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From jazz and Tejano to norteño and ska, 'El Tiny' returns with a takeover from Sept. 15 to Oct. 15 for Latin Music Month.
Felix Contreras | September 29, 2026
What tenor saxophonist Melissa Aldana and pianist Gonzalo Rubalcaba offer at El Tiny is the soul of the Latin American song book. Most of these compositions come from Filin, their collaborative album of Cuban ballads from the 1940s to the '60s — songs that were originally popular for their lyrics, interpreted here with nuanced, instrumental performances.
Aldana grew up listening to jazz in her native Chile. Both her dad and her grandfather were jazz musicians. On tenor sax, Aldana takes a very dramatic lead with both her lyricism as well as her deeply resonant tone. From Havana, Rubalcaba is a master of space and time, having played the most well known names in both Cuba and the U.S. His presence adds a layer of musical and emotional heft, as well as a delicate authority that comes from a lifetime in jazz. Together they embody the deeply felt passions that fuel so much of the music from Latin America and the Caribbean.
SET LIST
"Dime Si Eres Tú"
"Imágenes"
"Little Church"
"Unconscious Whispers"
MUSICIANS
Melissa Aldana: tenor sax
Gonzalo Rubalcaba: piano
Pablo Menares: bass
Kush Abadey: drums
TINY DESK TEAM
Producer: Felix Contreras
Director/Editor: Joshua Bryant
Audio Engineer/Mix: Neil Tevault
Host/Series Producer: Bobby Carter
Videographers: Joshua Bryant, Mitra I. Arthur, Michael Zamora
Audio Engineer: Tiffany Vera Castro
Production Assistant: Ashley Pointer
Photographer: Zayrha Rodriguez
Tiny Desk Team: Josh Newell, Maia Stern, Kara Frame
Series Editor: Lars Gotrich
Executive Producer: Suraya Mohamed
Executive Director: Sonali Mehta
Series Creators: Bob Boilen, Stephen Thompson, Robin Hilton
#nprmusic #tinydesk #melissaaldana #gonzalorubalcaba
(FREE) R&B Type Beat - "Run To You"
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ENHYPEN (엔하이픈) 'Bad Desire (With or Without You)' Official MV
Credits:
Directed by 2eehyein
ⓒ BELIFT LAB Inc. All Rights Reserved
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OFFICIAL DOUYIN https://v.douyin.com/TLfWnNVDBP8/
created with DARK MOON
#ENHYPEN #엔하이픈 #DESIRE_UNLEASH #BadDesire #WithorWithoutYou
King Combs dropped by the neighborhood to speak with Big Boy about his new single “Can’t Stop Won’t Stop,” working with Kodak Black, and building his own legacy. Plus, the artist discusses Bad Boy Entertainment, the BET Awards, his mother, Diddy, and more. Watch the full interview exclusively on BigBoyTV.
Can’t Stop Won’t Stop by King Combs (feat. Kodak Black) is available now.
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Listen now: https://ffm.to/lgpayback
Video directed and edited by King Zabb
Starring: Dillan Knight, Tim Skold, Finnegan Seeker Bell
Payback is an edgy, soul biting song about revenge and redemption. The song is a collaboration between Love Ghost and SKOLD (Shotgun Messiah, KMFDM, Marilyn Manson and Motionless in White), who also produced the track. This is the first release from a forthcoming full length album Love Ghost X SKOLD on Metropolis Records.
lyrics:
Ice cold smoke in the sky
dropping down on the tide,
It’s slowing down, I know why, you know why
Bones breaking down on the fly, holding my 45
Keep it low on my side, you know why
You see it in my eyes
I want nothing more than payback
I can’t save that girl
She’s lost in her world
And all I want to do is try
But everything you say is a lie
One more reason to get high
Ashes, ashes we all fall down
It’s time to watch you burn down
Ashes, ashes we all fall down
It’s time to watch you burn down
Take a shot in the dark
All the secrets I had
Floating around in my head
You know why
Everything that I kept
Will be all you have left
Now it’s time to say goodbye, you know why
You see it in my eyes
I want nothing more than payback
I can’t save that girl
She’s lost in her world
And all I want to do is cry
But everything you say is a lie
One more reason to get high
Ashes, ashes we all fall down
It’s time to watch you burn down
Ashes, ashes we all fall down
It’s time to watch you burn down
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"Saviors" from 'Saviors' - out everywhere now http://greenday.lnk.to/saviors
The Saviors Tour is coming to a city near you this summer!! We’re playing both Dookie AND American Idiot in full AND a bunch of your other favorite songs new and old 🤯 Tickets are on sale now http://greenday.com/tour
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LYRICS
We got a feeling like a flicker of light
Out of sight but like a halo
We’re all waiting on the summer
But the sun is out of view
It’s not a hero or a capital crime
Fall in love and falling in line
We’re all passing like a viral echo
To pass the time
Calling all saviors tonight
Make us all believers tonight
Calling all strangers tonight
Will somebody save us tonight?
