get close then you’re gonna get cooked,
And if you get cooked, then I’m gonna move shook,
Cos I know that the jakes are about in the hood,
Cooked like breakfast, man split him in two like tetris,
Waps out, arms out, man press this,
Made a bad b fly down from Texas,
Switch
I’m like “hold up shorty”,
the kickback from the mash feels sporty,
Leng ones, peng ones move naughty,
Got a bad one from the shore, no Geordie, Geordie
Yo, what’s good, what’s good,
Guns on the block, now everyone shook,
Sweetie wanna do me on a late night,
She don’t even know badman been a crook,
Yo, what’s good, what’s good,
We got ‘nuff guns like boys in the hood,
Ever since bro made Welcome To Brixton,
All the opp thots wanna take this wood,
I love a bad one like Cardi B,
Shake your bumper, bruk that for me,
Love the bunda like rice and peas,
I’m Pablo Escobar, man’s got p’s,
Switch
Never have I been a g,
But I got big boy crocodile teeth,
Do it like Suspect, man’s too smokey,
Put him in a box like Jordan 3’s,
Put him in a box like Jordan 3’s,
Pop corn, let bad boy drop to his knees,
Switch
They can never do it like me,
SR I make racks in my sleep,
Yo, the labels are bothering me,
Yo, the hookers keep bothering me,
Yo, my PO keeps bothering me,
Cos they know bad man, make the hand ting beat,
Aye, Skippz, what you doing with the beat bro?
She wanna pay for my watch like Lani,
I’m a playboy I don’t need a Carti,
I’m like Tion, I don’t cat for the nani,
When I was younger, I used to bone out Sharni,
Switch
Now back to the real-life facts,
I made more than half of a mill off a track,
Now everyone is hating on man,
If I wifey a girl and she cheats on me,
One hunna, I’m doing it back
Yo, what’s good, what’s good,
Guns on the block, now everyone shook,
Sweetie wanna do me on a late night,
She don’t even know badman been a crook,
Yo, what’s good, what’s good,
We got ‘nuff guns like boys in the hood,
Ever since bro made Welcome To Brixton,
All the opp thots wanna take this wood.
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Gorillaz and Sparks perform The Happy Dictator on Jimmy Kimmel Live.
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"To Be Loved" by Adele
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Lyrics
I built a house for a love to grow
I was so young that it was hard to know
I’m as lost now as I was back then
Always make a mess of everything
It’s about time that I face myself
All I do is bleed into someone else
Painting walls with all my secret tears
Filling rooms with all my hopes and fears
But oh my, oh my
I’ll never learn if I never leap
I’ll always yearn if I never speak
To be loved and love at the highest count
Means to lose all the things I can’t live without
Let it be known that I will choose to lose
It’s a sacrifice
But I can’t live a lie let it be known
Let it be known that I tried
I’m so afraid but I’m open wide
I’ll be the one to catch myself this time
Trying to learn to lean into it all
Ain’t it funny how the mighty fall
Looking back I don’t regret a thing
Yeah I took some bad turns
That I am owning
I’ll stand still and let the storm pass by
Keep my heart safe til the time feels right
Let it be known that I cried for you
Even started lying to you
What a thing to do
All because I wanted to be loved…
#Adele #ToBeLoved #30
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Esta canción me hizo llorar cuando la escribí y la cante en el estudio de grabación. Asi que espero y den LIKE la disfruten la COMPARTAN y COMENTEN...
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Compositor ICC - Israel Cortes
Letra:
Quisiera regresar el tiempo
Para volverte a tener
Como duele estar sin ti
Ya no aguanto este dolor
Estraño todo de ti
cuando hacíamos el amor
Tus besos y tus caricias
Que me das con pasión
Y por eso
Dame otra oportunidad
Te lo pido por favor
No te vuelvo a fallar
Te Lo juro ante Dios
Volvamos empezar
Yo se que tu sientes
Lo mismo que yo
Volvamos a intentar
A intentar lose que esta vez
Todo funcionará
Y yo se que esta vez si puede funcionar
Por que el que fallo fui yo
Quisiera regresar el tiempo
Para volverte a tener
Como duele estar sin ti
Ya no aguanto este dolor
Estraño todo de ti
cuando hacíamos el amor
Tus besos y tus caricias
Que me das con pasión
Y por eso
Dame otra oportunidad
Te lo pido por favor
No te vuelvo a fallar
Te Lo juro ante Dios
Volvamos empezar
Yo se que tu sientes
Lo mismo que yo
Volvamos a intentar
A intentar lose que esta vez
Todo funcionará
#LoIntentamosOtraVez? #Sandraitzel #Iccrecords
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Action Bronson - PEPPERS (ft. Roc Marciano)
"Planet Frog" the album MAY 8TH 2026
