Chris talks about The Black Crowes being nominated for the Rock & Roll Hall of Fame, their early days on the road, some of the lyrics from the new album A Pound of Feathers, his IMDB page listing lots of Christmas movie credits that have nothing to do with him, and performing an Otis Redding song on the show.

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About Jimmy Kimmel Live:

Jimmy Kimmel serves as host and executive producer of Emmy® nominated “Jimmy Kimmel Live,” ABC’s late-night talk show. “Jimmy Kimmel Live” is well known for its viral video successes, with over 16 billion views and more than 19 million subscribers on the show’s YouTube channel. Some of Kimmel’s most popular comedy bits include Celebrities Read Mean Tweets, Lie Witness News, Halloween Candy YouTube Challenge, Jimmy and Cousin Sal pranking Aunt Chippy and music stars like Rihanna and Dua Lipa surprising Jimmy in the middle of the night.

Drink Champs Network Presents: ROC Solid with Memphis Bleek.

This week on ROC Solid, we tappin’ in with none other than NEMS & Ron Browz — Brooklyn meets Harlem in a no-holds-barred conversation as NEMS and Ron Browz pull up to ROC Solid for an episode packed with raw energy, street stories, and unfiltered hip hop talk. Fresh off their collaborative album I Should Boom You, the duo breaks down how their chemistry came together—blending NEMS’ gritty, battle-tested delivery with Browz’s hard-hitting, drum-heavy production.

NEMS reflects on his journey from NYC battle rap circuits to becoming a voice for that unapologetic “FYL” culture, while Ron Browz dives into his legacy behind the boards, including crafting iconic records and evolving his sound over the years.

Expect hilarious moments, wild industry stories, and real talk about the current state of hip hop—especially their mission to bring back aggressive bars and authentic New York energy. The episode also touches on their new music, including standout tracks like “First48,” and the message behind their collaborative project.

This ROC Solid episode is a must-watch for fans of that classic NYC grit, where jokes fly, drinks pour, and two seasoned artists remind everyone what real rap feels like.

Tap in - history’s being told by the ones who lived it.

This is ROC Solid. 💎 💯

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“The Show” Out Now on FLUXGEN, a partnership between 88rising and Steve Aoki Dim Mak Records.

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JJ Lin
JJ Lin’s Hair: Peter Wu @peter_wu_coloriste_
JJ Lin’s Makeup: Clarence Lee @clarence_lee
JJ Lin’s Styling: Donson Chan @donsonc Xueli Wong @livingonsweets

88rising
ECD: Jane Morledge
Producer: Emily Truong
CD: Steph Lau

Blank Square Productions
Director: Jon Primo @jonprimo1
Director: Edgar Esteves @edgaresteves
EP: Edgar Esteves @edgaresteves
EP: Andres Garcia @andress728
Production Manager: Charlie Aguirre @thisischarlie
Production Company: Blank Square Productions @blanksquareproductions

DP: Camilo Monsalve @camo_ossa
Editor: Joan Pabon @joanpabon_
Post Supervisor/Producer: Estefania Parra @estefapar
Post Prod Company: Digital Sword @digitalsword_
Color: Matt Osborne @matt_osborne_color
Color Company: Company 3 @company_3
VFX Supervisor: Hugo Payen @hugopayen
VFX Company: Apix Films @apixfilms

Singapore Production Company: Little Red Ants Creative Studio @littleredants.sg
Executive Producer: Aron B. Castro @a.ronbc
Business Team: Alex Teh @tehcee & Poh Yan Zhao @flairon
Producer: Foo XiuQi @xqfoo
1st Assistant Director: Tiffany Ng @teafurn3e
Steadicam Operator: Wan Zhong Wei @steadiwanzw
Steadicam Operator: Christopher Ang @steadiang
Ronin Technician: Lee How Chuen @lasenn
1st CA: Jeremy Chua @monstertruckdriver
2nd CA: Ivan Chong @popslidebail
3rd CA: Kat Hong @katmidori
Camera Intern: Jovan Choo @jc.jovan14
Data Wrangler: Imran Shafie @imranshafie
Lighting Team:
Gaffer: King Li @kingofilm
Best Boy: Ko Swee Kheng @kosweekheng
Key Grip: Abdul Siddiq @keltech90
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Grip: Neil Cheah @neilcheah
Grip: Leslie Sim
Grip: Zhang JiaPei @zhangjp_art
Junior Grip: Yew Shi Min @s.teem
DMX Team:
En Qi & Chin Koon @road.lab Ryemie Muhaimin @ryeryeriot

