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Color Me Badd - I Wanna Sex You Up (Official Music Video) | Warner Records Hotney 2 Streams • 4 years ago

I Wanna Sex You Up by Color Me Badd from the album C.M.B. © 1991
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Lyrics:
Come inside take off your coat I'll make you feel at home
Now let's pour a glass of wine cause now we're all alone
I've been waiting for you girl just let me hold you close to me
Cause I've been dying for you girl to make love to me
Girl you make me feel real good
We can do it til we both wake up
Girl you know I'm hooked on you
And this is what I'll do
I wanna sex you
All night
You make me feel good
I wanna rub you down
I wanna sex you up
Let me take off all your clothes
Disconnect the phone so nobody knows
Let me light a candle
So we can make it better
Makin' love until we drown
Girl you know it feels real good
We can do it til we both wake up
Girl you know I'm hooked on you
And this is what I'll do
I wanna sex you up
Makin' love until we drown
I wanna sex you up
All I wanna do is
I wanna sex you up
All night
Girl you make me feel good
I wanna rub you down
I wanna sex you up
Make sweet lovin' all night long
I wanna sex you up
Feels so right it can't be wrong
Don't be shy girl rescue me
I wanna sex you up
Open up your heart and I'll set you free

Stream & download the song here: ***

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https://colormebaddmusic.com/

About Warner Records:
Warner Bros. Records opened for business on March 19, 1958, above the film studio's machine shop at 3701 Warner Blvd. in Burbank. Among the artists who have found a home at the company: Frank Sinatra, Duke Ellington, The Kinks, Joni Mitchell, Jimi Hendrix, Randy Newman, Black Sabbath, The Grateful Dead, Van Morrison, Neil Young, Alice Cooper, Captain Beefheart, James Taylor, Richard Pryor, Rod Stewart, George Harrison, Prince, Van Halen, The Sex Pistols, Talking Heads, The Who, Eric Clapton, Madonna, Wale, Common, Faith Hill, John Fogerty, Kimbra, R.E.M., Red Hot Chili Peppers, Michelle Branch, Green Day, Jane's Addiction, Muse, Seal, Jason Derulo, Tom Petty and countless others.

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00:00 Lyrics in the description
00:05 Color Me Badd - I Wanna Sex You Up

#ColorMeBadd #IWannaSexYouUp #WarnerRecords

Donna Lewis - I Love You Always Forever (Official Music Video) Hotney 2 Streams • 4 years ago

Watch the official video for Donna Lewis' "I Love You Always Forever" from her 1996 debut album, 'Now in a Minute.'

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Lyrics:
Feels like I'm standing in a timeless dream of light mists
Of pale amber rose
Feels like I'm lost in a deep cloud of heavenly scent
Touching, discovering you

Those days of warm rains come rushing back to me
Miles of windless summer night air (summer night, summer night air)
Secret moments shared in the heat of the afternoon
Out of the stillness, soft-spoken words
Say it, say it again

I love you always forever
Near and far closer together
Everywhere I will be with you
Everything (say it, say it again) I will do for you
I love you always forever
Near and far closer together
Everywhere I will be with you
Everything I will do for you

You've got the most unbelievable blue eyes I've ever seen
You've got me almost melting away
As we lay there under a blue sky with pure white stars
Exotic sweetness a magical time
Say it, say it again

I love you always forever
Near and far closer together
Everywhere I will be with you
Everything (say it, say it again) I will do for you
I love you always forever
Near and far closer together
Everywhere I will be with you
Everything I will do for you

Say you'll love, love me forever
Never stop, never whatever
Near and far and always
And everywhere and every
Say you'll love, love me forever
Never stop, never whatever
Near and far and always
And everywhere and every
Say you'll love, love me forever
Never stop, never whatever
Near and far and always
And everywhere and every
Say you'll love, love me forever
Never stop, never whatever
Near and far and always
And everywhere and everything

(Yeah, mmm yeah)
I love you always forever
Near and far closer together
Everywhere I will be with you
Everything I will do for you
I love you always forever
Near and far closer together
Everywhere I will be with you
Everything I will do for you
I love you always forever
Near and far closer together

**************************************************

RHINO is the official YouTube channel of the greatest music catalog in the world. Founded in 1978, Rhino is the world's leading pop culture label specializing in classic rock, soul, and 80's and 90's alternative. The vast Rhino catalog of more than 5,000 albums, videos, and hit songs features material by Warner Music Group artists such as Van Halen, Duran Duran, Aretha Franklin, Ray Charles, The Doors, Chicago, Black Sabbath, John Coltrane, Yes, Alice Cooper, Linda Ronstadt, The Ramones, The Monkees, Carly Simon, and Curtis Mayfield, among many others. Check back for classic music videos, live performances, hand-curated playlists, the Rhino Podcast, and more!

