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Tekashi 6ix9ine returns to VladTV for a heated and candid conversation about loyalty, money, prison, and the realities of street culture. Tekashi speaks openly about his complicated relationship with Vlad, arguing that artists like Boosie should have received greater financial support after years of bringing millions of views to the platform.
The discussion quickly turns into a debate over loyalty, business, and how entertainment value impacts payouts in media. Vlad explains that declining viewership affects interview pricing, while Tekashi argues that fan loyalty and cultural impact should matter more than short-term analytics.
Tekashi also weighs in on the ongoing controversy surrounding Gucci Mane and debates whether cooperating with authorities is justified when someone becomes the victim of a crime. Using Gucci’s situation as an example, Tekashi argues that self-preservation changes how people react under pressure, while Vlad pushes back on the broader street-code implications.
The conversation also covers Tekashi’s recent prison experience, his renewed focus on faith, and how incarceration changed his perspective on trust and survival. He contrasts his own views on self-defense and retaliation with Vlad’s more strategic approach, leading to a deeper discussion about consequences, personal accountability, and the importance of keeping a trustworthy circle.
Additional topics include the decline of loyalty in the entertainment industry, changing audience attention spans, and the harsh realities of navigating both internet fame and street politics simultaneously. Tekashi also references situations involving Boosie, Lil Durk, and other high-profile figures while explaining how quickly relationships can shift when money and reputation are involved.
Throughout the interview, both Vlad and Tekashi reflect on the balance between controversy, business, and survival in an era where every move is amplified online.
Rick Ross welcomes Architectural Digest to tour his mega-mansion on Star Island in Miami. Designed by Kai Williamson of Studio 7 Design Group, this ultra-luxury waterfront estate features a private casino, gold-plated bar, koi pond, panoramic ocean views, and is celebrity real estate at its peak.
Shop the rapper’s style with this editor-curated collection of furniture and decor inspired by his home:
https://www.architecturaldiges....t.com/shopping/rick-
Rick Ross's new book "Renaissance of a Boss: Notes from a Creative Awakening" is available now: https://www.harpercollins.com/....products/renaissance
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The story of Scooter Ward's band Cold best known for songs like Stupid Girl
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Cold’s story is one of brutal bad luck, label disasters, and personal tragedy that nearly destroyed them.
The band began as Grundig in Jacksonville, Florida in the late 80s, with Scooter Ward, Sam McCandless, and Jeremy Marshall forming a moody, heavy “redneck goth” outfit inspired by everyone from Depeche Mode and Sade to Nirvana and Alice in Chains. They hustled hard, working day jobs, playing up to 100 shows a year, and sinking money into an 8-song demo that still left them thousands of dollars in debt. A move to Atlanta was supposed to bring them closer to the industry, but instead they found cliquish scenes, tiny hostile crowds, and mounting frustration, all while Ward battled Crohn’s disease and ended up hospitalized.
Their luck seemed to change when old friend Fred Durst, now fronting Limp Bizkit, reconnected with them. Durst produced a demo that impressed famed producer Ross Robinson and led to a six-album deal through Flip and A&M. Just as things were taking off, the German electronics company Grundig threatened to sue over their name, forcing a rebrand to Cold. Their 1998 self‑titled debut drew praise from Kerrang! and Guitar World, but radio support was spotty. Then disaster struck: A&M was dissolved in a major label merger, staff were cut, and Cold’s first album was essentially left for dead before being quietly shuffled over to Interscope/Geffen.
Cold regrouped with a stronger lineup, adding guitarist Terry Balsamo and crafting a darker, more melodic sound. Their 2000 album “13 Ways to Bleed on Stage” was a slow‑burn success, earning a gold certification on the back of relentless touring and singles like “No One” and “Just Got Wicked.” They followed it with 2003’s “Year of the Spider,” written amid personal tragedies: Ward’s sister’s ovarian cancer, a breakup, deaths in the band’s circle, and his struggles with substance abuse. The album debuted at number 3 on the Billboard 200, went gold, and produced their biggest hit, “Stupid Girl,” a song they hadn’t even wanted as a single.
