This performance was recorded on Feb. 12, 2020. We will continue releasing Tiny Desk videos of shows that had already been taped. In light of current events, NPR is postponing new live tapings of Tiny Desk Concerts. In the meantime, check out Tiny Desk (home) concerts! They’re recorded by the artists in their home. It’s the same spirit — stripped-down sets, an intimate setting — just a different space.

June 17, 2020 | Abby O'Neill -- On a brisk February morning, Alicia Keys, full of effervescence, entered NPR through the loading dock wearing a canary yellow faux fur coat. During our ride to the fourth floor, she joked about how she hadn't been invited to play at the Tiny Desk. That, of course, wasn't exactly true. We worked on and off for years to make this moment happen, and I can say wholeheartedly that it was worth the wait.

Alicia Keys has an aura that you can sense the second she enters a room, or in my case, an elevator. She radiates compassion and kindness. This spirit is the key to Keys's songwriting, which is rooted in introspection and mindfulness.

As she approached her piano, a bit surprised at the amount of people in the room, she smiled and remarked over her shoulder, "Gee, the Tiny Desk is tiny!" She kicked off the set with an uncanny ode to combat the darkness of this moment in American history: "Show Me Love," a single she released in 2019. No one could have predicted then how much her lyrics and musical healing would be crucial during this emotionally fraught time of unprecedented political and racial unrest, heightened by three months of quarantine due to a global pandemic.

The stand-out moment during her Tiny Desk was the premiere of "Gramercy Park", a song from her upcoming self-titled album, ALICIA, which is set to be released this fall. It's one of those timeless songs that will transcend radio formats and genres, with lyrics that address how utter selflessness and worrying about making everyone happy but yourself can throw your own center askew. The song's spiritual refrain is sure to be a sing-along moment for the rest of Keys's career.

She told the crowd after "Gramercy Park" that she's struggled with appeasing people her whole life, but she's trying harder now to set boundaries. Luckily for the Tiny Desk audience, that resolution didn't pertain to this concert. After wrapping up what was to be a three-song set with her latest single "Underdog," which you may have seen her perform at this year's Grammys, the crowd begged for an encore. After crowdsourcing suggestions, she and her band delivered a riveting rendition of Keys's breakout 2001 single, "Fallin'."

The world, now more than ever, needs more love, reflection and accountability – a mantra that's woven into every fiber of Alicia Keys's being and every lyric of her songs.

SET LIST
"Show Me Love"
"Gramercy Park"
"Underdog"
"Fallin'"

MUSICIANS
Alicia Keys: vocals, piano; RAII & Whitney: vocals; Ant Parrish: bass; Curt Chambers: guitar; Mike Reid: drums; Omar Edwards: keys.

CREDITS
Producers: Abby O'Neill, Morgan Noelle Smith, Kara Frame; Creative director: Bob Boilen; Audio engineers: Josh Rogosin, Natasha Branch; Videographers: Kara Frame, Maia Stern, Melany Rochester, Shanti Hands; Editor: Maia Stern; Associate Producer: Bobby Carter; Executive producer: Lauren Onkey; VP, programming: Anya Grundmann; Photo: Kisha Ravi/NPR

Ike Turner discusses being known as the inventor of rock n' roll, drug use, his father's illness, the inaccurate portrayal of him in "What's Love Got to Do With It?," and Roseanne forcefully coerces an apology to ex-wife Tina Turner. He then performs "City Girl, Country Man" with the Ikettes (though the song is interrupted by an Oprah voice-over).

I rarely disable comments, but this one was becoming a royal hate-fest (half of the comments were aimed at Ike, half at Roseanne) and I'm tired of the regular notifications for everyone's venomous remarks.

00:00 Intro
00:48 The Inventor of Rock n Roll
01:40 Drugs
02:02 The Lynching of Ike's Father
03:28 More Drugs
04:04 Going to Prison
04:21 What's Love Got to Do with It?
04:44 Domestic Violence
07:15 City Girl, Country Man - with the Ikettes

Kiss fan, check Paul Stanley's "Face The Music - A Life Exposed" audiobook. Here's part 1 of the best seller! Read by Paul himself! Remember to SUBSCRIBE (+ hit the notification bell) to catch future uploads.

