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George Michael - A Different Corner (Official Video)
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Lyrics
I'd say love was a magical thing
I'd say love would keep us from pain
Had I been there
Had I been there
I I would promise you all of my life
Hut to lose you would cut like a knife
So I don't dare
No I don't dare
'Cause I've never come close
In all of these years
You are the only one to stop my rears
And I'm so scared
I'm so scared
Take me back in time
Maybe I can forget
Turn a different corner
And we never would have met
Would you care?
I don't understand it
For you it's a breeze
Little by little
You've brought me to my knees
Don't you care?
No I've never come close
In all of these years
You are the only one to stop my tears
I'm so scared of this love
And if all that there is
Is this fear of being used
I should go back to being lonely and confused
If I could, I would, I swear.
Official Music Video for George Harrison “My Sweet Lord”
In celebration of the 50th anniversary of George Harrison's classic solo album, All Things Must Pass is celebrated with a suite of new releases including a stunning new mix of the classic album by Grammy Award-winning mixer/engineer Paul Hicks, overseen by executive producer Dhani Harrison.
Available Now: https://GeorgeHarrison.lnk.to/....AllThingsMustPassDel
Written & Directed By: Lance Bangs
Executive Produced By: Dhani Harrison, David Zonshine
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#GeorgeHarrison #AllThingsMustPass #MySweetLord
George Michael - Outside (Official Video)
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‘Listen without Prejudice/MTV Unplugged’ – OUT NOW. Listen on Spotify here http://smarturl.it/GMFreedomSpotand get the album herehttp://smarturl.it/LWPGM
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Lyrics
I think I'm done with the sofa
I think I'm done with the hall
I think I'm done with the kitchen table, baby
Let's go outside (let's go outside)
In the sunshine
I know you want to, but you can't say yes
Let's go outside (let's go outside)
In the moonshine
Take me to the places that I love best
So my angel she says, don't you worry
about the things they're saying, yeah
Got no friends in high places
And the game that you gave away
Wasn't worth playing
Let's go outside (let's go outside)
In the sunshine
I know you want to, but you can't say yes
Let's go outside (let's go outside)
In the meantime
Take me to the places that I love best
And yes I've been bad
Doctor won't you do with me what you can
You see I think about it all the time
Twenty four seven
You say you want it, you got it
I never really said it before
There's nothing here but flesh and bone
There's nothing more nothing more
There's nothing more
Back to nature, just human nature
Getting on back to
I think I m done with the sofa
I think I m done with the hall
I think I'm done with the kitchen table, baby
Let's go outside (let's go outside)
In the sunshine
I know you want to, but you can't say yes
Let's go outside (let's go outside)
In the moonshine
Take me to the places that I love best
And yes I've been bad
Doctor won't you do with me what you can
You see I think about it all the time
I'd service the community
(But I already have you see!)
I never really said it before
There's nothing here but flesh and bone
There's nothing more, nothing more
There's nothing more
Let's go outside
Dancing on the d-train baby
When the moon is high
And the grass is jumpin'
Come on, just keep on funkin'
Keep on funkin', just keep on funkin'
Listen to “That Part” Now: https://ThatPart.lnk.to/single
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Music video by Lauren Spencer Smith performing That Part. © 2023 Three Name Productions, Inc., under exclusive license to Island Records & Republic Records, divisions of UMG Recordings, Inc.
Stream/Download "W.O.W. (Walk On Water)" by Lena Byrd Miles - https://lnk.to/LBMBrandNew
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Production Company : Clear Scope Media
Director : Anthony D Pettiford Jr
Cinematographer 1 : Zackery Turner
Cinematographer 2 : TyAja Fletcher
Cinematographer 3 : Chanti Sprauve
Cinematographer 4 : Jordan Pettiford
Cinematographer 5 : Jared Davis
Editor : Eryon Jefferson
Copyright (C) 2022 My Block Inc Under Exclusive License To The SRG/ILS Group.
---
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From 1976 until 1995 Myron Montgomery showcased his classic moves on Soul Train. Starting out at 15, Myron would go on to create the infamous Harlem Shake dance and leave a lasting impression on dance and music over the course of his nearly two-decade long stint on Soul Train. Be sure to leave a comment with your favorite move from this episode. #SoulTrain #SoulTrainAwards #MyronMontgomery #IWasASoulTrainDancer
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#DonCornelius #SoulTrain #SoulTrainBET
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Cole Swindell - She Had Me At Heads Carolina (Remix) [Live at the 58th ACM Awards]
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© 2023 Warner Music Nashville LLC
#ColeSwindell #SheHadMeAtHeadsCarolina #ACMawards
Live Performance @ Brescia Palasport, 29 Sept 2017
NEW "Dreamlanders" Album Release: https://ingroov.es/dreamlanders
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Official Video for "Born in the U.S.A." by Bruce Springsteen
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Chorus:
Born in the U.S.A
I was born in the U.S.A
I was born in the U.S.A
Born in the U.S.A
#BruceSpringsteen #BornInTheUSA #ClassicRock
Bruce Springsteen & The E Street Band performing "Racing In The Street" from London Calling: Live In Hyde Park, 2009
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Chorus:
Tonight, tonight the strip’s just right
I wanna blow 'em off in my first heat
Summer’s here and the time is right
For racin’ in the street
#BruceSpringsteen #RacingintheStreet #LiveInHydePark
Official Video of ”My Hometown" by Bruce Springsteen
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Lyrics:
This is your hometown
This is your hometown
This is your hometown
#BruceSpringsteen #MyHometown #BornInTheUSA #OfficialVideo #ClassicRock
Live in New York City
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About:
Bruce Springsteen & The E Street Band’s first tour in 10 years ended with an emotional series of 10 concerts at New York’s famed Madison Square Garden. Live In New York City, featuring performances from the last two nights of that tour (chronicled partially in an Emmy Award-winning HBO special), captures “the heart-stopping, pants-dropping, house-rocking, earth-quaking, booty-shaking, love-making, legendary E Street Band” as Bruce and his blood brothers embarked on an exciting new musical chapter together. Now, for the first time, this magical program comes to YouTube in its entirety for fans new and old to experience.
