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Music video by Counting Crows performing A Long December. YouTube view counts pre-VEVO: 2,037,577. (C) 1996 Geffen Records
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Music video by Big Country performing In A Big Country. (C) 1983 Mercury Records Limited
Gin Blossoms appear on Lithium Live, SiriusXM’s series dedicated to in-studio performances from 90’s alternative and grunge artists. Hear them play stripped down versions of their “flannel era” classics, new songs and more!
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Gin Blossoms: The tragic death of guitarist Doug Hopkins
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I cite my sources and they may differ than other people's accounts, so I don't guarantee the actual accuracy of my videos.
“Let’s face it, Tempe, Arizona., is not exactly a thriving rock ‘n’ roll mecca. It seems more like one of those places that a budding rock band leaves, then later reminisces about for its boring but lovable qualities.”
That's what the LA Times had to say about Gin Blossoms during a 1993 profile they wrote about the group. Gin Blossoms rose to prominence in the early 90’s thanks to their second and third records which sold quite well, but it was a miracle that the band even released their second and breakout album New Miserable experience. By the end of the recording sessions the band would lose one of their key members guitarist Doug Hopkins whose life would end tragically just as his old band was finding fame.. Today lets talk about the life and death of the guitarist.
Gin Blossoms born and raised on R.E.M., Tom Petty, Cheap Trick, and the Replacements, which offered a stark contrast to the other popular bands of the early 90’s who were fed a healthy diet of punk rock, metal and bands like The Pixies. Gin Blossoms married joyful sounding melodies with young adult anxieties. Hailing from Tempe Arizona, Gin Blossoms first formed thanks to a Tower Records store in the city, where frontman Robin Wilson and bassist Bill Leen both worked. The band formed in 1987, and the first solid lineup consisted of Wilson, Leen, guitarists Jesse Valenzuela, ad Doug Hopkins, as well as drummer Phillip Rhodes.
While the band should’ve been celebrating, guitarist Doug Hopkins was not. Having suffered from severe depression from a young age he was against signing with a major label feeling pressure to deliver and also feeling like someone else’s property. His drinking would only escalate once the band signed wa smajor recording contract.. According to Rolling Stone he frequently showed up intoxicated at gigs, while band practices resulted in verbal screaming machines.
The band first convened in Los Angeles in 1991 to record their major label debut but it was a complete disaster. The band spent close to $100,000 and had nothing to show for it and were almost dropped by their label.
Singer Robin Wilson would tell Rolling Stone ,“We were a fragile mess. We were all just treading water trying to make the record. We knew this was our last chance. It was an intense experience on every level.”
During a a separate interview with billboard magazine he also credited the band’s label with helping turn things around letting the band release an EP instead, and touring a bit revealing “they gave us a chance to succeed or fail to learn about the studio and toughen up”. The band in the mean time recorded the EP Up and Crumbling, which came out in 1991.
As the band attempted to take a second stab at their first LP for A&M they chose a different producer and location recording New Miserable Experience in Memphis. That’s not to say the experience was perfect because it was anything but. The band soon started running into problems with Hopkins with Wilson telling the LA Times in 1996
“It’s just a sad thing when you’ve got somebody you love, [and] you’re just watching them destroy themselves before your eyes and there’s nothing you can do to stop it. And it’s all happening while you’re making the most important record you’ve ever made in your life.”
Wilson remembered that one incident that showed how checked out Doug was saying
“I came into the studio and Doug was in there with John, and I heard John say, ‘Well, someone is going to have to do these solos.’ Doug said, ‘I guess I’d rather Jesse do my solos.’ I was just floored. I could not believe that was something tha
But there was one solo that Hopkins did play on and .
Sources:
https://www.latimes.com/archiv....es/la-xpm-1993-05-08
https://en.wikipedia.org/wiki/Doug_Hopkins
https://www.phoenixnewtimes.co....m/music/20-years-ago
https://www.latimes.com/archiv....es/la-xpm-1996-03-31
https://www.rollingstone.com/m....usic/music-features/
https://variety.com/1993/music..../news/rock-guitarist
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Official Music Video for As Long As It Matters performed by Gin Blossoms.
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Official Music Video for Til I Hear It From You performed by Gin Blossoms.
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Official Music Video for Found Out About You performed by Gin Blossom.
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We brought Boiler Room to Rock The Mountain festival in Rio de Janeiro for an unmissable debut, with an all-women, non-binary and trans program traversing baile funk, Latin club, house & techno.
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We came back to Ghent last December with a techno-heavy line up featuring Pegassi, DINA, Helena Lauwaert, Bad Boombox & Malugi.
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We came back to Budapest in December with a cohort of heavy hitters featuring ferrari rot, LUXE, Merve, BAUGRUPPE90.
