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Boys World - Caught in Your Love (Official Music Video) Hotney 19 Streams • 2 years ago

Listen to our new single "Caught in Your Love" 💌 https://boysworld.lnk.to/CIYL

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tiktok: https://www.tiktok.com/@boysworld
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spotify: https://shorturl.at/cdDZ8

#CaughtInYourLove #newmusic #girlgroup

LYRICS -

I need that emotion ride
Gimme that 1, 2
Gimme that drop mood
Gimme that gimme that gimme that

Standing by ya oceanside
Gimme that deep blue
Gimme that monsoon
Gimme that gimme that gimme that

I’m wrapped around a feeling in my head
A trap that you don’t even know you set
And I don’t ever wanna get out of it

Caught in your love
I’m barely surviving
Caught in your love
Staring into the blinding sun
Your fingers run like water through me
I can’t give it up
Caught in your love
Caught in your love

Yeah as far as I can see (ya)
Gimme that full moon (that full moon)
You gimme that full bloom (gimme that full bloom)
You gimme that gimme that gimme that

Got me deep in ecstasy
Gimme that feel good
So good

I’m caught in your love
I’m barely surviving
Caught in your love
Staring into the blinding sun
Your fingers run like water through me
I can’t give it up
Caught in your love
Caught in your love

I’m wrapped around a feeling in my head
A trap that you don’t even know you set
I don’t ever wanna get out of it
No I don’t ever wanna get out of it

Caught in your love
I’m barely surviving
Caught in your love
Staring into the blinding sun
Your fingers run like water through me
I can’t give it up
Caught in your love
Caught in your love

VIDEO CREDITS -

DIRECTOR: Alexandra Gavillet
DP: Tamara Santos
EDITOR: Marta Strauss
PRODUCER: Ian Saddler
EP: Riverside Entertainment
PROD. SUPERVISOR: Hope Rubinkowski
PROD. COORDINATOR: Anna Melnik
1st AD: Katherine Kittler
2nd AD: Naomi Segal
STEADICAM OP: Quaid Cde Baca
1st AC: Grant Friensen
2nd AC: Ruoyo Zhang
GAFFER: Tony Jou
BEST ELECTRIC: Gordon Hale
KEY GRIP: Kevin Chui
BEST GRIP: Stephen Chang
SWING: Clayton (Cho) Rodriguez
COLOR: Dylan Hageman
PRODUCTION DESIGNER: Ava Jones
ART PA: Tristan Hulsebos

CHOREOGRAPHY: Dez Soliven + Gab Robert
KEY MAKEUP: Marla Vazquez
ASST MAKEUP: Carolina Benita
KEY HAIR: Marilyn Lizardo
KEY WARDROBE: Charlie Brianna
ASST WARDROBE: Niko
SEAMSTRESS: Julian Carlos
NAILS: Reyna Sandoval

MOTORHOME DRIVER: Doug Smith
TRUCK PA: Graham Mekjian
PROD ASSISTANT: Ethan Rocha
PROD ASSISTANT: Eloy Perez
PROD ASSISTANT: Ben Burris
SET MEDIC: Paul Easterling

PHOTOGRAPHY: Anisha Sisodia
BTS: Skyler Wagoner
SOCIALS: Claudia Villareal

LABEL: KYN Entertainment
MGMT: Sarah Bromley + Rachel Hicks

The Sermon Session: Hip Hop Gems from the OG Architect Erick Sermon | Full Episode Hotney 11 Streams • 9 months ago

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N.O.R.E. & DJ EFN are the Drink Champs. In this episode we chop it up with the legends, Erick Sermon!

Straight from Art Basel, The Green-Eyed Bandit himself, Erick Sermon, pulls up to the table for a classic, unfiltered conversation that bridges eras of hip hop. From his legendary run with EPMD to shaping the sound of the ’90s and beyond, Sermon dives deep into the stories, the studios, the successes, and the struggles that molded his iconic career. N.O.R.E. and DJ EFN pour up heavy while Erick breaks down the early Def Jam days, his chemistry with Parrish Smith, and the creative zone that birthed timeless records.