At the peak of their success, everything unraveled. Cold clashed with Geffen over single choices and felt the label had stopped supporting them after recouping its investment. Guitarist Terry Balsamo left to join Evanescence, and Amy Lee’s public comments about Ward’s personal issues exposed his private struggles. Kelly Hayes soon exited as well. Ward’s sister’s cancer returned, his addiction worsened, and he spiraled to the point of not wanting to live. He found faith, bought his childhood home, and poured his pain into Cold’s fourth album, “A Different Kind of Pain,” a dark but hopeful record released through Lava in 2005. Yet label turnover and weak promotion echoed their earlier A&M nightmare, and the album underperformed.
By 2006, worn down by lineup changes and industry battles, Ward announced Cold’s breakup on MySpace, thanking fans but clearly exhausted. A few years later, fan demand and the enduring bond of the “Cold Army” pulled them back. The classic core regrouped, new guitarists came in, and Cold returned with albums like 2011’s “Superfiction” and 2019’s “The Things We Can’t Stop.” Their legacy became less about charts and more about survival: a band that kept getting knocked down by illness, addiction.
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The story of why Anthrax fired Joey Belladonna in 1992.
Anthrax-Public Enemy Bring the Noize collaboration
https://www.youtube.com/watch?v=lnnmeRTn8M0&t=30s&pp=ygUgcm9jayBuIHJvbGwgdHJ1ZSBzdG9yaWVzIGFudGhyYXjSBwkJBAsBhyohjO8%3D
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What happens when you’re the voice of one of the biggest metal bands in the world, and then one day, it’s all gone? For Joey Belladonna, frontman of Anthrax, that was reality. He went from commanding tens of thousands of fans to mowing lawns at a horse barn, in one of the strangest rise-and-fall stories in metal.
By 1991, Anthrax were one of the “Big Four” of thrash alongside Metallica, Slayer, and Megadeth. Their dark, acclaimed album Persistence of Time hit number 24 on the Billboard charts, and they were co-headlining the massive Clash of the Titans tour. Fronting them was Joey Belladonna, whose melodic tenor stood out in a genre of guttural barkers. After he joined in 1984, their trajectory went vertical with Among the Living, followed by State of Euphoria and the Grammy-nominated Persistence of Time. From the outside, Anthrax looked bulletproof. Inside, things were cracking.
Their usual writing method had Charlie Benante on music, Scott Ian and Frank Bello shaping arrangements, Scott on lyrics, and Joey working out vocals. This time, it wasn’t clicking. The Persistence sessions felt strained. Scott’s lyrics were deeply personal, and he felt Joey’s interpretations didn’t match his intent. On top of that, the band had already confronted Joey about drugs and alcohol back in 1988 and quietly floated Armored Saint’s John Bush as a possible replacement.
During the “Bring the Noise” collaboration with Public Enemy, Scott saw Joey looking out of place while the rest of the band dove into rap-metal territory. It raised a hard question: where did Joey fit in the future of Anthrax? Meanwhile, money and tour offers were rolling in, but Scott felt the core of the band was “rotten.” Firing Joey became, in his words, a slow burn rather than a single explosion.
Complicating everything, Anthrax were in the middle of signing a huge deal with Elektra Records reportedly worth $10 million. They’d already decided to let Joey go, but feared telling the label. When they finally did, Elektra backed them, and Joey still received an equal share of the advance as recognition of his role in getting them there.
The actual firing was handled by their manager Jonny Z, something Scott later regretted not doing himself. Joey was blindsided. “I didn’t quit!” he said later. “It was unexpected and it wasn’t my idea.” The band moved on with John Bush, scoring their highest Billboard debut with 1993’s Sound of White Noise.
Joey’s path was very different. Instead of spiraling, he took a maintenance job at a horse barn with his wife. His main duty: mowing the massive grounds. He later said he didn’t need the money, but wanted purpose and structure. At the same time, he kept playing in his solo project and cover band Chief Big Way, staying musically active without bitterness.
Years later, the classic lineup reunited for tours and eventually brought Joey back permanently. Anthrax’s 2011 album Worship Music and 2016’s For All Kings proved the chemistry was still there. Yet for Joey, the past never fully disappeared. He’s admitted it’s hard being around people who once decided he shouldn’t be there at all. Still, he’s back where he always wanted to be—front and center with Anthrax, after one of the strangest detours in thrash metal history.
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The story of the musicians who turned down Weird Al's request to parody their songs.