I gotta chuckle, what a dumb way to die
Everything coming up roses
We are the last of the rockers
Making a commotion
We need a signal that’s more heat than light
Waiting out the dead of winter
We don’t need another bastard
Let them scourge and fall
Calling all saviors tonight
Make us all believers tonight
Calling all strangers tonight
Will somebody save us tonight?
Everyone’s asleep but nobody’s dreaming
We got all the fiction that’s worth believing
Calling all saviors tonight
Make us all believers tonight
Calling all strangers tonight
Will somebody save us tonight?
Calling all saviors tonight
Make us all believers tonight
Calling all strangers tonight
Will somebody save us?
#GreenDay #Saviors
Honey (Jessica Alba) shows off her moves in this steamy club scene from the 2003 film Honey, where Alba stars as a dance teacher and wanna-be choreographer.
What is Honey (2003) about?
Honey Daniels (Jessica Alba) is a struggling hip-hop dancer who's got all the moves, talent and relentless passion to succeed. She's been waiting all her life to show the world her dance moves and now her dream is just a step away. Inspired by the energy and music of the streets, she risks her shot at the big time to reach out, take a chance and make it on her own terms. Pulse-pounding music and awesome dance moves ignite this exhilarating story of passion, determination and finding the courage to follow your dreams. Also starring Mekhi Phifer (8 Mile) and featuring hip-hop sensations Missy Elliott and Lil' Romeo.
Watch Honey (2003) here: https://www.uphe.com/movies/honey
Welcome to TUNE, a channel that celebrates the musical moments in film. From the movie musicals to the musical biopic, we'll be bringing you iconic scenes and the tunes you love!
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#jessicaalba #honey #dancescene #dancevideo
Brent Faiyaz - VILLAIN'S THEME [Official Video]
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Courtesy of Lost Kids
DIRECTED by : LONEWOLF & MARK PEACED
EDITOR: Lonewolf
EXECUTIVE PRODUCER [SHOTCLOCK]: Harrison Corwin
PRODUCER: Louis Moreschi
PRODUCTION MANAGER: Dylan Underhill
PRODUCTION COORDINATOR: Teresa Plascencia
1st AD: E-Class
2nd AD: Anthony Hayward
DP: Carlos Reyes
1st AC: Fio Karpenko
2nd AC: Pavel Gazdyuk
GAFFER: Jordan Brodie Avtal
KEY GRIP: Spenser Adelstein
BBE: Jeff Kulig
BBE: Dave Adam
GRIP: Sebastian LamGRIP: Collin GallivanSLT: Ryan SilverSLT: Ricardo Biggs
HEAD TECH: Drew Dumas
1st TECH: Mike West
PRODUCTION DESIGNER: Rob Page
ART ASSTS: Kelly Wilson
Key PA: Robert Blair
Truck PA: Jake Gonzalez
PA: Richard Song
PA: Diego Albuerne
PA: Ben Healey
PA: Nikki Romero
PA: Joey Matias
WARDROBE: Abbie Rauch
HMU: Dallas Smith
BALLERINA: Precious GillbertBALLERINA: Alison Stroming
BALLERINA: Ariana Emnace
BALLERINA: Brittney Hall
BALLET CASTING: Bloc Agency, Go to Talent Agency
CHOREOGRAPHER: Erick Garnica
ORCHESTRA: Icyola
AUDIENCE: Hypmosis Casting
Lyrics:
Temporary euphoria
Or a release
Hm, yeah, especially if you constantly gotta work
And do things that you might not wanna do (mhm)
That's like temporary happiness real quick
It's an escape
And I make music about that because I feel it gets to a point
Where you live so much of your life in that state because you work so much (ah)
It's for years that I been doin' the same shit
Motherfuckers like to use that word, "Toxic"
But that's the Internet word that people like to attach to shit
I don't think that's an Internet word
I think that's a real word that really means something
Temporary euphoria (motherfuckers like that's the new shit though)
Motherfuckers like, "You never heard"
Toxic's been around for centuries
It's like I'm out this mo'fucker for a lil' bit, while you bullshittin'
It's an escape
That's how I feel about it
Shakespeare used it
That's a Twitter word
The Taming of the Shrew
Anything that doesn't apply to you, feel me?
