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Maximillian - Beautiful Scars (Official Video) Hotney 10 Streams • 3 years ago

Listen to Maximillian:
Maximillian.lnk.to/ThisIs

Connect with Maximillian:
Instagram: https://www.instagram.com/maximillianirl
Twitter: https://twitter.com/maximillianirl
Facebook: https://www.facebook.com/maximillianm...
©Copenhagen Records 2020

_____________________

Lyrics:

Broken are the pieces
I’ve been shaping lately
Focused on the things
That didn’t make no sense
Guess that growing up
Was never meant to be easy
Yeah I got used to doing everything sideways
Didn't really care about how anyone felt
Hiding my emotions down in different ashtrays

But what is lost ain’t gone
No you can’t just let go
Cause it’s a part of you that
Will make you strong
Embrace your flaws

I’m not gonna fight back
What I’ve become
Yeah I got bruises
Where I came from
But I wouldn’t change
If I could restart
I ain’t gonna hide these
Beautiful scars
I’ve been going way too hard on myself
Guess that is the reason I’ve been feeling like hell
But I wouldn’t change
If I could restart
I ain’t gonna hide these
Beautiful scars

I went down a road, that only got me nowhere
I’ve seen every corner, every inch of this place
Being all alone, it really got me thinking
Maybe overthinking

That what is lost ain’t gone
No you can’t just let go
Cause it’s a part of you that
Will make you strong
Embrace your flaws

I’m not gonna fight back
What I’ve become
Yeah I got bruises
Where I came from
But I wouldn’t change
If I could restart
I ain’t gonna hide these
Beautiful scars
I’ve been going way too hard on myself
Guess that is the reason I’ve been feeling like hell
But I wouldn’t change
If could restart
I ain’t gonna hide these
Beautiful scars

Hide these beautiful scars
Hide these beautiful scars

I’m not gonna fight back
What I’ve become
Yeah I got bruises
Where I came from
But I wouldn’t change
If I could restart
I ain’t gonna hide these
Beautiful scars
I’ve been going way too hard on myself
Guess that is the reason I’ve been feeling like hell
But I wouldn’t change
If could restart
I ain’t gonna hide these
Beautiful scars

_____________________

Written & Directed by Albert & Wergeland (Celine Albert & Emil Wergeland)
Creative Director: Stine Thorbøll, Copenhagen Records
Cinematography: Balthazar Hertel
Editor: Emil Wergeland
B-Photo: Frederik Haslund
Styling: Celine Albert
Cast: Unique Models, Otto Ryder & Mathilda Bach
Production: Wergeland Film
Produced by ©Copenhagen Records

Music video by Maximillian performing Beautiful Scars. © 2020 Universal Music (Denmark) A/S

http://vevo.ly/SUjAnw

Anitta - NU (feat. HITMAKER) [Official Music Video] Hotney 4 Streams • 3 years ago

LISTEN HERE ▶ https://lnk.to/NuAnitta

SUBSCRIBE HERE ▶ @anitta

ANITTA:
Spotify | https://bit.ly/4356mSE
Instagram | http://instagram.com/anitta
Twitter | http://twitter.com/anitta
Facebook | http://facebook.com/AnittaOficial

CREDITS:
Produção: Hungry Man
Direção: João Papa

Managing Partner: Alex Mehedff
Executive Producer: Alex Mehedeff e Sarina D'Avila
Criative Executive Producer: Fabio Pinheiro
Line Producer: Fernanda Kalume

Head of Production: Maran Poian
In House Production Coordinator: Gabriel Sidorenko e Rafaela Pellegrini Research: Leonardo Godinho e Vitória Zamfolini
Business Affairs Manager: Matheus Rosa
Creative Assistant: Jenn Anconi

1AD: Ulisses Wermelinger
2AD: Ana Rios

Production Manager: Mateus Galvão
Production Assistant: Fernanda Chedid
Production Assistant: Victória Almeida

Security: Everton Correa Azevedo e Carlos Antônio Virgilino
Set assistant: Silas Nicola e Gabriel Oliveira

Cast Producer: Alice Wolfenson
Choreographer and Dancer: Amanda de Sousa Araújo
Dancer: LAURA AMORIM COSTA CHAVES
Dancer: Mel Firetti Las Casas
Dancer: Marcela Alexia Oliveira Pinto

DOP: João Papa
1º AC Alessandro Valese ( Alemão)
2º AC Alfredo Desio
Video ASsist: Dario Valese
Logger: JP Oliveira

