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Collective Soul: What Happened To the Band Behind 'Shine', 'December' & Hotney 1 Streams • 3 years ago

The history of the band Collective Soul.

0:00 - Introduction/Early Years
2:44 - Birth of Collective Soul/Shine
4:35 - Signing to Atlantic/First album
7:27- Self Titled Album
10:06 - Legal Problems
11:07 - Later Years

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#collectivesoul #edroland #shine

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Collective Soul is a band I’ve always always associated with Hootie and the Blowfish and Matchbox Twenty.. All three bands had a number of hits in the 90’s but they never got much respect. Coupled with matchbox twenty, collective soul was sometimes dubbed as a faceless band -a group wiith a bunch of hits. People knew the songs, but couldn’t pick the band members out of a lineup.

Adored by radio, hated by critics Collective Soul would be one of the most successful bands to emerge out of the mid to late 90’s. I want to thank Trevor for suggesting this story. I actually ran into him at work one day and he said Sidd when are you gonna do collective soul, so here it is Trevor. Enjoy.

Early Years

The band’s history begins with the Roland brothers Ed and his younger sibling Dean. Growing up in Stockbridge Georgia, an atlanta suburb, their father was a baptist preacher and the head of the local youth choir. They grew up in a strict conservative household only being allowed to listen to christian humns, elvis and jerry lee lewis. Their father majored in music in college and got involved in some record burnings too before he became the head pastor of the biggest church in town. The boys sundays mostly revolved around the church going to sermon in the morning and then returning in the evening for choir. They’d spend their saturday nights with their mother who played piano and their father rehearsing hymns for the following day’s service.

Ed would tell the LA Times about Stockbrige’s music scene revealing It’s a small place, only about 20,000 people--There’s nowhere to play there, but it’s close enough to Atlanta, which is really a cool place. The music scene is very diverse. There’s the R&B; scene, the Indigo Girls folk scene and a rock scene. Being from Georgia you would expect Roland to have been influencedby the likes of Molly Hatchet and lynyrd skynyrd, but he would admit to earofnewt that his influences weren’t southern rock bands, but california rock - fleetwood mac and the eagles. He’d cite other influences like elton john as well.

Both brothers soon got into guitar playing and following high school Ed moved to Boston to attend the Berklee School of Music and study guitar.. The experience was a culture shock for Ed. He got exposure to artists he had never previously heard of and credited jamming with professional musicians as making him a better guitar player and expanding his musical horizons.

It was after a year he’d return home landing a job at a local 24 track recording studio called Reel 2 Reel which was owned by Will Turpin’s father. It was now the 80’s and he was also playing with two local musicians Shane Evans and Ross Childress in the local act Marching Two Step. The idea for Ed was to get a major recording contract and it was a long time coming. He’d spend nearly 12 years chasing that dream playing clubs in the southeast and recording ideas but nothing seemed to get the attention of record labels.

Marching two step’s time came to an end and Ed was about to give up on his dream of being in a successful band. It was now january of 1993, but the band’s manager pushed him to try his hand at getting a publishing deal whereby he could write songs for other people or score film and television. He’d spend the next 3-4 months coming up with a demo tape. But some of those songs were up to five years old.

Roland would toy around with his own musical ideas while he was off work in the recording studio. Meanwhile, during the day he’d producing, mixing, and engineering local Atlanta artists.

Roland soon had a demo, 90% of which he created himself. The demo would consist of nearly a dozen songs and one of the last songs written would be called Shine. Roland would remark how the song was considerably longer than anything else on the demo.

That demo would end up being Collective Soul’

Concrete Blonde: What Happened to The Band Behind 'Joey?' Hotney 1 Streams • 3 years ago

Concrete Blonde: What happened to the band behind 'Joey?'

0:00- Early Musical Beginnings
2:50 - Pre-Concrete Blonde Years
3:50 - Concrete Blonde's Beginnings
5:34 - Bankruptcy
6:34 - Second/Third Album
9:21 - Near Death Experience

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#concreteblonde #joey

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Dubbed as a band that played initially moody and a stormy brand of rock music, they were in their early days labeled as the heir to the Los Angeles punk band X as being the City’s official underground band. They would sometimes shed a light on the darker side of los angeles. Concrete Blonde would go from being underground darlings to having mainstream success in just a few short years,. But along the way the band went through a lot of turmoil, - bankruptcy, issues with management and their record label and of course internal problems

The story of the band begins in 1980 when frontwoman Johnette Nepalitano and guitarist James Mankey met while working at songwriter Leon Russell’s studio in Los Angeles. Nepalitano was working as what she calls a gofer secretary person doing errands for the producer. She got the gig after meeting somebody at a party who was doing woodworking at the producer’s studio. A lot of famous people came and went in the studio with Nepalitano admitingt to The Sacramento Bee that she once spent a whole night rolling joints for leon russell and willie nelson.

