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Live From Daryl's House - Episode #83 - Tommy Shaw from Styx Hotney 23 Streams • 4 years ago

Daryl Hall started Live From Daryl’s House, the free monthly web show in late 2007, after having the idea of “playing with my friends and putting it up on the Internet,” and the show has since garnered acclaim from Rolling Stone, SPIN, Daily Variety, CNN, BBC, Yahoo! Music and influential blogger Bob Lefsetz, who have cited Live From Daryl’s House as a perfect example of a veteran artist reinventing himself in the digital age by collaborating with both established colleagues and newer performers.

Past episodes of Live from Daryl’s House have featured a mix of well-known performers like Smokey Robinson, The Doors’ Robby Krieger and Ray Manzarek, Nick Lowe, K.T. Tunstall, Todd Rundgren, Gym Class Heroes’ Travis McCoy, Fall Out Boy’s Patrick Stump, Finger Eleven’s James Black and Rick Jackett, the Bacon Brothers and country star Jimmy Wayne, along with newcomers such as Philly soul singer Mutlu, Canadian techno-rockers Chromeo, MySpace pop-rock phenom Eric Hutchinson, Cash Money rocker Kevin Rudolf, Wind-up Records’ Chicago rockers Company of Thieves, Bay Area singer/songwriter Matt Nathanson, Charlottesville, VA’s rising Parachute, Chicago rock band Plain White T’s and highly touted tunesmith Diane Birch.

In episode #83 of Live From Daryl's House, Daryl Hall welcomes Tommy Shaw from Styx, where they’ll be performing songs like “Renegade,” “It’s a Laugh,” and more.

-- Website (Main Page): https://www.livefromdarylshouse.com/welcome.html
-- Website: (Episodes 22 - 84): https://www.livefromdarylshouse.com/archive.html

0:00 -- Pre-Intro
0:15 -- Intro
1:10 -- Tommy Arrives at Daryl's House
4:03 -- Making way to the Studio
4:42 -- Blue Collar Man (Breakdown Parts of the Song)
6:08 -- Performing Blue Collar Man
11:17 -- Renegade (Breakdown Parts of the Song)
12:00 -- Performing Renegade
17:14 -- Interview w/ Tommy
17:44 -- Too Much Time On My Hands (Breakdown Parts of the Song)
18:50 -- Performing Too Much Time On My Hands
24:00 -- Break//Coming Up Next
24:25 -- Michael O'Hare - The Man Behind The Curtain -- Spinoff of Fish & Chips
28:07 -- Back To The Studio
28:10 -- Welcoming Charlie on Sax
28:16 -- Searching For My Love
32:26 -- Continuation of Tommy's Interview
32:49 -- Chatting Around the Table
35:02 -- It's A Laugh (Breakdown Parts of the Song)
36:00 -- Performing It's A Laugh
41:42 -- Break
42:18 -- Chatting Around the Table
43:45 -- Back To The Studio
44:14 -- Delayed Reaction (Breakdown Parts of the Song)
45:55 -- Performing Delayed Reaction
50:29 -- That's a Wrap
51:00 -- Break//Last Chat at the Table
51:50 -- Words From Daryl
52:22 -- Credits

Relax Music - Tropical Night Bossa Nova - Smooth Bossa Nova Guitar Instrumental Hotney 7 Streams • 4 years ago

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Jazz and Bossa Nova Music is perfect to assist your relaxation, reading, studying, work, sleeping, focusing, stress relief, romantic dinner, cooking, or just as background music for any event in your life.

