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Michael Jackson - You Rock My World (Official Video) Hotney 8 Streams • 3 years ago

The short film to "You Rock My World," the Top 10 hit single from Michael Jackson's Invincible, features guest appearances from Chris Tucker, Michael Madsen and Marlon Brando, in one of his final film appearances.

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Written and Composed by Michael Jackson, Rodney Jerkins, Fred Jerkins III, LaShawn Daniels and Nora Payne
Produced by Michael Jackson for MJJ Productions, Inc. and Rodney Jerkins for Darkchild Entertainment
From the album Invincible, released October 30, 2001
Released as a single August 22, 2001

THE SHORT FILM
Director: Paul Hunter
Primary Production Location: Los Angeles, California

Michael Jackson's short film for "You Rock My World" was one of two short films produced for recordings from Invincible, Michael's sixth album as an adult solo performer. As a single, "You Rock My World" was a No. 1 hit in France, Spain Portugal, Poland and Romania, and reached the Top 10 in another 16 countries, including Canada, the United Kingdom, Ireland, Italy and Australia. In the United States, the single reached the Top 10 of Billboard's Hot 100 (his 28th career Top 10 single in America), Hot R&B/Hip-Hop Singles, Mainstream Top 40 and Rhythmic Top 40-marking Michael's fourth consecutive decade with a Top 10 hit since the 1970s.

The ambitious, 13-minute "You Rock My World" short film features guest appearances from Chris Tucker, Michael Madsen and Marlon Brando (in one of his final film appearances). Michael and Chris follow a beautiful girl (Kiyasha Dudley) into a club, where Michael attempts to woo her from a potential suitor (Madsen). Michael's seduction causes a fight between an enforcer (Billy Drago) and himself, which results in a fire breaking out in the club. Michael briefly encounters the club's boss (Brando) before escaping with Chris and the girl.

The "You Rock My World" short film won an NAACP Image Award for Outstanding Music Video in 2002.

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Chorus:
You rocked my world, you know you did
And everything I own I give (You rocked my world)
The rarest love who'd think I'd find
Someone like you to come by (You rocked my world)
You rocked my world, you know you did (Girl)
And everything I own I give (I want you, girl)
The rarest love who'd think I'd find
Someone like you to call mine

#MichaelJackson #YouRockMyWorld #Invincible

BAD BUNNY x DRAKE - MÍA (Video Oficial) Hotney 3 Streams • 4 years ago

BAD BUNNY x DRAKE
MÍA (Video Oficial)
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Merch:
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Suscríbete al canal: https://rimas.ffm.to/ytbadbunny

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Twitter: https://twitter.com/sanbenito

Letra:
[Intro: Bad Bunny & Drake]
Bad Bunny, baby, bebé
Yeh-yeh-yeh-yeh
Yeah
Todos están pendiente' a ti (¡Woo!)
Pero tú puesta pa' mí (Ajá)
Haciendo que me odien más (Yeh-yeh-yeh)

[Pre-Coro: Drake & Bad Bunny]
Porque todos te quieren probar (Ah)
Lo que no saben es que no te dejas llevar de cualquiera
Y todos te quieren probar (Nah)
Lo que no saben es que hoy yo te voy a buscar (Yeh-yeh)

[Coro: Drake & Bad Bunny]
Dile que tú eres mía, mía
Tú sabe' que eres mía, mía
Tú misma lo decías
Cuando yo te lo hacía (Yeh)
Dile que tú eres mía, mía
Tú sabe' que eres mía, mía
Tú misma lo decías
Cuando yo te lo hacía
(Yeah-yeah-yeah-yeah)

[Verso 1: Bad Bunny]
Bebé, yo soy fan de tu caminar (¡Wouh!)
Te doy todo lo mío, hasta mi respirar (Yeh)
Contigo veo todo como en espiral (Yeh)
Quiero tirarnos fotos y que se hagan viral (Ja)
Tus ojos me concentran como Adderall (¡Wouh!)
Contigo me sube el overall (Yeh)
Te toco y hasta el mundo deja de girar (¡Wouh-wouh!)
A nosotros ni la muerte nos va a separar (Wah)
Bebé, yo soy tuyo na' más (Na' más)
Diles que conmigo te vas (¡Wouh!)
Que dejen de tirarte (Rrr)
Que a ti nadie va a tocarte

[Coro: Bad Bunny]
Dile que tú eres mía, mía
Tú sabe' que eres mía, mía
Tú misma lo decías (Tú misma lo decías)
Cuando yo te lo hacía (Cuando yo te lo hacía, yeh)
Dile que tú eres mía, mía
Tú sabe' que eres mía, mía
Tú misma lo decías (Tú misma lo decías)
Cuando yo te lo hacía (Cuando yo te lo hacía)