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"Little Red Corvette" from '1999' (1982)
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Explore the Official Prince Playlists:
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Prince ♡ Music is Medicine https://bit.ly/MusicIsMedicine
Prince / MPLS https://bit.ly/PrinceMLPS
*******************
Welcome to the Official Prince YouTube channel - celebrating the life, creative works and enduring legacy of Prince Rogers Nelson. Prince’s fearless creative vision, musical virtuosity, and wildly prolific output graced the world with one of the most universally beloved bodies of work of all time. Prince’s hit songs ‘Purple Rain’, ‘When Doves Cry’, ‘Kiss’, ‘Raspberry Beret’, and ‘Little Red Corvette’ are just a small sample of his revolutionary blend of rock, funk, R&B and new wave pop that shattered barriers and empowered millions. In the 1980s, Prince made history by being one of the first black artists to have their videos in heavy rotation on MTV. The Prince Estate is proud to present these groundbreaking videos alongside all of Prince’s releases to inspire and educate fans and celebrate Prince in his totality. Subscribe to the channel and check back for new additions, including music videos, performance clips, official Prince playlists, announcements, and more!
#PrinceRogersNelson #Prince #Prince4Ever
Official Video for "The Most Beautiful Girl In The World" by Prince
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Lyrics:
Could you be the most beautiful girl in the world?
Could you be?
It's plain to see you're the reason that God made a girl
Oh, yes you are
*******************
Welcome to the Official Prince YouTube channel - celebrating the life, creative works and enduring legacy of Prince Rogers Nelson. Prince’s fearless creative vision, musical virtuosity, and wildly prolific output graced the world with one of the most universally beloved bodies of work of all time. Prince’s hit songs ‘Purple Rain’, ‘When Doves Cry’, ‘Kiss’, ‘Raspberry Beret’, and ‘Little Red Corvette’ are just a small sample of his revolutionary blend of rock, funk, R&B and new wave pop that shattered barriers and empowered millions. In the 1980s, Prince made history by being one of the first black artists to have their videos in heavy rotation on MTV. The Prince Estate is proud to present these groundbreaking videos alongside all of Prince’s releases to inspire and educate fans and celebrate Prince in his totality. Subscribe to the channel and check back for new additions, including music videos, performance clips, official Prince playlists, announcements, and more!
#Prince #TheMostBeautifulGirlInTheWorld #OfficialVideo
Listen to the newest album “If I Can’t Have Love, I Want Power” out now: https://halsey.lnk.to/IICHLIWPID
Halsey’s new album ‘Manic’ out now! https://halsey.lnk.to/manicthealbumID
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Get tickets to #ManicWorldTour! Each ticket purchase comes with a physical copy of ‘Manic’.
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#halsey #manic #graveyard
Music video by Halsey performing Graveyard. © 2019 Capitol Records, LLC
Mr. Big - What happened to the band behind songs like to be with you and wild world
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#mrbig #ericmartin
I cite my sources and they may differ than other people's accounts, so I don't guarantee the actual accuracy of my videos.
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I’ve had a lot of requests for this band, so let’s talk about the history of the group Mr. Big.
Mr. Big would sometimes be lumped in with the glam metal bands of the sunset strip and just seen as yet another LA band. They would sprout up at the tail end of the whole glam metal scene in the late 80’s and The history of the band began with bassist Billy Sheehan.
Sheehan’s start in music began in his hometown of buffalo where he started playing guitar before trading it in for a bass and forming a band a band called Talas in 1972.. They had some regional success, putting out three records and even toured with van halen in 1984. Sheehan even played briefly with English band UFO in the early 80’s after Talas had opened for them. It was during that tour Van Halen frontman David Lee Roth took notice of the young bassist.. It was following David Lee Roth leaving Van Halen in 1985 that he enlisted Sheehan to be his band.. Also playing with Roth was guitarist Steve Via and Sheehan thought the band was going to have significant potential. The band collectively recorded Roth’s Debut LP 1986’s Eat Em and Smile. But when it came time to record Roth’s follow up record, 1988 Skyscraper, that collaborative relationship changed int he studio. Sheehan would tell the record newspaper “compare the first two albums and you can hear how manufactured skyscraper sounds. We recorded all our parts separately and i never even heard the complete album until it was released.” He would tell the valley advocate springfield that the album had too many synthesizers on it and he felt too constricted trying to write his parts for the album. It was this experience that gave him an outline of what he wanted to do with his next band, which would be Mr. Big he would add “From my stint as a sideman, I learned that democracy works best.”
There were rumors following Sheehan’s exit, that the bassist was going to be joining ex-billy idol guitarist Steve Stevens at the time. Sheehan was also getting offered solo deals by record labels including Mr. Big’s future home Atlantic Records. It would be mike varney of guitar player magazine who ended up connecting Sheehan with vocalists. Sheehan would reach out to Van Halen producer Ted templeman when it came to finding out the hottest guitar player was at the time. He pointed Sheehan in the direction of Paul Gilbert who the bassist already knew. It turned out Gilbert had played in a band that opened for Talas a number of times in Pittsburgh. Funny enough years later in 1985 in LA, Sheehan was a judge at a guitar wars contest revealing to the buffalo news, one of the contestants was Gilbert, who won the contest. Add to that Sheehan had seen a number of Racer X shows and it was destiny that these two guys were going to play together.