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☕ About Relax Music channel:
We are making Jazz Music and Beautiful Bossa Nova Music for relaxation, for work, for study, etc.
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#relaxmusic #bossanova #tropicalnight

Miles Davis with Wayne Shorter- November 4, 1967 Philharmonie, Berlin | Audio source B- remastered Hotney 4 Streams • 4 years ago

The Second Great Quintet in spectacular form, featuring the late Wayne Shorter

November 4, 1967
Berliner Jazztage 1967
Philharmonie, Berlin,
the former West Germany

MILES DAVIS QUINTET
Miles Davis- trumpet
Wayne Shorter- tenor saxophone
Herbie Hancock- piano
Ron Carter- bass
Tony Williams- drums

introduction 0:00
Agitation (Miles Davis) 0:04
Footprints (Wayne Shorter) 5:19
'Round Midnight (Bernie Hanighen-Cootie Williams-Thelonious Monk) 14:00
No Blues [aka Pfrancing] (Miles Davis) 21:41
Masqualero (Wayne Shorter) 32:16
closing credits 41:52

Audio source B: ORF radio broadcast, May 8, 1968

At the time of posting we recently learned of the passing of Wayne Shorter. Wayne was an incredible saxophonist, a distinctive, original voice that graced not only Miles Davis's Second Great Quintet, but hard bop's premier finishing school Art Blakey's Jazz Messengers, the giants of fusion Weather Report, a string of superb solo albums that spanned seven decades, many stunning recordings with Joni Mitchell, and numerous appearances as a sideman, particularly on Blue Note in the 1960s. Wayne always brought an intelligent, individual voice to any setting, by turns serene and turbulent, constantly finding fresh, unpredictable directions. His original thinking also made him a brilliant composer, contributing dozens of modern jazz standards to the repertoire.

Shorter brought all of these qualities to the Davis group when he joined in the autumn of 1964, providing the most commanding frontline partner Miles had had since John Coltrane, and writing many of the tunes on _E.S.P, Miles Smiles, Sorcerer_ and _Nefertiti._ In his autobiography, Miles says "Wayne was the idea person, the conceptualizer of a whole lot of musical ideas we did... He wanted to play freer han he could in Art [Blakey]'s band but he didn't want to be all the way out, either. Wayne has always been someone who experimented _with_ form instead of someone who did it _without_ form. That's why I thought he was perfect for where I wanted to see the music I played go." Shorter himself said "It wasn't the bish-bash, sock 'em dead routine we had with Blakey, with every solo a climax. With Miles, I felt like a cello, I felt viola, I felt liquid, dot-dash... and colors started really coming."

The tour of Europe in late 1967 was part of promoter George Wein's Newport Jazz Festival in Europe package tour, and this date formed part of the Berliner Jazztage festival, on which Davis's group appeared alongside the quintet of free jazz saxophonist Archie Shepp, and the Thelonious Monk Orchestra (incidentally, every discography, tour itinerary, and bootleg of this show gives the date as Novemebr 4. However, this poster for the Berliner Jazztage places the concert on the 3rd: https://g123-media.sos-ch-gva-....2.exoscale-cdn.com/f Can anyone clarify?). In contrast to the theatrical Shepp, Miles and his quintet were still dressed in the sharp suits familiar from previous tours and, although they now played their set as one continuous, uninterrupted medley, there were still clear melodies and familiar theme-solos-theme structures, even if they were stretched to breaking point. This was a band at the height of their powers, an unparralleled creative unit drawing on all the elements of Davis's recent career: hard bop, modal, and even hints of the avant garde music of which Miles was so suspicious, with an interplay that bordered on telepathy (or, if you prefer, ESP). Writer and photographer Val Wilmer said of the band's London date, "the music was bittersweet perfection."

We originally posted this music back in 2015, taken from a bootleg CD _Live In Europe_ (Jazz Up, JU-320 [Italy, 1989]). That recording had several issues, including frequent distortion, drop outs and evident tape damage. This new version comes from a recording of a 1968 ORF radio broadcast. This tape had its own issues, including running slow, cloudier sound, and occasional radio static. I have remastered the audio to resolve some of these issues and it now offers a useful alternative to the bootleg CD version. You can still hear that version here: https://youtu.be/cZRVRUeUZio

Shorter was the one holdover after the dissolution of the Great Quintet, continuing to play with Davis through the groundbreaking 1969 fusion recordings of _In A Silent Way_ and _Bitches Brew,_ before leaving in the spring of 1970 to join forces with fellow Miles alumnus Joe Zawinul in Weather Report.