DJ Drama On Funk Flex & DJ Khaled Rivalry, Tupac & ‘Juice’ References and New Music (Full In Hotney 2 Streams • 4 years ago

DJ Drama has announced the release of his brand new album, I’m Really Like That, which is set to drop on March 31st. With the resurgence of Gangsta Grillz mixtapes in the past two years, Drama is taking advantage of the hype and releasing his long-awaited project. He shared the cover art and has been hinting at the release for a while now. Drama recently stopped by Sway in the Morning to discuss the new album, alongside topics such as the Funk Flex/DJ Khaled rivalry and his admiration for the late Nipsey Hussle.

Drama spoke about how excited he is for the release of his upcoming album, and how the process was different from his previous projects. He mentioned how he took his time with this album and was able to put his all into it. Drama also revealed that the theme of the album is all about being confident and being true to oneself. He wanted to make an album that people could vibe with and relate to, and that’s exactly what he accomplished.

During the interview, Drama also talked about some of the challenges he faced throughout his career, including the struggles of being a DJ in the music industry. He mentioned how he’s seen EDM DJ’s cheat the industry, and how he dislikes the way they manipulatively make music. Drama speaks about how he doesn’t want to follow in that same direction and how he wants to make music the right way.

Drama also touched upon the Funk Flex and DJ Khaled rivalry, where he stated that they are all able to coexist and put out their own unique styles of music. He mentioned how there is no need for beef or drama, because everyone can thrive in this industry. Drama showed love to Dj Kid Capri and how he inspired him to become a DJ in the first place.

Throughout the interview, Drama also paid tribute to the late Nipsey Hussle.

DJ Drama’s new album, I’m Really Like That, is set to release on March 31st, and it’s clear that the project is something that has been carefully thought out and crafted with love. Drama’s recent interview with Sway in the Morning showed his true passion for music and how he strives to put out quality music for his fans. The music industry is always changing, and it’s refreshing to see that DJ Drama is staying true to what he believes in – making music the right way.

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About SWAY’s UNIVERSE
Exclusive interviews from Sway Calloway and the Sway In The Morning/ SwaysUniverse.com team with some of today's biggest celebrities, like Kevin Hart, Kanye West, Eminem, Usher, Jessica Alba, Steve Aoki, Torey Lanez, Julia Stiles and so much more.

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Rage Against The Machine RATM X Factor Humiliation Of Simon Cowell Hotney 2 Streams • 4 years ago

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Today we take a look at the 2009 infamous battle between the band Rage Against the Machine and the horrible reality show the X-Factor and creator Simon Cowell. Every year since 2005 the winner of the X-Factor always had the number 1 single come Christmas time, but in 2009 things changed. A grassroots campaign started by a UK DJ got people to buy the Rage Against the Machine song "Killing In the Name" from the group's debut record.

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#RATM #xfactor #simoncowell

Now, released in November of 1992, the band's first commercial single, Rage Against the Machine's song, "Killing in the Name" would become the group's signature track. The guitar riff and expletive laden outro of the song made it memorable. It would be inspired by the deadly LA riots of 1992 as well as the Rodney King beating. The song would take aim at institutional racism and the brutality of the police. As you would expect, the large amount of expletives in the song's outro prevented it from achieving much airplay in the United States.

The band found a huge following across the pond in Europe. The song would chart in the UK in 1993, peaking at number 25. It would be strange that 15 years later, the song would make a return to the UK charts but this time at the number 1 spot. It was something that was really unthinkable and shocked a lot of people but how did it happen? Stay tuned to find out.

Christmas time is a big moment for musicians in the UK. It's a general rule of thumb in the country that whatever song tops the charts during the holiday season, will go on to become the biggest selling song of the year. This is a tradition that dates back 50 years to the 70s when rock bands would put out Christmas theme songs or covers.

Come 2005, things started to change a bit in the UK. Now reality TV has been one of the many scurges that has plagued television over the past 20 years and music shows especially have exploded since American Idol's inception in the early 2000s. One of those music shows was the Simon Cowell created X-Factor, which originally started in the UK and migrated across the pond to America in the later part of the decade.

In the UK from 2005 to 2008, each season's winner of The X-Factor would always have the number one song in the country come Christmas time. It was almost like figuring out who was going to win the election of North Korea.