Yes, ah, you feel me (rainbows and butterflies)
I fuck around, drink, and bullshit they gon' be like (they gon' be like, "It was toxic")
Bustin' random chicks and pop some E and bullshit
But if you sing that, people gon' want you to make some shit that's romantic, or sweet
It's like, "Fuck it, " like
It's an escape
So if you sing some real shit, and people like "what's toxic?" and "what's real"
Honestly, truthfully
Okay, I get that
Like I know I gotta wake up in the morning and go to work
So lemme bullshit for the night
This right here euphoria
The thing that come with this shit
Is-is, uh, it's like reality times ten
Every year before like ten years
As far as the people that you meet
The places that you go
Temporary euphoria
Or a release
So it's because of that, that's why I'm gonna approach shit
A lil' more in retrospect, and it might come out harsh
But I think it's just more honest
Let's just keep that shit honest, fuck it
What purpose do your vices serve in your life?
#BrentFaiyaz #VilliansTheme #Wasteland #RnB
In March 1985 Stradlin founded Guns N Roses with Axl Rose and Tracii Guns, Ole Beich and Rob Gardner, as a favor to LA Guns manager Raz Cue, who had previously booked the act at the Troubadour. By June the lineup consisted of Rose guitarist Slash, rhythm guitarist Stradlin, bassist Duff McKagan and drummer Steven Adler. They played nightclubs such as the Whisky a Go Go, The Roxy and The Troubadour and opened for larger acts throughout 1985 and 1986. During this period the band wrote much of its classic material and Stradlin established himself as a key songwriter. In July 1987 Guns N Roses released their debut album Appetite for Destruction, which to date has sold over 28 million copies worldwide including 18 million in the United States alone. Stradlin wrote or cowrote most of its songs including the hits Sweet Child o Mine and Paradise City. He also wrote the hit Patience on the follow up GNR Lies released in November 1988 to US sales of five million copies, despite containing only eight tracks, four of which were included on the previously released EP Live Like a Suicide. As their success grew, so did tensions within the band. In 1989 opening for The Rolling Stones, Rose made an on stage announcement in which he threatened to leave the band if Slash and Adler did not stop dancing with Mr. Brownstone, a reference to their song of the same name about heroin. After being sentenced to a year's probation for urinating in public aboard an airplane, Stradlin decided to attain sobriety, he returned to his house in Indiana where he detoxed from drugs and alcohol. By the release of the Use Your Illusion albums Stradlin had become dissatisfied with life in Guns N Roses, Once I quit drugs, I couldn't help looking around and asking myself, Is this all there is I was just tired of it, I needed to get out. On November 7, 1991 it was announced that he had left Guns N Roses, having played his final show as an official member on August 31 at Wembley Stadium. Stradlin added that getting sober played a part in his decision to leave, saying When you're fucked up, you're more likely to put up with things you wouldn't normally put up with. Some of Stradlin's guitar playing recorded during the Illusion sessions appears on Guns N Roses's 1993 covers album The Spaghetti Incident, although he was uncredited on the project.
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#izzystradlin #gunsnroses #axlrose #slash #duffmckagan #velvetrevolver
Showoff and Head Ice collide in the Blue Room at the Max Out 3 event with an intense back and forth of two greats that talk street talk with the best of them
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Exclusive WSHH music video for “Believers” by Spottie WiFi (ft. Bart Oatmeal).
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Learn new DJ skills with our online DJ courses, specific to various pieces of DJ hardware and software.