Art Director: Matt Lie @smellyvespa
Prop Master: Michelle Mak @poetoftheday
Art Assistant: Jocelyn Tay @jos_taylor
Art Assistant: Miyuki Seah @bluberryswamp
Art Assistant: Toh Yi Shien @shiendelier
Art Assistant: Hannah Wong

Wardrobe Team: Team Meredith @tmmeredith
Wardrobe Stylist: Meredith Lee @dith.lee
Wardrobe Assistant: Melissa Chang @melzies
Wardrobe Assistant: Lionel Low @piete.rsite
Seamstress: Sheila & Lina @sheilatlb
Hair & Makeup Team: The Artists Inc @theartistsinc
Key Makeup Artist: June Goh @junegoh_fx
HMUA: Leong Lim @hairbyleong
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HMUA: Tara Lee Tann @taratann_mua
HMUA: Sasha Ghany @sasha_ghany
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Assistant Producer: Teo Wen Hui @twhwth
Production Manager: Lim Siew Rong @siew91
Production Manager: Tan Jia Yu @tanjiayu
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Production Runner: Joel Johahnen @liqotinee
Production Assistant: Sabrina Yaccob @sbrnyccb
Production Assistant: June Teo @june.teo
Production Assistant: Xena Kok @xena_twp
Production Assistant: Chow Hui Xian @chxiann
Production Assistant: Krystal Tay @kryspyy_
Production Assistant: Yak Chin Hue @ychjinh

Dance Team: O School @oschoolofficial
Carol Chen @carolontheroad
Choreographer: Loy Xuehui @xu3huiii
Dancer: Beryl Tay @thissoberrr
Dancer: Zoey Lee @_zoeylee
Dancer: Syarifah Erma @syarifaherma
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Dancer: Summer Chew JX @thefatdog
Dancer: Jasyn Gan @_jasyngan
Dancer: Michelle Pung @xoxomichellejb
Dancer: Carmen Leong @carmenllx
Dancer: Liew Kai Lin @liew.kailin
Dancer: Cara Huang @htgc0

BTS Photographer: Munster Cheong @munsterphotography
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Equipment Rental: Cinegear Singapore @cinegearsg Studio: Shooting Gallery Asia @shootinggalleryasia

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During the early 90s, a new genre was taking hold of the youth of America. It was angry, loud and a fusion of several styles of rock, metal and rap. That genre was called Nu-Metal. However, say that to any die hard Deftones fan and you’ll most likely regret it.

Get Change (In the House of Flies) by Deftones and over 1M + mainstream tracks here https://go.lickd.co/Music

License ID: L1Qq8O17NAo

Get Lucky You by Deftones and over 1M + mainstream tracks here https://go.lickd.co/Music

License ID: eyq99LmoqGv

Deftones were and always have been wrongly associated with the Nu-Metal movement, despite the fact their music tells a very different story. The band themselves have even rejected the notion of being associated with the genre so how did they come to be mis-genred.

Korn's debut record, which most consider to be the commercial catapult for Nu-metal, hit the shelves exactly one year before Deftones released their debut album, Adrenaline, well, give or take a few days. So in some regards it’s easy to see why Deftones joined the ranks of Korn, Limp Bizkit and even Slipknot when being designated a Nu-Metal band. They essentially rose to fame in the same scene as the red caps, adidas tracksuits and boiler suits.




#DEFTONES #CHANGE #DOCUMENTARY

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CLICK "SHOW MORE" FOR LYRICS AND OTHER LINKS.

I knew I had this commercial among one of hundreds of VHS video tapes. I gave up searching for it in the Internet (on and off for over ten years), so I decided to search my tapes. I found it after viewing over 50 tapes (I got lucky).

Read Twitter comments:
https://twitter.com/search?q=I%27m%20really%20glad%20they%20made%20the%20children%27s%20aid&src=typeahead_click&f=live

Before "disliking" the commercial or associating CAS-NY with the Children's Aid Societies of Canada, visit the Children's Aid website:
https://www.childrensaidnyc.org/

November 30, 2015.
Buzzfeed selected this Children’s Aid Society commercial, along with the Singing Pills, Cookie Puss, and Mount Airy Lodge, as one of the most memorable ads in the NYC tri-state area of the 1980s.
23 NYC Area TV Ads From The 80’s That Will Turn You Into A Kid Again
http://www.buzzfeed.com/danmet....h/nyc-area-tv-in-the

Mary J. Blige- CBS News Interview Video: They help me with my homework when I'm stuck:
https://archive.org/details/KY....W_20180226_080500_CB

Lin-Manuel Miranda
Another New Yorker who's really glad they made the Children's Aid Society.
https://twitter.com/Lin_Manuel..../status/524387317017
https://twitter.com/Lin_Manuel..../status/524387727383

"I'm Really Glad They Made the Children's Aid Society"

They help me with my homework when I'm stuck.
They help me when I'm down and out of luck.
They help me with my growing up.
Help my parents too.
They help with all the things a kid can't do.