In 2008, radio DJ, John Mortar was sick of Simon Cowell's [bullshit] and launched an online campaign to prevent that year's winner, Alexandra Burke from taking the number one spot. He would urge people online to buy the Rick Astley song, "Never Gonna Give You Up" but the campaign would ultimately fail. Astley's song would not even crack the top 50 in the UK, peaking at number 73. Burke's cover of "Hallelujah" easily took the Number 1 spot that year and became the biggest selling holiday single of all time in the UK.

Come 2009, things would change. In early December of 2009, the same DJ and his wife, Tracy would launch a group on Facebook encouraging people to buy the song, "Killing in the Name" before Christmas in order to prevent the winner of The X Factor that year from taking the Number 1 spot. The campaign would ask people, "Fed up of Simon Cowell's latest karaoke act being Christmas' Number 1? Me too. So who's up for a mass purchase of the track, Killing in the Name" as a protest to the X-Factor monotony?"

The X-Factor winner that year was the person named Joe McElderry who covered the Miley Cyrus song, "The Climb".

Now, the X-Factor song was promising to donate some of their profits to charity, while Rage Against The X Factor campaign encouraged supporters to also give to charity. In fact, a Just Giving page was created to raise money for the homeless charity and shelter, which by December 20th of 2009 had already raised over $100,000 US in funds.

By the middle of December, the group reportedly had over 700,000 members on Facebook and the campaign even caught the attention of Rage Against the Machine guitarist, Tom Morello who lent his support saying, that achieving the Christmas Number 1 would be, as he put it, "A wonderful dose of anarchy," and Morello even planned to donate royalties from the sales of the song to charity.

Morello wouldn't be the only high-profile musician giving their support to the campaign as Dave Grohl, Them Crooked Vultures, Muse and even The Prodigy also voiced their support for the campaign. Also lending their support was heavyweight, Paul McCartney who coincidentally, also appeared on The X Factor with the finalists.

Simon Cowell, for his part, apparently responded to the campaign reportedly calling it "stupid and cynical," but one thing that went unnoticed was that both, the X Factor and Rag

The Who: The Tragic Death of Keith Moon Hotney 2 Streams • 4 years ago

The Who: Keith Moon, the tragic death of the drummer.

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#thewho #keithmoon #drummer

I cite my sources and they may differ than other people's accounts, so I don't guarantee the actual accuracy of my videos.

Keith Moon played a crucial role in the Who’s early success. But as much as he’d receive acclaim for his distinctive drumming, he’d also gain notoriety for his self-destructive behavior. In fact, Moon would die in 1978 at the young age of 32 as a direct result of such behavior, right as the band were celebrating the release of their seminal eighth album, Who Are You. Today, we’ll explore the life and death of Keith Moon, the Who’s best-known drummer.
Keith Moon was born in 1946 in London, England, and raised in Wembley. Moon was thought to have a restless imagination as a child, and took a strong liking to British radio comedy, while music resonated with him just the same. Moon grew up in a post-World War 2 environment, and like many children at the time, was oblivious to the anxieties that remained prevalent. On an episode of the docuseries Living Famously, music journalist Tony Fletcher would surmise how Moon, as well as other children, processed the world around them, saying,
“The kids who grew up…don’t have their parents’ experiences of the war. They don’t understand their longing for this peaceful, quiet life, and to be quite honest, they’re bored; that’s the bottom line,” adding, “You throw Keith into this, and there really can’t be any question that he would’ve qualified these days as being hyperactive.”
By 1961, rock music expanded its reach worldwide. Moon was a teenager at this point, often performing poorly in school, and as a way to channel his hyperactivity, he started taking drum lessons at age 14. During one of The Who’s first visits to America, Moon would recall his initial experience with playing drums before the lessons took place,
“It’s too far back to remember, but I can talk about when I first got interested in wanting to play an instrument. [It] was the Beach Boys who really started me playing drums. I hadn’t really thought about playing an instrument until I heard music that I wanted to play [along to]. I’d have a kit and just play along with a record in my room, and then I’d join a group and do some stuff with them,” he’d say.
When asked if he’d played along to other records besides the Beach Boys, Moon would respond:
“Yeah, I liked Eddie Cochran and Dionne [Warwick]. There were mainly American groups in those days, because Britain wasn’t really playing a lot of stuff. There were a few English [acts] then, but they didn’t impress me; I can’t remember any. It was like that until the Beatles came along, and then I started to have a serious outlook on playing.”
Moon’s drum tutor would be Carlo Little, who was well-known as the drummer for the musician Screaming Lord Such, and who’d profoundly influence Moon’s playing, as he taught him the unrestrained, hard-hitting style he’d become famous for.
Little would comment on just how intense their lessons would get, even to the point of going overtime. “Instead of an hour, or an hour and a half, [they] would be three or four hours. Sometimes, we’d have the amplifiers going so loud that we started to see the ceiling crack, and bits of plaster falling off the walls,” he’d say.
After several years playing professionally, Moon became competent in his musicianship, and by 1964, he’d audition for The Who. Prior to his joining, he was drumming for another band, The Beachcombers. Meanwhile, The Who were an up-and-coming R&B cover band consisting of frontman Roger Daltry, guitarist Pete Townshend, bassist John Entwistle, and an indefinite replacement for previous drummer Doug Sandom, who was normally the peacekeeper in the band. Townshend discussed in a 1975 interview how Moon auditioned for the band, and was taken aback by his appearance, saying,
“Keith Moon rolled up one day, ginger all over – ginger shoes, ginger corduroy trousers, ginger jacket, and his hair died ginger, holding a glass of brown ale – this complete ginger vision.”
“[He’d come] up and say, ‘I can play better than him.’ [He was] this horrible impudent…got up on the drummer’s drum kit, and practically smashed it to pieces.”
“We thought, ‘This is the man for us,’” he’d say.
As mentioned in the 2014 book Rockin’ In Time, Moon was quoted with explaining the experience in further detail, saying,
“I got behind this other guy's drums and did one song, 'Roa