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Timestamps:
00:00 Wordplay
01:38 Same Song Switch Up
02:20 Loop Cutting
03:31Acapella Pitch Play
04:57 Polyrhythmic Looping
06:03 Toneplay
07:38 Brake Effect
09:12 Slip Mode
10:07 Loop Tightening
11:35 Pitch Play With Looping
12:59 Sample Switch Up
14:26 Wide Sync
Tracklist:
Nicki Minaj - Super Freaky Girl
Eliza Rose - Baddest Of Them All
DJ Fresh - Gold Dust (Shy Fx Remix)
DJ Fresh - Gold Dust (Tsuki Remix
Fred Again - Kammy (Like I Do)
Biscits - Me n U
Notion - Hooked
Fred Again - Jungle
MAKJ - Green Light
Deekline & Specimen - All The Way Up (VIP)
Mau P - Drugs From Amsterdam
Perfecto Allstarz x FreeJack - Reach Out (R3Wire edit)
Gorgon City - Go Deep (Club Hack Acapella Intro Edit)
Crystal Waters - Gyspy Woman (Push3r Remix)
Sophie Tucker - Drinkee (Josh Summit + Vintage Culture Remix)
Wildchild - Renegade Master (Kingcat Bootleg)
Joshwa - 212
Chris Lorenzo - California Dreamin' (Ship Wreck Remix)
Vandal On The Track - Hollaback Girl
Pickle - La Fiesta
Destinys Child - Bootylicious
Wuki - Edge Of Seventeen
Disclosure - You + Me (Flume Remix) Westen + Local Singles Edit
Disclosure - You + Me (Flume Remix) USED Bootleg
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Celebrating soundsystem culture and bass-heavy rhythms at our Bristol SYSTEM show, this one spans across the hardcore continuum with sets from Hamdi, Oppidan and bullet tooth.
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#ukg #grime #dubstep
Sauntering in with a stitched Chome Hearts face covering, A$AP Bari’s presence is immediately felt. “I’m on my Ye shit,” he says with a smirk, as the word “architect” isn’t enough to describe the fashion designer, mogul and creative director. To be “different at all times” is what he set out to accomplish in life, and looking back, he’s done just that.
The A$AP co-founder and “Mr. Vlone” himself has played a huge part in the ascension of hip-hop’s current regime. Whether it be the clothes A$AP Rocky, Playboi Carti, Lil Uzi Vert, Travis Scott or Lil Yachty rock on the daily, Bari’s calling has always been to “influence the influencers” — emanating his streetwear sauce and refined “lifestyle” in every facet. “I’m like a fashion drug dealer… I sell clothes like drugs… I’m selling MY product.” he said, describing the exclusivity of his founded brands in VLONE and ENDLESS.
In his first-ever on-camera interview, Bari sat down with OGM host Hakeem Rowe to speak on his roots in Harlem, A$AP Mob's formation A$AP, Rocky, Yams, Playboi Carti, Lil Uzi Vert, Virgil Abloh, VLONE, the SoundCloud era and so much more in this extremely special Our Generation Music exclusive.
Be sure to LIKE, COMMENT & SUBSCRIBE! 🔰
FULL STORY 💻: https://bit.ly/3khPmYm
CREDITS:
Hosted by: Hakeem Rowe
Shot by: Saint Hillaire
Edited by: Sam Sikora
Produced by: Jon Barlas
Research by: Mateo Braxton
STAMPS:
0:00 - Intros
2:08 - Bari’s birthday message
2:42 - When did fashion become an interest for Bari?
3:37 - Brands he was up on early, fashion inspirations
4:40 - “The lifestyle of Lil Wayne,” his impact on Bari
5:55 - The fashion lifestyle, “military school,” inspired by Ye, Pharrell
7:36 - “I was a weirdo in the hood”
8:51 - “I’m like the fashion drug dealer”
9:45 - Early days of A$AP, how the group came together
11:15 - Meeting A$AP Nast, Jadakiss “Paper Towel Headband” influence
13:55 - Teenage years, Teyana Taylor, A$AP Yams
17:40 - “Home [Harlem] is the Hollywood of New York”
20:04 - “The first day I met Yams, he was my best friend.”
