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Taylor Swift - Anti-Hero (Official Music Video) Hotney 6 Streams • 4 years ago

⁣Official music video for “Anti-Hero” by Taylor Swift from the album ‘Midnights’.

Buy/Download/Stream ‘Midnights’: https://taylor.lnk.to/taylorswiftmidn...

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0:00 I’m the problem, it’s me
00:47 Join the #TSAntiHeroChallenge on YouTube Shorts
01:02 And share your anti-heroic traits

►Lyrics:
Written by Taylor Swift and Jack Antonoff

I have this thing where I get older but just never wiser
Midnights become my afternoons
When my depression works the graveyard shift
All of the people I’ve ghosted stand there in the room
I should not be left to my own devices, they come with prices and vices, I end up in crisis
Tale as old as time
I wake up screaming from dreaming one day I’ll watch as you’re leaving ‘cause you got tired of my scheming - for the last time

It’s me
Hi
I’m the problem, it’s me
At teatime
Everybody agrees
I’ll stare directly at the sun but never in the mirror
It must be exhausting always rooting for the anti-hero

Sometimes I feel like everybody is a sexy baby
And I’m a monster on the hill
Too big to hang out
Slowly lurching toward your favorite city
Pierced through the heart but never killed
Did you hear my covert narcissism I disguise as altruism like some kind of congressman
Tale as old as time
I wake up screaming from dreaming
one day I’ll watch as you’re leaving and life will lose all its meaning - for the last time

It’s me
Hi
I’m the problem, it’s me
At teatime
Everybody agrees
I’ll stare directly at the sun but never in the mirror
It must be exhausting always rooting for the anti-hero

I have this dream my daughter-in-law kills me for the money
She thinks I left them in the will
The family gathers ‘round and reads it
And then someone screams out
“She’s laughing up at us from hell!”

It’s me
Hi
I’m the problem, it’s me

It’s me
Hi
I’m the problem, it’s me

It’s me
Hi

Everybody agrees
Everybody agrees

It’s me
Hi
I’m the problem, it’s me
At teatime
Everybody agrees
I’ll stare directly at the sun but never in the mirror
It must be exhausting always rooting for the anti-hero

Director: Taylor Swift
Director of Photography: Rina Yang
Producer: Sara D'Alessio
Editor: Chancler Haynes
Production Designer: Ethan Tobman
1st AD: Anthony Dimino
Visual Effects: Parliament
Production Companies: Taylor Swift Productions & Revolution Pictures

#taylorswift #midnights #antihero

Music video by Taylor Swift performing Anti-Hero. © 2022 Taylor Swift

Tupac Disses Nas in Interview at After Party! Hotney 6 Streams • 4 years ago

Tupac with Death Row Disses Nas in Interview at MTV Music Awards!
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Tupac Amaru Shakur (/ˈtuːpɑːk ʃəˈkʊər/ TOO-pahk shə-KOOR;[1] born Lesane Parish Crooks; June 16, 1971 – September 13, 1996), also known by his stage names 2Pac and briefly as Makaveli, was an American rapper, songwriter, and actor.[2] Shakur has sold over 75 million records worldwide, making him one of the best-selling music artists of all time.[3] His double disc albums All Eyez on Me and his Greatest Hits are among the best selling albums in the United States.[4] He has been listed and ranked as one of the greatest artists of all time by many magazines, including Rolling Stone which ranked him 86th on its list of The 100 Greatest Artists of All Time.[5] Consistently ranked as one of the greatest rappers ever, he was ranked number 2 by MTV in their list of The Greatest MCs of All-Time in 2006.[6] 2Pac is also ranked as the most influential rapper of all time.[7][8][9][10][11]

Shakur began his career as a roadie, backup dancer, and MC for the alternative hip hop group Digital Underground, eventually branching off as a solo artist.[12][13][14] The themes of most of Shakur's songs revolved around the violence and hardship in inner cities, racism and other social problems. Both of his parents and several other of his family were members of the Black Panther Party, whose ideals were reflected in his songs.

During the latter part of his career, Shakur was a vocal participant in the so-called East Coast–West Coast hip hop rivalry, becoming involved in conflicts with other rappers, producers and record-label staff members, most notably The Notorious B.I.G. and the label Bad Boy Records.[15]

On September 7, 1996, Shakur was shot multiple times in a drive-by shooting at the intersection of Flamingo Road and Koval Lane in Las Vegas, Nevada.[16] He was taken to the University Medical Center of Southern Nevada, where he died six days later.
Upon his release from Clinton Correctional Facility in 1995, Shakur immediately went back to song recording. He began a new group called Outlaw Immortalz. Shakur began recording his first album with Death Row and released the single "California Love" soon after.