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For every hit parody like "Eat It" or "Amish Paradise," there’s a story of a music legend giving Weird Al the green light. Getting that call from Al has become a badge of honor, a sign that your song has become part of pop culture, ready to be reimagined with lyrics about food, TV, or total nonsense. For decades, artists have lined up to let Al work his magic.
But what about the songs we never got to hear? The parodies personally shut down by some of the biggest artists on the planet? For a man who built a career as pop’s court jester, there are surprising moments when the kings and queens of the charts weren’t laughing. These are the stories of the parodies Weird Al was forbidden to make.
To understand why a "no" matters, you have to understand Al’s most important self‑imposed rule: he almost always asks for permission. Legally, parody often falls under “fair use,” but record labels and publishers love to ignore that, especially on YouTube. Early on, Al didn’t always ask, but his longevity is built on more than clever rhymes; it’s built on respect. He wants to be morally and relationally in the clear, not just legally safe.
That approach has saved him from feuds and lawsuits and cemented his reputation as one of the nicest guys in music. Most artists, from Nirvana to Chamillionaire, saw being asked as an honor. But that courtesy also gives artists the power to say "no." And when they do, Al walks away. The undisputed king of these rejections was Prince.
Al pitched ideas for “1999,” “When Doves Cry,” and “Kiss.” Every time, Prince’s camp answered with a decisive no. Al never got a real explanation. Ironically, Prince apparently laughed at “Fat,” Al’s parody of Michael Jackson’s “Bad,” but he still didn’t want his own songs touched. He was notoriously protective, even about other artists covering his work, once saying that covering a song makes the original “not exist anymore.”
Some rejections were more personal than mysterious. Paul McCartney shut down “Chicken Pot Pie,” a parody of “Live and Let Die,” because he didn’t want to promote meat. The joke was perfect, but McCartney, a committed vegetarian, offered “Tofu Pot Pie” instead. Al, also a vegetarian, passed because it just didn’t sing right.
Even close collaborators sometimes drew lines. Michael Jackson approved “Eat It” and “Fat,” even letting Al use the “Bad” subway set. But he refused a “Black or White” parody called “Snack All Night,” feeling the original’s message about racial harmony was too important to turn into a joke. Al understood completely.
Then there’s “Amish Paradise.” Al believed Coolio’s camp had approved the “Gangsta’s Paradise” parody, only to face public outrage when Coolio claimed he never signed off. Al was mortified and later apologized, while Coolio eventually admitted he’d overreacted.
Not every "no" was absolute. Eminem allowed “Couch Potato,” a “Lose Yourself” parody, on Al’s album but blocked a video, worried about his song’s legacy. Daniel Powter initially denied a “Bad Day” parody, then changed his mind too late—by then, Al had moved on to “White & Nerdy.” And James Blunt loved “You’re Pitiful,” but his label killed the release, so Al posted it online for free.
In the end, these rejections don’t weaken Weird Al’s legacy; they enrich it. They show an artist who values respect as much as laughs—and sometimes, the parodies we never got say as much as the ones we did.
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Talent: Playa
Host: Brian Freeman
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T.I. goes through, breaks down and tells the stories behind his biggest hits like "Blurred Lines" with Robin Thicke and Pharrell, "Live Your Life" feat. Rihanna, "Whatever You Like," "Dead and Gone" feat. Justin Timberlake and how he felt changing his rapper moniker from T.I.P. to T.I.
0:00 - Intro
00:19 - What You Know
2:01 - Whatever You Like
2:59 - "Live Your Life" Featuring Rihanna
4:31 - "Let's Get Away"
5:25 - "Swagga Like Us" With Jay-Z, Kanye West & Lil Wayne
6:52 - "Bring Em Out"
8:28 - "U Don't Know Me"
9:45 - "Rubber Band Man"
11:01 -"Top Back"
12:33 - "Dead and Gone"
14:09 - "Blurred Lines" with Robin Thicke & Pharrell
15:32 - "Big Things Poppin' (Do It)"
16:39 - "Let Em' Know"
22:04 - Outro
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T.I. Breaks Down His Biggest Billboard Hits | Billboard Chart History
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The New York Times Magazine polled more than 250 music insiders and gathered six Times critics to choose the 30 Greatest Living American Songwriters. One of the artists who made the list was Taylor Swift. Popcast co-host and Times culture reporter Joe Coscarelli met with @TaylorSwift in Los Angeles to talk about the craft of songwriting. In this 30-minute interview, she discusses her process, the stories behind some of her biggest hits, her love of a “rant bridge,” and how life in the public eye shapes the stories she tells in her songs.
