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Diljit Dosanjh: Love Ya (Official Music Video) | Mouni Roy Hotney 10 Streams • 3 years ago

Experience the fusion of soulful Punjabi melodies and contemporary beats in Diljit Dosanjh's 'Love Ya,' an enchanting love ballad that captivates hearts featuring the gorgeous Mouni Roy.

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Credits:
Singer: Diljit Dosanjh
Featuring Artist: Diljit Dosanjh & Mouni Roy
Producer & Business Manager for Diljit Dosanjh: Sonali Singh
Director: Sneha Shetty Kohli
Lyricist & Composer: Sagar
Music: Hunny Bunny
Special Thanks: Jaani
Mix & Master: Hanish Taneja
Choreographer: Tushar Kalia
DOP: Tuhin Mukherjee
Executive Producer: Aashish Mehra & Janamjai Sehgal
Special Thanks - Shrusti Jain
Line Producer: Manmeet Singh Ohson
Associate Line Producer: Divyam Upadhyay
Costume Stylist (Diljit): Abhilasha Devnani
Production Designer: Art Monks LLP
Associate DOP: Salman Salar Khan
Steadicam Operator: Devendra Dash ( Widevision)
Associate Director: Karan Dedhia
Assistant Director: Amitesh Sanghani
Editor: Bunty Nagi

#diljitdosanjh
#mouniroy
#saregamamusic
#punjabi
#punjabimusic
#newsong
#punjabisong

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Aawaz Aapki, Gaane Hamare, Ab Sunegi Duniya Saari
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Label:: Saregama India Ltd, A RPSG Group Company

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How One Power Ballad FROZE MTV Harder Than Your Dial-Up Connection - Cinderella’ Long Cold Winter Hotney 9 Streams • 8 months ago

***[[[two to three sentence video description]]]***

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#cinderella #tomkeifer #glam

In the mid-80s, Cinderella rose out of the Philly suburbs into full-on MTV glam dominance with their 1986 debut Night Songs, a triple-platinum smash driven by hits like “Shake Me” and “Nobody’s Fool,” heavy touring, and a fairy-tale boost from Jon Bon Jovi that landed them on the Slippery When Wet tour. Instead of safely repeating that success, frontman Tom Keifer grew restless; raised on bluesy, classic rock influences like the Stones, Zeppelin, Aerosmith, and Johnny Winter, he wanted something rawer and more organic than the polished “flavor of the day” sound that had made them stars.

For the follow-up, Long Cold Winter, Keifer wrote constantly on the road and poured new emotions from nonstop touring and seeing the world into the songs, aiming for less processing and more human feel with pianos, acoustics, dobros, and even brass woven into the arrangements. The band recorded at Bearsville Studios with producer Andy Johns, known for work with Led Zeppelin and the Rolling Stones, and brought in veteran drummer Cozy Powell (plus Denny Carmassi on one track) to cut most of the drums, as Fred Coury was considered too inexperienced for the studio demands at the time. The album opens with “Bad Seamstress Blues/Fallin’ Apart at the Seams,” beginning with harmonica and slide guitar that sound straight out of the Delta before crashing into a swaggering blues-rock groove, instantly signaling a break from the pure glam of Night Songs while still retaining enough crunch and hooks to connect with their fanbase.

Across the record, Cinderella balanced this new bluesy direction with arena-friendly rockers and a career-defining power ballad. Tracks like “Gypsy Road” and “The Last Mile” kept the fist-pumping, road-warrior energy alive, but now steeped in a grittier, rootsier sound. The centerpiece, “Don’t Know What You Got (Till It’s Gone),” a piano-led power ballad Keifer originally conceived around the Night Songs era, finally clicked for the band and became their biggest single, complete with a freezing-cold Mono Lake video shoot that literally lived up to the Long Cold Winter name and later earned pop-culture afterlife via South Park and Rock Band 3. The album also featured the acoustic-driven “Coming Home” and heavier cuts like “Fire and Ice,” showcasing a group expanding well beyond a simple glam template.

