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Wham! - Everything She Wants (Live from Top Of The Pops 1985) Hotney 7 Streams • 3 years ago

Wham! - Everything She Wants (Live from Top Of The Pops 1985)
WHAM! The Singles: Echoes From The Edge Of Heaven: https://wham.lnk.to/TheSingles
Stream and download here: https://Wham.lnk.to/Playlists
Subscribe to the Wham! YouTube Channel: https://Wham.lnk.to/YT_Subscribe

WATCH LAST CHRISTMAS 4K MUSIC VIDEO ► https://Wham.lnk.to/lastchristmasplaylistAY
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WATCH WAKE ME UP HD MUSIC VIDEO ► https://Wham.lnk.to/toptracksplaylistAY
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#Wham #EverythingSheWants #WhamOfficial #GeorgeMichael #WhamOfficialVideo #WhamLive #LastChristmas #WakeMeUpBeforeYouGoGo #WhamEverythingSheWants #EverythingSheWants #GeorgeMichael #AndrewRidgeley #WhamNetflix #Netflix #80sMusic

Lyrics

Ah, ha, ha
Oh-oh, yeah
'Til you work

Somebody told me
"Boy, everything she wants is everything she sees"
I guess I must have loved you
Because I said you were the perfect girl for me
Baby, and now we're six months older
And everything you want, and everything you see
Is out of reach, not good enough
I don't know what the hell you want from me, oh

Uh-huh, uh-huh, oh-oh, oh-oh
Ah-ha, ah-ha, doo-doo-doo
La, la, la, la, la
Uh-huh, uh-huh, oh-oh, oh-oh
Ah-ha, ah-ha, doo-doo-doo
La, la, la, la, la

Somebody tell me, oh
Won't you tell me?
Why I work so hard for you
Give you money
Work to give you money (oh)

Some people work for a living
Some people work for fun
Girl, I just work for you
They told me marriage was a give-and-take
Well, you've shown me you can take, you've got some giving to do
And now you tell me that you're having my baby
I'll tell you that I'm happy if you want me to
But one step further and my back will break
If my best isn't good enough, then how can it be good enough for two?

Uh-huh, uh-huh, oh-oh, oh-oh
Ah-ha, ah-ha, doo-doo-doo
I can't work any harder than I do (la, la, la, la, la)

Uh-huh, uh-huh, oh-oh, oh-oh
Ah-ha, ah-ha, doo-doo-doo
La, la, la, la, la

Somebody tell me, oh
Won't you tell me?
Why I work so hard for you
Give you money (oh)
Work to give you money (oh)

Aw, why do I do the things I do?
Tell you if I knew
My god, I don't even think that I love you (la, la, la, la, la)

Won't you tell me?
Give you money
Work to give you money (oh-ah)

Ah, oh, yeah
Tell me
Tell me

How could you settle for a boy like me
When all I could see was the end of the week?
All the things we sign, and the things we buy
Ain't gonna keep us together, it's just a matter of time
My situation never changes walking in and out of that door
Like a stranger for the wages
I give you all, you say you want more

And all I could see was the end of the week
All the things we sign, and the things we buy
Ain't gonna keep us together
Girl, it's just a matter of time

Work, work
Work, work
La, la, la, la, la (just a matter of)

Uh-huh, uh-huh, oh-oh, oh-oh
Ah-ha, ah-ha, doo-doo-doo
La, la, la, la, la

Somebody tell me, oh
Won't you tell me? (Somebody)
Why I work so hard for you
Give you money (oh)

Work to give you money (oh)
Somebody tell me, whoa-oh
Won't you tell me?
Why I work so hard for you
Give you money (oh)
Work to give you money (oh)

Somebody tell me
Won't you tell me? (Oh, please tell me...)
Why I do the things that I do
Give you money
Work to give you money (oh)

KNEECAP - SICK IN THE HEAD Hotney 7 Streams • 3 years ago

SICK IN THE HEAD - OUT NOW ON HEAVENLY RECORDS

FOLLOW:

WEBSITE: https://www.kneecap.ie/
SPOTIFY : https://open.spotify.com/artis....t/1ZVACPeq7ccGCoUXwt
INSTAGRAM : https://www.instagram.com/kneecap32/
TIK TOK : https://www.tiktok.com/@kneecapceol?lang=en
TWITTER : https://twitter.com/KNEECAPCEOL
FACEBOOK : https://www.facebook.com/KNEECAP32/
APPLE MUSIC : https://music.apple.com/us/art....ist/kneecap/13303158

LYRICS :

Chorus:

I’ve got a point to be proving to myself, sitting too long getting mouldy on the shelf
Cos I’m too far gone when it comes to mental health,
rather be sick in the head with a little bit of wealth
Tá mé tinn de bheith ag glacadh comhairle stráinséara
Mar tá an cinneadh a dhéanann daoine domsa dáinséarach
Ag éirí leadránach, go síoraí ag caint cac’
Níl mé dul a bheith ag éisteacht as seo amach