Sheehan would tell the buffalo news When i found out he wasn’t as stably in racer x as i had thought, i called him up and said listen I’ve got Eric Martin to start a band with and he goes Eric Martin you’re kidding. I’ve been listening to him for the last 3 or 4 weeks trying to find out a way to get in touch with him myself. So ironically that’s how it went down.” Drummer Pat Torpey (Tore -pee) would enter the picture when Sheehan met him during as they sang backup vocals for David Lee Roth’s planned tour for Skyscraper and the plan was for the backup vocals to be sampled. Pat also did background vocals on the last motley crue record as well. Torpey, had already amassed an impressive resume touring with Robert Plant, Belinda Carlisle, The Knack and Ted Nugent rounded out the lineup. Within 16 months they got a record deal and released their first album.
It was in April of 1988 of that Sheehan began assembling the components of another band telling the LA Times “The plan was to have a band like the British bands of the late ‘60s and early ‘70s-like Humble Pie and Bad Company that had a bluesy, wailing R&B; singer fronting a heavy-rock band,” Calling themselves Mr. Big, the band would take their name of a song by british group free. The band soon had a big time manager herbie herbert who had managed Journey.
The word that’s continually brought up in Mr. Big’s early days was
Rockstars who hate the Rock N' Roll Hall of Fame
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#rocknroll #halloffame
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The Cult's disastrous reunion with Ian Astbury, Billy Duffy and Matt Sorum for 2001's albums Beyond Good and Evil.
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#thecult #mattsorum #ianastbury
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The british Cult would burst onto the scene in the mid 80’s with a string of successful records including Love, Electric and Sonic Temple. The two constants in the band has always been frontman Ian Astbury & guitarist Billy Duffy who are also the principal songwriters. But as the 90’s rolled around the Cult were in for a rude awakening. Their first record of the decade 1991’s Ceremony would be released at possibly the worst time as it would be put out in September alongside Red Hot Chili Peppers Blood Sugar Sex Magik, Nirvana’s Nevermind, Guns N’ Roses Use Your Illusion records plus you had Pearl Jam’s Ten and Metallica’s Black album come out the month before. The album soon got lost in the shuffle and also represented a stylistic shift for the group as Astbury and Duffy were butting heads over the musical direction of the band, so Ceremony represented a compromise. The album ultimately peaked at number 24 on the album charts and sold half a million copies in the states, but it didn’t do as well commercially as the band’s past efforts. Also hampering the band at this time was a $61 Million lawsuit they were involved in over the cover art for the album. The family of the boy on the album cover sued the band claiming they never gave permission for the photo to be used, while the band claimed they went through the appropriate legal avenues.
The Cult would return in 1994 with their self titled album that was more influenced by alternative rock at the time. The album sold worse than Ceremony and it ultimately led to the band breaking up. The band would fall apart while on tour in South America with Billy Duffy telling Loudersound “we broke up in 1995.. That was a real break-up! We were in south america and ian just split. I think the problem was, that neither of us were really comfortable with success. We’re just not cut out for being popstars. The rest of the tour dates would be scrapped. Astbury would tell Newday “I left the band because I was exhausted after 12 years with Duffy. I had given everything i could in our relationship and made a lot of sacrifices in my life. Time with my family and time with yourself to be away from the pressures of being objectified as the singer in a rock n’ roll band. Also contributing to his decision to take a break was his struggles with substance abuse, his marriage falling apart and the changing musical scene and how the rock n’ roll frontman persona had changed from a decade prior. He would remark to an interviewer. Look how they dress. They don’t dress like peacocks. Their music didn’t celebrate sexuality.
During their time apart in the mid 90’s Astbury and Duffy would play in separate musical groups, but it would be former Cult and Guns N’ Roses drummer Matt sorum who instigated a reunion. Sorum had joined the cult during the sonic temple tour days and soon departed to join Guns N’ Roses to help them make their Use Your Illusion records and tour the album. He had been fired by frontman Axl Rose in 1997. It was one night in the late 90’s he was sitting on his couch watching TV when he saw Jay Leno’s Tonight show and saw buckcherry performing. He would call up Duffy and according to his autobiography double talkin jive he’d say ‘billy! I just saw a band on tv and they are a watered down poor man’s version of the cult. I think rock n’ roll could be coming back.” the musicians would talk about their longstanding issues and what they were now up to and Sorum proposed that they get the band back together, put out a press release and book a tour. Duffy was into the idea and they enlisted bassist Martin LeNoble and the Cult were now back and booked a sold out theater tour across America. The success of the band’s reunion tour resulted in record labels showing up to their gigs and making offers, one of the labels who pitched to the cult was atlantic who offered them a million dollar advan
The history of the 90's alternative group Luscious Jackson, best known for the song Naked Eye.
Breeders Video
https://www.youtube.com/watch?v=YWYP3Mplh-M&pp=ygUdd2hhdGV2ZXIgaGFwcGVuZWQgdG8gYnJlZWRlcnM%3D
Urge Overkill Video
https://www.youtube.com/watch?v=W_oPRrG5pnY&pp=ygUNdXJnZSBvdmVya2lsbA%3D%3D
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#lusciousjackson
I cite my sources and they may differ than other people's accounts, so I don't guarantee the actual accuracy of my videos.