Released in summer 1988, Long Cold Winter was both a commercial and artistic vindication, hitting the U.S. top 10 and selling over three million copies while spinning off multiple hit singles across the Hot 100 and Mainstream Rock charts. The band’s tour escalated from opening for Judas Priest and AC/DC to headlining a massive 254-show run, complete with theatrical moments like Keifer descending to a white grand piano to play “Don’t Know What You Got,” and a high-profile appearance at the Moscow Music Peace Festival alongside Bon Jovi, Mötley Crüe, and Ozzy Osbourne. Initially, critics were mixed—Rolling Stone famously dinged the album for “influencitis”—but later reassessments have embraced it as Cinderella’s masterpiece and a key example of a so-called “hair band” earning real respect by leaning into blues-based rock.

Though they never quite reached the omnipresent arena dominance of peers like Bon Jovi or Mötley Crüe, in part because they avoided tabloid-ready personas and Hollywood-style spectacle, the success of Long Cold Winter solidified Cinderella’s reputation as serious musicians with depth. The MTV “Escape the Long Cold Winter” contest, which flew winner Denise Cook and her sister to Hawaii to vacation with the band, underscored how tightly they were woven into late-80s rock culture. Most importantly, the album set the blueprint for 1990’s Heartbreak Station, where they pushed even further into acoustic textures, horns, and gospel flavors. In an era that rewarded sticking to formula, Cinderella chose to risk their momentum in favor of artistic honesty, and Long Cold Winter stands as the moment where that gamble transformed them from glam darlings into a genuinely respected rock and roll band.

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Chicago Bulls Theme Song | SIRIUS - The Alan Parsons Project | The Last Dance Soundtrack (Cover) Hotney 6 Streams • 4 years ago

Chicago Bulls Theme Song SIRIUS (from The Last Dance Soundtrack) extended guitar cover version by Borna Matosic.

► SIRIUS stream and download links (Spotify, itunes etc.):
https://www.bornamatosic.com/s....irius-stream-downloa
► Want to support this channel? Check out my merch: https://bornamatosic.redbubble.com/

The Chicago Bulls documentary The Last Dance on Netflix took the world by storm. Back in the 90s I used to get up in the middle of the night to watch Michael Jordan and the Bulls on TV, so The Last Dance had a very nostalgic effect on me. Especially at the end of EP1, when SIRIUS started playing for the Chicago Bulls intro / starting lineup celebration, all the memories came flooding back! I immediately stopped watching and rushed into my studio to record my own version of the iconic theme song!

SIRIUS was originally released as the instrumental intro song on the album Eye in the Sky by The Alan Parsons Project. It was adopted by the Chicago Bulls as their theme song that played during the starting lineup player introductions and became a worldwide phenomenon, frequently being played at all kinds of sports events.

The original SIRIUS is quite short, so it is often edited to create extended versions, like it was done for The Last Dance soundtrack. Since I re-recorded all parts for this guitar cover, I made my own extended version by arranging it with a slower buildup to the guitar solo. I also extended the solo by composing a new second half based on the original.

This cover of SIRIUS is available on all major platforms, so go find it on your streaming service of choice or give that extra bit of support for my work by downloading the song!

If you enjoyed this video, don't forget to like and subscribe and share it with friends. Thanks for watching and see you next time!

► Music Credits
Original SIRIUS composed by Alan Parsons and Eric Woolfson.

SIRIUS cover arrangement, audio production and guitar performance by Borna Matosic.
Web: https://www.bornamatosic.com
Twitter: https://www.twitter.com/BornaMatosic
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Instagram: https://www.instagram.com/bornamatosic/

► Video Credits
Filmed on location in my living room. Video production by Borna Matosic & Stefanie J. @ BAMBOO BANDIT:
https://www.bamboobandit.de

#ChicagoBulls #TheLastDance #Sirius