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Listen to Yungeen Ace's New Album " I Am What They Dont See"
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Brent Faiyaz - butterflies. [Official Video]
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Courtesy of ISO Supremacy
Lyrics:
Maybe, it's a little bit rushed.
But I'm falling in love.
Hope that’s not too much, but this isn't a crush.
I've done that enough girl, I know that it's real.
It’s like you fell down from heaven.
I've been waiting forever, so long.
And I know we can...do this together
How do you feel?
Is it anything like I feel?
Is it anything like I feel?
Or Should I chill?
How do you feel?
Is it anything like I feel?
Is it anything like I feel?
Maybe, you might think it's untrue.
But I'm falling for you
My mind is a mess, girl.
Don't know what to do.
All of this pressure, I’m feeling inside.
Ain't this supposed to be painless?
Then why am I so anxious?
I wish we could do this together
How do you feel?
Is it anything like I feel?
Is it anything like I feel?
Or Should I chill?
How do you feel?
Is it anything like I feel?
Is it anything like I feel?
You were there for everything
that came along with being true.
You did a lot of things, you wouldn't normally do.
While I appreciate how much you give to others.
Can't help but wonder (oh)
Would they do the same for you?
Girl, you're truly a 1of 1
(Superwoman)
But remember to take care number 1
Somehow you’re perfect, but don’t try to be
Girl, you’re truly a 1 of 1
(You’re the last of your kind)
But remember to take care number 1
For what it’s worth, girl you inspire me
You are, are
(super woman)
Somehow your’e perfect but don’t try to be
And you’re the
(You’re the last of your kind)
For what its worth girl you inspire me
Yeah you know know know that you’re
(super woman)
Somehow you’re perfect, but don’t try to be
You’re a dying breed
(You’re the last of your kind)
For what its worth girl you inspire me
#BrentFaiyaz #butterflies #ICON
Home of the best rappers on the planet. Skills Over Politics that means bring your pen game not your name.
Young Chris #Freestyle
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The New Album - ‘The Boys of Dungeon Lane’ coming May 29th
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Snoop says he is at his best when he collabs with other artists and mentions specific artists
Snoop Dogg tests his friendship with Ice Cube by playing Big Boy's Famous Phone Game
Big Boy Asks Snoop Dogg to rank his top 5 songs ever
Snoop Dogg gives us his honest take on the new Michael Jackson movie
Snoop Dogg speak on the early days being discovered and working with Dr Dre
Why does the world love Snoop Dogg so much?
Snoop Dogg tells us the story about getting caught with illegal items at the airport
What does Snoop Dogg regret?
Big Boy reminds Snoop Dogg of the story when Snoop outplayed Big Boy's daughter in basketball
What happened at the Snoop Dogg video shoot in Brazil and why did Big Boy not go?
Snoop Dogg Tests his Friendship with Ice Cube in Big Boy's Game
Snoop Dogg describes the special connection with hip hop culture and Japan
How many times has Snoop Dogg ran into the fake Snoop Dogg at events?
Snoop Dogg visited Big Boy for this all NEW podcast interview in May 2026
Snoop Dogg explains how he embraces AI
How did Big Boy's friend pass out so fast when smoking together with Snoop Dogg
Why does Snoop Dogg's pet dog have more followers than most people watching this episode
How did Snoop Dogg get involved in the Olympics and keep us laughing?
Snoop reminds us how huge it was for hip hop to be included in the World Olympics
Snoop Dogg tells us funny stories about how his electric car has made problems for him
Snoop Dogg previews his new biopic being written right now
Snoop Dogg previews his newest release 10 Til Midnight
How is the challenge for Snoop Dogg to be running Death Row records?
Would Snoop Dogg do a Baby Boy 2?
Snoop Dogg will be grand opening the new Long Beach Amphitheater
This all new Snoop Dogg podcast Episode is a special part of our Big Boy 2026 Season! Big Boy is celebrating 2026 with over 30 years as a Legend in Hip Hop Culture and Entertainment and all the stars come here to chat and have fun with Big!!