The Smashing Pumpkins: The Tragic Death of Jonathan Melvoin, Firing of Jimmy Chamberlin Hotney 2 Streams • 4 years ago

The Smashing Pumpkins: The Tragic Death of Jonathan Melvoin, FIring of Jimmy Chamberlin

0:00 - Jimmy Chamberlin's Early Years
3:21 - Melvoin joins the band
4:13 - Trouble brewing
6:33 - Melvoin's death/aftermath

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#smashingpumpkins #billycorgan

I cite my sources and they may differ than other people's accounts, so I don't guarantee the actual accuracy of my videos.

By the mid 90’s the smashing pumpkins were one of the most popular rock bands in the world. First bursting onto the scene in 1991 with their debut album Gish. They built a bigger following with 1993’s Siamese Dream. In 1994 the band headlined Lolapalooza and the following year they released their epic two disc cd Melancholy and the Infinite Sadness. The band was riding high and living the dream at least according to many outsiders, but that wasn’t the case. During the band’s tour in 1996 to support their third release, drummer Jimmy chamberlain and keyboardist johnathan melvoin were dabbling in drugs resulting in deadly cfonsequences. That’s what were going to discuss in today’s video.

Chamberlin’s days with the band date back to their early years when they were made of of frontman billy corgan, guitarist james iha and bassist d’arcy wretzky. Up until this point the trio were playing live shows using a drum machine. Chamberlin would express his interest in joining the band telling modern drummer magazine in 1994 “So I went out and saw the band – Billy, James, and D'arcy – playing at Avalon with a drum machine. Man, did they sound horrible! They were atrocious. But the thing I noticed was that not only were the song structures good, but Billy's voice had a lot of drive to it, like he was dying to succeed. So I ended up driving from work every Wednesday to rehearse with them.

Corgan would recall how he didn’t think Chamberlin initially was a good fit saying He was wearing a pink t-shirt, stonewashed jeans, had a mullet haircut, was driving a 280Z, and had yellow drums recalling We were sort of looking each other in the eye thinking, 'This ain't gonna happen, this is not the guy.' [But] he'd learned all our songs, as only Jimmy can, off the top of his head, and, within one practice, we were ready to play. It was amazing. We just knew right away. He's that good. Chamberlain would join the band on their debut album gish. But by the time the band began work on their second album siamese dream, Corgan felt the band was on the verge of breaking up. According to Details Magazine who interviewed the band in 1993 Corgan’s decision to air the band’s dirty laundry in the public created a lot of resentment within the group. In the article Corgan would be quoted as saying. "I hated all my friends, I hated myself, I hated the band." Corgan would enter therapy which forced him to talk more openly about his emotions, write songs about them and become more honest sometimes to the detriment of his bandmates. He soon started talking about the Smashing Pumpkins internal problems. How James Iha and D'Arcy Wretzky dated, but broke up and and Drummer Jimmy Chamberlin’s drug addiction. He would tell the same publication "The idea that the stance was to tell the story and force it into the open..but did it have the intended effect the interviewer would ask corgan to which he’d respond “...no, in fact i think it killed the band.’