Luscious Jackson would be a staple of the 90’s combining their influences of hip-hop, funk, old soul, punk and vintage samples. They would be hailed as one of the most unique bands of the 90’s, while also being difficult to characterize. Some characterizations included labeling the group as lazy bluesy hip hop or the sister group to the beastie boys. Today, let’s talk about the history of luscious Jackson
The group’s lineup would be made up of bassist and vocalist Jill Cunniff, guitarist and vocalist Gabby Glaser, drummer Kate Schellenback and keyboardist Vivian Trimble. ¾ of the band were raised in New York City in the 80’s, Trimble wasn’t. While she was born in the city, she would instead move to europe with her parents being opera musicians living in Switzerland Austria and France until she was an adult.
Luscious Jackson’s origins began in the 80’s when a 13 or 14 year old Cunniff, Glaser and Schelleback would meet. Cunniff would tell NPR "I think I met Gabby on a stoop on St. Mark's Place, and I believe Kate, as well adding "We were all about 13, 14, and it was an amazing time, as far as not only bands playing but also the early rap scene and the breakdancing scene,". "It was all kind of colliding at the same time." "I remember meeting Adam Yauch of the Beastie Boys in front of the UK Club at a Bad Brains show. There were probably 20 of us, all underage, running around to clubs." While the members were too young to get admitted to these shows they would put fake stamps on themselves to get in. Cunniff would celebrate her 13th birthday at club CBGB’s while Glaser would hang out with the clash during the recording of their record Sandanista. Meanwhile Trimble who was living across the pond would get into the same type of hijinx. Trimble and her french friends who hang out at popular parisian nightspots\
Glaser would go to a diverse school made up of Puerto Ricans, African American with her high school being mostly Asian. Despite her fellow students having already chosen their careers by middle school, Glaser thought that maybe she would become a graphic designer or an architect, but she soon realized, it was too much work. She would also be the niece of Milton Glaser who designed the logos for i love new york and DC Comics among many others.
Cunniff meanwhile was looking at a career in comedy or becoming a veterinarian. However, it would be a trip to the vets office when she saw someone bring in a dead cat, that she soon decided, being a vet wasn’t for her. Schellenbach meanwhile was already in show business by the time she age 13, appearing in a broadway show.
As the members grew up, Cunniff goes to France to study and returns to New York, while Glaser is taking going to film school. They’re both working dead end jobs and the origins of Luscious Jackson would begin with both women assembling in a friend’s basement studio drinking coffee, coming up with samples, doing low key rapping and playing guitar. Cunniff would play bass while Glaser played guitar and they would sometimes switch instruments. It was in their friend’s basement that seven songs emerged that would make it on their first EP In Search fo Manny and while the first four tracks were done, the last two needed drums and keyboards. So the girls would soon enlist drummer Kate Schellenbach and keyboardist Vivian Trimble to round out the demos. Jill Cunniff would tell billboard why the band heavily used samples revealing “we did a lot more work with samples in the past mostly because we could never get immediate results with live instruments ”
Trimble would tell an interviewer about what she had been up to until this point revealing “I had been part of the performance scene in New York for years with people like John Kelly. My mother’s a concert pianist and my father’s an opera singer. I’d never pursued any of that seriously, but I started writing music for myself and for other directors and choreographers. I met Jill when we were teaching adult education together. The first time
Watch the eerie music video for "Autophagie", the hypnotic & abrasive new single off KILL THE THRILL's upcoming eponymous album 'Autophagie'.
'Autophagie' is out January 26, 2024 on Season of Mist.
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Lineup
Nicolas Dick - Lead vocals, Guitar, Lap Steel, Samples
Marylin Tognolli - Bass Guitar
François Rossi - Drums
Video Production
Guillaume Mariotti - Mystère Public
Recording Studio
Le Puits Sonore
Production
Sound, Mixing & Mastering Engineer - Nicolas Dick
Links
Official Website: https://www.kill-the-thrill.com/
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Season of Mist has always been known for being an innovative and wide spectrum label, interested in exploring and developing new artists and bands. The label represents well-known acts such as ROTTING CHRIST, ARCHSPIRE and HEILUNG, as well as rising stars in extreme metal like GAEREA, SYLVAINE and REGARDE LES HOMMES TOMBER.
SLAUGHTER TO PREVAIL // KOSTOLOM // OUT NOW
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--
BRATVA// LYRICS
открой глаза придурок
Ради чего ты до сих пор живой
время пройдет без шуток
и твое тело порастет травой
кто хочет подохнуть в страхе
просить кого то дать еще один шанс
а мы пойдем с улыбкой на смерть
зная что напишут о нас !
что у тебя в груди бьется ?
и для чего оно гоняет кровь ?
тот кто затронет тот обожеться !
тот кто сильнее пойдут за тобой !
что у тебя в груди бьется ?
или если перестанет то какой ценой ?
я хочу сдохнуть что б не было стыдно
я хочу сдохнуть оставшись собой
не потерять честь
в роковой час будешь ты тем
кого ты воспитал в себе ничего не скрыть!!!
твой отец будет прятать глаза
твоя мать будет слезы лить !!!!
кто хочет подохнуть в страхе
просить кого то дать еще один шанс
а мы пойдем с улыбкой на смерть
Будем мертвы все
Мы будем помнить всех
Мы будем метвы все
Мы будем метвы все
что у тебя в груди бьется ?
и для чего оно гоняет кровь ?
тот кто затронет тот обожеться !
тот кто сильнее пойдут за тобой !
что у тебя в груди бьется ?
или если перестанет то какой ценой ?
я хочу сдохнуть что б не было стыдно
я хочу сдохнуть оставшись собой
---
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SLAUGHTER TO PREVAIL // KOSTOLOM // OUT NOW
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--
AGONY // LYRICS
I want to know if you will risk looking like a fool
For your love, for your fucking dream
Motherfucker!