Seasaigí, tú ar do ghlúine they’re doing it to ya constantly
An individual is surely what ya want to be, you’re born to stand out
Live your fantasy before they eat you up and spit you out and laugh at ye
Fan socair, bí díograiseach is cloígh le do phlean mucker
There’ll be push backs but relax siocair, gur seo do thriailse
Do shaol atá ann brother
It’s a philosophy,

ní ligim don domhan mór riamh dul i bhfeidhm ar an fhíorshaol atá ar an taobh istigh
To be affecting me because cibé rud atá le tarlú is always how it’s meant to be
So goitse, cogar, cloígh leat féin is ná héist le haon fucker
Ní thuigeann siad tusa mar a thuigeann tusa tusa, níor shiúil siad i do chosa
So tóg seans, seans go n-éireoidh sé níos fusa

Chorus:

I’ve got a point to be proving to myself, sitting too long getting mouldy on the shelf
Cos I’m too far gone when it comes to mental health,
rather be sick in the head with a little bit of wealth
Tá mé tinn de bheith ag glacadh comhairle stráinséara
Mar tá an cinneadh a dhéanann daoine domsa dáinséarach
Ag éirí leadránach, go síoraí ag caint cac’
Níl mé dul a bheith ag éisteacht as seo amach

I prayed to the devil, let me be rich instead, he said
“You’ll no longer be skint but you’ll be sick in the head
Ní bheidh tú riamh sna sráideanna ach agatsa, beidh fadhbanna
You want this for náideanna sa bhreis when you’re paid?”
Yes!

“You’re a mad cunt Mo Chara”

Sound! I’ll be back for a fat loan tomorrow, that’s me never getting dressed
Depressed and always para, throwing tantrums in my mansion, am I embarrassed?
Nah.

Gach seans go bhfuil mé giota beag ar mire, níl aon dabht maidir liomsa is Mo Chara
Ar strae insa cheann, when we’re smoking then we’re smoking til it’s all done all gone
No half measures til it’s aw naw
But we’re making up our own laws, never getting worried bout our own flaws
Fuck a real job, we make our own bob, KNEECAP 3CAG we’re our own Gods.

Chorus:
I’ve got a point to be proving to myself, sitting too long getting mouldy on the shelf
Cos I’m too far gone when it comes to mental health,
rather be sick in the head with a little bit of wealth
Tá mé tinn de bheith ag glacadh comhairle stráinséara
Mar tá an cinneadh a dhéanann daoine domsa dáinséarach
Ag éirí leadránach, go síoraí ag caint cac’
Níl mé dul a bheith ag éisteacht as seo amach

CREDITS

Peadar Ó Goill : Director / Creative / Producer / Editor

Production: The Tenth Man
Producer: Ellen Bennett
Production Coordinator: Martha Mullane
DOP: Aidan Gault
1st AC: Laurent Murray
AC: James Clarke
Gaffer: Padraig Conaty
Best Boy: Noel Greene
Lighting Design: Conor Biddle
Make Up and SFX: Sadhbh Nic Uidhir
Stylist: Leah Burke
Colourist : Color.Sensei
Hair - Rob Flynn

The Tenth Man
Chief Culture Officer: Richard Seabrooke
Head of Film: Ian Downes
Culture Director: Eric Davidson

Background Artists:

Léna Seale, Santry Eoin, Julian Bernard, Biig Shiit, Aileen Curtin, Leticia Ortega, Hatt Gallagher, Tadhg "Taig" O'Díomasaigh, Lena Laimbauer, Kasper, Ania Hornowski, Cathal O'Leary and Sage Jaffrey

Special thanks to session hire.

Exclusive: Sir's Battle with Addiction & His Musical Awakening 🎤✨ Hotney 7 Streams • 3 years ago

Dive deep into the soul-stirring journey of Sir in "Sir's Raw Comeback: From Addiction Hell to Hip-Hop Heaven" 🚀 right here on Sway's Universe. Witness an exclusive and emotional conversation where this hip-hop artist from Englewood, California, opens up about his battle with addiction, the road to rehab, and how he emerged stronger, ready to take on the music world with his new album. This unprecedented interview sheds light on the darker sides of fame and how Sir turned his life around, making it a must-watch for fans and music enthusiasts alike.

Subscribe now for more candid conversations and unforgettable stories from the heart of hip-hop and beyond. Sway's Universe is your gateway to exclusive interviews that hit hard and reveal the truth. Don't miss out on the rest of our content, where we tackle the most pressing issues in the industry, call out injustices, and celebrate the artists shaping our world.