I'm really glad they made the children's aid society.
I'm really glad they made the children's aid society.

They help me with their dentists, doctors too.
They help me figure out what's best to do.
They teach me how to use my hands, to use my mind.
To find the kind of life I like to find.

I'm really glad they made the children's aid society.
I'm really glad they made the children's aid society.
I'm really glad they made the children's aid society.

I Am and You Are a Human
IMNURAUMAN

The story of why Scott Raynor was fired from Blink-182.

Jason Everman video

https://youtu.be/2g3ZRJlx_jk?si=gCL2cM53n9erjVeE

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#blink182 #travisbarker

Scott Raynor was the original drummer of Blink-182 and a foundational force during the band’s earliest years, helping to define their distinctive pop-punk sound. Before he joined, Raynor played drums in a Metallica cover band, bringing energy and technical skill influenced by heavier music. He met guitarist Tom DeLonge after Tom was expelled from Poway High and transferred to Rancho Bernardo, where their shared musical ambitions quickly bonded them. Together with bassist Mark Hoppus, the trio started knocking out songs in Raynor’s egg-carton-padded bedroom and recorded their first demo, Flyswatter, which mixed punk, ska, and alternative sounds. A warehouse co-worker helped fund studio time that resulted in their first proper release, Buddha, while Raynor’s family moved and he stayed behind, living at Mark’s mom’s house just to keep rehearsing.

The band’s grueling early days saw Raynor endure van tours and tiny venue shows, cementing their classic fast, snotty, and catchy style. By 1997, they’d signed to MCA Records and released Dude Ranch, which contained the breakout hit "Dammit." That period marked a turning point: under the surface, Blink-182’s dynamic was starting to unravel. Stories and recollections suggest Raynor was shy, reserved, and not as close personally with Mark and Tom, who were louder and more outgoing. As touring intensified, Raynor reportedly began drinking heavily—the band was young, suddenly flush with access to alcohol, and buckling under new pressures.

Mark described Scott as withdrawn and irritable, with drinking habits hurting his performance and relationships. Tensions escalated, culminating in an infamous incident where Raynor broke both heels after a drunken hotel-room altercation, forcing him to record Dude Ranch from a wheelchair. Raynor has maintained that his firing was not solely about drinking, pointing to deeper disagreements about the band’s direction—he favored sticking with independent punk roots, while the others pushed for a major label.

In 1998, Raynor left a tour for a family emergency, and The Aquabats’ Travis Barker filled in as a substitute drummer, reportedly learning Blink’s set in under an hour and impressing everyone with his power and precision. On Raynor’s return, the chemistry was clearly altered; Tom, Mark, and management gave him an ultimatum: quit drinking, enter rehab, or leave. The final break came through a telephone call, not a dramatic confrontation. Raynor claimed he agreed to go to rehab, but was dismissed anyway, feeling trust was permanently broken.

After Blink, Raynor went on to play with smaller bands like The Axidentals and The Wraith, and became involved in charities helping homeless youth. In 2023, it emerged he’d become a police officer in San Diego, trading rock stardom for a quieter life. Despite the painful split, Raynor has never expressed malice toward his former bandmates, admitting they were likely right to part ways but lamenting the way things ended.

Blink-182 soared with Travis Barker, their next album Enema of the State launching them to global superstardom. Yet, Raynor’s contribution remains crucial—he helped establish the band’s blueprint and their early momentum. The haunting sense of “what if” follows his story, reinforced by songs like “Man Overboard,” believed to be about his firing and its impact. Raynor’s exit underlines the reality that for every chart-topping success in rock history, there’s a forgotten player whose personal struggles and unresolved drama shaped the music behind the scenes.​

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RAYE

I Know You’re Hurting. Live at Abbey Road.

RAYE's sop****re album - THIS MUSIC MAY CONTAIN HOPE. is available now:
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#RAYE

An Aldgate Pictures and Sibling Production

Lyrics & melodies by RAYE.
Composed by RAYE, Tom Richards, Chris Hill, Jordan Riley, Pete Clements, Pauly Murray, Matt Brooks,
Graeme Blevins, Augie Haas & Oscar Steiler.
Produced by RAYE, Jordan Riley & Pete Clements.
Recorded with RAYE’s Band, The London Symphony Orchestra conducted by Tom Richards & Flames
Collective choir. Additional orchestration by Callum Au.