Nepalitano would be described by Spin as the girl who handed you eyeliner at a Germs show’ and the type of girl who every girl wants to confide in and guys respect. She would joke to the magazine that her bad relationships were made up of boyfriends which could stretch around the block and she should have had ‘lie to me’ tattooed on her.

Nepalitano would grow up in Hollywood .with her father being a poolcleaner for major celebrities including elvis and liberace.. Bella Legosi even babysat her when she was a kid. As she got older her family moved to the valley and at the age of 9 her dad once took a piano as a form of payment for a pool job he gave it to Johnette. In addition to learning piano she soon learned to play guitar and wrote her first song at age 12 for her baby sister. It was an aunt of hers who was working in hollywood as a dancer at the shindig and dating mickey dolenz that peaked her interest in showbusiness. Guitarist James Mankey would play in the 70’s era group Sparks with his brother Earle. He also spent some time as an engineering technician for radio DJ casey kasim on his America’s top 40 program.

After working for Leon Russell for a few years, he soon left LA and headed ot Nashville, but Nepalitano and Mankey didn’t follow him. Instead the pair opted to stay in LA and work on music together at a 16 track recording studio in Thousand Oaks. It would be a local fanzine named DIY that picked up one of their songs named Heart Attack for a compilation LP that was put out in 1982.. At that time the pair of musicians called themselves the Dreamers and they decided to find a bassist and drummer and start playing clubs around LA. They struggled to get much attention initially because they couldn’t be pigeon holed into a particular scene in LA.

Fast forward to 1984 and the pair now playing under the monicker Dream 6 were playing a lot of post punk clubs in LA. The band put out a self titled EP on a french label, which got critical praise and quickly attracted major label attention. The pair soon recorded what would be concrete blonde’s self titled record with their own money costing them about $15K.

But the pair’s friends told them they might want to act sooner rather than later on getting a record label deal, since the opportunity may not present itself again. Well, they did the complete opposite rejecting any label that forced them to compromise on their sound. The band nearly signed with Columbia Records and worked with bangles and fishbone producer David Kahne, but he insisted bringing in outside musicians and he wanted to co-write songs with them, which they said no to. Elektra wanted them to work with big shot producer Michael Wagener but they asked the band do a cover of the Creedance Clearwater Revival song so they said no to elektra. One record label according to the ottawa citizen tried to get the band to sound like motorhead,

The band soon decided to go the independent route

80s ROCK GODS ⭐ THEN AND NOW (1980s - 2021) Hotney 1 Streams • 3 years ago

Hi there and welcome to Nostalgia Hit. In today's video, we take a trip back to the "Rocking 80s" where we check out the world's biggest Rock Bands and their front men and women. With big vocals and big hair, loud guitars, and clothes to match we take a look back at 30 veteran rockers of the 80s, then and now. Enjoy the video!

Please don't forget to subscribe and hit the like button if you enjoyed the video, as it really helps the channel.

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#nostalgiahit #80srockstars #thenandnow

80s Rock Gods
1. Taime Downe | Faster Pussycat
2. Tom Keifer | Cinderella
3. Janet Gardner | Vixen
4. Steve Perry | Journey
5. James Hetfield | Metallica
6. Don Dokken | Dokken
7. Michael Monroe | Hanoi Rocks
8. Jon Bon Jovi | Bon Jovi
9. Sebastian Bach | Skid Row
10. Bruce Dickinson | Iron Maiden
11. Brian Johnson | AC/DC
12. Gene Simmons | KISS
13. Joe Elliott | Def Leppard
14. Vince Neil | Mötley Crüe
15. Tom Araya | Slayer
16. Phil Lewis | L.A. Guns
17. Billy Gibbons | ZZ Top
18. Spike (Jonathan Gray) | The Quireboys
19. Dee Snider | Twisted Sister
20. David Coverdale | Whitesnake
21. Blackie Lawless | W.A.S.P.
22. Steven Tyler | Aerosmith
23. Jack Blades | Night Ranger
24. David Lee Roth | Van Halen
25. Rob Halford | Judas Priest
26. Ozzy Osbourne
27. Alice Cooper | Lead Singer of Alice Cooper
28. Joan Jett | Joan Jett & the Blackhearts
29. Axl Rose | Guns N' Roses
30. Bret Michaels | Poison