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May 2, 2018 | Abby O'Neill -- GZA's performance at the Tiny Desk was a rare appearance for the legendary Wu-Tang Clan emcee, in part because he's notoriously introverted, and because he brought along The Soul Rebels, an eight-piece New Orleans brass ensemble. Once they stepped behind the desk they got right down to business, opening with the sparkling "Living In The World Today," from GZA's 1995 solo album Liquid Swords. These 23-year old lyrics and metaphors felt timeless.

GZA continued his onslaught of poetic precision with another beauty from Liquid Swords, "Duel of the Iron Mic." "I ain't particular," he spat, starting to break into a sweat behind the desk. "I bang like vehicular/Homicides on July 4th in Bed-Stuy." At one point, GZA even channeled his cousin, the late great Ol' Dirty Bastard, who provided the hook on the original version of the track.

Most rap fans would name RZA as the head of the Wu-Tang Clan. But Wu purists know that GZA, or The Genius, is the crew's unspoken elder statesman. By the third and final song at the Tiny Desk, driven by unbridled passion and his command of the room, GZA was soaked in sweat as they broke into the title track of Liquid Swords. The Soul Rebels perfectly recreated the track's seamless horn hits while adding on a bit of their own flare. The cherry on top arrived when GZA used his final minutes to tell the story of how the hook originally came together. In RZA's basement, smoking and drinking with fellow Wu lyricist Masta Killa, RZA was sold on a routine he, GZA and ODB used to perform as teens. But I'll leave it to him to tell you all about it in this unforgettable performance.

This set was recorded when The Soul Rebels were in Washington, D.C. for a performance at the 9:30 Club that featured GZA and Talib Kweli. It was one of just a handful of live concerts GZA has done with the group.

SET LIST
"Living in the World Today"
"Duel of the Iron Mic"
"Liquid Swords"

MUSICIANS
GZA (emcee), Lumar LeBlanc (Drums), Derrick Moss (Drums), Manuel Perkins (Sousaphone), Julian Gosin (Trumpet), Marcus Hubbard (Trumpet), Erion Williams (Saxophone), Corey Peyton (Trombone), Paul Robertson (Trombone)

CREDITS
Producers: Abby O'Neill, Morgan Noelle Smith; Creative Director: Bob Boilen; Audio Engineer: Josh Rogosin; Videographers: Morgan Noelle Smith, Beck Harlan, Kara Frame, Dani Lyman; Production Assistant: Joshua Bote; Photo: Eslah Attar/NPR.

Kiss fan, check Paul Stanley's "Face The Music - A Life Exposed" audiobook. Here's part 2 of the best seller! Read by Paul himself! Remember to SUBSCRIBE (+ hit the notification bell) to catch future uploads.

| + | + | + Wanna more rock and roll like that? + | + | + |
| + | + | + Wanna keep these videos coming? + | + | + |

Please help the Wall Of Rock channel by doing 4 simple actions:

* HIT THE LIKE BUTTON *
* SUBSCRIBE *
* HIT THE NOTIFICATION BELL *
* SHARE WITH YOUR ROCK FRIENDS *

Let's make a BIG WALL OF ROCK together!

Best Arabic Remix 2022 | New Songs Arabic Mix | Music Arabic House Mix 2022
✔ Here is a summary of the best Arabic Remix 2021
🔔 Do not forget to open notifications and subscribe to our channel to follow the content on our channel closely.
🛑 Any copyright issues related to you, please email me directly, it will be removed immediately roomvip68pro@gmail.com
Tracklist:
[00:00:00] - 01. Deniz Zeren - Kan Durmaz (Remix )
[00:03:50] - 02. Ayaz Erdoğan ft Mengelez - Baba (Remix) (Neden Hep Kader Ödetti Bedel)
[00:07:59] - 03. İbrahim Tatlıses - Yalanmış (Remix )
[00:11:43] - 04. Gökçe Kırgız - Adını Anmam (Remix )
[00:14:43] - 05. Yusuf Ekşioğlu - Arabic Violin (Mix)
[00:18:01] - 06. Aalach ( Arabic Remix ) 2022
[00:21:09] - 07. Arabic Remix - Habbek (Remix )
[00:24:06] - 08. Yasmin Niazy - Nehiaty Maak - ياسمين نيازي - نهايتي معاك (Remix )
[00:27:46] - 09. Arabic Remix - Alhubi (Remix) ريمكس عربي - الحب الصغير 2021
[00:31:33] - 10. ღ Музыка Востока Arabic remix cameleon LILA 2022
[00:34:24] - 11. Sıla Şahin & Necibe Gül - Hırsız (Remix)
[00:37:32] - 12. Kadr - Hakim Bey (Remix )
#arabicremix
#musicarabic
#bestarabicmix