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"The Late Show" signs off with two powerful musical performances back-to-back, beginning with the quartet of Stephen Colbert, Louis Cato, Jon Batiste and Elvis Costello performing Costello's 1977 tune, "Jump Up." As that song ends, the foursome are joined by Paul McCartney and The Great Big Joy Machine for a once-in-a-lifetime rendition of The Beatles' "Hello Goodbye," which ends with a giant singalong featuring the entire staff of "The Late Show."
#Colbert #Music #OnTour #NewMusic #EdSullivanTheater #StephenColbert #ElvisCostello #PaulMcCartney #JonBatiste #LouisCato #TheGreatBigJoyMachine #JoeSaylor #EndeaOwens #NêgahSantos #LouisFouché #JonLampley #CoreyBernhard #TheLateShowSeriesFinale
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Watch The Late Show with Stephen Colbert weeknights at 11:35 PM ET/10:35 PM CT. Only on CBS.
---
Stephen Colbert brings his signature satire and comedy to THE LATE SHOW with STEPHEN COLBERT, the #1 show in late night, where he talks with an eclectic mix of guests about what is new and relevant in the worlds of politics, entertainment, business, music, technology and more. Featuring bandleader Louis Cato and “THE LATE SHOW band,” the Peabody Award-winning and Emmy Award-nominated show is broadcast from the historic Ed Sullivan Theater. Stephen Colbert took over as host, executive producer and writer of THE LATE SHOW on Sept. 8, 2015.
Hosted by Ray Charles with special guest appearance by Sarah Vaughan, Aaron and Freddie, The Bay City Rollers, The Cate Brothers, Freddy Fender, and Wolfman Jack.
Ray Charles - “Every Saturday Night,” “Georgia on My Mind,” “Living for the City,” “Blues for Big Scotia, “American the Beautiful” & “What'd I Say.”
Ray Charles and Sarah Vaughan - “What'd I Say”
Aaron and Freddie (ventriloquist act)
The Bay City Rollers - “Money Honey” & “Rock 'n' Roll Love Letter”
The Cate Brothers - “Union Man”
Freddy Fender - “You'll Lose a Good Thing”
Sarah Vaughan - “The Man I Love”
Midnight Special salute to Otis Redding
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Watch the official music video for Big Yavo's "Shake It" featuring Key Glock from the new project "Like Yay 2" out now.
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#BigYavo #shakeit #likeyay2
Originally scheduled to face Bobby Rex, Cortez found himself in a completely different matchup just days before the event when Real Deal stepped in as a last minute replacement.
With only 3 days prep, BOTH artists still agreed to make it happen — and delivered a raw, high-level battle off pure skill, experience, and professionalism. No excuses. No backing out.
Cortez vs Real Deal is a reminder of what battle rap was built on. Two respected veterans stepping up under pressure and putting on for the culture. 🔥
Who got it?
#KOTD #KingOfTheDot #Cortez #RealDeal #battlerap
Beat Producers :
Round 1 - Doza The Drum Dealer
Round 2 - Marv Won
Round 3 - Im'Pertiv
Mixed By : Lincoln Baio
Chapters
0:00 - Intro
02:24 - 1st Round - Cortez
04:15 - 1st Round - Real Deal
06:20 - 2nd Round - Cortez
08:16 - 2nd Round - Real Deal
10:22 - 3rd Round - Beatdown Gauntlet
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Watch the Official Music Video for "Wrong place, Wrong time"
Listen To "Y'all Won" https://veeze.lnk.to/yallwon
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Navy Wavy LLC, under exclusive license to Warner Records Inc.
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Drink Champs Network Presents: ROC Solid with Memphis Bleek.
This week on ROC Solid, we tappin’ in with none other than Albee Al — Albee pulls up for a raw and unfiltered conversation about pain, perseverance, loyalty, and survival in the music industry. Known for his emotional storytelling and street-certified bars, Albee opens up about the highs and lows of his journey, from navigating legal troubles and personal setbacks to rebuilding his career and reconnecting with fans who never stopped supporting him.
During the episode, Albee Al reflects on the realities of growing up in New Jersey, the influence of the streets on his music, and the lessons he learned while fighting to stay focused through adversity. The conversation also dives into the current state of hip hop, independent artistry, and the importance of authenticity in an era driven by social media trends.