I want to know if you've touched the centre of your own sorrow
If you've been opened by life's betrayals
Or have become shriveled and closed from fear
Of further pain, I want to know if you can sit with pain
Mine or your own without moving to hide it or fade it or fix it
Can you be with joy mine or your own?
And let the ecstasy fill you and toes without cautioning us
To remember the limitations of being human
And each of us will have to go through the agony
And each of us will have to go through the agony
It doesn't matter if the story you are telling me is true
I want to know if you can disappoint another
If you can bear the accusation of betrayal
And not betray your own soul, man
I wanna know what you ache for
I want to know what you live for
And if you will risk looking like a fool
For your love, for your fucking dream
For the adventure of being alive
And each of us will have to go through the agony
And each of us will have to go through the agony
Looking like a fool for your love, for your fucking dream
And each of us will have to go through the agony
And each of us will have to go through the agony
It doesn't interest me who you know or how you came to be here
I want to know if you will stand
In the centre of the fire with me
And not shrink back
I wanna know what you ache for, ache for
I wanna know if you touch the dark
I want to know if you will stand with me
In the centre of the fire
And not shrink back
Each of us will go through the agony
Each of us will to go through the pain, through the fucking agony
Each of us will to go through the pain, through the fucking agony
Hell in us!
--
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Scott Stop of Creed has been involved in a number of feuds. Today we take a look at several of them.
0:00 - Introduction/Howard Stern Feud
1:45 - Limp Bizkit Feud
5:38 - 311 Feud
6:32 - Creed Feud
Taproot video
https://youtu.be/Ew_LbnoQ6es
Credit Thumbnail - Getty
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#scottstapp #creed #howardstern
I cite my sources and they may differ than other people's accounts, so I don't guarantee the actual accuracy of my videos.
While promoting his 2005 record The Great Divide, Scott Stapp would make an appearance on the show Casino Cinema which was hosted by howard stern’s wife Beth Stern. A noticeably drunk Stapp was pretty beligerant during the interview as you can see here. IT was following the interview that Stern expressed his anger on his December 1, 2005 show according to Marks Friggin.com telling his audience that Stapp reportedly told his girlfriend and i quote “bimbos like her normally don’t go for him” and stern expressed his anger that no one from the show seemed to throw scott off the show and referred to the crew of the show as and i quote ‘maggots’ It was reported that after the appearance stapp saw himself on tv and checked himself into rehab.
Limp Bizkit - Limp Bizkit and Creed were some of the most popular bands by the late 90’s early 2000’s on both rock radio and MTV.
As reported by MTV at the 2000 incarnation of New York Station KROCK’s aptly titled dysfunctional family picnic concert, Creed and Limp Bizkit traded barbs with one another during their performances. Limp Bizkit would take to the stage an hour late,
Limp Bizkit’s label Interscope tried to do some damage control telling MTV there was confusion over Limp's set time. Once limp bizkit took the stage things took a bizarre turn when Durst launched into a rant against Creed frontman Scott Stapp telling the crowd and I quote
"I want to dedicate this next song to the lead singer of Creed.... That guy is an egomaniac," "He's a f***ing punk, and he's backstage right now acting like f***ing Michael Jackson. F** that motherf**er, and f** you too.... [RealVideo] And if you want, there's going to be a booth with pillows and blankets for when Creed comes on."
Stapp addressed the comments during Creed’s set telling the audience “It takes a lot more guts to say something to somebody than from behind their backs." Following the show Durst appeared on MTV’s Total Request Live and either jokingly or not told Carson Daily that he was presented with an anger management manual from Creed’s camp. Here’s the interview with TRL talking about the feud. https://www.youtube.com/watch?v=4Kvvz...
Creed would end up putting out an official statement that read We are extremely disappointed that Fred Durst has taken his personal feelings toward us public, considering we have never met or spoken to him. We are more disappointed that Fred is manipulating the media and the truth by using Creed as a scapegoat for his own immature and egotistical actions."
Creed’s camp contended that Durst made his comments out of anger over where Limp Bizkit was on the bill. According to MTV limp Bizkit were set to play before STP, Ozzy and Creed with Creed’s statement adding "He then refused to go on stage causing management from KROCK, Creed, Stone Temple Pilots, and Ozzy Osbourne to spend nearly an hour trying to figure out how to get Limp Bizkit to take the stage. Fred finally agreed to play only after he 'finished his dinner,' having accomplished his obvious goal of delaying his set."
Creed would attack Durst again after a voice recording of Durst leaving harassing and threatening voice mail for the band Taproot after they opted not to sign with his label Interscope. I’ve done a whole video on the feud the link is down below. Creed wouldi issue another statement calling Durst’s voice recording and i quote "vulgar comments and violent threats... totally indicative of a mobster mentality" at TapRoot. Scott stapp would also challenge durst to a boxing match for charity, but the challenge would go unaccepted from Durst’s camp.
311 - It was during the promotion for his solo record The Great Divide in 2005 during a tour stopover in Baltimore during thanksgiving weekend that STapp found himself staying at the same hotel as the band 311. Stapp who was intoxicated according to reports was downing shots and smashing glasses against the bar when he saw 311 frontman SA Martinez with his wife sitting at a nearby
Around The Fur: The Deftones, whatever happened to the girl on the album cover?
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#thedeftones #aroundthefur
I cite my sources and they may differ than other people's accounts, so I don't guarantee the actual accuracy of my videos.
I’ve covered a few stories on people who appeared on some pretty memorable albums or album covers and the stories behind the shoots and where those subjects are at today. One of my subscribers suggested doing the story on the scantily clad woman on the front cover of the Deftones sop****re record around the fur. And here were are today. So let’s find out the story behind the album cover and who the woman is and what she’s up to today.