Produced by Daringer & Action Bronson
Director Chris Grosso
Editor/Colorist Sean Stewart
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BLACKPINK - ‘Pink Venom’
Kick in the door Waving the coco
팝콘이나 챙겨 껴들 생각 말고
I talk that talk Runways I walk walk
눈 감고 pop pop 안 봐도 척
One by one then Two by two
내 손끝 툭 하나에 다 무너지는 중
가짜 쇼 치곤 화려했지
Makes no sense You couldn’t get a dollar outta me
자 오늘 밤이야 난 독을 품은 꽃
네 혼을 빼앗은 다음 Look what you made us do
천천히 널 잠재울 FIRE 잔인할 만큼 아름다워
I bring the pain like
This that pink venom
This that pink venom
This that pink venom
Get ‘em, get ‘em, get ‘em
Straight to ya dome like whoa whoa whoa
Straight to ya dome like ah ah ah
Taste that pink venom
Taste that pink venom
Taste that pink venom
Get ‘em, get ‘em, get ‘em
Straight to ya dome like whoa whoa whoa
Straight to ya dome like ah ah ah
Black paint and ammo, got bodies like Rambo
Rest in peace, please light up a candle
This da life of a vandal, masked up and I’m still in Celine
Designer crimes or it wouldn’t be me
Diamonds shinin’ drive in silence I don’t mind it I’m ridin’
Flyin’ private side by side with da pilot Up in the sky
And I’m wildin’, stylin’ on them and there’s no chance
Cuz we got bodies on bodies like this a slow dance
자 오늘 밤이야 난 독을 품은 꽃
네 혼을 빼앗은 다음 Look what you made us do
천천히 널 잠재울 FIRE 잔인할 만큼 아름다워
I bring the pain like
This that pink venom
This that pink venom
This that pink venom
Get ‘em, get ‘em, get ‘em
Straight to ya dome like whoa whoa whoa
Straight to ya dome like ah ah ah
Taste that pink venom
Taste that pink venom
Taste that pink venom
Get ‘em, get ‘em, get ‘em
Straight to ya dome like whoa whoa whoa
Straight to ya dome like ah ah ah
원한다면 provoke us
감당 못해 and you know this
이미 퍼져버린 shot that potion 네 눈앞은 핑크빛 ocean
Come and give me all the smoke 도 아니면 모 like I’m so rock and roll
Come and give me all the smoke 다 줄 세워 봐 자 STOP DROP
I bring the pain like
La tatata La tatata La tatata La tatata
La tatata La tatata
Straight to ya
Straight to ya
Straight to ya dome like
La tatata La tatata La tatata La tatata
La tatata La tatata
I bring the pain like
00:00 Pink Venom
01:56 Join the #PinkVenomChallenge
02:11 Only on YouTube Shorts
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#BLACKPINK #블랙핑크 #PreReleaseSingle #PinkVenom #MV
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Official Video for “Ghosts Again” by Depeche Mode
Listen to & Download “Ghosts Again” out now: https://depechemode.lnk.to/GhostsAgain
Pre-Order/Pre-Save the new album “Memento Mori” available March 24th: https://depechemode.lnk.to/MementoMori
Directed by Anton Corbijn
Amazon Music: https://depechemode.lnk.to/GhostsAgain/AmazonMusic
Apple Music: https://depechemode.lnk.to/GhostsAgain/AppleMusic
iTunes: https://depechemode.lnk.to/GhostsAgain/iTunes
Pandora: https://depechemode.lnk.to/GhostsAgain/Pandora
Soundcloud: https://depechemode.lnk.to/GhostsAgain/Soundcloud
Spotify: https://depechemode.lnk.to/GhostsAgain/Spotify
YouTube Music: https://depechemode.lnk.to/GhostsAgain/YouTubeMusic
YouTube: https://depechemode.lnk.to/GhostsAgain/YouTube
Follow Depeche Mode
Website: http://depechemode.com
TikTok: https://www.tiktok.com/@depechemode
Facebook: https://facebook.com/depechemode
Twitter: https://twitter.com/depechemode
Instagram: https://instagram.com/depechemode
Discord: https://discord.com/invite/depechemode
Lyrics:
Wasted feelings
Broken meanings
Time is fleeting
See what it brings
Helloes, goodbyes
A thousand midnights
Lost in sleepless lullabies
Heaven’s dreaming
Thoughtless thoughts, my friends
We know we’ll be ghosts again
Sunday’s shining
Silver linings
Weightless hours
All my flowers
A place to hide
The tears that you cried
Everybody says goodbye
Faith is sleeping
Lovers, in the end
Whisper we’ll be ghosts again
Heaven’s dreaming
Thoughtless thoughts, my friends
We know we’ll be ghosts again
Faith is sleeping
Lovers, in the end
Whisper we’ll be ghosts again
#DepecheMode #GhostsAgain #MementoMori
Layzie Bone pulls up to Drink Champs and talks about the whole Bone Thugs journey from day one. He talks about being homeless in LA trying to link with Eazy-E, calling his office thousands of times until they finally got through. He breaks down the Wu-Tang fight at Russell Simmons' Christmas party, recording with Biggie and never hearing his verse until after he passed, and smoking weed with Phil Collins at a castle in Sweden. Layzie also gets into the business side of things. He talks going independent, selling music direct to consumers, and why he thinks ownership is everything. This one's a classic. #LayzieBone #DrinkChamps #NORE #DJEFN
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