With honest stories, laughs, and deep moments throughout, this episode of ROC Solid showcases a side of Albee Al that fans rarely get to see. Whether discussing music, fatherhood, or personal growth, Albee keeps it real from start to finish, delivering an inspiring and powerful interview that speaks directly to anyone grinding through life’s obstacles while chasing greatness.
Tap in - history’s being told by the ones who lived it.
Stay Solid. ROC Solid. 💎 💯
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"the cure" out now: https://OliviaRodrigo.lnk.to/thecure
Shop "the cure" on 7" vinyl and cassette featuring an exclusive bonus song called "never do" that's not on the album: https://OliviaRodrigo.lnk.to/store
Presave 'you seem pretty sad for a girl so in love' out on June 12th: https://OliviaRodrigo.lnk.to/girlsoinlove
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Lyrics:
All the pretty girls in the foreground of my mind
I thought I’d done enough, but they keep moving the line
I thought I found the antidote this time
I thought I found the antidote this time
All the nights I spend fighting bad thoughts in my room
Feeling so alone, might as well be on the moon
I thought I found the antidote with you
I thought I found the antidote with you
But my head is full of poison
And my heart is full of doubt
I got toxins in my bloodstream
You tried hard to suck them out
And it feels like medication
And it’s good for me I’m sure
But it don’t matter how your love feels anymore
It’ll never be the cure
It’ll never be the cure
Used to play a game in my head
When I’d date a guy
Tally up the girls that he fucked
‘Til I start to cry
I thought I found the antidote this time
I thought I found the antidote this time
But I’m unraveled
I’m unraveled
I’m unraveled
I’m unraveled
I’m unraveled
I’m unraveled
I’m unraveled
I’m unraveled
And my head is full of poison
And my heart is full of doubt
I got toxins in my bloodstream
You tried hard to suck them out
And it feels like medication
And it’s good for me I’m sure
But it don’t matter how your love feels anymore
It’ll never be the cure
It’ll never be the cure
Ohh
‘Cause baby I’m unraveled
I’m unraveled
I’m unraveled
I’m unraveled
I’m unraveled
I’m unraveled
I’m unraveled
I’m unraveled
I’m unraveled
Why can’t you come stitch me up?
Why can’t it ever be enough?
Why can’t you come stitch me up?
Why can’t it ever be enough?
It’s not enough
Oh because my head is full of poison
And my heart is full of doubt
I got toxins in my bloodstream
You tried so hard to suck out
And it feels like medication
And it’s good for me I’m sure
But it don’t matter how your love feels anymore
It’ll never be the cure
It’ll never be the cure
It’ll never be
#OliviaRodrigo #thecure #youseemprettysadforagirlsoinlove
Music video by Olivia Rodrigo performing the cure.© 2026 Olivia Rodrigo, under exclusive license to Geffen Records
Watch the official music video for mgk & Wiz Khalifa's "everything tatted"
Stream "everything tatted" now: https://mgk.lnk.to/everythingtatted
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Lyrics:
I tattooed my face
(Yeah)
I tattooed my neck
(Yeah)
I tattooed my hands
Legs arms back chest
(Whoa)
I tattooed my face
(Yeah)
I tattooed my neck
(Yeah)
I tattooed my hands
Legs arms back chest
(Woo)
Freaks come out at night
12am we active
(Woo)
Never gave a fuck
Never thought it mattered
Blacked out both my sleeves
That shit looked like fashion
Started out with one
Now my body tatted
(Yeah)Ink on my body since thirteen
(Yeah)
Fresh out of juvie that’s first thing
(Yeah)
RIP Dad on my forearm
(Yeah)
Fuck a job I want the worst thing
(Fuck it)
Bricks on my stomach I paid them three hunnid
Yatted the area code that I’m from
Sellin’ a zip just to make me some money
Black on my skin like it’s black on my lungs
I got designs on my torso
(Yeah)
What the fuck I need a shirt for
(Yeah)
We only walk in the back now
(Yeah)
I don’t ever use the front door
(Bitch)
Came up around all the trap boys
(Ay)
I’m in the whip wit a goth ho
(Whoa)
I know that she got a man now
(Hey)
But she never been wit a boss though
(Whoa)
I tattooed my face
(Yeah)
I tattooed my neck
(Yeah)
I tattooed my hands
Legs arms back chest
(Whoa)
I tattooed my face
(Yeah)I tattooed my neck
(Yeah)
I tattooed my hands
Legs arms back chest
(Woo)
Freaks come out at night
12am we active
(Woo)
Never gave a fuck
Never thought it mattered