21:35 - Forming A$AP Mob, A$AP Rocky, the “crews” of Harlem
24:10 - Teyana Taylor being responsible for A$AP MOB’s inception
25:10 - Bringing Rocky into A$AP
27:28 - Rocky born to be a superstar: “Rocky didn’t have songs, he had freestyles. Who he was in the hood is who he is today.”
29:30 - A$AP inspired by Cash Money, Master P, Weezy, UGK
29:43 - ‘LIVE.LOVE.A$AP’ being timeless, how his first-ever project was accidentally deleted then reborn
31:48- Bari’s role in A$AP during their early years: Creative directing, Fashion. “Yams was the mogul. Rocky was the rapper.”
33:36 - Bari on life: “Being different at all times.”
34:18 - The impact of A$AP in the culture
35:18 - Bari on Playboi Carti
36:58 - Bari on Lil Uzi Vert
38:23 - Bari bringing Uzi and Carti together, 16*29
39:02 - Lil Yachty working for Bari before he rapped
39:38 - Bari’s impact on our generation of superstars
41:25 - Bari on Travis Scott, “Quintana” cameo: “Travis when always been crazy [talented]. He makes his own beats… He’s the vision, he’s smart as hell.”
44:41 - Early London drill, “I’m not rapper,” but his feature with Skepta went crazy. “‘It Ain’t Safe’ started drill music in London.”
47:44 - Bari on Skepta: “He’s such a f***ing visionary. He changed my life.”
48:49 - Bari’s “big moment”: Him forming and owning Vlone, the messaging behind the brand
50:50 - The exclusivity of Vlone: “It really became a lifestyle.”
53:18 - Vlone’s impact in the SoundCloud era, how it bred community, culture: “Vlone, live alone, die alone.”
55:12 - “I design for the people. I don’t design for me.”
56:00 - Vlone’s influence on the new form of fashion: “If it’s a lifestyle, imma live it.”
58:40 - Paris Fashion Show, Lil Peep walking for Bari’s line
1:00:15 - Why he didn’t put Vlone in stores: “I sell clothes like drugs… I’m selling MY product.”
1:03:33 - Bari being able to “influence the influencers.” Chrome Hearts, Virgil Abloh
1:06:00 - Its all a lifestyle for Bari
1:07:01 - Bari wearing MARNI and influencing the rap game… again
1:09:00 - “You let a GOAT be a GOAT”
1:09:45 - What makes Bari connected to clothes, his style: “This shit isn’t on me, it’s in me. It’s in my blood.“
1:12:28 - This is Bari’s first interview, most expensive piece
1:16:24 - Bari on Virgil: “An angel sent from heaven.” Comparisons to Tupac.
1:18:32 - What separated Virgil from everyone else, what he meant on Bari
1:20:54 - Ghost designing, Bari on Drake, Damien Hirst
1:27:12 - Bari on Kanye West
1:28:28 - Bari’s relationship with the “Drake of China” Edison Chen, the toll Yams’ funeral had on Bari
1:32:15 - Bari speaks on Vlone controversy, the future for him: “As a designer, I don’t drop albums, I dropped masterpieces.”
1:34:57 - Message for Our Generatio
Celebrated Malian kora player Ballaké Sissoko graces the COLORS stage with a mesmerising performance of ‘Nan Sira Madi’.
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▶ Stream: https://colors.lnk.to/allshowscxs
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● MOVE:FEEL 1 VINYL: https://colors.lnk.to/vinyl
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Livestream:
▶ 24/7 | A COLORS STREAM: https://colors.lnk.to/247
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▶ Apparel Shop: https://colors.lnk.to/shopcxs
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COLORSXSTUDIOS is a unique aesthetic music platform showcasing exceptional talent from around the globe. COLORS focuses on the most distinctive new artists and original sounds in an increasingly fragmented and saturated scene. All COLORS shows seek to provide clear, minimalistic stage that shines a spotlight on the artists, giving them the opportunity to present their music without distraction.
#colors #ballakesissoko #nansiramadi
The Authority On All Things R&B !
Keith Sweat joins J. Valentine for a legendary conversation on the music, the moments, and the records that helped define R&B for generations.