As Miles noted, "Wayne was always out there on his own plane, orbiting his own planet."

Orbit in peace, Wayne.

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John Scofield - Solo | Elbphilharmonie Sessions Hotney 3 Streams • 4 years ago

Sein Leben lang ist John Scofield mit Bands aufgetreten. In der Elbphilharmonie spielt der legendäre Jazzgitarrist nun eines seiner seltenen Solo-Sets. ➡️ https://elphi.me/scofield
Direkt zum Video-Interview geht's hier ➡️ https://youtu.be/K1D9lmSeVLs

// SETLIST
00:00 Intro
00:44 Little Walk
05:40 Mrs. Scofield
10:11 Wichita Lineman / The Creator has a Masterplan
17:25 (Back Home again in) Indiana

Sein markanter, leicht angezerrter Sound zeichnet ihn aus; sein wandlungsfähiges Spiel vereint Einflüsse aus Post-Bop, Blues und Rock 'n' Roll: Der US-amerikanische Gitarrist John Scofield gehört zu den Ikonen des Jazz. Seit Jahrzehnten tritt der US-Amerikaner weltweit in den verschiedensten Formationen auf – fast nie jedoch allein. Für seine Elbphilharmonie Session hat Scofield nun exklusiv ein Solo-Programm eingespielt.

»Ich habe mein ganzes Leben lang in Bands gespielt. Deshalb habe ich überhaupt erst mit dem Gitarrespielen angefangen. Solo-Gitarre dagegen ist wirklich schwer, man muss alle möglichen Sprünge und technischen Tricks beherrschen. Aber seit einer Weile gibt es Sampler-Pedale, mit denen ich beim Spielen kleine Begleit-Seuqenzen aufnehmen kann. Das hat es mir ermöglicht, solo aufzutreten – und mit mir selbst zu spielen.«
– John Scofield

Jazz-Konzerte live in der Elphilharmonie erleben 👉 https://www.elbphilharmonie.de/de/programm/JA/

#JohnScofield #ElbphilharmonieSessions #Jazz #Jazzgitarre #Scofield #Elbphilharmonie
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John Scofield - Gitarre
Gerrit Beutler, Holger Kress, William Strode - Live Recording
Tim Bücher - Mix & Mastering
Jasper Techel - DoP
Gert Seggewiss - 1AC
Lukas Backs - Key Grip
Philipp Seliger - Konzept & Regie
___️
ELBPHILHARMONIE SESSIONS
Hier klingt Musik: Für die Elbphilharmonie Sessions nehmen Künstler exklusive Musikvideos in der Elbphilharmonie und Laeiszhalle auf – manchmal auch abseits der Bühnen, an ungewöhnlichen Orten. So sehen die Konzerthäuser von innen aus. Und so klingen sie.
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💻 https://www.elbphilharmonie.de/sessions

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ELBPHILHARMONIE HAMBURG
In der Elbphilharmonie verbinden sich Architektur und Musik zu einem unvergleichlichen Gesamterlebnis. 2017 eröffnet, ist sie eines der international gefragtesten Konzerthäuser und begeistert mit ihrem vielseitigen Programm, ihrer ausgezeichneten Akustik und zahlreichen Mitmach-Angeboten ein breites Publikum. Das Gebäude, das mitten im Strom der Elbe aus einem alten Lagerhaus entstanden ist, wurde vom Schweizer Architekturbüro Herzog & de Meuron entworfen. Als Wahrzeichen der Stadt Hamburg zieht es jährlich Millionen Besucher aus aller Welt an.
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IN KONTAKT BLEIBEN
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https://www.elbphilharmonie.de