Sermon also opens up about producing for heavyweights like Redman, Method Man, LL Cool J, and Jay-Z, sharing behind-the-scenes gems only a true architect of the culture could drop. He speaks candidly about navigating the music business, overcoming personal battles, and staying relevant in an ever-changing industry. The episode is packed with laughter, raw truth, and that signature Drink Champs energy—stories that get funnier as the drinks get stronger.

Whether you’re a lifelong E-Double fan or discovering the depth of his legacy for the first time, this episode is a masterclass in hip hop history straight from one of its most influential creators. A must-watch for every real head.

Make some noise for Erick Sermon!💐💐💐🏆🏆🏆

Listen and subscribe at https://www.drinkchamps.com

Follow:
Drink Champs
https://www.drinkchamps.com
https://www.instagram.com/drinkchamps
https://www.twitter.com/drinkchamps
https://www.facebook.com/drinkchamps

DJ EFN
https://www.crazyhood.com
https://www.instagram.com/whoscrazy
https://www.twitter.com/djefn
https://www.facebook.com/crazyhoodproductions

N.O.R.E.
https://www.instagram.com/therealnoreaga
https://www.twitter.com/noreaga

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Volbeat - Time Will Heal (Official Video) Hotney 6 Streams • 1 year ago

New album ‘God Of Angels Trust’ out June 6th!
Pre-order on all formats here 🐐 https://Volbeat.lnk.to/GOAT
*Formats include Ltd. Vinyl Color Edition, CD, Deluxe CD Hardcover Book, Cassette, and as digital album, which features “By a Monster’s Hand”, “In the Barn of the Goat Giving Birth to Satan’s Spawn in a Dying World of Doom” and “Time Will Heal”.
See Volbeat on tour this year! Get details & tickets here: https://volbeat.dk/en/dates

VOLBEAT – Time Will Heal (Official Video)
Check out the new VOLBEAT video “Time Will Heal” & stream the song here: https://volbeat.lnk.to/TimeWillHeal

CREDITS:
Produced, Directed, Shot & Edited by Julia Patey
Featuring Will Bruder
Production Design & SFX by Marta Karta
Production Assistants Marlon Silveira & Matthias Chang Ziegenhagen
Lighting Assistant Ivan Dobrovolskyi
Artwork “Goat's Portrait" OJ-Lutz
Artwork "1920s Figures” Barsketcher
Handmade Pen by Atelier Fesseler
Driver Lucas Worisch Mazzo
Studio, Equipment and Support Delight Rental Services GmbH Berlin

Thank you to Atelier Fesseler for the handmade pen

Performance footage directed and filmed by: Ben Liepelt / PR Films
Camera: Ben Liepelt, Nils Gronwald, Hennig “Henk” Jäger
Lighting: Chris S. Johannsen
Set & Backline: Tue Bayer
Production Assistant: Jan Steffensen
Photos: Toni B. Gunner

FOLLOW VOLBEAT:
https://www.volbeat.dk/
https://www.instagram.com/volbeat/
https://www.facebook.com/volbeat
https://x.com/volbeat
https://www.tiktok.com/@volbeat

LYRICS:
Today I am feeling sad
Why do I look to the sky
Nothing will be the same
The mindset tries to get by
Tomorrow’s another face
Depending on the unknown
Sleep is the enemy
Accepting the good with the low

Accepting the good with the low

Time will heal the open wounds
But the heart will always decide
How the soul will be moving on
And to live with the ones left behind
High above or below the sun
The spirit seems to be fine
Time will heal the open wounds
But the heart will always decide

Today I’m feeling it
Why do I think I can fly
Everything is in place
Nothing seems in decline
What day is irrelevant
Untouchable to the bone
Now levitate again
Accepting the good with the low

Accepting the good with the low

Time will heal the open wounds
But the heart will always decide
How the soul will be moving on
And to live with the ones left behind
High above or below the sun
The spirit seems to be fine
Time will heal the open wounds
But the heart will always decide