Director - Becky Garner
Producer - Amy James
Executive Producer - Stefan Demetriou
Executive Producers for Sibling / RAYE - Paul Keen

Cinematographer - Ben Cotgrove
Editor - Sam Maton / Slink Post
Colourist - Tim Smith
Post Production - Rascal Studio
Camera - Hotcam

Artist Management - Paul Keen
Artist Management - Sarah Keen
Operations Manager - Lucrezia Vittoria Chelini
Day to Day Assistant to RAYE - Cecilia Griffin
Creative Director - Mikey Robbins
Digital Executive - Alexandra Dairo
Content Capture - Aliyah Otchere
Artist Production Manager - Stevie Reeve

Hair - Alex Price
Make Up - Lan Nguyen-Grealis
Stylist - Eniola Dare

Orchestra - London Symphony Orchestra
Mario De Sa

Choir - Flames Collective
Pamela McCormick
Andy Gilbert

Percussion - Dan Ellis
Drummer - James Maddren
Drummer - Matt Brooks
Guitar - Paul Murray
Keys - Daniella Bernard
Bass - Olivia Thompson

With thanks to Mark Robertson, Joanne Changer and all at Abbey Road Studios.

Flames Collective appears courtesy of the UD Music Foundation.

Best Gym Workout Music Mix 2023 🔥 Top Gym Workout Songs 2023
🎧 Listen on Spotify: https://spoti.fi/2N3qKOD
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Tracklist:


#fitleague #workoutmusic #gymmusic

http://www.maria-callas.com
Callas’s only operatic appearances in Germany were Lucia di Lammermoor, with Karajan conducting, in Berlin in 1955, and La sonnambula in Cologne in 1957, but in both 1959 and 1962 she made concert tours of the country, visiting Hamburg twice. The video recordings of her concerts in the city showcase her in a dazzling variety of Italian and French repertoire for both soprano and mezzo-soprano: three contrasting Verdi roles (Lady Macbeth, Elvira from Ernani and Elisabetta from Don Carlo); Imogene from Bellini’s Il pirata; Giulia from La vestale; Chimène from Massenet’s Le Cid; Verdi’s most explosively dramatic aria for mezzo-soprano – Eboli’s ‘On don fatale’ from Don Carlo; Carmen’s seductive Habanera and Seguédille and, from Rossini’s La Cenerentola, Angelina’s final rondo, which magically combines modest charm and sparkling virtuosity.

__________

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Warner Classics is the home of classical music, featuring iconic high audio quality recordings from the greatest classical legends, opera stars and orchestras of the last century.

Discover our unique collection of live performances, studio sessions and films featuring Maria Callas, Jacqueline du Pré, Nigel Kennedy, Mstislav Rostropovich, Yehudi Menuhin, Itzhak Perlman, Herbert von Karajan, Berliner Philharmoniker and more.

Along with its sister label Erato, Warner Classics continues this tradition with today's most in-demand classical artists, such as Philippe Jaroussky, Joyce DiDonato, Diana Damrau, Emmanuel Pahud, Alexandre Tharaud, Sir Antonio Pappano, Christina Pluhar and Renaud Capuçon.

Enjoy this ever-expanding library of official performance videos and exclusive interviews from the classical greats. Check back regularly for more music from your favourite composers including Bach, Mozart, Chopin, Debussy, Satie, Beethoven, Vivaldi, Handel and more.

Anyma, Lisa - Bad Angel (Official Music Video)
Stream: http://anyma-lisa.lnk.to/BadAngel
Merch: https://anyma.shop/

Anyma:
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@anyma_ofc

LISA:
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http://www.lalisaofficial.com

Music video by Anyma, LISA performing Bad Angel.© 2026 Anyma

#anyma #lisa #badangel

Download/Stream: https://lnk.site/1/yeahha
Song Produced By: Strictly Business & Tha Trinity
Video Directed By: Panoramic Films

NAV - CURB (Official Music Video)

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Directed by Herman Atwal & Orazio
Shot & Edit by Orazio
@hermanatwal
@oraziooo

#NAV #Curb #XO

6ix9ine - Respuesta (Official Music Video)
Stream / Download: https://69.lnk.to/Respuesta

Produced by Mauro

Directed & Edited by: 6ix9ine & Just4canon