Released in 1997 by the alternative metal, act The Deftones their record Around the Fur would be put out on madonna’s label Maverick records. Another act I talked about who was signed to Maverick was candlebox. I’ve done a whole video on their career, the link is down below. Around the Fur would produce two hits in My Own Summer (Shove it) and Be Quiet and Drive (Far Away). The album would go platinum nearly 14 years after its release. Revolver magazine wrote a pretty great piece on the story of the album cover and the website Pousta interviewed the photographer and model who appeared in the photo.
The cover would be shot by photographer Rick Kosick, whose credits included MTV’s jackass and wild boyz. Both The Deftones vocalist Chino Moreno and guitarist Stephen Carpenter were fans of the photographer. Kosick would tell Revolver how he got the gig I know Chino was really into skateboarding at the time, and Steph has always been into BMX," Kosick tells Revolver. "At the time, I was doing a lot of rock shots, too. They thought I was the right guy for the job, so everything fell into place.
Kosick would fly up to seattle to shoot the band in the studio, but he always also invited to a party with the band and some groupies. Kosick would tell revolver"They were having this after-hours party with all these chicks hanging out in the Jacuzzi," he explains. "I just happened to take a photo of a girl at, like, 4 o'clock in the morning. I don't even know who she is—she was just a groupie, I think. I just saw herand was like, Damn, I gotta photograph this. Kosick would only take one shot of the woman with a fish eye lens and it’s his feet you see on the album cover next to her. Kosick would claim the woman on the cover wasn’t happy with the photographer with him recalling to revolver She made some comment about being too close to her boobs. So I took the photo, walked away, and never spoke to her again. I know they found her and got her to sign a release, though." For his work Kosick would get a gold record from the band.
As for the woman her named is Lisa Hughes. She would give her first interview since appearing on the album cover in 2017. During the interview she would claim to be really proud of being on the album cover telling Pousta a little about herself saying and i quote
She would recall how she first heard about the band wanting to use her photo recalling “Well funny thing, I didn’t have a computer at the time and I received a call from Stephen (Carpenter) asking if I would allow them to use the photo for the cover. I wanted to see it first, but had a hard time getting a good copy, so I had Maverick Records fax it to me. It was a little dark and hard to see. But I said yes for sure use it. I didn’t have doubts, I was excited!”
There would be rumors that she was upset that the photographer was invading her space by taking the top down photo but she brushed these assertions off in the same interview.
Since appearing on the album cover Hughes would stay in touch with STephen from the Deftones but in more recent years lost touch with him.
Guns N' Roses: Buckethead's Bizarre history with Axl Rose and the band during the making of Chinese Democracy.
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#gunsnroses #axlrose #buckethead
I cite my sources and they may differ than other people's accounts, so I don't guarantee the actual accuracy of my videos.
Guns N’ Roses would rule the world from 1988-1993 releasing several huge albums including Appetite for Destruction and the Use Your Illusion Records. Following the Use your illusion tour in 1993, the band struggled to write new material. The band cobled together a covers album that was put out in 1993 tilted the spaghetti incident and the following year they released a cover of the rolling stone’s song sympathy for the devil for the film interview with the vampire. By 1995 Slash released his side project Slash’s snakepit, signalling the end of his working relationship with frontman Axl Rose for nearly 20 years. He would leave the band the following year and would be followed by bassist Duff McKagan in 1997 and drummer Matt Sorum would be fired by Rose the same year. By 1998 Rose was the last man standing from the 80’s lineup of the band. He had to assemble a new band and while a lot of people came and went over the next 2 decades, one of the more interesting members to join the band was guitarist Buckethead. Today, let’s take a look at his time in the band.
It was frequently reported in the press in the early to mid 90’s that frontman Axl Rose was not just a fan of hard rock music, but more alternative bands including Jane’s Addiction, Pearl Jam and Nine Inch Nails. When Guns N’ Roses began workign on their proper follow up to 1991’s use your illusion it was reported that Rose wanted the band’s music to grow and evolve, while guitarist Slash wanted to stay closer to the band’s hard rock sound. Perhaps Rose gave us a sneek peak of where his mind was at when he put out the head scratching tune My World on Use your illusion 2. In 1995 Slash who was doing press for Slash’s Snakepit revealed where Axl’s mind was at the time musically saying to metal hammer There was a point there where Axl goes: 'I'm gonna do a solo record, and I'm gonna get Trent Reznor and Dave Navarro, and [Dave Grohl,] the drummer from Nirvana...' and so on. And it's like, he doesn't even know half of these people. He's just pulling them out of the sky." (Slash, Metal Hammer, 11/95)
In a separate interview with Canadian Radio Slash would state the same year "Then [Axl] decided his solo-project he could do with Guns, which I was like, after doing all those videos and this and that and the other, I was like: "No". [laughs] No, I don't wanna get involved in any kind of Stephanie Seymour ballads or any of that shit.
As Axl assembled his new lineup of GUns N’ Roses in the late 90’s he would bring in nine inch nails guitarist Robin Finck, who played with the band in 1998 and 1999, but he would depart the group just before the millennium leaving the band without a guitarist. While future guitarist Richard Fortus was asked to audition it would fall through with him recalling to "I was scheduled to ultimate guitar They called and said, 'Yeah, we want to fly you out this week.' I was going to be there anyway doing sessions, so I could do it at that time. They said, 'Perfect.' I didn’t hear back from them, so I just figured, 'Well, it must not be happening.'" (Richard Fortus, Ultimate Guitar, 11/26/08). In a separate interview with TImes Union he would state
"Before that audition happened, Axl saw Buckethead play, and he decided to go with him instead
Fortus wouldn’t join the band until 2002 and still plays with them to this day. As for how Buckethead joined, Rose wasn’t sure how to get a hold of the guitarist, but Guns N’ Roses drummer at the time Josh Freese knew Buckethead and helped Rose track him down. Freese would reveal to podmotaic that he had heard that buckethead was up in san francisco hanging out with the band Primus so Freese would place a call to Primus manager Dave Lefkowitzrecalling the conversation he had with Lefkowitz The first thing I was like, "Do you think Buckethead would be into this, he's such a quirky, weird, artiste?" And Dave goes, "Yeah, I think he is tired of the starving artist routine, I think he is ready to make a living"."