From classics like “Nobody,” “Make It Last Forever,” “Twisted,” and more, Keith breaks down his journey from Harlem to becoming one of the most influential voices in R&B history. We get into songwriting, production, artist development, and how his signature sound helped shape the culture.
Keith also reflects on longevity, touring, and what it takes to stay relevant across multiple eras of music.
Subscribe on YouTube - https://bit.ly/RnBMoneyYouTube
R&B MONEY Album out NOW !!
https://tank.lnk.to/RnBMONEYID
Tank: @TheRealTank
http://www.youtube.com/@TheRealTank
J Valentine: https://www.youtube.com/@jvalentinetv
Director / Producer: Ruben Rivera
https://www.youtube.com/@KnowYourStudio/featured
Podcast IG: @RnBMoneyPodcast
https://www.instagram.com/rnbmoneypodcast/?hl=en
#tank #jvalentine #rnbmoneypodcast
Trippie Redd – Bando Kid (Official Music Video)
Stream / Download here: https://trippieredd.lnk.to/bandokid
Lyrics:
Bando, bando, bando bando kid Bando, bando, bando bando kid
Feeling like a fire
Coming from them dirty ass trenches
We had no silver spoon this shit was hell
Got rich, and my friends still dead or in jail
You can do it yourself, or they do it to you
RIP to X, RIP Juice
Free Melvin, free Thug
All by myself but i don't care cause i’m a thug
All by myself but i’m alright, I got a gun
I never talk, i got my chains on in the club
Don’t give a fuck cause you are made boy then you die
Pullup mud
Pullup drugs N***as is not my blood These n***as not my blood
Dont fuck with nobody, they sending them shots and im hoping they miss Don't wanna go out bad or outside but we taking the risk
You know that i’m chasing my dreams, double cup on me like i’m a fein And we pourin up tricks for kids, cause i’m tryna look like a king
Yeah, yeah
Bando, bando, bando bando kid Bando, bando, bando bando kid Bando, bando, bando bando kid Bando, bando, bando bando kid Bando, bando, bando bando kid
Feeling like a fire
Coming from them dirty ass trenches
We had no silver spoon this shit was hell Got rich, and my friends still dead or in jail You can do it yourself, or they do it to you RIP to X, RIP Juice
Free Melvin, free Thug
All by myself but i don't care cause i’m a thug All by myself but i’m alright, i got a gun
I never talk, i got my chains on in the club
Don’t give a fuck cause you are made boy then you die
Follow Trippie Redd
Instagram: https://instagram.com/trippieredd
Facebook: http://www.facebook.com/trippieredd
Twitter: http://www.twitter.com/trippieredd
TIkTok: https://www.tiktok.com/@trippieatplay
Snapchat: https://www.snapchat.com/add/trippieredd8383
The official video for Qveen Herby's “Self Aware” feat. Durand Bernarr. Listen on your favorite platform: https://ingroov.es/ep-8
SELF AWARE LYRICS
I’m amazing bitch and you know it
I don’t have to say shit cuz I show it
You said I think I’m all that well you thought right
That explains why you dreamin bout me last night
People ask me why I gotta slay
Santa Clause to these bitches, giveaway
Gas it up for these bitches, Bobby Flay
I got bops lined up like a buffet
Self aware goddamn I’m amazing
Wrote a hit again and it don’t even phase me
Improvised it like I’m Wayne Brady
“Who’s Line” bitch it’s mine you can pay me
Poppin through fresh off the flight right now
Sleepy ass n**** tear a naps ass up
I’mma keep on smoking while I’m giving you these vocals
Best believe I never left but the key stay right
Singin on key what you know about
Oh you ain’t know I was from these parts
Melodyne is your best friend baby
How you flat and sharp all up in your gravy
Cool as a fan finer than your man
I’m the freedom that you wish he had
I only really fuck with sports in slow mo
Dirty nails, dirty dick, no bueno
Poppin through fresh off the flight right now
Silly little bitch make you laugh out loud
I’mma keep on smoking while I’m giving you these vocals
Best believe I never left but the key stay right
#qveenherby #karmin #selfaware
Listen to EP 1: http://hyperurl.co/r14mux
Listen to EP 2: http://smarturl.it/QveenHerby-EP2
Listen to EP 3: http://smarturl.it/QveenHerby-EP3
Listen to EP 4: http://hyperurl.co/teev8h
Listen to EP 5: http://smarturl.it/QHEP5
Listen to EP 6: https://ffm.to/qveen_6
Listen to EP 7: https://ffm.to/ep7_
Listen to EP 8: https://ingroov.es/ep-8
Shop the look: http://www.qveenstudio.com
Subscribe to Qveen Herby: http://bit.ly/QveenHerbyYT
Follow Qveen Herby:
http://qveenherby.com
http://instagram.com/qveenherby
http://facebook.com/qveenherby
http://twitter.com/qveenherby
Director @jediinick
Editor @qveenherby
Producer + Colorist/FX @whatwouldalexanderdo
FX and Green Screen @pala.sound
Assisted by @jasminealyanna
Special thanks to Wayne Brady for the cameo appearance and to Patrick Paige II for playing bass on this track.