[Verso 2: Bad Bunny]
Yo soy tu Romeo, pero no Santo' (No)
A estos bobos con la forty los espanto (Plo-plo)
Muchas me quieren desde que yo canto (Ja)
Pero yo soy tuyo na' más (¡Wouh!)
Yo soy tu Romeo, pero no Santo (Yeh)
A estos bobos con la forty los espanto
Muchas me quieren desde que yo canto (Ajá)
Pero yo soy tuyo na' más (¡Buh!)
Dile que tú eres mía desde la high (Desde la high, yeh)
El yerno favorito de tu mai' (De tu mai')
El capo que tenía to' las Jordans y las Nike (Y las Nike; ¡wouh-wouh!)
Dile a estos bobos que dejen de darte like (De darte like)
Quiero esta noche entera
Pa' recordar los tiempos en la escalera (La escalera)
Dile que yo no soy cualquiera
Yo soy tu primero, tú eres mi primera (Yah-yah-yah)

[Pre-Coro: Bad Bunny]
Porque todos te quieren probar (Ajá)
Lo que no saben es que no te dejas llevar de cualquiera (No-no-no-no)
Y todos te quieren probar (¡Wouh!)
Lo que no saben es que hoy yo te voy a buscar (Yeh-yeh, ¡rrrrrrah!)

[Coro: Drake & Bad Bunny]
Dile que tú eres mía, mía
Tú sabe' que eres mía, mía
Tú misma lo decías (Tú misma lo decías)
Cuando yo te lo hacía (Cuando yo te lo hacía)
Dile que tú eres mía, mía
Tú sabe' que eres mía, mía
Tú misma lo decías (Tú misma lo decías)
Cuando yo te lo hacía (Cuando yo te lo hacía)

booking@rimasmusic.com

#BadBunny #Mia #Drake

© 2018 Rimas Entertainment

She Made Her Label $170M, All She Got Was $1900…. Hotney 17 Streams • 6 months ago

The story of Alannah Myles, best known for the song Black Velvet

Podcast on Apple Podcasts
https://podcasts.apple.com/ca/....podcast/the-rock-n-r

My second YouTube Channel
https://www.youtube.com/@RockNRollTrueStories2

Title: The Tragic Story of The One-Hit Wonder Who Wasn't

Some songs are like time machines. In 1990, one of them was “Black Velvet,” a smoky, blues‑rock track that turned Canadian singer Alannah Myles into a global star. The song hit number one on the Billboard Hot 100, won a Grammy for Best Female Rock Vocal Performance, and helped her debut album sell millions worldwide. By all accounts, she should have been set for life.

Instead, the industry that finally embraced her nearly destroyed her. Behind the scenes, Myles had signed a brutal contract loaded with “recoupable” expenses for recording, videos, touring, and marketing — debts she had to pay back before seeing real royalties. She later estimated the label earned well over a hundred million dollars from her records, while she struggled to pay rent and took side jobs just to get by. She has said she didn’t receive a meaningful royalty check for “Black Velvet” until 2008, almost two decades after the song topped the charts.

Her path to that hit had been long and stubbornly independent. Born Alannah Byles in Toronto, she grew up comfortable but determined to make it on her own. She wrote songs as a teenager, played grimy Southern Ontario clubs, and rebranded herself as Alannah Myles while doing modeling, makeup work, and small acting roles to fund her music. Partnering with songwriter Christopher Ward and producer David Tyson, she chased a blues‑rock identity that Canadian labels repeatedly rejected. A three‑song demo to Atlantic in New York finally landed her a six‑album deal in 1987.

Her 1989 debut album was huge at home, producing multiple Top 40 hits and becoming the best‑selling debut album in Canadian history. “Black Velvet” – written by Ward and Tyson as an Elvis Presley tribute after Ward rode a fan bus to Memphis – was the track that broke her internationally. Released in the U.S. after “Love Is,” it climbed slowly before exploding to number one and going top ten in over a dozen countries. At the same time, her label angered her by commissioning a competing country version by Robin Lee, which muddied her ownership of the song in the public eye.

The pressure for a repeat was immediate. Her 1992 follow‑up, Rockinghorse, underperformed in the U.S. but went multi‑platinum in Canada, giving her another number‑one single and a second Grammy nomination. Still, label politics, media stories painting her as “difficult,” and the strain of constant touring took a toll. She cancelled tours for health reasons, cycled through managers, and watched as her momentum faded internationally.

Myles eventually left Atlantic in the late ’90s and signed with Miles Copeland’s Ark 21, gaining more creative control but far less commercial visibility. For years she survived through smaller‑scale releases, overseas deals, television work, and live shows, even as “Black Velvet” kept spinning on radio without truly enriching her. A libel suit against a major Canadian newspaper over claims of cocaine addiction was settled in 2001, reportedly with a substantial payout — ironically one of the biggest financial wins of her career.

When her contract finally allowed it, she re‑recorded “Black Velvet” for her independent album Black Velvet and later retooled it again on 85 bpm, finally owning versions of the song that paid her directly. Chronic health problems, including serious spinal damage and autoimmune issues, have since limited her ability to tour, but she continues to write and record on her own terms.

Calling Alannah Myles a “one‑hit wonder” misses the point. She had multiple Canadian hits, a second Grammy‑nominated album, and a career that’s lasted decades. “Black Velvet” was a phenomenon so huge it obscured the rest of her work — and a song that nearly ruined her even as it made her immortal. In 2021, it was inducted into the Canadian Songwriters Hall of Fame, cementing its place in rock history and her legacy as far more than a trivia‑question one‑off.

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