Things wouldn’t be solidified until Buckethead was invited to Rose’s home for Christmas in 1999. It had been a tough holiday season for bucket who was h
REMASTERED IN HD!
Official Music Video for Switch performed by Will Smith.
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"Shea Butter Baby" Out Now :http://smartURL.it/SheaButterBaby
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#AriLennox #WhippedCream #SheaButterBaby
Whipped Cream
I've been eatin' whipped cream, havin' vivid dreams
Of your face and through people on TV screens
You've been everywhere
And I wish I didn't care
Oh you've been everywhere
I wish, wish I didn't care, yeah
Wish I didn't
I've been thinkin' of you
I've been keepin' you
Alignin' my soul
With the devil that it chose
I've been thinkin' this
Thinkin' of some kids
How I'm agin', degradin'
When I give it like this
I've been cryin' at night, holdin' bullet tight
Hopin' I meet someone different, but it's true that I don't
I've been eatin' whipped cream, havin' vivid dreams
Of your face and through people on the TV screen
Everywhere
Said I'll be...
And I wish I didn't care
Oh, you've been everywhere
I wish, wish I didn't care
I've been in my feels, I've been stackin' bills
Online shoppin' and robbin' my chance of survivin'
And I'm late on rent, what was I thinkin'?
I'm gon' go to the gym, squat real low for a man
'Round you it revolves, I can't shake it off
Unrequited, admit it, you were never mine at all
Never mine, never mine
Never mine at all
Never mine
Never mine at all
I've been eatin' whipped cream, havin' vivid dreams
Of your face and through people on TV screens
You've been everywhere
And I wish I didn't care
Oh, you've been everywhere
Oh I wish, (said I wish) wish I didn't care, yeah
Ooh, yeah, ooh
Eat...
Ooh, yeah, ooh
Your deceivin', receivin', non-givin' headass
Your deceivin', receivin', non-givin' headass (oh, yeah)
I've been eatin' whipped cream, havin' vivid dreams
Of your face and through people on TV screens
You've been everywhere
And I wish I didn't care
Oh, you've been everywhere (you've been, you've been, you've been)
I wish, wish I didn't care, yeah
Music video by Ari Lennox performing Whipped Cream. © 2018 Dreamville/Interscope Records
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“BUSSIT” Out Now: https://smarturl.it/BUSSITAriLennox
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Director: Tajana B-Williams
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Exec Producer: Justin Benoliel
Production Company: object & animal
Producers: Daniel Yaro & Mike Minihan
Video Commissioner: Marissa Ramirez
Video Coordinator: Christine Trinh
Choreographer: Jasmine Badie
1st AD: Constantin Preda
Casting: Rebbi Rosie
Art: Selin Spuehler & Stone Soulie
Styling: Ade Samuels, Zarah Gayle, and Lexee Smith
Ari Lennox Hair: Malaika Frazier
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Edit: Tajana B-Williams
Colour: Gabe Sanchez
Dancers: Rebbi Rosie, Quinetta Wilmington, Taylor Terry, Shellee Samuels, Paris Jackson, Brittanie Bianca, Dominique Loude, Domonique Chanel Young, Moxie Knox, Liars Imano Thomas, and Victoria Wall
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Lyrics:
Have off my clothes when you arrive
You could seduce me with your eyes
Don’t want the smoke don’t waste my time
I be open for you
Work out my spine, I need you in
You scared of love but fuck your
Ain’t no gettin’ away from this if you wanted to
Flowin’, changin’, take part in this ocean
Like water, I run right through ya
I know that ya into me
Ride it and let me see
Ride don’t be scared of me
I like all the ways you do
Boy you killin’ me
Buss it to the tenth degree
I know that ya into me
Ride it and let me see
Ride don’t be scared of me
I like all the ways you do
Boy you killin’ me
I know that ya feelin’ me
Buss it to the tenth degree
So deep I feel you in my mind
So good I want it all the time
Buss in my garden, fertilize
Wanna grow with you
If it’s on we should get it on
‘Cause we all night long
Come first then break up that
In me is where you belong
I know that ya into me
Ride it and let me see
Ride don’t be scared of me
I like all the ways you do
Boy you killin’ me
I know that ya feelin’ me
Buss it to the tenth degree
I know that you into me
Ride it and let me see
Ride don’t be scared of me
I like all the ways you do
Boy you killin’ me
Buss it
#AriLennox #BUSSIT #Dreamville #ROTD3
Music video by Dreamville, Ari Lennox performing BUSSIT. © 2020 Dreamville/Interscope Records
Nirvana: The Tragic Story of the band's final show with Kurt Cobain
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Nirvana would release their final and third studio album in-utero in September of 1993. Unbeknownst to their fans, the band would be done 8 months later. Today I want to talk about the band’s final concert.
In the months after Nirvana released in-utero they’d play MTV unplugged in november of 1993 and the same month perform on mtv’s live and loud. In January of 1994 the band would reassemble in the studio, but those sessions proved unfruitful.