When it came time for the groups second album, In order to keep production costs low Corgan relocated the band to Georgia, but there was another reason for going to Georgia, Chamberlain’s debilitating drug addiction. Rolling Stone would report in 1993 Aside from the lower production costs, they chose to record in Atlanta on the theory that Chamberlin would have a hard time attracting his usual coterie (co-ter-ee) of hard-core partyers there. The theory was wrong. Buckling under the pressure, Chamberlin would show up sometimes too wasted too play and once disappeared for five days. Corgan laid down the law: Either shape up or ship out. Chamberlin shaped up in a rehab clinic. It worked. Rolling stone would write.

Johnathan Melvoin, was a later arrival to the band first joining them in late 1995 as a touring keyboardist. He had an impressive resume up until this point in his career playing with musician prince and performing in a number of punk bands including the dickies.. Melvoin’ was exposed to music as a young child coming from a musical family. His father played piano in the 80’s era group Wrecking Crew and most famously played wi

Sublime: The Tragic Death of Bradley Nowell & History Of The Band Hotney 2 Streams • 4 years ago

Sublime: The Traic history of the Band

0:00 - Bradley Nowell's early years
1:11 - Early Sublime Years
3:46 - Sublime's Personal Problems
6:00- Sublime's First Hit/KROQ
7:55 - Sublime's Final Album
11:10 - Nowell's Death/Aftermath

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#subllime #bradleynowell #santeria

I cite my sources and they may differ than other people's accounts, so I don't guarantee the actual accuracy of my videos.

Sublime was a ska-punk and reggae band that never got to properly experience their success. By the time their third album came out the band ceased to exist and most of their new fans had no clue the group was done. Today let’s take a look at the history of the band Sublime.

Growing up in the long beach neighbourhood of belmont shore, Frontman and guitarist Bradley Nowell came from a musical family. His father worked as a homebuilder who played guitar in his spare time.. His father became known for playing covers of Jim Croce (crow-che()) songs at parties while his mother was a piano teacher. His parents would give him his first guitar lessons. But by the time he turned 10, his parents would divorce with his mother taking custody of her son. She would tell VH1’s behind the music that nowell was a needy child and struggled in school becoming disruptive and suffered from attention deficit disorder. Feeling overwhelmed by Bradley’s behavior, he started living with his father at the age of 11 who took his son on a sailing trip around the US virgin islands. It was here where he got his first exposure to Bob Marley and reggae music which would be a huge influence on Nowell’s career in music.

Upon returning home from the sailing trip, Nowell was now a teeanger who would play in punk rock bands in the early 80’with bassist Eric Wilson. Wilson would recall how early jam sessions weren’t very successful telling the LA Times
“He was making me play (reggae). I didn’t want to play it,” with Nowell adding
“I was trying to get them to do ‘Cherry Oh Baby,’ (a song popularized by British reggae band UB40), and it didn’t work. They tried, but it just sounded like such garbage,“We were horrible.”
Nowell and Wilson’s band would be put on the backburner while Nowell went off to college. He would attend UC Santa Cruz for two years before he decided to study finance and transfer to Cal state. He only had one semester left before he dropped out recalling to the lA Times
“I have all the hard classes left. . . . I doubt I’ll ever go back.”
By this time NOwell returned to Long Beach and it was 1988, Hed reconnec with Wilson who called an old neighbour he grew up with across the alley named of his Bud Gough (Gawww). Gaww was taught drums by Wilson’s father who was a jazz drummer. Sublime’s lineup was now born. They would jam in Gaww’s garage and one of the first songs they wrote would be, well since this is youtube i’m not going to say the song’s title because last time i said this word i got in trouble so let’s just called it Date Expletive. If you know Sublime then you’ll know which song im referring to.THe band soon established a big following playing backyard parties and dive bars in southern california in front of hundreds of kids, earning upwards of $250 a night .
Gaww would tell Spin Magazine “we were like the band that everybody in the scene would show up for. If you were having a party that night and you had us play there would be two other parties that night in the same neighbourhood, everybody was going to be at the sublime party.
Wilson would recall to the LA Times We played some pretty rough neighborhoods,” “You’d have to be afraid of your own safety. Gangster kids would show up at the parties, and there would be trouble. Somebody got stabbed one time.” The gigs were so rough that Spin Magazine reported that samoan guards would provide security at the gigs and the police would be a frequent presence hovering over the gigs in their helicopters if they played past the noise curfew.
In 1990 Nowell rescued a dalmatian named Louie sometimes referred to as Lou Dog which was named after his grandfather and became the group’s defacto mascot. He was also referred to as Nowell’s alter-ego He would join the band on the road and onstage. During the spring of 1990 Michael “Miguel” Happold (happol) a music student offered to manage the band enticing them with an offer of free studio time at the school he attended. He became the de-facto fourth member of the band, helping prodoce their music, helping run their affairs and record label. The band by this point had al