St. Elsewhere Season 2 theme by Dave Grusin

The Tiny Desk is working from home for the foreseeable future. Introducing NPR Music's Tiny Desk (home) concerts, bringing you performances from across the country and the world. It's the same spirit — stripped-down sets, an intimate setting — just a different space.

Felix Contreras | January 12, 2022
It’s fair to say Mon Laferte is a musical chameleon. The Chilean vocalist’s output of late has covered a vast swath of musical styles from Latin America, from big-band mambo to electronic dance club jams with a hint of reggaeton, and a few stops in between. The secret to the successes of these stylistic changes is the level of imagination and creativity she infuses in each turn.

So, it didn’t surprise me that her contribution to our Tiny Desk (home) concert series is a visual treat as much as it is a musical one. The opening strains of “Tu Falta de Querer” introduce a cabaret-styled small orchestra and a character who appears to be left at the altar of a small intimate colonial church. She’s in torch-singer mode throughout the four-song performance; take these lyrics from the first cut: “Ahora domiré / Muy profundamente para olvidar / Quisiera hasta la muerte, para no pensar / Me forro pa’ quitarme esta amarguara” (“Now I'll sleep very deeply to forget I would like, until death, not to think. I erase you to take away this bitterness”)

The 10-piece small orchestra is a combination of Mexican folkloric music and European chamber music, mixing the ukulele-like jarana, an oboe, a tuba, and the violins often used in mariachi. The arrangements are the perfect vehicle for Laferte’s impassioned combination of blues and ranchera vocals.

There is much to appreciate in Laferte’s celebration of the spiritual (the church setting) and the passions of everyday life (her torch singing). In fact, I can’t think of many other vocalists who would be able to pull this off with as much grace, style and artistic vision as Mon Laferte does.

SET LIST
"Tu Falta de Querer"
"Por Qué Me Fui A Enamorar de Ti"
"Se Me Va A Quemar El Corazón"
"Placer Hollywood"

MUSICIANS
Mon Laferte: vocals
Sebastián Aracena: guitar, docerola
Tonatiuh Mejía: piano
Diana Gaby: tuba
Obed Calixto: guitar, docerola, jarana
Santiago Ortiz: percussion
Alonso Sánchez: flute
Ismael Fernandez: clarinet
Arielle Amezcua: oboe
Braulio Hernandez: bassoon
Obed Vazques: horns, spoons
Alex Soto: vocals Auro: vocals
Cancamusa: vocals
Carmen Ruíz: vocals
Daniel Quién: vocals
Ele Huex: vocals
Eli Moya: vocals
Grtsch: vocals
Irina Índigo: vocals
La Morra De La Vihuela: vocals
Lorena Gutiérrez: vocals
Mati Santos: vocals
Maxulyses: vocals
Mica Schlieper: vocals
Rulo: vocals
Vivir Quintana: vocals

CREDITS
Director and Editor: Camila Grandi
Production Manager: Fernanda Casillas
Producer: Florencia Quinteros
Production Assistants: Pamela Diaz, Jimena Garate
Assistant Director: David Castañón
Color: Sergio Bejarez
Director of Photography: Sebastián Cantillo
Camera 1 AC: Sofía Ramos
Camera 2 AC: Javier Silvestre González
Camera Op: Pablo Bernst
Photographer: Fija Mayra Ortiz
Gaffer: Gustavo Calderón Rodriguez
Steadicam: Enrique Moncada
Camera Manager: Guillermo Vidal
Digital Imaging Tech: Juan José Olivares
Art Direction: Josechu Garrido
Swings: Julio Santos, Eric Jasso
Musical Production and Direction: Manu Jalil
Mixing Engineer: Abelardo Rivera
Mastering Engineer: Chalo González
Musical Arrangement: Manú Jalil, Marco Uriel Jiménez
Recording Engineer: Manú Jalil, Juan José León
Location: Bajo La Montaña