Crane Operator: Hugo Takeuchi
Photo Still: Iude Richele
Still ASsistant: Maria Prado
Gaffer: Hugo Calazans
1st Electric Renato Lelis
2nd Electric Vittoria Bronzo Alberto de Oliveira (Betão), Bruno Canhoto e Luciano Batista
Key Grip: Rodrigo Fidelis
1st Grip: Fabiano Oliveira Dias
2nd Grip: Mozart Pereira Cruz, Marques Junior, Fábio Luis, Iamamoto Campos, Juliano Rodrigues Capinan e Gleice soares da Silva

Production Designer: Luiz Henrique Pinto
Assistant Art Director: Eliane de Oliveira
Art Producer: Matheus Carvalho
Prop Producer: Tatiana Coelho Pereira
Scenic Technician: Daniel, Allan Marcelo
Inside Prop: Hallan Rubens Soares Ferro e Alberto Castro dos Santos Runners: Murilo Borges, Elton Miranda, Carlos Borges, Danilo Cruz William da Silva, Henrique Marinho e Clarivaldo dos Santos Wardrobe

Stylist: Giovanna Moretto
ASsistant Wardrobe: Hélio Anselmo de Oliveira
Seamstress: Fran Batista
Make Up: Victoria Garaventa
Make up assist: Regiane Caldeira dos Santos, Carlaxane Passos Maia e Sónia Araújo
Mixer: Rodrigo de Macedo Martins

Post Production:
Head of Post Production: Rodrigo Oliveira
Post Production Team: JP Oliveira and Michael Eduardo
Editor Alexandre Boechat
Post Production Troop
Color Grading Bleach
Transportation Sandro Cheffel
Câmera Digital 35
Light and Grip Moving Track
Generator Cash Box Geradores Ltda
Technocrane Ale Movimentos

LYRICS
NU - Anitta feat. Hitmaker

Hoje é seu dia de sorte
Já tô tirando meu short
Todo Mundo quer mas eu te escolhi

Você já sabe o caminho
Sabe fazer direitinho
Vem no ouvidinho e vai descendo

Vou Descendo
No Talento
Brincando embaixo do umbigo

Vou subindo
Ta pedindo
Hoje eu acabo contigo

Só quero te beijar nuuu
No quarto escurinho
Fazendo carinho
E sentando em cima de tu 2x

Só quero te beijar nuuu
Só quero te beijar nuuu

Calma, relaxa
Mostra como faz
Encosta, encaixa
Pra frente e pra trás

Tu vai pedindo toma
Cê tá gostando toma
Tu tá querendo então
Toma toma toma

#Anitta
#hitmaker

There Were So Many RED FLAGS in LeToya Luckett's Marriage 🚩 Hotney 4 Streams • 4 years ago

We initially thought LeToya Luckett had found her perfect match in Tommicus Walker. But, come to find out, this relationship was a hot stankin’ mess from the start.

#LeToyaLuckett #TommicusWalker #RedFlags

Watch LeToya & Tommi’s Love Story: https://www.youtube.com/watch?v=ZEVtKwUcsPE

***************

Try our snacks: https://rrgsnacks.com

Listen to our instrumentals: https://www.youtube.com/channe....l/UCYKetccea_Hw_pFks

***************
Watch our Red Flag series: https://youtube.com/playlist?l....ist=PL3wqjUe0ovY58Lh

================================================
At RRG, we aspire to bring quality and engaging content that will make you see your favorite celebrities in a different light.

Please be sure to leave your feedback in the comments section, and if you have a topic you would like us to discuss, leave your suggestion in the comments section! *Video requests sent to our business email address will be deleted*

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Thank you to our sources:

http://www.oprah.com/own-thebo....okofjohngray/letoya-
https://www.essence.com/celebr....ity/black-celeb-coup
https://atlantablackstar.com/2....018/12/17/letoya-luc
https://people.com/parents/let....oya-luckett-walker-w
https://www.xonecole.com/letoy....a-luckett-tommicus-w
https://rollingout.com/2017/05..../13/letoya-luckett-e
https://www.tmz.com/2016/08/01..../destinys-child-leto
https://www.lovebscott.com/rob....-hill-sr-explains-wh
http://freddyo.com/slim-thug-t....old-it-all-on-twitte
https://madamenoire.com/104414....5/letoya-luckett-ti-
http://stylemagazine.com/news/....2013/aug/20/letoya-l
https://www.essence.com/cultur....e/black-love-games-e
https://www.essence.com/lifest....yle/letoya-luckett-d
http://www.mtv.com/news/144128....6/ex-destinys-child-
http://voices.washingtonpost.c....om/dcsportsbog/2007/
https://www.orlandosentinel.co....m/news/os-xpm-2002-0
https://www.essence.com/news/e....xclusive-see-letoya-
https://www.christianpost.com/....news/letoya-luckett-
https://www.dignitymemorial.co....m/obituaries/fort-wo
https://www.etonline.com/letoy....a-luckett-and-husban
https://www.xonecole.com/letoy....a-luckett-divorce/pa

