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Luther Vandross Where He Died and His Grave Hotney 3 Streams • 4 years ago

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Sunday Morning Chant
royalty free Music by Giorgio Di Campo for @FreeSound Music
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original video: • Sunday Morning Ch...

Designated the "heartbeat" of R&B during the 1980s and 1990s, Luther Vandross led a productive singing and songwriting life before to this preeminence. The soul balladeer's strong commitment to the art of music continued on its Grammy-winning course, even after an acute stroke in 2003 left him severely incapacitated and unable to continue public appearances.

Luther Ronzoni Vandross, Jr. was born in Manhattan, New York on April 20, 1951, the baby of four children. His father, also named Luther, was an upholsterer who died of diabetes when the singer was just eight years old. Despite this sadness, his mother, a practical nurse, made sure that music was prevalent in the Vandross household, particularly gospel, soul and doo-wop. Luther was influenced by his older sister Patricia, who became a member of a doo-wop group called The Crests, and scored with the 1958 single "Sixteen Candles".

In the 1970s, while still working his way up, Luther voiced commercial jingles (Kentucky Fried Chicken) and provided backup vocals on tour and in session work for such notables as David Bowie, Chaka Khan, Barbra Streisand, Carly Simon, Bette Midler and Donna Summer.

At age 30, he finally recorded his first solo album with the No. 1 R&B and "Top 20" pop chartmaker, "Never Too Much". He continued steadily with such albums as "Forever, for Always, for Love" (1982) and "Give Me the Reasons" (1986), but it wasn't until 1989 that he had his first "Top 10" single with "Here and Now" (No. 6), which finally placed him securely on the love song pedestal. Such other No. 1 R&B singles would include "Stop to Love", "There's Nothing Better than Love" and "Any Love".

A minimalist stylist whose eloquent, velvety renditions were accentuated by spot-on phrasing and effortless vocal control, his image quickly led to such unwelcome sobriquets as "master of bedroom music" and the restrictive label of being a "ladies only" act.

The 1990s seemed, career-wise, stronger than ever again with a Top 40 hit dueting with Mariah Carey on "Endless Love" (1994) and the release of his No. 1 R&B signature version of "Always and Forever" (1994).

On camera, film and television acting appearances include a cameo in Robert Townsend's film The Meteor Man (1993) and episodes of "Beverly Hills: 90210" (as himself) and "Touched by An Angel". A documentary, Luther Vandross: Always and Forever (1994), is also available. Through his career, Luther continued to write and produce for other artists including Whitney Houston, Dionne Warwick, Teddy Pendergrass, Cheryl Lynn and Aretha Franklin. Following his massive April 2003 stroke, he made a phantom return to the spotlight with the release of his CD "Dance With My Father" (2003), which was recorded before his illness. At the awards show, the absent Luther was rewarded with four Grammy Awards, including song of the year. The success also gave him his first No. 1 album on the pop chart and four NAACP Image Awards.

The beloved 54-year-old musician died of a heart attack on July 1, 2005 at the JFK Medical Center in Edision, New Jersey, and was survived by his Evangelist mother, Mary Ida Vandross, who was instrumental in promoting her son's last work to Grammy glory following his severe debilitation.

Vandross died on July 1, 2005, at the JFK Medical Center in Edison, New Jersey, at the age of 54 due to a heart attack.

Vandross's funeral was held at Riverside Church in New York City on July 8, 2005. Aretha Franklin, Patti LaBelle, Stevie Wonder, Dionne Warwick and Cissy Houston were among the speakers and singers at the service. Vandross was entombed at the George Washington Memorial Park in Paramus, New Jersey. His mother, Mary Ida Vandross, died in 2008.

Rauw Alejandro - Ni me Conozco (Official Video) Hotney 15 Streams • 2 years ago

Cosa Nuestra World Tour (US & Europe)
https://www.livenation.com/art....ist/K8vZ917bvcV/rauw

Lyrics:
Ya tú no estás
Difícil de entender que es una realidad
Pensé que te superé
Si tú me ves ahí en el club
Con un par de pu-, sin mirar el reloj
La cuenta va más de cien, ellas quieren más champagne
De São Paulo a Nueva York, yo la monto en el jet
Uno más voy a prender
Y la veo, en el humo, llegando de nuevo
Que le diera agarrándola por el cuello
Como cogíamos en el Ferro
Ojalá existiera una máquina del tiempo
Pa borrarme tus besos de mí, eras tú mi girl
Ojalá estuvieras como estoy aquí, yeh
Lo he hecho lo mejor que he podido
Aunque tengo claro, siempre hay espacio pa mejorar
No me diste el tiempo, y un imperio no se construye en un día
Aunque el proceso lo quieras acelerar
Con otro que yo ni sé
De tus planes nuevos me enteré
Espero que no los cambies otra vez
Fan de tu relación, ¿cuánto dura?, vamos a ver
Y yo sigo aquí a oscuras, chingando en mi habitación
Con una puta porque tenemos la misma pasión
Hacer dinero y, aunque sea nuestra ambición
No nos escondemos siendo otros
Y me dice: "Tengo una amiga que le quiere caer"
¿Por qué no lo meto a las dos?
Si ellas quieren, yo se los voy a dar
¿A quién quiero engañar?, esto es para olvidarte, pero
En el humo, ya llega de nuevo
Que le diera agarrándola por el cuello
Como cogíamos en el Ferro
Ojalá existiera una máquina del tiempo
Pa borrarme tus besos de mí, eras tú mi girl
Ojalá estuvieras como estoy aquí, yeh
Ya me fui otra vez
A otro bar a intentar olvidarte, pero
Tu celaje en otra yo vi
Lleva el mismo traje, pero no luce igual
Pero no huele igual, ella no lo hace mal
Pero no mama igual
Fue tu culpa, ma
Ahora me veo y ni me conozco
Si tú me ves ahí en el club
Con un par de pu-, sin mirar el reloj
La cuenta va más de cien, ellas quieren más champagne
De São Paulo a Nueva York, yo la monto en el jet
Uno más voy a prender
Rau-Rauw
Esto es Cosa Nuestra
La cocaïna, la cocaïna a pris ma famille
J'suis une clandestina, une clandestina à Miami
J'lui ai dit "aime-moi", prends-moi dans tes bras
Et je n'ai plus personne
J'suis pas celle que tu crois, aucun cabrón ne m'a touchée
À part toi, caballero, non, personne ne m'a touchée
La cocaïna, la cocaïna
La cocaïna, la cocaïna
¿Ha habido una reorientación en tu vida?
¿Se siente ser una persona ya más madura
Más consciente, con otra búsqueda?
Es la cosa, bueno, sí, aprendí mucho
Y por eso es que te digo que vengo esta vez muy diferente, tú sabes
Porque las cosas fueron demasiado duras para mí
Y por eso quiero dejarle saber a todo el mundo
Que esta vez, sí, que voy pa encima
Como digo en la canción, vengo positivo de verdad, tú sabes
Pa, pa encima, pa'lante, y no hay nada que venga pa'trás

CREDITS:
DIRECTED BY MARTIN SEIPEL & EL ZORRO
Production Co: ABSNT
Executive Producer: Martin Seipel
Line Producer: Rocio Taboada
DP: Daniel Brennan

#rauwalejandro #rauwalejandroworldtour #rauwalejandrotv