Live for a reason
The young ones will fly
Joining their moment in time
The wounds are still healing
But that feels alright
Even the night has a light

Time will heal the open wounds
But the heart will always decide
How the soul will be moving on
And to live with the ones left behind

High above or below the sun
The spirit seems to be fine
Time will heal the open wounds
But the heart will always decide

#Volbeat #GOAT #TimeWillHeal

When Rockstars Can’t Take a Joke…Just Ask Weird Al! Hotney 13 Streams • 3 months ago

The story of the musicians who turned down Weird Al's request to parody their songs.

Podcast on Apple Podcasts
https://podcasts.apple.com/ca/....podcast/the-rock-n-r

My second YouTube Channel
https://www.youtube.com/@RockNRollTrueStories2

For every hit parody like "Eat It" or "Amish Paradise," there’s a story of a music legend giving Weird Al the green light. Getting that call from Al has become a badge of honor, a sign that your song has become part of pop culture, ready to be reimagined with lyrics about food, TV, or total nonsense. For decades, artists have lined up to let Al work his magic.

But what about the songs we never got to hear? The parodies personally shut down by some of the biggest artists on the planet? For a man who built a career as pop’s court jester, there are surprising moments when the kings and queens of the charts weren’t laughing. These are the stories of the parodies Weird Al was forbidden to make.

To understand why a "no" matters, you have to understand Al’s most important self‑imposed rule: he almost always asks for permission. Legally, parody often falls under “fair use,” but record labels and publishers love to ignore that, especially on YouTube. Early on, Al didn’t always ask, but his longevity is built on more than clever rhymes; it’s built on respect. He wants to be morally and relationally in the clear, not just legally safe.

That approach has saved him from feuds and lawsuits and cemented his reputation as one of the nicest guys in music. Most artists, from Nirvana to Chamillionaire, saw being asked as an honor. But that courtesy also gives artists the power to say "no." And when they do, Al walks away. The undisputed king of these rejections was Prince.

Al pitched ideas for “1999,” “When Doves Cry,” and “Kiss.” Every time, Prince’s camp answered with a decisive no. Al never got a real explanation. Ironically, Prince apparently laughed at “Fat,” Al’s parody of Michael Jackson’s “Bad,” but he still didn’t want his own songs touched. He was notoriously protective, even about other artists covering his work, once saying that covering a song makes the original “not exist anymore.”

Some rejections were more personal than mysterious. Paul McCartney shut down “Chicken Pot Pie,” a parody of “Live and Let Die,” because he didn’t want to promote meat. The joke was perfect, but McCartney, a committed vegetarian, offered “Tofu Pot Pie” instead. Al, also a vegetarian, passed because it just didn’t sing right.

Even close collaborators sometimes drew lines. Michael Jackson approved “Eat It” and “Fat,” even letting Al use the “Bad” subway set. But he refused a “Black or White” parody called “Snack All Night,” feeling the original’s message about racial harmony was too important to turn into a joke. Al understood completely.

Then there’s “Amish Paradise.” Al believed Coolio’s camp had approved the “Gangsta’s Paradise” parody, only to face public outrage when Coolio claimed he never signed off. Al was mortified and later apologized, while Coolio eventually admitted he’d overreacted.

Not every "no" was absolute. Eminem allowed “Couch Potato,” a “Lose Yourself” parody, on Al’s album but blocked a video, worried about his song’s legacy. Daniel Powter initially denied a “Bad Day” parody, then changed his mind too late—by then, Al had moved on to “White & Nerdy.” And James Blunt loved “You’re Pitiful,” but his label killed the release, so Al posted it online for free.

In the end, these rejections don’t weaken Weird Al’s legacy; they enrich it. They show an artist who values respect as much as laughs—and sometimes, the parodies we never got say as much as the ones we did.

Have a video request or a topic you'd like to see us cover? Comment below or send in your idea: https://bit.ly/3stnXlN

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#weirdal #prince

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