Blacked out both my sleeves
That shit looked like fashion
Started out with one
Now my body tatted
(Yeah)
She just got her man’s name on her
She just got a airplane on her
Better than puttin’ a chain on her
Tell me what you want and ima pay for it
Eight hours make you wait for it
(That’s a long ass session)
She don’t want love
She want pain more
Inked up
Call me when I land
Says she wanna link up
(Yup)
Roll the tree up
Tatted everything you could think of
Know a dope artist he a genius
(Yeah)
All the bad bitches boutta see this
(Uh)
I get two more before I’m leavin’
(What)
Life’s crazy I don’t need a reason
(Uh)I tattooed my face
(Face)
I tattooed my hands
(Hands)
So you know it’s me in all the pictures rolling up grams
(You know it’s me)
Tats when I lift up my sleeve
(Yeah)
Tats when I lift up my pants
(Damn)
Said it before and I meant it
Inked my whole body and stuck to the plan
(Uh)
I tattooed my face
(Yeah)
I tattooed my neck
(Yeah)
I tattooed my hands
Legs arms back chest
(Whoa)
I tattooed my face
(Yeah)
I tattooed my neck
(Yeah)
I tattooed my hands
Legs arms back chest
(Woo)
Freaks come out at night
12am we active
(Woo)
Never gave a fuck
Never thought it mattered
Blacked out both my sleeves
That shit looked like fashion
Started out with one
Now my body tatted
(Yeah)
Music video by mgk, Wiz Khalifa performing everything tatted.© 2026 EST 19XX, LLC, under exclusive license to Interscope Records
The New York Times Magazine polled more than 250 music insiders and gathered six Times critics to choose the 30 Greatest Living American Songwriters. One of the artists who made the list was Babyface, the craftsman behind dozens of hits for performers like Whitney Houston, Mary J. Blige, Madonna, Toni Braxton, Bobby Brown, Aretha Franklin and Ariana Grande. The writer Danyel Smith met with him in Las Vegas to talk about how he wrote dozens of love songs that defined the 1990s.
See the full list of 30 greatest American songwriters here: http://nytimes.com/songwriters
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Dan + Shay perform Say So on Jimmy Kimmel Live.
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Jimmy Kimmel serves as host and executive producer of Emmy® nominated “Jimmy Kimmel Live,” ABC’s late-night talk show. “Jimmy Kimmel Live” is well known for its viral video successes, with over 16 billion views and more than 19 million subscribers on the show’s YouTube channel. Some of Kimmel’s most popular comedy bits include Celebrities Read Mean Tweets, Lie Witness News, Halloween Candy YouTube Challenge, Jimmy and Cousin Sal pranking Aunt Chippy and music stars like Rihanna and Dua Lipa surprising Jimmy in the middle of the night.
Ecca Vandal performs Cruising to Self Soothe on Jimmy Kimmel Live.
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About Jimmy Kimmel Live:
Jimmy Kimmel serves as host and executive producer of Emmy® nominated “Jimmy Kimmel Live,” ABC’s late-night talk show. “Jimmy Kimmel Live” is well known for its viral video successes, with over 16 billion views and more than 19 million subscribers on the show’s YouTube channel. Some of Kimmel’s most popular comedy bits include Celebrities Read Mean Tweets, Lie Witness News, Halloween Candy YouTube Challenge, Jimmy and Cousin Sal pranking Aunt Chippy and music stars like Rihanna and Dua Lipa surprising Jimmy in the middle of the night.
Questlove talks about the Roots annual music picnic in Philadelphia, his new documentary Earth, Wind & Fire: To Be Celestial vs That's the Weight of the World and getting access to the band's archive.
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Questlove Reveals What Earth, Wind & Fire's “September" Is Really About, Talks New Band Documentary
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Ernie Barnes’ Sugar Shack, one of the most iconic paintings in pop culture, has lived many lives. From the end credits of ‘Good Times’, and Marvin Gaye’s “I Want You” cover art, to inspiring the poster for the 2025 Academy Award–nominated film ‘Sinners.’
Rooted in the cultural legacy of this 1976 masterpiece and the renewed love for 1960s in-house band studio sessions, we introduce the Still Lounge: an intimate space where artists deliver soulful performances under the musical direction of Anderson .Paak and the direction of Fatima Robinson, recorded live at the historic Henson Studios in Los Angeles.