Follow us on social media and visit Sway’s Universe website for the latest in hip-hop, social change, gospel music, and everything in between. Sir's story is just the beginning. Join us as we explore the power of transformation and redemption in the music industry and beyond. #SwaysUniverse #HipHop #AddictionRecovery #NewAlbumAlert

#Rehab #AddictionTransformation #AddictionRecovery #AddictionDetermination #AddictionSelfgrowth

CHAPTERS:
0:00 - SiR Sobriety Journey
1:10 - Importance of Commitment
3:04 - SiR Sobriety Realization
5:02 - Support from SiR's Wife
7:19 - Sobriety Impact on Music
10:38 - Battling Addiction Insights
13:41 - Understanding Karma
18:53 - SiR Freestyle Session
19:20 - “Again & Again” Discussion
20:27 - Influence of Popularity
22:15 - SiR Final Thoughts

Subscribe Here! http://bit.ly/SubscribeSU
Watch the Best of Sway In The Morning! http://bit.ly/BestOfSITM

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#SwaysUniverse #SwayInTheMorning #SiriusXM #Shade45

About SWAY’s UNIVERSE
Exclusive interviews from Sway Calloway and the Sway In The Morning/ SwaysUniverse.com team with some of today's biggest celebrities, like Kevin Hart, Kanye West, Eminem, Usher, Jessica Alba, Steve Aoki, Torey Lanez, Julia Stiles and so much more.

Sway’s Universe
https://www.youtube.com/UCuS96jkLKpTaGB_OWnwZV_A

The Donnas The Rise & Fall Of The Band Behind "Take It Off" & “Stay The Night” Hotney 7 Streams • 3 years ago

The Donnas: The Rise and Fall of the Band Who Wrote "Take It Off"

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#thedonnas #staythenight #brettanderson

I cite my sources and they may differ than other people's accounts, so I don't guarantee the actual accuracy of my videos.

During the peak of their fame the all girl group the Donna’s were described by Spin Magazine as every mother’s nightmare, every schoolboy’s dream, their the coolest band in America “ Rolling Stone Magazine referred to them as America’s reigning rock & roll queens. Was this all hype and whatever happened to this late 90’s/eary 2000’s era band? Stay tuned for the full story.
The Donnas started out in their early teens from the age of 13 playing music together. All 4 members of the band were born in the same year, 1979 and were all self taught musicians. Hailing from Palo Alto, they were one of two all female bands from the City.
While the media labelled them as punks or pop punks their roots were not just in bands like the Ramones as they also found something ti like in groups like Kiss the Runaways, L7, Alice Cooper, Def Leppard and the Scorpions. Early in their career, the members did took a cue from The Ramones whose members all took the same surnames. The Donnas would take a different approach al adopting the same first name.. During live gigs the members would wear T-shirt that read “Donna,” followed by the first letter of her real surname: Donna R. (Allison Robertson), Donna C. (Torry Castellano), vocalist Donna A. (Brett Anderson) and bassist Donna F. (Maya Ford).
Before becoming the Donnas the girls started out as a speed-metal act called Ragedy Anne and then Electrocutes. It was around this time an acquaintance of theirs named Darin Raffaelli had written some songs he wanted them to perform. This resulted in the birth of the Donna’s. Originally the members of the Donna’s thought they would head back to their speed metal act , but Darin’s song’s resulted in a more accessible and mainstream sound. Rafaelli would produce the band’s first record their self titled album, which would be put out on his label Superteem records. While the girls liked the direction Darin’s music was going they still wanted more creative control with guitarist Donna R (or Allison Robertson) telling LA Times “We didn’t want to be stuck in some band where some dude wrote the songs for us,” . They also wanted a harder-rocking edge than was reflected on their early releases. But the ladies were at a crossroads almost breaking up early in their career because they enjoyed playing the electrocute’s songs more Roberson would reveal to MTV
I think after we got home from a two week thing in Japan where we played like four shows we were saying we were going to break up... just kind of let the Donnas fizzle out,"But then we realized that that was kind of sad because people were going to the Donnas shows we just felt weird playing songs we hadn't written. Then we just realized, 'Why don't we just write the songs now, and then we can keep the name? We can keep the style and we can put what we like into it.'
As the band began writing their own material they got signed to California punk label Lookout Records.while they were still in high school who put out their 1998 album American Teenage Rock 'N' Roll Machine.".Despite having what looked like a promising carere in music the members opted to still go to college during the making of their . An album that was only recorded in ten days with most of the songs being put to tape in just one take.
In 1998 the band soon started making cameos in movies landing their roles in the movies Jawbreaker, Drive Me Crazy in addition to the TV show. In fact their appearance on Drive Me Crazy would see them play aband called the Electroctues that lands a gig playing a high school prom, paying homage to their roots. The music press soon started to take notice of the band around this time quickly winning praise from magazine’s like Rolling Stone who would claim “Hanging with the Donnas is like being in detention with all your best friends,” while Spin haile the band’s “good-time cave-girl feminism.”
The Donnas would release two more records on Lookout including 1999 Get Skintight and 2001’s The Donna’s Turn 21. In late 2001 the band was on the cusp of touring and 9/11 happened jeopordizing their planned live shows.. Brett Anderson would tell Vice what happened around this time that changed the bands life revealing