TINY DESK TEAM
Producer: Anamaria Sayre
Video Producer: Kara Frame
Audio Mastering: Andy Huether
Tiny Production Team: Bob Boilen, Bobby Carter, Maia Stern, Josh Rogosin, Joshua Bryant, Sofie Hernandez-Simeonidis
Executive Producer: Keith Jenkins
Senior VP, Programming: Anya Grundmann

#tinydesk #nprmusic #monlaferte

Drake Interview: Talks Tour 2023, New Music, SZA Album, Honestly Nevermind, Her Loss Memes & More!

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This video is taken from a live stream Drake on 17th December 2022.

Melissa Manchester - Don't cry out loud

Provided to YouTube by Arista/Legacy

Don't Cry Out Loud · Melissa Manchester

The Essential Melissa Manchester - The Arista Years

℗ 1978 Arista Records LLC

Released on: 2018-09-14

Composer, Lyricist: Peter Allen
Composer, Lyricist: Carole Bayer Sager

Auto-generated by YouTube.

The Tiny Desk is working from home for the foreseeable future. Introducing NPR Music's Tiny Desk (home) concerts, bringing you performances from across the country and the world. It's the same spirit — stripped-down sets, an intimate setting — just a different space.

Abby O'Neill | August 31, 2020

For her Tiny Desk (Home) Concert, Tiwa Savage returned, from London, to her birthplace of Lagos, Nigeria. She and The Alternative Sound band set up at the beautiful Jazzhole, a historic vinyl shop well-regarded among record collectors for the rarities within.

"As much as I would have loved to have performed at Bob's desk," she wrote to us in email afterwards, "I am really honored to have captured my session in my home city of Lagos, Nigeria. The Jazzhole is a happy place for me and always feels like home." With floor-to-ceiling shelves packed with books and albums as a backdrop, it certainly seems familiar to us, too — reminiscent of our performance cubicle at NPR HQ.

Tiwa, a veteran R&B and Afrobeat singer who began her career at age 11, has an enthralling elegance — both with the soft tonality of her voice and her striking natural beauty. On "Dangerous Love" she speaks to matters of the heart, takes a detour to the Reekado Banks single "Like" that she featured on, before wrapping the set with her newest single, "Koroba," which blends her native Yoruba language with Nigerian Pidgin English, underpinned by a catchy, feel-good rhythm.

SET LIST
"Dangerous Love"
"Attention"
"Like"
"Koroba"

MUSICIANS
Tiwa Savage: vocals; Stanley Unogu: drums; Gospel Obi: keys; Orowo Ubiene: keys; Phillip Akinkuande: guitar; Kenneth Ogueji: bass

CREDITS
Video by: JM Films; Audio by: Michael 'Mystro' Ajayi; Producer: Abby O'Neill; Audio Mastering Engineer: Josh Rogosin; Video Producer: Maia Stern; Associate Producer: Bobby Carter; Executive Producer: Lauren Onkey; Senior VP, Programming: Anya Grundmann

Robert Glasper - keys
Casey Benjamin - sax & vocals
Derrick Hodge - bass
Mark Colenburg - drums

The Tiny Desk is working from home for the foreseeable future. Introducing NPR Music's Tiny Desk (home) concerts, bringing you performances from across the country and the world. It's the same spirit — stripped-down sets, an intimate setting — just a different space.

Abby O'Neill | November 16, 2020
Enter the unassuming and innately talented Michael Kiwanuka from a "rainy London" flat that's dimly lit with a vintage feel. The Mercury Prize-winning musician evokes an all-encompassing softness in spirit as he leads viewers into the "Light," the first of five songs in his Tiny Desk (home) concert. The warm texture of his voice and tenderness of his soul belie the depth of his songwriting, which ranges from sociopolitical works to songs revealing the inner chambers of self-exploration. Featuring material from both Love & Hate and his more recent award-winning Kiwanuka, this is an absolutely stunning performance.