”At The Door” by The Strokes from the album "The New Abnormal"
Listen to The Strokes: https://thestrokes.lnk.to/listenYD
Subscribe to The Strokes YouTube channel: https://TheStrokes.lnk.to/subscribeYD
Watch more videos by The Strokes: https://thestrokes.lnk.to/listenYD/youtube
Follow The Strokes:
Facebook: https://TheStrokes.lnk.to/followFI
Instagram: https://TheStrokes.lnk.to/followII
Twitter: https://TheStrokes.lnk.to/followTI
Website: https://TheStrokes.lnk.to/followWI
Spotify: https://TheStrokes.lnk.to/followSI
Lyrics:
Struck me like a chord
I'm an ugly boy
Holdin' out the night
Lonely after light
You begged me not to go
Sinkin' like a stone
Use me like an oar
And get yourself to shore
Credits:
DIRECTED BY Mike Burakoff
PRODUCED BY Mike Burakoff & Benjy Brooke
EXECUTIVE PRODUCER
Lagan Sebert
STORYBOARDS
Benjy Brooke & Adam Henderson
DESIGN LEADS
Benjy Brooke
Adam Henderson
Mathieu Bétard
Adam Sillard
Kelsi Phung
Pete Sharp
Victorin Ripert
TYPOGRAPHY
ADCo
ANIMATORS
Benjy Brooke
Peter Lowey
Maxime Jouniot
Adam Henderson
Adam Sillard
Jose Luis Rosado
Tyler DiBiasio
Tucker Klein
Ryan Plaisance
Joao Monteiro
Gaurav Wakankar
Shane Dering
ASSIST & CLEAN UP
Camille Guillot
Pedram Taghavi
Giulia Riva
Julia Lama
Tamerlan Bekmurzayev
Jose Goyo Moreno
COMPOSITING
Mike Burakoff
COLOR SCRIPT
Agathe Leroux
MEGASTRUCTURE TIMELINE
PRODUCED BY
2veinte
CREATIVE DIRECTOR
Pablo Gostanian
EXECUTIVE PRODUCER
Agustin Valcarenghi
CHARACTER DESIGN
Diego Polieri
ART DIRECTION
Pablo Gostanian & Diego Polieri
POSTPRODUCTION COORDINATOR
Florencia Cruz
ANIMATION DIRECTOR
Diego Polieri
ANIMATORS
Diego Polieri
Fernando Toninello
Israel Giampietro
Lisandro Schurjin
ASSIST & CLEAN UP
Adrian Peralta
Facundo Garcia
Agostina Salvemini
Lisandro Schurjin
Eugenia Beizo
Sebastian Garcia
Facundo Brunella
Yazmin Hanna
BACKGROUND DESIGN
Sike
BACKGROUND PAINT
Ivan Olszevicki
Nahuel Sagarnaga
Ailen Sbrizza
COMPOSITING, 3D & VFX
Facundo Brunella & Mateo Vallejo
1982 COSMONAUT TIMELINE
PRODUCED BY
Remembers
DESIGN
Ugo Bienvenu
LAYOUTS
Ugo Bienvenu
ANIMATORS
Ugo Bienvenu
Felix Kerjean
Hugo Lemonnier
COMPOSITING
Ugo Bienvenu
PRODUCTION COMPANY
MBX
#TheStrokes #AtTheDoor #Rock #TheNewAbnormal