BAD BUNNY x DADDY YANKEE - LA SANTA | YHLQMDLG [Visualizer] Hotney 7 Streams • 4 years ago

BAD BUNNY x DADDY YANKEE
LA SANTA | YHLQMDLG [Visualizer]
Escucha YHLQMDLG: https://rimas.ffm.to/yhlqmdlg

Merch:
https://shop.elultimotourdelmundo.com/
https://YHLQMDLG.com

Suscríbete al canal: https://rimas.ffm.to/ytbadbunny

Más de Bad Bunny:
EUTDM - https://rimas.io/EUTDM
Yo Perreo Sola - https://youtu.be/GtSRKwDCaZM
Una Vez ft. Mora - https://youtu.be/gSMYGP0TYC4

Sigue a Bad Bunny:
Instagram: https://www.instagram.com/badbunnypr/
Facebook: https://www.facebook.com/BadBunnyOfficial/
Twitter: https://twitter.com/sanbenito

Letra:
[Intro: Bad Bunny & Daddy Yankee]
Tú no ere' una santa, ni yo soy un santo
Nos conocimo' pecando
Ahora me está' buscando
Porque quiere más de mí (¡Bad!)
Y yo te lo doy (¡Bunny!)
Te viene' y me voy (DY)
Te lo dije que esto era pa' jugar
Que no te podía' enamorar (¡Sube, sube, plo!)

[Coro: Bad Bunny & Daddy Yankee]
Que ahora me quiere' cambiar
Sabiendo cómo soy, tú sabe' lo que doy
No te haga', tú ere' igual (¿Qué, qué, qué?)
No te haga' la santa, el perreo te encanta (You know)
Y ahora me quiere' cambiar (Yeah-yeah, eh)
Sabiendo cómo soy, tú sabe' lo que doy
No te haga', tú ere' igual (Tú ere' igual, bebé)
No te haga' la santa, el perreo te encanta (¡Da-ddy!)

[Verso 1: Daddy Yankee]
Mami, somo' polo positivo y negativo (¿Qué?)
A la flecha de Cupido siempre me le esquivo (Cucú)
Tenemo' secreto' guarda'o en el archivo
No va a haber confianza si contigo convivo, baby
'Tás calentándote (Wow), yo calentándome (Eh)
Y tú dice' que tú ere' brava, pero a vece' te me quita (Rrr)
Y vuelve' y me excita'
Pero yo no soy el hombre que necesita' (Yeh)

[Pre-Coro: Bad Bunny & Daddy Yankee]
Yo no voy con labia, no
Tú sabía' la que había, baby
El romance no e' mi área, no (¿Qué?)
No me diga' que te enamoraste de mí
Yo no voy con labia, no
Tú sabía' (Tú sabía'), la que había, baby (Baby)
El romance no e' mi área, no
No me diga' (No me diga'), que te enamoraste de mí (Mí)

[Coro: Bad Bunny & Daddy Yankee]
Y ahora me quiere' cambiar (Sube)
Sabiendo cómo soy, tú sabe' lo que doy
No te haga', tú ere' igual (Tú ere' igual, bebé)
No te haga' la santa, el perreo te encanta
Y ahora me quiere' cambiar (Me quiere' cambiar)
Sabiendo cómo soy, tú sabe' lo que doy
No te haga', tú ere' igual (Trr)
No te haga' la santa, el perreo te encanta (Bad Bunny, come on)

[Verso 2: Bad Bunny & Daddy Yankee]
No me diga' que me quiere', no me diga' que me ama'
Tú sabe' que no te creo
Mucho meno' en tu cama
Seguimo' envuelto' en la bellaquera, ey
Ey, la noche entera
Eso de enamorarse no e' pa' cualquiera
Dejé el corazón dentro 'e la nevera
Lo tengo frío, frío, sorry, pero en nadie confío
Tú sigue en lo tuyo y yo en lo mío
Buena' noche', fue un placer, ey
Pero no me va' a convencer (Come, on)

[Pre-Coro: Bad Bunny & Daddy Yankee]
Yo no voy con labia, no
Tú sabía' la que había, baby
El romance no e' mi área, no
No me diga' que te enamoraste de mí
Yo no voy con labia, no
Tú sabía' (Tú sabía'), la que había, baby (Eh-eh)
El romance no e' mi área, no
No me diga' (No me diga'), que te enamoraste de mí (¿Qué?)