In February of 1994 the band traveled to europe for what would be their final tour together. It was originally planned to be a 3 month trek that would see them Playacross the entire continent and last until April 8th.. Cobain who had been struggling with heroin addiction for the past three years was finding it more difficult to find his drug on Europe resulting in him going through painful withdrawals. Only adding to the problems for him was that his wife Courtney Love and Daughter were back home and Kurt was feeling lonely.
On top of that Kurt the rigors of touring were taking a toll on Kurt’s voice and physical health.
Nirvana would play their final gig on March 1, 1994 at an airplane hangar called Terminal 1 in Munich, germany to a crowd of 3,000 people.This wasn’t the final scheduled date of the tour, but rather a midway point as according to Kerrang the band had also scheduled Manchester (March 27), Glasgow (28), Aston Villa Leisure Centre (30 and 31), Cardiff International Arena (April 1) and four nights at Brixton Academy in London (April 3, 4, 5 and 6) before finishing up the tour in Dublin Ireland on April 8th.
The band initially was only scheduled to play two shows at the brixton academy but two more shows would be tacked on after the first two shows sold out within hours, which was helped by the fact that in-utero topped the uk charts. In the run up to the band’s performance at Terminal 1, Kerrang magazine wrote a review of the band’s show in Paris as and i quote a “safe and conventional performance” and claimed the band looked and i quote “bored and tame”, A pretty accurate assessment. Esquire would publish excerpts from the book i found my friends the oral history of nirvana: The book would detail the shifting mood in the band during their final tour. Beginning in portugal in february of 1994 the mood shifted from excitement to and i quote By March 1, the mood of the tour was at a perilous low as Nirvana strolled through virtually the same ninety-minute sets they'd played every night for sixty shows over five months and Cobain complained of illness—"bored and old" indeed
Their final show in Munich would come nearly six weeks before Cobain would die at his home in Seattle. Their final show would take place on March 1, 1994 in Munich at an old airport hangar called Terminal 1. It wasn’t really a glamorous venue and the acoustics were terrible. Cobain would not attend the soundcheck and according to author charles r cross cobain instead went to the train station to score after asking his tour manager to get an advance on his daily per diem allowance. Ahead of the gig possibly after scoring Kurt allegedly got involved in a fight with his wife over the phone and then called his lawyer Rosemary Carooll reportedly telling her waned a divorce according to the book Nirvana FAQ
According to The Melvins Buzz Osborne who was supporting Nirvana on tour, Cobain claimed he was soon going to be ending the band.
The band would open up their munich show with a cover of the cars song my best friend’s girl, possibly a reference to the problems he was having with Courtney Love at the time. That song was followed by radio friendly unit shifter and drain you. . A few songs later in the set the band performed their hit single COme As You Are the power would go out. Once the power was restored teh next song on the set “Smells Like Teen Spirit” would be skipped. This resuled in Krist Novaselic either saying as a joke or foreshadowing the future telling the crowd
“We’re not playing the Munich Enormodome tonight. Because our careers are on the wane. We’re on the way out. Grunge is dead. Nirvana’s over. ... Our next record’s going to be a hip-hop record!” The power would eventu
"Freeze" by T-Pain feat. Chris Brown
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Lyrics:
Girl, I've been waiting all night to see you dance like me
And you gon' sweat your outfit out tryna dance like me
Now let me see you, ah
Now freeze, like me, ooh now, shawty
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Washed Out creates dreamy, hypnotic and enchanting soundscapes. He expanded his sonic palette to include over 50 different instruments on his new release Paracosm, and performed with a full band live on Morning Becomes Eclectic. Watch/listen to the full session here: http://www.kcrw.com/music/prog....rams/mb/mb130826wash
Watch Brittany Howard play "Stay High", "Georgia", "Baby" and "Goat Head" at the Tiny Desk.
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Oct. 15, 2019 | Bob Boilen -- From the moment Brittany Howard walked into the NPR offices, I could sense her intense commitment and passion. Her eight-piece backing band, all decked out in red and black, played with a soulful subtlety that bolstered Brittany Howard's tender songs about her family — stories of a mixed-race child growing up in Alabama.
All the songs performed at the Tiny Desk come from Jaime, an album Brittany Howard dedicated to her sister who died at the age of 13 from a rare form of eye cancer, the same disease that has left Brittany Howard partially blind in one eye. On these songs (and in particular at this Tiny Desk Concert), there is more nuance than I've heard in Brittany's past projects, including her work with Alabama Shakes and Thunderbitch. The music has a sense of wonder and playfulness, even when the subject is heavy, as in "Georgia." She tells the audience that it's a tale of "a little young, black, **** girl having a crush on an older black girl and not knowing what to say and how I was feeling."
Brittany Howard knows how to tell a story, to foster empathy and understanding and, in this intimate setting, the songs feel at home. The connection with the audience felt visceral as I looked around the room and into the eyes of my workmates and their friends. Even a small child in the arms of their parent screamed at the appropriate moment during the climax of Brittany's song, "Baby." It gave us all a good laugh just when the weight of the words felt the heaviest.
SET LIST
"Stay High"
"Georgia"
"Baby"
"Goat Head"
MUSICIANS
Brittany Howard: vocals, guitar; Nate Smith: drums; Alex Chakour: guitar; Brad Allen Williams: guitar; Zac Cockrell: bass; Lloyd Buchanan: keys; Paul Horton: keys; Shanay Johnson: vocals; Karita Law: vocals
CREDITS
Producers: Bob Boilen, Morgan Noelle Smith; Creative Director: Bob Boilen; Audio Engineer: Josh Rogosin; Videographers: Morgan Noelle Smith, Kara Frame, Beck Harlan, CJ Riculan; Associate Producer: Bobby Carter; Executive Producer: Lauren Onkey; VP, Programming: Anya Grundmann; Photo: Laura Beltran Villamizar/NPR