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Con Pasion · Al Daniels

Brasiliana

℗ 2020 Al Daniels

Released on: 2020-04-10

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Entrepreneur, mogul, and culture-shifter Dame Dash pulls up to POV for one of his realest interviews yet. From the Diddy documentary dominating Netflix, to tension with 50 Cent, to new insight into Jay-Z, Roc-A-Fella, and even Aaliyah—Dame doesn’t hold back on ANYTHING.

We dig into his Breakfast Club fallout, legal battles, viral headlines, financial lessons, fatherhood, and what’s next for Paid In Full and his business empire. Whether you agree with him or not, Dame Dash always delivers perspective that gets people TALKING. Tap in for a conversation packed with culture, controversy, and clarity.

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Miles Davis trumpet, Keith Jarrett el piano, Gary Bartz sax, Michael Henderson bass, Leon "Ndugu" Chancler drums, Charles Don Alias percc​​, James "Mtume" Forman percc
00:00 Directions (J. Zawinul)
11:41 Honky Tonk (M. Davis)
21:41 What I Say (M. Davis)
35:36 Sanctuary (W. Shorter)
40:46 It’s About That Time (M. Davis)
53:38 Yesternow (M. Davis)
01:03:48 Funky Tonk (M. Davis)
01:10:37 Sanctuary (W. Shorter)
Concert with Miles Davis Septet from Chateau Neuf, Oslo Norway, November 9, 1971. Davis was at this time in his "electric period" and played on this tour with a band consisting of famous musicians such as Keith Jarrett, Gary Bartz, Michael Henderson, Leon "Ndugu" Chancler, Don Alias ​​and James "Mtume" Forman
Director: Bob Williams

Mitra I. Arthur | February 5, 2026
The joining together of voices is a sacred act in the Black Christian church; Pastor John P. Kee's music is key to understanding that act in gospel music. During this Tiny Desk, the gospel music essentials of call and response, modulation, articulated phrasing, choir section solos and full-throated singing are expertly on display. Whether solo or with a choir, Pastor Kee's powerful voice and praise-forward songwriting have remained at the forefront of his music ministry for nearly 40 years.

Performing here with a four-piece band and a seven-person choir, Pastor Kee's set journeys through both his traditional and contemporary gospel output. "I Believe" and "Lily in the Valley" transform the Tiny Desk into an old, wood-floored country church. "Life & Favor" and "Standing in the Need" aren't just notes and melodies — the testimony inspires. The uptempo "Oh How Wondrous" and "Mighty God" joyfully proclaim, with reverence, the power of God. Prepare your spirit to be filled and get your hands ready to clap.

SET LIST
"Jesus is Real"
"Life & Favor"
"Oh How Wondrous"
"Stand!"
"I Believe"
"Lily in the Valley"
"Clap Your Hands"
"Standing in the Need"
"Mighty God"

MUSICIANS
Pastor John P. Kee: vocals, keys
Leeland Thompson: guitar, music director
Dominique Britt: keys
Josiah Farrar: bass
Christopher Darden: drums
Jeanette Taylor: background vocals
John P. Kee III: background vocals
Tianna Roberts: background vocals
Shawna Dominique Harris: background vocals
Tallie Rogers: background vocals
Dell Kee: background vocals
Zakeya Stewart: background vocals

TINY DESK TEAM
Producer: Mitra I. Arthur
Director/Editor: Maia Stern
Audio Director/Mix: Josh Newell
Host/Series Producer: Bobby Carter
Videographers: Maia Stern, Joshua Bryant, Sofia Seidel
Audio Engineer: Valentina Rodríguez Sánchez
Production Assistants: Dhanika Pineda, Dora Levite
Photographer: Alanté Serene
Tiny Desk Team: Kara Frame, Ashley Pointer
Series Editor: Lars Gotrich
Executive Producer: Suraya Mohamed
Executive Director: Sonali Mehta
Series Creators: Bob Boilen, Stephen Thompson, Robin Hilton

#nprmusic #tinydesk #johnpkee

Support for NPR Music comes from Levi's. Behind the moments that matter, originals are out there, living the stories worth telling. What's yours? Live in Levi's.

Dance hall freestyle _ Mi Nuh Shaky ( Wash Pan Riddim ) we don't promote violence, Rasta Man want man to love, and respect woman don't abuse dem!!

[Release Date]
The Main Ingredient is the second album by Pete Rock & CL Smooth, released on October 8, 1994. It would become their last album together.

[Music]
Characterized by sultry soul and jazz samples, The Main Ingredient saw a more polished sound than the duo’s debut, building on the praise that they had already garnered. The album is notable for its snappy, crispy drums and extensive use of vocal scratches, usually from songs by Biz Markie. Although missing a centerpiece on the scale of "They Reminisce Over You (T.R.O.Y.)", the album contains some of the duo's best known work, in the form of tracks such as the upbeat "In The House", and the catchy "Sun Won't Come Out", which features a lush vocal sample from the song of the same name by Harvey Scales.

Continuing a theme initiated by Mecca and the Soul Brother, brief instrumental interludes are placed at the beginning and end of songs. With the exception of just a few tracks, this feature is recurrent throughout the album. In addition, The Main Ingredient saw Rock fleshing out and defining his trademark production style, which is now recognized for often containing smooth basslines, swirling horns, filtered samples, and spacious grooves. The production on this album proved to be influential upon a legion of latter day producers.

[Reception]
Though overlooked at the time of its release, the album has since been re-evaluated with high critical acclaim. AllMusic's Stanton Swihart called it "an album that is far more focused" and "just as good as the first record, perhaps an even more satisfying single listen." Swihart described Rock's production work as "among some of the most seductive in hip-hop", and CL as "lyrically on point, spitting out intellectual rhymes and narratives that are just as propulsive and engaging as the music."

"I Got A Love" was the album's lead off single, followed by "Take You There" and "Searching", released in 1995. That same year, the duo appeared in a well received Sprite commercial; however, they soon announced their breaking up citing creative differences, although both parties have since admitted that an unstable working relationship was the main cause of their split. The album was a favorite of the late producer J Dilla, who played it while meeting with Pete Rock to record Slum Village's "Once Upon A Time" for the album, Fantastic, Vol. 2 in 1998.

#PeteRock
#CLSmooth
#Samples

By 1987, Run DMC's popularity was fading while Fat Boys were reaching new heights. We compare 1987 performances from Showtime at the Apollo and let the crowd by the judge.

RIP Buffy, Prince Markie D and Jam Master J