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This video was made for education and entertainment purposes. Footage used in this video is protected by the Fair Use Law,
section 107 used for commentary, criticism, news reporting, or education for transformative use. Please note, all
information on video is taken from online sources such as Wikipedia, IMDB, and fan sites.

[FREE] Country x Oliver Anthony Type Beat "Working Days" Hotney 1 Streams • 3 years ago

Purchase a license for this beat: https://bsta.rs/7ab6700af
Free for non-profit/personal use (not Spotify or any commercial use)

KEY: F minor
BPM: 111

#CountryTypeBeat #OliverAnthony #RichMenNorthOfRichmond #OliverAnthonyTypeBeat

INTRO: 0:00
VERSE 1: 0:18
CHORUS 1: 0:53
VERSE 2: 1:28
CHORUS 2: 2:19
OUTRO: 2:54

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Dua Lipa - IDGAF (Official Music Video) Hotney 1 Streams • 3 years ago

The official music video for Dua Lipa - IDGAF

Taken from her self-titled debut studio album released in 2017, which featured the hit singles 'Be The One', 'IDGAF', 'Hotter Than Hell' & 'New Rules'

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Video Credits:
Artistic direction: Henry Scholfield & Mosaert (Paul Van Haver aka Stromae and Luc Junior Tam)
Director: Henry Scholfield

Lyrics:
You call me, all friendly, tellin’ me how much you miss me
That’s funny, I guess you’ve heard my songs, well
I’m too busy for your business, go find a girl who wants to listen
Cause if you think I was born yesterday, you have got me wrong

So I cut you off, I don’t need your love
Cause I already cried enough, I been done
I’ve been movin’ on, since we said goodbye
I cut you off, I don’t need your love, so you can try all you want
Your time is up, I’ll tell you why

You say you’re sorry, but it’s too late now
So save it, get gone, shut up
Cause if you think I care about you now
Boy I don’t give a fuck

I remember that weekend, when my best friend caught you creepin’
You blamed it all on the alcohol
So, I made my decision, cause you made your bed sleep in it
Play the victim and switch your position, I’m through, I’m done

So I cut you off, I don’t need your love
Cause I already cried enough, I been done
I’ve been movin’ on, since we said goodbye
I cut you off, I don’t need your love, so you can try all you want
Your time is up, I’ll tell you why

You say you’re sorry, but it’s too late now
So save it, get gone, shut up
Cause if you think I care about you now
Boy I don’t give a fuck

I see you tryna get to me
I see you begging on your knees
Boy I don’t give a fuck
So stop tryna get to me
Get up off your knees
Boy I don’t give a fuck

About you, no I don’t give a damn
You keep reminiscin’ on when you were my man
But I’m over you, now you’re all in the past
You talk all that sweet talk but I ain’t comin’ back

Cut you off, I don’t need your love, so you can try all you want
Your time is up, I’ll tell you why, I’ll tell you why

You say you’re sorry, but it’s too late now
So save it, get gone, shut up
Cause if you think I care about you now
Well boy I don’t give a fuck

I see you tryna get to me
I see you begging on your knees
Boy I don’t give a fuck
So stop tryna get to me, get up off your knees
Boy I don't give a fuck

About Dua Lipa:
Born and raised in London to Kosovar-Albanian parents Dua Lipa signed to Warner Records in 2015, releasing her self titled debut in 2017 which featured the hit singles, 'Be The One', 'IDGAF', 'Hotter Than Hell' & her first UK #1 hit 'New Rules'.

Critical success soon followed as Dua Lipa picked up Brit Awards for 'Best Female Solo Artist' and 'Best British Breakthrough Act' as well as Grammy Awards for 'Best New Artist' and 'Best Dance Recording' for the track 'Electricity' in collaboration with Silk City.