[Coro: Daddy Yankee & Bad Bunny]
Y ahora me quieres cambiar
Sabiendo cómo soy, tú sabe' lo que doy
No te haga', tú ere' igual (Tú ere' igual, bebé)
No te haga' la santa, el perreo te encanta
Y ahora me quiere' cambiar
Sabiendo cómo soy, tú sabe' lo que doy (Yo')
No te haga', tú ere' igual
No te haga' la santa, el perreo te encanta, eh

[Outro: Daddy Yankee]
Mucho party, mucho money
Daddy Yankee, Bad Bunny
Mucho party, mucho money
Daddy Yankee, Bad Bunny

booking@rimasmusic.com

#BadBunny #LaSanta #YHLQMDLG

© 2020 Rimas Entertainment

She Made Her Label $170M, All She Got Was $1900…. Hotney 17 Streams • 5 months ago

The story of Alannah Myles, best known for the song Black Velvet

Podcast on Apple Podcasts
https://podcasts.apple.com/ca/....podcast/the-rock-n-r

My second YouTube Channel
https://www.youtube.com/@RockNRollTrueStories2

Title: The Tragic Story of The One-Hit Wonder Who Wasn't

Some songs are like time machines. In 1990, one of them was “Black Velvet,” a smoky, blues‑rock track that turned Canadian singer Alannah Myles into a global star. The song hit number one on the Billboard Hot 100, won a Grammy for Best Female Rock Vocal Performance, and helped her debut album sell millions worldwide. By all accounts, she should have been set for life.

Instead, the industry that finally embraced her nearly destroyed her. Behind the scenes, Myles had signed a brutal contract loaded with “recoupable” expenses for recording, videos, touring, and marketing — debts she had to pay back before seeing real royalties. She later estimated the label earned well over a hundred million dollars from her records, while she struggled to pay rent and took side jobs just to get by. She has said she didn’t receive a meaningful royalty check for “Black Velvet” until 2008, almost two decades after the song topped the charts.

Her path to that hit had been long and stubbornly independent. Born Alannah Byles in Toronto, she grew up comfortable but determined to make it on her own. She wrote songs as a teenager, played grimy Southern Ontario clubs, and rebranded herself as Alannah Myles while doing modeling, makeup work, and small acting roles to fund her music. Partnering with songwriter Christopher Ward and producer David Tyson, she chased a blues‑rock identity that Canadian labels repeatedly rejected. A three‑song demo to Atlantic in New York finally landed her a six‑album deal in 1987.

Her 1989 debut album was huge at home, producing multiple Top 40 hits and becoming the best‑selling debut album in Canadian history. “Black Velvet” – written by Ward and Tyson as an Elvis Presley tribute after Ward rode a fan bus to Memphis – was the track that broke her internationally. Released in the U.S. after “Love Is,” it climbed slowly before exploding to number one and going top ten in over a dozen countries. At the same time, her label angered her by commissioning a competing country version by Robin Lee, which muddied her ownership of the song in the public eye.

The pressure for a repeat was immediate. Her 1992 follow‑up, Rockinghorse, underperformed in the U.S. but went multi‑platinum in Canada, giving her another number‑one single and a second Grammy nomination. Still, label politics, media stories painting her as “difficult,” and the strain of constant touring took a toll. She cancelled tours for health reasons, cycled through managers, and watched as her momentum faded internationally.

Myles eventually left Atlantic in the late ’90s and signed with Miles Copeland’s Ark 21, gaining more creative control but far less commercial visibility. For years she survived through smaller‑scale releases, overseas deals, television work, and live shows, even as “Black Velvet” kept spinning on radio without truly enriching her. A libel suit against a major Canadian newspaper over claims of cocaine addiction was settled in 2001, reportedly with a substantial payout — ironically one of the biggest financial wins of her career.

When her contract finally allowed it, she re‑recorded “Black Velvet” for her independent album Black Velvet and later retooled it again on 85 bpm, finally owning versions of the song that paid her directly. Chronic health problems, including serious spinal damage and autoimmune issues, have since limited her ability to tour, but she continues to write and record on her own terms.

Calling Alannah Myles a “one‑hit wonder” misses the point. She had multiple Canadian hits, a second Grammy‑nominated album, and a career that’s lasted decades. “Black Velvet” was a phenomenon so huge it obscured the rest of her work — and a song that nearly ruined her even as it made her immortal. In 2021, it was inducted into the Canadian Songwriters Hall of Fame, cementing its place in rock history and her legacy as far more than a trivia‑question one‑off.

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