SET LIST
"Light"
"Hard To Say Goodbye"
"Hero"
"Cold Little Heart"
"Solid Ground"

MUSICIANS
Michael Kiwanuka: vocals, guitar, keys

CREDITS
Video: Eoin McLoughlin
Audio: St. Francis Hotel

TINY DESK TEAM
Producer: Abby O'Neill
Video Producer: Morgan Noelle Smith
Audio Mastering: Josh Rogosin
Associate Producer: Bobby Carter
Tiny Production Team: Bob Boilen, Kara Frame, Maia Stern
Executive Producer: Lauren Onkey
Senior VP, Programming: Anya Grundmann

Two rappers on the rise to hip-hop stardom became fast friends — and even faster enemies, which may have led to their untimely passings.
Their worlds seemed destined to collide. They were two of the most talented hip-hop rappers on the scene. And they both were dedicated to exposing the truth of the tribulations of life on the streets, social injustice and the racial divide. But the biggest difference between Tupac Shakur and Biggie Smalls: They represented different coasts.
What exploded into arguably the biggest rivalry in music history, ended up in the death of both artists, just as their careers were skyrocketing. Tupac (also known as 2Pac) was gunned down on September 7, 1996, and died six days later, while Biggie (also known as the Notorious B.I.G.) was shot and killed six months later on March 9, 1997.
Neither murder has ever been solved. But one thing that there’s no question about is that they started off as friends.

I studied the top producers to see how they made their income and came up with these top 3 methods! If you want more content gone head and click that subscribe button!


























How to make a 30,000 a month selling beats with no followers!



IM Limbo and this is How to make 30k a month selling beats online, let's get straight into it.

There are bunch of different ways to make money as a music producer, but I'm going to talk about the top 3 I've seen people have the most success with.


Before I tell you what these are it is crucial that you spend time to work on your craft and really get good and making beats. Because its going to be a lot easier to sell a product that’s actually fire!

Method number. 1 Collab sales! What do you mean collab sales? You send big producers who are already gettingsales, your loops, they use it to make a beat, that beat sales and you split the profits 50/50. You can find the email to most big producers by simply typing in type beats on youtube and they will post their email in the description of the video, also it is a good idea to send the same type of loop as the type beats they make, for example if the make drake type breats, you should probably send same drake type loops. Also it may sound counterintuitive, but you can also just pay for a collab from most big name producers. Because this guarantees they will use the loops you send them. Which a lot of smaller artist have actually gotten placements (description of what a placement is on the screen). And make lifelong connections through this. An example of a producer using the collab method would be Kavhi who was making around around 40,,000 per month and had no following at all. He was just sending fire loops to big name producers!

Method Number 2. Niche specific Type beats. This is where you create a type beat channel on youtube, but instead of posting big artist type beats, like Drake or Kendrick you instead post smaller artist like Bas or dro kenji type beat. And doing this you avoid the competition of all the bigger channels making type beats for those bigger artist. Now this method isnt as quick, because it takes time to build up a youtube channel, but it has a huge payoff because 1. You dont only get paid from selling your beats, but you also get paid for the views through google adsense too. There are so many producers who have made millions doing this method some of which being CashMoneyAP, Ant Chamberlin, and Dillygotitbumpin

Yo Before I Tell you guys the last method, i do ask if you are lkiking this video so far go ahead and subscribe and drop a like. Aight back to it

Method number 3 Dming Artist on instagram. I understand not a lot of people like this method because they feel like its spammy… but it works. The reality is most artist dont know you or what your beats sound like, but ALL OF THEM will need beats! Best way to find artist on instagram is to go to pages that promote upcoming artist, and most of them on will have paid to be promoted on that page which means they invest money in theyre music career, so these are the people who are most likely going to purchase a beat from you.This method is how Kyle Beats went from selling no beats to making thousands weekly

Let me know in the comments which method you guys think is the best. And Cya!

James Brown being interviewed after being arrested for allegedly assaulting his wife with a lead pipe and firing a gun at a car she was in.