Her second internationally acclaimed studio album 'Future Nostalgia' was released in 2020 and included the hit singles 'Don't Start Now, 'Break My Heart', 'Hallucinate' and 'Levitating', with the remix album 'Club Future Nostalgia' following shortly after featuring guest appearances from 'Blackpink', 'Missy Elliott', 'Madonna' and 'Gwen Stefani'.

#DuaLipa #IDGAF #DL1

Sepultura Why Max Cavalera Left The Band Hotney 1 Streams • 3 years ago

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Today we discuss why Max Cavalera quit Sepultura and how the band fell apart around the time of their 1996 Roots album.

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#sepultura #brazil #maxcavalera

Sepultura broke the mould of metal by not originating from America or Europe as most other bands in the genre did. Instead they were 4 kids from Brazil who got lucky and found their way to America. The third album of their career Beneath the Remains was their first release on American label roadrunner records. Considered by many to be a monumental album in the thrash genre, even former frontman Max Cavelera acknowledged that it was the album where the band found their style. It was brash, explosive and in your face. It was a warning to metalheads everywhere of what the 90’s would have in store for the band. The group’s 4th album titled Arise would be released in 1991 and would be a commercial and critical hit going platinum and would be considered by many to be one of the band’s finer moments. While the album’s sound stayed close to Beneath the Remains there were glimmer’s of the band experimenting with their sound that wouldn’t come to fruition until their follow up record.

The group’s fifth album Chaos AD saw the band pushing them past their contemporaries exploring new sounds and becoming more comfortable with experimentation putting a bigger emphasis on groove metal.. The album easily found an audience becoming a top 40 hit in UK and US. The band would tour alongside Pantera and Ministry, Sepultura guitarist Andreas Kisser would recall to Metal Hammer “During the making of Chaos AD, we were very focused, very organised, very connected,”. “We were together, it was a very special moment in Sepultura’s career.”

But by 1995 the incarnation of the band fronted by Max Cavalera was on its last legs as the band fell apart. What happened? Stay tuned to find out.

It’s a story that’s been told a million times. A band gets big, they are inundated with pressures and new found fame and they suddenly fall apart. That pretty much describes Sepultura’s story in the early to mid 90’s. The classic lineup of Sepultura would consist of vocalist/rhythm guitarist Max Cavalera, lead guitarist Andreas Kisser, bassist Paulo Jr Pinto and drummer Max’s brother Iggor Cavalera.

Max would summarize the band’s rise and fall to Metal Hammer saying
“All of a sudden we’re this really big machine and we couldn’t really comprehend it,” We didn’t know how to deal with it.” he’d say

It was 1995 and the band was ready to hit the studio to work on their follow up to Chaos AD titled Roots. They had assembled at the Indigo Ranch in California with future Slipknot and Limp Bizkit producer Ross Robinson. As the title of the album implied this album was meant to pay homage to the band’s birth country of Brazil, but it may surprise people to know that it was producer Ross Robinson who came up with the idea of “Braziliness” as he called it. Roots saw the band experiment with elements of the music of Brazil's indigenous peoples, and adopted a slower, down-tuned sound. Many consider the album to have had a huge impact on the nu metal scene that exploded a few years later.

According to guitarist Andreas he would reveal the monumental impact producer Ross Robinson had saying:

Ross had a whole new perspective. He came and showed a lot of new possibilities for us. He really brought that idea of the ‘Brazilianness’: the jams, the free approach to everything.” while Iggor would tell

“He was pushing a lot of crazy ideas. I remember coming back from the studio with a tape we’d done there, and I didn’t know what we were going to do with it, ’cos there was so much going on – a thousand guitars on a take with noises and percussion, that kind of thing. I was a bit confused.”

Robinson wasn’t the only person who had a huge influence on the sound of the album It legendary engineer Andy Wallace who worked with a huge eclectic list rockstars including Guns N’ Roses, Paul Mccartney, System of a down also worked on the album Max pointed out the importance of Ross Robinson and Andy Wallace working on the album saying “The greatest thing was having the combination of Ross and [engineer] Andy Wallace. Ross recorded it on his own and it sounded like total dogshit – not for human consumption. We’d send it to Andy. It would be like sending him a diamond covered in shit, and he had to clean all the shit from it to make the diamond shine, which is what he did.”
The band would successfully make it through the recording