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We came back to Ghent last December with a techno-heavy line up featuring Pegassi, DINA, Helena Lauwaert, Bad Boombox & Malugi.
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Guns N' Roses - Don't Cry (Tokyo 1992) HD Remastered
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Frankie Beverly joins Questlove Supreme for a very special appearance. This rare in-studio conversation finds Team Supreme telling the Philadelphia native about his impact, significance, and ability to provoke joy through music as Frankie reflects on more than 50 years of amazing songs and showmanship.
Check out these other episodes below!
LA Reid: https://www.youtube.com/watch?v=Iwpy2fUJN2M
Lisa Cortes: https://www.youtube.com/watch?v=iytT9gQYABU
Ramon Hervey: https://www.youtube.com/watch?v=7JMQnckEDNg
0:00 - Questlove Supreme intro for a very special guest, Frankie Beverly
3:49 - Frankie Beverly’s Philadelphia memories
5:40 - Frankie Beverly’s musical roots in Gospel and Doo-Wop
6:25 - Frankie Beverly remembers his first musical bands, and the influence that Frankie Lymon had on him
11:05 - Moving from Philadelphia to California, and the transition from Raw Soul to Maze
12:05 - The career impact of Marvin Gaye on Frankie Beverly
13:55 - Despite not signing with Philadelphia International Frankie Beverly, there was a Kenny Gamble connection
15:05 - Frankie Beverly’s family reflects on his growth and development
17:30 - Frankie Beverly is such a master at singing about love. Why?
19:00 - Frankie Beverly deliberately chose to be accessible to the people, in art and in deed. Team Supreme shows love and gratitude to that attribute
22:00 - Frankie Beverly always wanted a band and a group
22:40 - Frankie Beverly on songwriting and a discussion about “Before I Let Go”
25:30 - Deciding on the name Maze — was Marvin Gaye a factor? Memorable album cover concepts
26:35 - Talking about Frankie Beverly’s catalog
29:00 - Maze Featuring Frankie Beverly has always been able to tour even without new music
31:00 - Why does Frankie Beverly wear white? Why did he wear the trademark hat?
34:10 - How does Frankie Beverly see the future?
35:20 - Frankie Beverly’s thoughts on Beyoncé covering “Before I Let Go” and his admiration for her
36:10 - Giving Frankie Beverly flowers before he lets QLS go
De La Soul, alongside longtime collaborator and production genius Prince Paul, cooks up a 35-year-old dish known as “Eye Know,” from their legendary 1989 album, ‘3 Feet High and Rising.’ Check out their website for exclusive merch, 2024 tour dates and more: https://www.wearedelasoul.com.
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Official Music Video for My Name Is Mud performed by Primus.
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Deje de Pensar Demasiado • Cura todas las Lesiones Físicas y Mentales • Flauta Curativa Tibetana
🍀 Música para relajarse, meditar, estudiar, leer, masajes, spa o dormir. Esta música es perfecta para combatir la ansiedad, el stress o el insomnio ya que facilita la relajación y nos ayuda a eliminar las malas vibraciones. También pueden utilizar esta música como fondo para clases de meditaciones guiadas o relajaciones para dormir.
#MusicHealstheSoul #meditación #musicarelajante
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🌿 Música de Helios Records
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¿Que puedes encontrar en nuestro canal?
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From the DVD Cliff 'Em All
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For Whom the Bell Tolls (Live)
Recorded live in August 31, 1985 at Day on the Green, Oakland, CA
© 1987 Metallica
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The official “we can’t be friends (wait for your love)” music video by Ariana Grande.
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Credits:
Director: Christian Breslauer
EPs : Luga Podesta, Andrew Lerios, Brandon Bonfiglio
Producers: Andrew Lerios, Michael Breslauer
1st AD: Jonas Morales
DP: Anatol Trofimov
Production Designer: Alex Delgado
Production Supervisors: Alexandra Randall, Nicholas Pistone
Production Coordinator: Anthony Nelson
1st AC: Reed Koppen
Gaffer: Brian Hickman
Key Grip: Mynor Priesing
Art Coordinator: Dan Engwall
Set Decorator: Veronica Gutierrez
Director's Rep: Tommy Labuda
Artist Hair Stylist: Alyx Liu
Artist Makeup Artist: Ash K. Holm
Artist Stylist: Mimi Cuttrell
Talent Makeup Artist: Olga Tarnovetska
Talent Hair Stylist: Amy Marie Wilson
Talent Makeup/Hair Assistant: Alexandra Romaneko
Groomer: Jason Schneidman
Talent Stylist: Ann-Marie Hoang
Assistant Stylist: Kim Nguyen
Post Producer: Iván Ovalle
Editor: Luis Caraza Peimbert
Assistant Editor: Tanner Jackson
Assistant Editor: Chloe Scrushy
Colorist: Matt Osborne
VFX: Digital Axis
Sound Design: Raphaël Ajuelos
Starring: Evan Peters
Official “we can’t be friends (wait for your love)” Lyrics:
i didn’t think you’d understand me how could you ever even try
i don’t want to tiptoe
but i don’t wanna hide
but i don’t want to feed this monstrous fire
just want to let this story die and i’ll be alright
we can’t be friends
but i’d like to just pretend
you cling to your papers and pens wait until you like me again
wait for your love
love
i'll want for your love
me and my truth we sit in silence baby girl it’s just me and you cause i don’t wanna argue
but i don’t wanna bite
my tongue yeah i think i'd rather die
you got me misunderstood but at least i look this good
we can’t be friends
but i’d like to just pretend
you cling to your papers and pens wait until you like me again
wait for your love
love
i'll want for your love
know that you made me
i don’t like how you paint me yet i’m still here hanging
not what you made me something like a daydream but i feel so seen in the night so for now it’s only me
and maybe that’s all i need
we can’t be friends
but i’d like to just pretend
you cling to your papers and pens wait until you like me again
wait for your love
love
i'll want for your love
#arianagrande #wecantbefriends #eternalsunshine
Music video by Ariana Grande performing we can't be friends (wait for your love). © 2024 Republic Records, a division of UMG Recordings, Inc.