On February 13, 1996, Shakur released his fourth solo album, All Eyez on Me. This double album was the first and second of his three-album commitment to Death Row Records. It sold over nine million copies.[68] The record was a general departure from the introspective subject matter of Me Against the World, being more oriented toward a thug and gangsta mentality. Shakur continued his recordings despite increasing problems at the Death Row label. Dr. Dre left his post as house producer to form his own label, Aftermath. Shakur continued to produce hundreds of tracks during his time at Death Row, most of which would be released on his posthumous albums Still I Rise, Until the End of Time, Better Dayz, Loyal to the Game and Pac's Life. He also began the process of recording an album with the Boot Camp Clik and their label Duck Down Records, both New York – based, entitled One Nation.[69]

On June 4, 1996, he and Outlawz released the diss track "Hit 'Em Up", a scathing lyrical assault on Biggie and others associated with him. In the track, Shakur claimed to have had sexual intercourse with Faith Evans, Biggie's wife at the time, and attacked Bad Boy's street credibility. Shakur was convinced that some members associated with Bad Boy had known about the '94 attack on him beforehand due to their behavior that night and what his sources told him. After the attack, Shakur immediately accused Jimmy Henchman (an associate of Bad Boy CEO Sean Combs) of orchestrating the attack, according to a 2005 interview with Henchman in Vibe magazine. After the attack, Shakur therefore aligned himself with Suge, Death Row's CEO, who was already bitter toward Combs over a 1995 incident at the Platinum Club in Atlanta, Georgia, which culminated in the death of Suge Knight's friend and bodyguard, Jake Robles; Knight was adamant in voicing his suspicions of Combs' involvement.[70]

Collaborator Buckshot claimed in 2015 that Shakur defended him against Suge Knight, who had insisted that the East Coast rapper could not come with him to Las Vegas on the grounds of the ongoing hip hop rivalry. Shakur asserted that he would not board the plane unless accompanied by Buckshot and was described by the fellow rapper as looking "discomforted" while they recorded a song together in a studio after Shakur "tore up the plane tickets".

Akon signed Lady Gaga & T-Pain and let them out their contracts | Ep. 60 | CLUB SHAY SHAY Hotney 6 Streams • 4 years ago

Shannon Sharpe sits down with Akon to discuss the inside and out of the music business. Akon describes his Artist development process and how he signed Grammy Award winning artists Lady Gaga and T-Pain: “I was just a platform for T-Pain to get him where he needed to be…Gaga was already on Interscope when I signed my label deal there and I said: ‘Jimmy, I need her for my label.’ It’s the greatest gift he’s ever given me.”

#ClubShayShay #TPain #LadyGaga

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Club Shay Shay is a weekly podcast hosted by Shannon Sharpe – 3x Super Bowl champion, member of the Pro Football Hall of Fame and co-host of Undisputed on FS1. Each week Shannon will sit down with athletes, celebrities and influencers to break down, analyze and discuss the latest headlines in sports, pop culture and everything in-between. Get on the VIP list at Club Shay Shay NOW and never miss an episode!

Akon signed Lady Gaga & T-Pain and let them out their contracts | Ep. 60 | CLUB SHAY SHAY
https://youtu.be/D5ZuzXLRI_8

Club Shay Shay
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AR-AB: The Worst Criminal in Hip Hop History Hotney 6 Streams • 4 years ago

Thanks to The Ridge Wallet for sponsoring this video! Check them out here: https://ridge.com/hiphopmadness
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Since its inception, the lines between what’s real and what’s discussed on record in hip-hop has always been permeable. Often, rappers will conjure up tales from a treacherous past in order to illustrate not just how far they’ve come, but every potential hazard that they had to circumvent on the road to success. And depending on if you’re an elder statesman like Jay Z or a younger artist such as 21 Savage, the amount of space between you and your past conduct on the street can vary wildly.

But no matter the case, the general perception is that anything you talk about within the confines of your rhymes is in a reflective sense. As if you were still actively partaking in illegal activity, it’d be pretty inadvisable to draw attention to whatever enterprise you’re in and alert the cops. Particularly when your life as an MC has meant that there are now more eyeballs on you than ever before.

Well, while this may seem like a simple case of common sense to most, there is a subset of the hip-hop world for whom keeping it real has gone wrong. Very wrong.

Believing that authenticity is everything and knowing that it can translate to a whole host of sales, some rappers have interwoven the reality of their worlds with their artistry. And in doing so, did all but tell the long arm of the law where the bodies were buried or their contraband is stored.

A phenomenon first detailed by MF DOOM & Mr Fantastik as they discussed “Rap snitches, telling all they business, sit in the court they be they own star witness,” their warning about the potential pitfalls of speaking too freely and getting “the whole label sent up for years” proved to be less of an effective PSA than they’d probably hoped for.
As in recent years, far too many rappers have allowed there to be a correlation between the dirt they were doing and what they were discussing on their tracks. In essence, making them hip-hop’s dumbest criminals.

#hiphopmadness

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Narrated by: Spencer Pearman
Written by: Robert Blair
Edited by: Roman Bill
Music by: Josh Petruccio

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