We bring you Columbus, Georgia’s own Tonio Armani, with a voice that’s lived-in, not manufactured. He steps into the Still Lounge to deliver his rendition of Barrett Strong’s “Money (That’s What I Want).”
Credits:
Anderson .Paak and Tonio Armani
"Money (That's What I Want)"
Director - Fatima Robinson
Musical Director - Anderson .Paak
Producer - John Winter
Executive Producers - Jimmy Iovine, Fatima Robinson, Anderson .Paak and John Winter
Director of Photography - Giles Dunning
Production Designer - Hugh Zeigler
Editor & Online - Bill Yukich
Sound Engineer & Mixer - Jhair “Jha” Lazo
Colorist - Beau Leon
Wardrobe Stylist - Binkie Reevey
Supervising Producer - Christine Miller
Production Coordinator - Michelle DeSamper
1st Assistant Director - Dawn Bridgewater
2nd Assistant Director - David Moore
Casting Director - Anissa Williams
Guest Vocalists - Deanna Brown, Johanna Rose, Lady Stout and Tonio Armani
Bass Guitar - Kelsey Gonzalez
Keys - Ron “T.nava” Avant
Guitar - Jose Rios
Trumpet/Horn - Maurice Brown
Tenor Sax - Chelsea Baratz
Trombone - Saunders Sermons
Backup Vocalists - Alana Linsey, Alayna Rodgers
Choreographer - Adrian Wiltshire
Assistant Choreographer - Tia Rivera
Dancers - Jeremy “JT” Taylor, Darryl Keith, Raphael Thomas, Michael Trey, Lisa Sainvil, Amadi Akilah Oubichon, Brianna Pavon, Jhana Waddell, Jason Facey, Tango Leadaz, David "The Crown" Stalter Jr., Erique Mitchell, Yoe Apolinario, Sheopatra, Monique Watson and Toyin Sogunro
Freestyle Dancers, Sara Ito, Cedric "Thane" Sanders, Xuly Williams
Camera Operators - John Veleta, Sam Omelia and Andrew Poland
1st Assistant Cameras - Lorenzo Porras andJordan Martin
2nd Assistant Camera - Andrew Porras
Digital Imaging Technician - Scott Beckley
Behind The Scenes - Jesse Lee
Gaffer - Skott "Gucci Gaffer" Khuu
Key Grip - Hayden Grissom
Best Boys - John Lee, Brandon Diaz
Dolly Grip - Dylan Whiddon
Set Lighting Technicians - Amber Jones, Kevin Garrad and David Goold
Swing - Dennis Pires
Additional Sound Mixer - Mike Beliveau
Instrument Tech - Erick “Eboogie” Rosales
Anderson .Paak Drum Tech - Kyle Dustin Rodgers
Leadperson - Max Duck
Set Dresser - Jonah Porter
Steeldecks - Luis Ventura and Angel Valencia
Key Makeup - Bobbie Riley
Makeup Artist - ShaDara Holmes
Anderson .Paak Makeup - Jenn Hanching
Key Hair - Helena Jaye
Hair Stylist - Victoria Robinson
Anderson .Paak Barber - Dane C Diego
Assistant Stylists - Sheena Burch, Neishea Lemle, Griff Jarrett and Rashad Corey
Anderson .Paak Assistant - Kasey Tovar
Studio Teacher - Jill Kimmell
Craft Services - Rose Kennedy
Office Production Assistant - Shelby Campbell
Truck Production Assistant - Raymond Harper
Talent Driver Production Assistant - Paul Sigwerth
Production Assistants - Erick Sanchez, Robert Washington
Production Company - Whatever Pictures
Filmed At - Chaplin Recording Studios
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COMPLEX is a community of creators and curators, armed with the Internet, committed to surfacing and sharing the voices and conversations that define our new America. Our videos exemplify convergence culture, exploring topics that include music, sneakers, style, sports, and pop culture through original shows and Complex News segments. Featuring your favorite celebrities, authoritative commentary, and a unique voice, our videos make culture pop.
TAEYANG visits Zane Lowe at the Apple Music Studios in Los Angeles to discuss his new album, QUINTESSENCE, a potential BIG BANG reunion and adjusting to a new mindset.
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