Virginia native Shaboozey (@Shaboozey) combines Americana, country, and hip-hop in his contemplative performance of ‘Vegas’, a new single lifted from his forthcoming album.
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#colors #shaboozey #vegas
UP NEXT | Montreal-born singer, songwriter, and pianist Alicia Creti (@AliciaCreti) graces the COLORS stage with a transcendent performance of ‘Bleeding Me Dry’, a new single that follows on from the release of her debut EP ‘Self/Less’.
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COLORSxSTUDIOS is a unique aesthetic music platform showcasing exceptional talent from around the globe. COLORS focuses on the most distinctive new artists and original sounds in an increasingly fragmented and saturated scene. All COLORS shows seek to provide a clear, minimalistic stage that shines a spotlight on the artists, giving them the opportunity to present their music without distraction.
#colors #aliciacreti #
Luísa Sonza performs “Chico” and “Penhasco2” with Demi Lovato at Billboard’s Women In Music 2024.
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Luísa Sonza Performs “Chico” & “Penhasco2” With Demi Lovato | Billboard Women In Music 2024
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Charli XCX performs “So I” at Billboard’s Women In Music 2024.
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About: Billboard is the world's most influential music media brand, with an unmatched authority among artists, fans and the industry. Billboard powers the ultimate global music destination and magazine, featuring unrivaled reporting on music news, issues and trends, the industry’s definitive charts, encompassing the most complete and well respected database of charts across all music genres, and elite conferences and events which regularly convene the industry and consumers around important conversations.
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Charli XCX Performs “So I” | Billboard Women In Music 2024
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Karol G is rocking the Billboard charts and Billboard's Woman of the Year honoree is showing no signs of slowing down. This is Billboard Explains Woman of the Year Karol G. The Colombian superstar's breaking records and cementing replace in Latin music history.
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About: Billboard is the world's most influential music media brand, with an unmatched authority among artists, fans and the industry. Billboard powers the ultimate global music destination and magazine, featuring unrivaled reporting on music news, issues and trends, the industry’s definitive charts, encompassing the most complete and well respected database of charts across all music genres, and elite conferences and events which regularly convene the industry and consumers around important conversations.
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Billboard Explains Why Karol G Is the Woman Of The Year
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Matisyahu opens up about his new EP, 'Hold The Fire,' what inspired him to write his upcoming song "Ascent" that speaks out against rising antisemitism, becoming an independent artist, what, why his trip to Israel following the October 7th attacks made him hopeful for the future, his concerts that were canceled in New Mexico and Arizona.
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About: Billboard is the world's most influential music media brand, with an unmatched authority among artists, fans and the industry. Billboard powers the ultimate global music destination and magazine, featuring unrivaled reporting on music news, issues and trends, the industry’s definitive charts, encompassing the most complete and well respected database of charts across all music genres, and elite conferences and events which regularly convene the industry and consumers around important conversations.
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Matisyahu On His Upcoming Song "Ascent" Speaks Out Against Antisemitism & More | Billboard News
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Victoria Monét performs “On My Mama” at Billboard’s Women In Music 2024.
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About: Billboard is the world's most influential music media brand, with an unmatched authority among artists, fans and the industry. Billboard powers the ultimate global music destination and magazine, featuring unrivaled reporting on music news, issues and trends, the industry’s definitive charts, encompassing the most complete and well respected database of charts across all music genres, and elite conferences and events which regularly convene the industry and consumers around important conversations.
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Victoria Monét Performs “On My Mama” | Billboard Women In Music 2024
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